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    Monica Lewinsky wants to get out the vote – one $300 blazer at a time

    Last Friday, the LA-based brand Reformation, best known for its silky, floral dresses, teased an image from a forthcoming workwear collection. The pictures on Instagram featured a woman with her back turned to the camera wearing a black pencil skirt, white shirt and pointy heels in an office overlooking a city skyline. “We’re giving you the power. With some help from a friend,” read the cryptic caption.Fast forward to Monday and that “friend” was unveiled as Monica Lewinsky. In the images, the writer and activist wears various pieces from the collection, including a cream trouser suit (from £298; $278), a belted leather trench coat (£798; $798) and cherry-red flared midi skirt with a matching sleeveless top (£298).But there’s more to the campaign than great silhouettes. With the US presidential election only eight months away, Reformation has teamed up with Vote.org, a nonpartisan organisation that helps register people to vote. The Reformation homepage now has a “voting hub”, featuring information on how to vote, and the brand is also donating all of the proceeds from a £78 ($78)sweatshirt emblazoned with the words “You’ve got the power” to the nonprofit.View image in fullscreen“Our voice is our power,” Lewinsky said in a statement released by the brand. “It’s pretty simple: Voting is using our voice to be heard and it’s the most defining – and powerful – aspect of democracy. Voting is always important, but the stakes are especially high this year, with voter frustration and apathy threatening to meaningfully impact turnout.”In the past, many fashion brands have distanced themselves from politics, fearing it would alienate shoppers. But in recent years they’ve had to change tactics to capture the attention of an ever-more politically engaged customer base. A 2020 study by Vogue Business found that more than half of Teen Vogue readers supported campaigns to encourage voting while 61% of readers believe fashion and beauty brands have a duty to address social issues. The next US presidential election will be crucial for young people born between the late 1990s and the early 2010s – with 40.8 million of them now eligible to vote.For those questioning whether 50-year-old Lewinsky resonates with today’s youth, a quick scroll through the comments section on Reformation’s Instagram page featuring statements such as “Chills. Screaming. Dying” and numerous users calling her “mother” suggest she does. Many reference her TedTalk about online shaming that has racked up more than 21m views.skip past newsletter promotionafter newsletter promotionOver the next couple of months expect to see more brands engaging with politics but safely focusing on voter apathy rather than on endorsing a specific candidate. During the run-up to the 2020 US election, the luxury department store Saks Fifth Avenue set up voting registration at its flagship shop in New York, Ralph Lauren declared election day a company-wide holiday and Crocs released a “Vote” shoe charm. As Paris fashion week gets underway, could we see another “Vote” sweatshirt similar to the one Nicolas Ghesquière sent down the Louis Vuitton spring-summer 2021 catwalk? Or could Lewinsky be a new front-row favourite? Watch this space. More

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    A skirt served my grandfather well in the first world war | Brief letters

    Re your letters about men’s skirts (12 January), I am proud to say that my grandfather fought his way through the whole of the first world war wearing a khaki skirt. As a soldier he was part of the London Scottish regiment fighting in the trenches. Furthermore, it is said that his fellow soldiers told that he shaved every day.Mary TippettsBristol It’s useful to get a clear sight of what really matters to the UK and US governments. The prompt military action against Houthis in Yemen (Report, 11 January) shows clearly that any threat to global trade and the smooth running of capitalism is far more important than meaningful action to protect Palestinian civilians in Gaza.Norman MillerBrighton I agree with the first eight reasons (Yes, it’s cold, it’s wet and it’s dark – but here are nine reasons to love January, 14 January), but I take issue with number nine: “It really can’t get any worse.” What about February?Geoff SmithEndon, Staffordshire Re dramas that have changed history (Letters, 14 January), Harriet Beecher Stowe, who wrote Uncle Tom’s Cabin, was allegedly greeted by Abraham Lincoln during the American civil war with the words: “So you’re the little woman who wrote the book that started this great war.”Tom StubbsLondon What’s all this about men in their 70s wearing underpants (Letters, 14 January)? Gosh, I must try it sometime.Toby WoodPeterborough More

