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    Trump Hits Coachella, Campaigning Once Again in a Blue State

    Both presidential campaigns agree that seven swing states are likely to determine the outcome of this year’s election. California, which has not voted for a Republican in a presidential race since 1988, is not one of them.But that did not prevent former President Donald J. Trump from heading there anyway on Saturday evening to hold a rally in Coachella, which is better known for its annual music festival with headliners like Lana Del Rey and Bad Bunny than it is for being a stop on a presidential campaign trail.It was an unusual choice 24 days before the election. In 2020, Mr. Trump lost the state by more than five million votes to President Biden. Four years earlier, Mr. Trump lost the state to Hillary Clinton, who got more than 60 percent of the vote. The last Republican to win the state was George H.W. Bush.Although Mr. Trump is not expected to be competitive in California, the rally showed that he could turn out a crowd. Throngs of people at Calhoun Ranch, where it was held, braved the desert sun and temperatures that hovered near 100 degrees, with several attendees requiring medical attention for heat-related illnesses.“I want to give a special hello to Coachella,” Mr. Trump told the crowd, before putting on a red Make America Great Again cap for protection from the desert sun.Mr. Trump then spoke for about 80 minutes in a rambling speech. He criticized California, Vice President Kamala Harris’s home state, as an incubator of failed liberal policies; disparaged the physical appearance of Representative Adam Schiff, who led the first impeachment trial of him and is now running for Senate; used a crude nickname to refer to the state’s governor, Gavin Newsom; and took a number of detours to praise the billionaire Elon Musk and to criticize President Biden.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Conservative German Princess Says She Hosted Justice Alito at Her Castle

    Princess Gloria von Thurn und Taxis said Justice Alito and his wife were guests at St. Emmeram Palace for a summer music festival. She called the couple her “friends” and the justice “a hero.”An eccentric German princess who evolved from a 1980s punk style icon to a conservative Catholic known for hobnobbing with far-right figures said on Monday that she hosted Justice Samuel A. Alito Jr. and his wife at her castle during a July 2023 music festival.Princess Gloria von Thurn und Taxis also told The New York Times that she viewed the justice as “a hero.”“He is pro-life in a time where the majority follows the culture of death,” she wrote in a text exchange with The Times. She then typed a skull emoji, adding, “Christians believe in life. The Zeitgeist is nihilistic and believes in destruction.”The 64-year-old princess said that Justice Alito and his wife, Martha-Ann, are her “friends” and that after her castle festivities, the three attended the opening of the Bayreuth Festival, the world’s premier venue for the performance of Wagner’s operas.The details of the princess’s gift and the justice’s travels emerged after Justice Alito listed a $900 gift of concert tickets on his annual financial disclosure form, which was released late last week. The disclosure has prompted a new round of scrutiny of the justices, who have been in the spotlight after a series of revelations that some of them — most notably Justice Clarence Thomas — failed to report lavish gifts and travel from wealthy benefactors.Justice Alito was the focus of a ProPublica report for failing to disclose a private jet flight paid for by a conservative billionaire who later had cases before the court. The jet trip was part of a luxury salmon-fishing vacation. Justice Alito, in an opinion column in The Wall Street Journal before the article was published, maintained that he did not have a conflict in accepting the “hospitality” and that he was not obligated to disclose the trip.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘We’re in a constitutional crisis’: Adam Kinzinger warns of chaos at documentary premiere