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    Trainers are now allowed in the US Senate – so why on earth can’t I wear them to a party? | Emma Brockes

    It was John Fetterman, the Democratic senator for Pennsylvania with a penchant for “unapologetically wearing shorts” while on duty in the Senate, who seems to have broken the system. Last week, when the majority leader, Chuck Schumer, announced a relaxing of the dress code on the Senate floor, he didn’t mention Fetterman. But nobody was fooled. For weeks, Fetterman has been attracting attention in his baggy shorts, shapeless hoodie and massive, scruffy trainers – and now look what he’s done. Stepping up to provide journalists with the mandatory quote on these sorts of occasions, Republican senator Roger Marshall observed gravely that it was “a sad day in the Senate”.When questioned on the matter, Fetterman remarked that the clothes, which he started wearing after a spell in hospital for depression earlier this year, made him more comfortable. There’s probably a pandemic hangover at work here, too – and possibly, given the state of the world, some fiddling-while-Rome-burns displacement. Traditionally, the Senate’s sergeant-at-arms would pull up male senators for appearing tieless on the floor, and out of respect they would vote from the doorways. The understanding is that, from now on, they may be emboldened to take their place alongside colleagues in something more casual.All of which falls into the familiar and pleasing category of the slipping-standards-it-wasn’t-like-that-in-my-day outrage, other iterations of which include people wearing jeans to the theatre, going hatless at weddings and running multibillion-dollar companies from inside an oversized hoodie. If there is a single, pivotal influence at work it is the last one: the uniform of the tech industry, where suits have come to be associated with small-minded, non-disruptive thinking, while dorm room sweats and sneakers, or at the very most jeans and a white shirt, signify the visionary.I find it hard to pick a side in this debate, operating as I am from the disadvantage of working in an industry where formal attire means finding a T-shirt that doesn’t have a stain down the front. And I’ve shifted positions over the years. For example, having once been strongly in favour of school uniforms, the experience of having kids in a US school – one of them sits all day wearing a baseball cap backwards and the other, occasionally, shows up in pyjama bottoms – has conditioned me out of it. British uniform requirements that legislate down to the socks and hair accessories look prissy and pointless in comparison.I also find myself thinking that definitions of what constitutes formal attire need to change. I have to go to dinner on a fancy ship soon and the dress code stipulates no jeans or sneakers. I’m willing to argue the toss on jeans. But sneakers, come on. This overlooks the sheer breadth of the trainer spectrum, which ranges from Fetterman’s sloppy workout shoes to Virgil Abloh’s Off-White for Nike sneakers that are more expensive and greater works of art, if you want to look at it that way, than what would be considered the more appropriate attire of (in my opinion) dumbass Manolos and their brethren.Anyway, what a time to be alive in the Senate. Colleagues of Fetterman’s fell into line for or against him largely along partisan lines, although that division wasn’t entirely uniform. It was noted that Josh Hawley, Republican senator for Missouri, rocked up in jeans, boots and no tie last week, an outfit he says he normally wears at the start of the week when he flies in from his home state and was reportedly very happy not to have to change out of.Republican senator Susan Collins of Maine, meanwhile, joked: “I plan to wear a bikini tomorrow to the Senate floor,” prompting various unsisterly thoughts that had to be immediately quashed. As one of a minority of women in the Senate, there’s a decent feminist point Collins might have made about all this, although, of course, she didn’t; no one looks to Collins – who voted to confirm Brett Kavanaugh to the supreme court because he gave her his word he wouldn’t challenge Roe v Wade – to defend the interests of women. The fact remains: had either she or one of her 24 female colleagues pulled a number like Fetterman and turned up, as he himself characterised it, looking like “a slob”, I have a hunch the response might not have been so indulgent and jovial.
    Emma Brockes is a Guardian columnist More

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    ‘It’s powerful’: how John Fetterman’s hoodie won the popular vote in Pennsylvania

    ‘It’s powerful’: how John Fetterman’s hoodie won the popular vote in PennsylvaniaEven as detractors portrayed him as a ‘bum’, senator-elect’s clothing summed up beliefs, says sociologist By his own admission, Pennsylvania’s new senator-elect, John Fetterman, does not look like “a typical politician”.Just over 6ft 8in with a goatee, tattoos on his forearms and a strong tendency toward workwear (for his official portrait, he chose to sit in a creased, grey Dickies camp shirt in front of the US flag), Fetterman has been described as the state’s first “workwear senator” as well as “a dude in shorts”.Yet in spite of this – or perhaps because of it – he broke the Republican grip on Pennsylvania’s white working-class vote while wearing a black Carhartt hoodie, a garment “that isn’t fancy, is well made, and crucially will last – all qualities that a politician like Fetterman probably wants to convey in what he’s wearing”, says Erynn Masi de Casanova, professor of Sociology at the University of Cincinnati and author of Buttoned Up: Clothing, Conformity, and White-Collar Masculinity. “Put simply, this hoodie is an easy way to read what he seems to stand for”.Fetterman’s unreconstructed wardrobe – which also includes a lime green neck gaiter, indigo Levi’s 501s, oversize board shorts and, in a strange quirk, a pair of Maison Margiela side-zip boots that cost several hundred dollars – has become something of a talking point since the former mayor entered US politics.Hailed as a style icon by GQ in 2020 while still lieutenant governor, he responded on Twitter that he had “negative fashion sense”. Pressed for further comment, he wrote a blog on Medium in which he stated: “I do not look like a typical politician, nor do I look like a typical person” – alluding to his height – before explaining why he has tattoos: on his left arm is 15104, Braddock’s zip code, the mining town where he was previously mayor, and on the right are the dates of five murders committed in the town since his election.But it’s the hoodie that has dominated the narrative. Casanova says: “It’s strange that we continue to imbue an item that almost everyone has in their closet with so much meaning.” Still, context is everything. Rishi Sunak was mocked by most of the British media for wearing a grey Everlane hoodie (roughly the same price as Carhartt, though more gym-friendly) at his desk, while in 2019, the Québec Solidaire politician Catherine Dorion was so derided for wearing an orange hoodie in the legislative chamber that she had to leave the room. But since none of the above wore theirs to cast their vote, campaign or even to meet President Biden, in wearing one, Fetterman has “brought a certain visibility to himself”, says Casanova.The fact it’s from Carhartt only adds to its visibility. Originally based in Detroit, Carhartt began making workwear, often triple-stitched for durability, for workers in labour-intensive industries during the great depression. Today, the label’s core customers are split between hipsters and these blue-collar workers. Fetterman may have got a master’s degree at Harvard, but he comes from a mining town; in wearing a Carhartt hoodie, however authentic this choice may be – “and I think it really is what he wears rather than a costume”, says Casanova – he’s recognisable to many of the people who vote for him, and is capitalising on that. In the run-up to the midterms, his Republican opponent, Dr Mehmet Oz, described Fetterman as a “basement bum”. When Fetterman retaliated by mocking Oz’s “Gucci loafers” for being out of touch, the post went viral.Hoodies like Fetterman’s are 10-a-penny across the western world, yet the media climate still dictates that it is unusual for a politician to wear one. “Pennsylvania is its own unique thing with a very strong history of labour, which is more important than the costume,” says the US political commentator Luke O’Neil. Fetterman is not unaware that he is conferring the dignity of blue collar workwear on to the act of politics, yet as O’Neil says, he’s also “just some guy wearing what feels comfortable”.Hoodies are the final bastion in the gradual casualisation of political attire, which began when JFK eschewed a hat for his 1961 inaugural address and was last deployed when Barack Obama rolled up his sleeves to sit with diners on the campaign trail. In his Medium post, Fetterman alluded to the fact that he lacked “the political metaphorical sleeves to roll up – all I ever wear are short-sleeve work shirts because hard work is the only way to build our communities back up”.What happens to his wardrobe if Fetterman progresses remains to be seen. In the House of Representatives, men must wear a coat and tie at all times while Congress is in session. Fetterman owns a suit – most publicly worn when he was sworn in as lieutenant governor in 2019 – but insists that he mostly wears it at Halloween.What politicians wear has the power to invent and even sustain their identity, and Fetterman’s hoodie is a case in point. “If that means it’s pathologised for some nefarious reason by his critics then it’s all the more powerful”, says Casanova. “It’s clearly working for him, though, so he’ll probably be laughing all the way to the Senate.”TopicsUS politicsfeaturesReuse this content More