    Adam Kinzinger reiterated his support for Kamala Harris in the US presidential election at the Toronto film festival on Saturday, but warned that there may be more eruptions of violence should she win.The former Republican congressman, whose party turned against him when he voted to impeach former president Donald Trump after the January 6 insurrection, was speaking to an audience following the world premiere of The Last Republican.The crowd-pleasing documentary, with healthy doses of comic relief in its coverage of outrageous and tragic political events, follows Kinzinger for over a year as he endures the fallout from his efforts to hold Trump accountable for inciting the riot as part of the United States House select committee on the attack. The film is a portrait focusing on the costly personal sacrifice to do what both Kinzinger and the director Steve Pink repeatedly remind is simply the right thing.After the screening, Kinzinger said history could repeat itself at a time when his party has “lost its mind” but doesn’t believe the violence will play out in exactly the same way. The battlegrounds won’t be Capitol Hill, according to the politician who recently spoke during a prime slot at the Democratic national convention, but individual states.“Look at Arizona for instance,” Kinzinger said. “Assume Arizona goes for Kamala. But it’s a Republican legislature. The legislature has to be the one to certify Kamala as the winner. I can see a pressure campaign where these people simply will not vote to certify her the winner. And what happens then? We’re in a constitutional crisis. According to the constitution, if the state legislature decides it’s just going to certify Trump, even if its [voters] went the other way, we have to accept that in the federal government … That’s a real concern I have. You can see violence at these statehouses that don’t have the security we have. Our security got overrun that day for God’s sakes and we have 500 times the security that statehouses do.”The Last Republican is directed by Steve Pink, a self-described leftie who Kinzinger suspects has contempt for his politics. The film opens with Pink sharing his admiration for Kinzinger’s resolute stand – he was one of 10 Republicans to vote for Trump’s impeachment, and the only one next to Liz Cheney to sit on the January 6 committee. Kinzinger reciprocates, explaining that he’s agreeing to ignore the ideological gap and take part in the film because Pink directed Hot Tub Time Machine, which he loves.View image in fullscreenPink’s first foray into documentary is a handshake between liberal Hollywood and a Republican that occasionally leans into odd couple comedy. The director and his subject rib each other throughout for opposing political beliefs that the film shies away from interrogating. At one point Kinzinger admits his pro-life stance, but his voice wavers a bit, hinting at the slightest opening that he could be swayed. During the same interview, Pink declares: “If this documentary helps you win the presidency and you enact horrible conservative policies, I swear to fucking God!”His profile on the extremely charming Kinzinger certainly makes the case that the kid who once dressed up as the Illinois governor Jim Edgar for Halloween and grew up practically indoctrinated into Republican politics would have made a decent presidential candidate. The film revisits a heroic act, when Kinzinger, in his 20s, rescued a bleeding woman from an attacker with a knife. The act of self-sacrifice, the film gently suggests, foreshadowed his recent actions.The Last Republican doesn’t reveal anything particularly new about January 6 and Kinzinger’s work as part of the committee, but forensically revisits the damning moments before and after the attack. Kinzinger reflects on the Republican conference call, when the former House speaker Kevin McCarthy says he would be voting against certifying Joe Biden’s election win. Kinzinger says he warned McCarthy on the call that such an action could lead to violence. McCarthy’s response, which can be heard in the doc, was a dismissive “OK Adam” before he called for the “next question”.As The Last Republican cycles through testimony, Kinzinger offers personal reflections and feelings about how things happened, describing January 6 as a bad bender that the Republican party should have woken up from and sipped water to cleanse its system and recover. Instead, they backed Donald Trump. “You could always fix a hangover by starting to drink again,” says McCarthy, tying up the analogy.Kinzinger expresses that he was angrier at his old friend Kevin McCarthy than Trump. “He’s just nuts,” Kinzinger says of the latter.He admits he wanted nothing to do with the January 6 committee. “Please dear Jesus not me,” he would say before Nancy Pelosi announced that she would be seeking his participation without calling him first.Following the screening, Kinzinger tells the audience that almost every Republican congressman knows the 2020 election “wasn’t stolen” and “most of them would tell you that they think Donald Trump is crazy”. He adds that before impeachment, he believed there was going to be 25 votes in favor, instead of just the 10 who did, because many were too scared to take that stand. “I would have people come up to me all the time and say, ‘Thanks for doing it because I’ll lose in my district if I do it, but thank you.’” He’s exasperated by the gall of it.Kinzinger not only lost his district but was bombarded with hate while ostracized not just from his party but his own extended family. In one scene, his mother Betty Jo Kinzinger recalls a phone call from an old community friend who tells her she doesn’t like Adam any more. “You don’t have to like Adam,” she says, “but you don’t have to tell his mother that.”View image in fullscreenIn the film, Kinzinger’s staff can be heard sorting through the relentless phone calls to his office, ranging from angry voters to terrifying threats, deciding which calls should be referred to Capitol police. The vitriol is so much that they keep a cabinet near their desk filled top to bottom with what you would think is an apocalyptic supply of Kleenex boxes. The reveal elicited a hearty laugh from the audience. But the trauma behind it is all too real.“Over time it takes a toll that you don’t recognize on you,” Kinzinger told the audience. He said that the threats we hear in the film aren’t just a tiny sample, reciting one caller who wishes Kinzinger’s son, who was six months old at the time, would wander into traffic and die.“The people that call the death threats are probably not the ones that are going to come,” Kinzinger continued, who says he was swatted just a week before, a common occurrence when he speaks out. “The ones that are going to come are not going to let you know ahead of time that they’re going to be there.“I would always conceal and carry,” Kinzinger continued, “not because I’m just some crazy gun guy. But that was my way to defend myself in security … You’re living with security [with] your work. You always make sure to lock the doors and arm the system at night. But after a while I realized that I’m keeping distance from people. And I don’t want to be that way.”When pressed about why it’s so hard for his fellow Republicans to question the party line and Trump, Kinzinger said that many were just clinging to what they feel is their identity.“When you see yourself as a member of Congress,” he said, “and you walk into any room, except the White House, and you’re the most powerful person there, and you have everybody’s attention, it’s really hard to walk away from that … I’ve learned that courage is rare … you have to walk away from your identity. And unfortunately, so many in the Republican party were unwilling and are unwilling to do that.“Since we filmed this, there have been more people elected into the Republican party that actually are batshit crazy and truly believe some of this. So that’s a scary thing.”