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    Jill Biden axes Melania Trump’s blood trees for restrained Christmas decor

    Jill Biden axes Melania Trump’s blood trees for restrained Christmas decorAfter her predecessor’s terrifying vision, the first lady’s minimal display strikes a polite and safe tone You’ve heard the faint murmur of All I Want for Christmas Is You, you’ve seen people swapping their pumpkin spice lattes for Starbucks Eggnogs and Jill Biden has unveiled the White House’s Christmas decor. Yes, Christmas is officially here.She’s following seasonal protocol: since 1889 the White House has been marking the beginning of the season with an interiors makeover. JFK and Jackie’s version gave Lana Del Rey and other fans of classic Americana inspiration for life, Lady Bird Johnson went “peace and love” in 1967 putting a wreath of flowers on hers, the Reagans gave it full 80s glam by allowing Mr T to co-star in the photo-op as Santa (JR from Dallas did the honours the following year) and Hillary Clinton memorably threw everything at her tree in classic overachiever style.But never has the phrase “DECK THE HALLS!” sounded so threatening as when Melania Trump become chief of staff of interior Christmas decorating. Blood trees (Twitter never forgets), ivory white sticks that resembled witches fingers and enough Christmas lights that suggested a special cut-price deal with the power grid. The overall mise en scène Trump was emoting seemed to be The Handmaid’s Tale meets the launch of my premium brand of Glaceau smartwater in Elsa from Frozen’s ice castle.Jill Biden has gone minimal by comparison. The theme is “Gifts from the Heart”. And if that sounds like the name of a Celine Dion Sings the Seasonal Classics-type affair, well, you’d be right. Dr Biden was inspired by the people she’d met while her husband was campaigning, according to Associated Press. There’s a gingerbread White House diorama, candy cane-like stockings sized apparently to fit a baby elephant’s foot and The Tree. Well, The Tree is bursting with life, with white tinsel wrapped around to look like white doves of peace. It’s polite. It’s safe. And after four years of hell, it’s just a relief.Still, there’s certainly a wave of nausea when one looks at the gold-plated leaves adoring the tree in the light of the unemployment numbers and The Great Resignation.The big takeaway question we have, though, is: with all the supply chain issues, what’s exactly in those big red boxes?With Omicron likely to become the Grinch that stole Christmas (again), maybe these pictures should be seen as normal-time placeholders. With your normally scheduled Christmas set to recommence some time in 2025. Now, let’s all suspend our collective beliefs and stare at those huge stockings again.For a full look at Jill Biden’s Christmas decorations, click here.TopicsChristmasJill BidenUS politicsfeaturesReuse this content More

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    Kyrsten Sinema doesn’t want people discussing her clothes – she could distract them by communicating | Arwa Mahdawi

    Kyrsten Sinema doesn’t want people discussing her clothes – she could distract them by communicatingArwa MahdawiThe Arizona senator’s flamboyant attire and ever-changing style has inspired headlines and intrigue The Arizona senator Kyrsten Sinema, who memorably posted a photo of herself wearing a ring that said “Fuck Off”, thinks it is offensive that the media keeps discussing her sartorial choices. Sinema has become a household name in recent months because of her resistance to Joe Biden’s Build Back Better agenda, but her flamboyant attire and ever-changing style has also helped keep the senator in the news. She’s inspired headlines such as Kyrsten Sinema’s Style Keeps Us Guessing (The New York Times) and Take note, AOC – Kyrsten Sinema’s bad style actually makes a statement (The New York Post).“It’s very inappropriate,” Sinema told Politico on Wednesday. “I wear what I want because I like it. It’s not a news story, and it’s no one’s business. It’s not helpful to have [coverage] be positive or negative. It also implies that somehow women are dressing for someone else.”‘Medium is the message’: AOC defends ‘tax the rich’ dress worn to Met GalaRead moreIt doesn’t matter whether you’re a senator or a schoolkid, female clothing is unfairly policed. Professional women often find themselves getting scrutinized for their fashion choices in ways that their male counterparts are not. But does that mean, as Sinema seems to be suggesting, that it is automatically sexist or inappropriate to comment on what a female politician is wearing? Of course not. Fashion has always been used to make political statements and there are plenty of examples where a woman’s clothing or appearance is a legitimate news story. When Alexandria Ocasio-Cortez was sworn in as congresswoman, for example, she wore all-white to honour the suffragettes and Shirley Chisholm. In this instance, she was very much dressing for someone else.Style can have substance. One of the most famous examples of this is Madeleine Albright who used jewelry to communicate her views when she was secretary of state. “I found that jewelry had become part of my personal diplomatic arsenal,” Albright has said. “While President George HW Bush had been known for saying ‘Read my lips’, I began urging colleagues and reporters to ‘Read my pins.’”Sinema, who rarely speaks to reporters, hasn’t explicitly urged anyone to “read her pins”, but it often seems like she wants people to pay attention to her wardrobe. Last year she wore a bright purple wig on the Senate floor; after voting she pointed at her wig, just to make sure everyone knew it was her. “Kyrsten is continuing to call attention to the need for all of us to stay home as much as possible and practice social distancing – which she is diligently practicing, including from her hair salon,” her spokeswoman later said. So are her fashion choices no one’s business, as she told Politico, or is she using them to make a political statement? I’m confused.But that’s the Sinema effect: she’s the former Green party-aligned activist who ran on a progressive policy platform then, as soon as she got into power, became one of the biggest roadblocks to getting any progressive policies passed. She’s nominally a Democrat, but is so chummy with the GOP that the Republican senator John Cornyn has said he “would be surprised if Republicans tried to unseat” Sinema in 2024. (He’s since walked that back a little.) She’s nothing if not inconsistent.One reason that so much attention is paid to the senator’s clothes is that people are desperate to understand what (if anything) she stands for, and clothes seem to be one of the main ways she expresses herself. Sinema seems to have forgotten that she is a public servant and that part of her job is communicating with the people she represents. She doesn’t hold public events for her Arizona constituents; she doesn’t communicate with the local progressive groups who got her elected or even her previous allies; she rarely gives interviews and, when she does speak to the press, says little of substance. The New York Times has described her as “one of the most elusive senators on Capitol Hill”; the Politico piece noted that “even after an extended interview, the first-term Democrat holds onto the air of mystery that’s become a signature part of her political brand”.Sinema owes no one an explanation for how she dresses, but there are plenty of other things she owes us all an explanation for. Like whether all the money big pharma has been sending her way has anything to do with her U-turn on drug prices. Sinema campaigned on lowering drug prices and making healthcare more affordable in her 2018 Senate race; as a senator she had the opportunity to help Biden do just that but instead was instrumental in massively watering down drug pricing reforms. She hasn’t given the public any details regarding this shift – just as she hasn’t given the public any meaningful details on why she is raking in so much money from multilevel marketing businesses (often criticized as pyramid schemes). If Sinema wants people to focus on her work instead of her wigs, then maybe she should remember who she is supposed to be working for. If Sinema starts providing much-needed explanations about what she stands for, there might be rather less talk about the thigh-high boots she’s standing in.TopicsFashionArizonaUS politicscommentReuse this content More

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    AOC’s guide to getting noticed at parties: drape yourself in the garments of class war | Van Badham