    The Last Republican is screening at the Toronto film festival and will be released at a later date More

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    Luca Guadagnino Has a Film at the Venice Film Festival and Curates Homo Faber

    The film director and designer did double duty in Venice, Italy, debuting a film at the Venice Film Festival along with his curation of Homo Faber, the craftsmanship exhibition.Luca Guadagnino has added creative director to his list of jobs.As a filmmaker, his credits include “Challengers,” the Oscar-nominated movie “Call Me by Your Name” and the upcoming “Queer,” an adaptation of William S. Burroughs’s semi-autobiographical novella starring Daniel Craig, which recently premiered at the Venice Film Festival. He is also the founder of Studio Luca Guadagnino, an award-winning interiors firm in Milan that has designed several homes, boutiques and, most recently, the Palazzo Talia hotel in Rome.Now, Mr. Guadagnino has marshaled the staging and curation of Homo Faber, a monthlong, biennial craftsmanship exhibition that opened on Sunday at the Giorgio Cini Foundation, a cultural center on San Giorgio Maggiore island in Venice. Homo Faber, which means “man the maker” in Latin, is put on by the Michelangelo Foundation for Creativity and Craftsmanship, a Geneva-based non-profit established by Italian author Franco Cologni and luxury industry billionaire Johann Rupert, chairman of Richemont, which owns the brands Cartier, Van Cleef & Arpels and Alaïa. Mr. Guadagnino partnered with his design studio project manager, Nicolò Rosmarini, to conceive this third edition as a “holistic experience — like a narrative,” he said.To achieve this, Mr. Guadagnino and Mr. Rosmarini created an immersive journey throughout the island’s 16th-century Palladio-designed monastery and assorted buildings that carries visitors through 10 multisensory set pieces, each dedicated to an aspect of the human experience like Childhood, Courtship and Dreams. They designed everything (“the lighting system, the uniforms, the tote bag, the tables, the cover of the cable on the floor,” Mr. Guadagnino said) then filled the rooms with 800 objects by 400 artisans from 70 countries.Reef by Josh Gluckstein, a piece in the exhibition.Matteo de Mayda for The New York TimesJust My Cup of Tea(r)s by Irene Cattaneo.Matteo de Mayda for The New York TimesTanagra’s Metamorphosis 2 by Claire Lindner.Matteo de Mayda for The New York Timesribbon imagined by Studio Luca Guadagnino.Matteo de Mayda for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Taraji P. Henson, Keke Palmer and Uzo Aduba Turn Out to Martha’s Vineyard African American Film Festival

    Summer on the island is packed with cultural events, and for many celebrities, politicians and filmmakers, the Martha’s Vineyard African American Film Festival is a highlight.“Ready for the Supremes?” the Legendary Chris Washington called out from a D.J. booth inside the packed auditorium at Martha’s Vineyard Regional High School on a recent August evening, as he played Motown hits for the crowd.It was one of the biggest nights of the 22nd annual Martha’s Vineyard African American Film Festival, a nine-day event devoted to celebrating Black filmmakers. The festival held on Martha’s Vineyard, the quaint Massachusetts island, has drawn luminaries like the actress Jennifer Hudson, the director Spike Lee and former President Barack Obama in summers past.Wednesday night’s crowd of about 800 was there for the premiere of “The Supremes at Earl’s All-You-Can-Eat,” the director Tina Mabry’s adaptation of the best-selling novel about a trio of lifelong girlfriends who call themselves the Supremes, after the 1960s girl group. Backstage, Uzo Aduba, Aunjanue Ellis-Taylor and Sanaa Lathan, who star in the film, were posing for a row of photographers as they prepared for the debut screening.Ms. Aduba, who grew up in Massachusetts and occasionally visited the island as a child, said it was her first time attending the festival.“To see culture and art and our stories presented in this incredibly placid and elegant and green backdrop, which feels like it weds so many historic vacation moments for Black culture,” she said, “is wonderful.”Panelists at an event for female executives and influential women shared their wisdom.Gabriela Herman for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    South by Southwest Cuts Ties to Army After Gaza-Inspired Boycott

    The festival said it would no longer be sponsored by the U.S. Army or weapons manufacturers, which had prompted artists to withdraw from this year’s gathering.The South by Southwest festival, which dozens of artists withdrew from this year to protest its sponsorship by the U.S. Army and defense contractors in light of their ties to Israel, announced this week that it would no longer accept their support.“After careful consideration, we are revising our sponsorship model,” the festival, which is held each year in Austin, Texas, said in a brief statement on its website. “As a result, the U.S. Army, and companies who engage in weapons manufacturing, will not be sponsors of SXSW 2025.”No further details were offered, and SXSW declined to elaborate on the statement.A group called the Austin for Palestine Coalition said in a social media post in March, at the time of the festival, that more than 80 bands, artists and panelists had declined to attend “in solidarity with Palestine.”The Army hopes to work with SXSW again some day.“We look forward to a chance to work together in the future,” said Lt. Col. Jamie Dobson, the public affairs officer at the Army Futures Command in Austin, which works on technology and innovation. “A.F.C. loves being here in Austin. It’s a great community. And we were very proud of the partnership we had this past year.”She added, “We had a really good experience, especially on the innovation side, connecting with industry partners, technology leaders, everyone that gets pulled in.”Ibrahim Batshon, the chief executive of a digital music licensing platform called BeatStars, participated in the March boycott and said in an interview on Wednesday that he was pleased by the decision from SXSW, which he had attended for nearly 20 years.“We’ve always been huge fans and supporters of this multicultural art and music and film festival that has been a staple in artists’ lives,” he said.Gov. Greg Abbott of Texas, a Republican, had dismissed the protesters in March, writing on social media, “Bye. Don’t come back,” and noting the state’s ties to the military. “We are proud of the U.S. military in Texas,” he wrote. “If you don’t like it, don’t come here.”Numerous cultural institutions around the country and the world have faced protests related to Israel and its conduct during the war in Gaza. More

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    The 15 Most Unforgettable Looks From Cannes

    The Cannes Festival jury led by Greta Gerwig announced its winners this weekend, including the Palme d’Or for “Anora,” a comedy from the American filmmaker Sean Baker about a sex worker who marries the son of a Russian oligarch. The ceremony concluded 10 full days filled with movies and long ovations, news conferences peppered with politics, a filmmaker’s return, women-led films that caused a stir, a president’s origin story and, of course, canine stars. But the Côte d’Azur’s red carpet proved also to be a bonanza, where stars upped the ante on style, wearing bright swaths of color, statement hats that canceled out the need for any SPF — and baring skin, lots of it. Here, 15 looks worth remembering. Anya Taylor-Joy: Most Flapper!Andre Pain/EPA, via ShutterstockThe star of “Furiosa: A Mad Max Saga” wore an updated flapper style in her Jil Sander skirt suit. The actress mixed a cropped jacket, shag skirt and fringe with a delicate heel and dramatic eyes to pull off an elegant yet understated look.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Hillary review – did the US presidential hopeful take the wrong road?

    This epic documentary ranges across Hillary Clinton’s life, from the Arkansas governor’s mansion, through the White House years to her own shot at the top job – but the enigma remains There is a melancholy fascination to Nanette Burstein’s sympathetic and respectful documentary interview with the enduringly opaque Hillary Rodham Clinton. It will be broadcast […] More