    OpinionAlexandria Ocasio-CortezAOC’s guide to getting noticed at parties: drape yourself in the garments of class warVan BadhamThe backlash to Alexandria Ocasio-Cortez’s ‘Tax the rich’ Met Gala dress was instant and glorious Wed 15 Sep 2021 00.42 EDTLast modified on Wed 15 Sep 2021 00.48 EDTAlexandria Ocasio-Cortez was not the only celebrity to take a political statement as her date to the Met Gala. The actor Cara Delevingne celebrated the “American Independence” theme of the visually dazzling annual ball in a vest that read “Peg the Patriarchy”. The US congresswoman Carolyn Maloney was resplendent in a “suffragette gown” made of trailing “Equal rights for women” banners. The actor Dan Levy donned Aids-era queer art. The Trump-baiting football megastar Megan Rapinoe carried a dainty purse embossed with the words “In gay we trust”.‘Medium is the message’: AOC defends ‘tax the rich’ dress worn to Met GalaRead moreBut it was AOC in a slyly bridal white Aurora James dress who made the most impact of the evening. James is an immigrant to the US, a black woman who built her brand from hard-work beginnings, selling her clothes in Brooklyn’s neighbourhood markets. Yet the congressional representative from New York’s 14th district bared her shoulders above James’ orchid-like couture creation not merely as a celebration of local effort and enterprise. The back of AOC’s gown came adorned with the words TAX THE RICH in the red Pantone shade “Beheaded Capitalist”.The backlash was instant and glorious. It was something of a delight to watch the US right prioritise a conniption about economic redistribution over so many immediate visible opportunities to be sexist and homophobic. Then again, the theme of “America” has always been implicitly twinned with “money” and, while capitalism happily finds markets to exploit among girls and queers, collectivised wealth has never been the radical chic it prefers to embrace.A symbolic case in point is the Metropolitan Museum of Art, the host and beneficiary of the Met Gala. It’s a taxpayer-funded institution, legislated into existence to serve a century-old mission to “be kept open and accessible to the public free of all charge throughout the year”. Yet its famous Costume Institute must fundraise for itself, hence seeking voluntary contributions from rich people in the form of $35,000-a-head tickets to this disgusting, decadent, fabulous Met Gala annual party. This week’s event raked in $16.75m.There are those who condemn the fatuous, end-of-empire-level-indulgence event that sees Debbie Harry turn up as a floating ribcage while the more-money-less-talent Kardashian women conspicuously underwhelm on the couture front every year. I am not one of them. I say let the rich eat all the cake they want if paying for it means a kid from a poor community can experience, for free, the transformative joy of an accessible art museum. Or get care in a hospital. Or go to school. Find any way at all to squeeze the money out of them – indeed, this is the very principle of taxation.How lovely to see in the photography of a celebrity gala event that it’s a principle shared by AOC, whose dress was not actually a performance of faux activism but a press release in the form of wearable art summarising the activism she has made meaningful where it matters. The seismic leftward shift she’s effected on Democratic party politics and the political discourse beyond it has provided Joe Biden the vanguard for leftist policy ambition unthinkable to decades of party predecessors. It was the new US president – not AOC – who published on social media on Tuesday: “A teacher shouldn’t pay more in taxes than an oil company. We’re going to cut taxes for the middle class by ensuring the wealthy and large corporations pay their share.”The Met Gala 2021: eight key moments from fashion’s big nightRead moreI adore AOC. Not merely for her meticulous congressional preparation and policy work, her skilled questioning, or her Jacinda Ardern-like ability to calculate the most impactful ratio of ideological purity to ruthless pragmatism – remember, AOC did not waste her radical progressivism on a doomed minor-party project, but brought it with her to the centre of real power. I also adore her because she pre-empted criticism of her Met Gala appearance with a quote from Marshall McLuhan, the brilliant Canadian media theorist who predicted the internet back in the 1960s. Those awed by AOC’s adept use of social and other media to brand, communicate and radicalise others may wish to consider that she may have absorbed something of use from the man who pointed out “sheer visual quantity evokes the magical resonance of the tribal hoard”.In this way, she imparts in her person a specific instruction to urban young women desperate to be noticed, and yet overwhelmed by inaccessible standards of celebrity glamour, surgical beauty and unaffordable livery on show at the Met Gala. It’s “before you order the dress, do the reading”.There’s always one surefire way to get noticed at parties and it isn’t rocking up in a dress made from sequinned pantyhose, or aping the style of one of those 1970s dolls with big skirts that used to decorously cover the toilet paper. It’s to arrive AOC-style – in the blood-spattered garments of fighting class war.TopicsAlexandria Ocasio-CortezOpinionMet Gala 2021US politicsDemocratscommentReuse this content More

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    ‘Medium is the message’: AOC defends ‘tax the rich’ dress worn to Met Gala

    Alexandria Ocasio-Cortez‘Medium is the message’: AOC defends ‘tax the rich’ dress worn to Met Gala‘The time is now for childcare, healthcare and climate action for all,’ the congresswoman wrote on Instagram02:25Alexandra VillarrealTue 14 Sep 2021 14.06 EDTFirst published on Tue 14 Sep 2021 09.25 EDTWhen Alexandria Ocasio-Cortez wore a white gown with the message “tax the rich” emblazoned in red to the Met Gala, one of New York’s swankiest events, she was sure to ruffle some feathers.The Met Gala 2021: eight key moments from fashion’s big nightRead moreCritics duly disparaged the move as both hypocritical and tone deaf. The New York congresswoman, a leading House progressive, was happy to set the record straight.“The medium is the message,” Ocasio-Cortez wrote on Instagram.“NYC elected officials are regularly invited to and attend the Met due to our responsibilities in overseeing our city’s cultural institutions that serve the public. I was one of several in attendance. Dress is borrowed.”Ocasio-Cortez was also determined to use the spotlight to reiterate her commitment to principles that have made her both an icon and a lightning rod on the national political scene, widely known by her initials, AOC.“The time is now for childcare, healthcare and climate action for all,” she wrote. “Tax the Rich.”The dress turned heads at arguably the hottest red carpet event of the year. Ocasio-Cortez lauded Aurora James, the Black, immigrant creative director and founder of luxury brand ​​Brother Vellies, for helping her “kick open the doors” at the Metropolitan Museum of Art.“Fashion is changing, America is changing,” James said, according to Vogue. “I think Alexandria and I are a great embodiment of the language fashion needs to consider adding to the general lexicon as we work towards a more sustainable, inclusive and empowered future.”Fans dubbed the look “simply iconic” and called Ocasio-Cortez “an anti-capitalist queen”. Some appreciated that when surrounded by the elite, Ocasio-Cortez chose to flash a message meant to make fellow guests sweat.“AOC wearing this dress at an event full of rich people … this woman has more balls than any man in Congress,” one supporter tweeted.Detractors across the political spectrum highlighted what they saw as hypocrisy.“If [AOC] hates the rich so much, why is she attending an event that only the wealthiest people in America can afford to attend?” asked writer David Hookstead.Vanessa Friedman, fashion director for the New York Times, called the disconnect between Ocasio-Cortez’s appearance at the gala and her message “a complicated proposition”.A leading progressive voice, Black Lives Matter Greater NY, accused the congresswoman of being “performative” and “not very socialist”, especially after protesters were arrested outside the Met.“If you wanted to party with celebs … we get it,” a statement said. “But this right here cannot be excused.”Others came to Ocasio-Cortez’s defense, noting how her dress made a “core message” go viral.In response to her critics, Ocasio-Cortez wrote on Instagram that she was accustomed to being “heavily and relentlessly policed from all corners politically”.“Ultimately the haters hated and the people who are thoughtful were thoughtful,” she wrote. “But we all had a conversation about Taxing the Rich in front of the very people who lobby against it, and punctured the fourth wall of excess and spectacle.”TopicsAlexandria Ocasio-CortezMet Gala 2021US taxationUS politicsnewsReuse this content More