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      Harry Belafonte, singer, actor and tireless activist, dies aged 96

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      Harry Belafonte, the singer, actor and civil rights activist who broke down racial barriers, has died aged 96.As well as performing global hits such as Day-O (The Banana Boat Song), winning a Tony award for acting and appearing in numerous feature films, Belafonte spent his life fighting for a variety of causes. He bankrolled numerous 1960s initiatives to bring civil rights to Black Americans; campaigned against poverty, apartheid and Aids in Africa; and supported leftwing political figures such as Cuba’s Fidel Castro and Venezuela’s Hugo Chavez.The cause of death was congestive heart failure, his spokesman told the New York Times. Figures including the rapper Ice Cube and Mia Farrow paid tribute to Belafonte. The US news anchor Christiane Amanpour tweeted that he “inspired generations around the whole world in the struggle for non-violent resistance justice and change. We need his example now more than ever.”Bernice King, daughter of Dr Martin Luther King, shared a picture of Belafonte at her father’s funeral and said that he “showed up for my family in very compassionate ways. In fact, he paid for the babysitter for me and my siblings.” The Beninese-French musician Angélique Kidjo called Belafonte “the brightest star in every sense of that word. Your passion, love, knowledge and respect for Africa was unlimited.”Belafonte was born in 1927 in working-class Harlem, New York, and spent eight years of his childhood in his impoverished parents’ native Jamaica. He returned to New York for high school but struggled with dyslexia and dropped out in his early teens. He took odd jobs working in markets and the city’s garment district, and then signed up to the US navy aged 17 in March 1944, working as a munitions loader at a base in New Jersey.After the war ended, he worked as a janitor’s assistant, but aspired to become an actor after watching plays at New York’s American Negro Theatre (along with fellow aspiring actor Sidney Poitier). He took acting classes – where his classmates included Marlon Brando and Walter Matthau – paid for by singing folk, pop and jazz numbers at New York club gigs, where he was backed by groups whose members included Miles Davis and Charlie Parker.He released his debut album in 1954, a collection of traditional folk songs. His second album, Belafonte, was the first No 1 in the new US Billboard album chart in March 1956, but its success was outdone by his third album the following year, Calypso, featuring songs from his Jamaican heritage. It brought the feelgood calypso style to many Americans for the first time, and became the first album to sell more than a million copies in the US.The lead track was Day-O (The Banana Boat Song), a signature song for Belafonte – it spent 18 weeks in the UK singles chart, including three weeks at No 2. His version of Mary’s Boy Child was a UK chart-topper later that year, while Island in the Sun reached No 3. He released 30 studio albums, plus collaborative albums with Nana Mouskouri, Lena Horne and Miriam Makeba. The latter release won him one of his two Grammy awards; he was later awarded a lifetime achievement Grammy and the Academy’s president’s merit award.Bob Dylan’s first recording – playing harmonica – was on Belafonte’s 1962 album, Midnight Special. The previous year, Belafonte had been hired by Frank Sinatra to perform at John F Kennedy’s presidential inauguration.Belafonte maintained an acting career alongside music, winning a Tony award in 1954 for his appearance in the musical revue show, John Murray Anderson’s Almanac, and appearing in several films, most notably as one of the leads in Island in the Sun, along with James Mason, Joan Fontaine and Joan Collins, with whom he had an affair. He was twice paired with Dorothy Dandridge, in Carmen Jones and Bright Road, but he turned down a third film, an adaptation of Porgy and Bess, which he found “racially demeaning”.He later said the decision “helped fuel the rebel spirit” that was brewing in him, a spirit he parlayed into a lifetime of activism, using his newfound wealth to fund various initiatives. He was mentored by Martin Luther King Jr and Paul Robeson, and bailed King out of a Birmingham, Alabama, jail in 1963 as well as co-organising the march on Washington that culminated in King’s “I have a dream” speech. He also funded the Freedom Riders and SNCC, activists fighting unlawful segregation in the American south, and worked on voter registration drives.He later focused on a series of African initiatives. He organised the all-star charity record We Are the World, raising more than $63m for famine relief, and his 1988 album, Paradise in Gazankulu, protested against apartheid in South Africa. He was appointed a Unicef goodwill ambassador in 1987, and later campaigned to eradicate Aids from Africa.After recovering from prostate cancer in 1996, he advocated for awareness of the disease. He was a fierce proponent of leftwing politics, criticising hawkish US foreign policy, campaigning against nuclear armament, and meeting with both Castro and Chavez. At the meeting with Chavez, in 2006, he described US president George W Bush as “the greatest terrorist in the world”. He also characterised Bush’s Black secretaries of state Colin Powell and Condoleezza Rice as being like slaves who worked in their master’s house rather than in the fields, criticisms that Powell and Rice rejected.He was a frequent critic of Democrats, particularly Barack Obama, over issues including Guantanamo Bay detentions and the fight against rightwing extremism. He criticised Jay-Z and Beyoncé in 2012 for having “turned their back on social responsibility … Give me Bruce Springsteen, and now you’re talking. I really think he is Black.” Jay-Z responded: “You’re this civil rights activist and you just bigged up the white guy against me in the white media … that was just the wrong way to go about it.”He continued to take occasional acting roles. In 2018, he appeared in the Spike Lee movie BlacKkKlansman. In 2014, 12 Years a Slave director Steve McQueen announced he was working with Belafonte on a film about Paul Robeson, though it wasn’t developed.Belafonte was married three times, first to Marguerite Byrd, from 1948 to 1957, with whom he had two daughters, activist Adrienne and actor Shari. He had two further children with his second wife, Julie Robinson: actor Gina and music producer David. He and Robinson divorced after 47 years, and in 2008 he married Pamela Frank, who survives him. More

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      ‘Going against the grain’: is bipartisanship really possible in America?

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      On election night 2016, Van Jones, the criminal justice advocate and former Obama administration official turned CNN anchor, processed his shock on live television. “This was a whitelash against a changing country,” he said. “It was a whitelash against a Black president, in part. And that’s the part where the pain comes.” The clip, in which Jones appeared near tears and essentially called Donald Trump a “bully” and a “bigot”, went viral. For many, it was shorthand for shock and dismay, an articulation of unspeakable anger, and a rare example of a pundit calling it like it was.So it was confusing that over the next few years, Jones, a Black man from western Tennessee, was seen at the Trump White House, conducted the first (and uncomfortably chummy) TV interview with Trump’s son-in-law/adviser Jared Kushner, and touted his communication with the administration and congressional Republicans in the name of bipartisan criminal justice reform. In spring 2019, Jones appeared at the Conservative Political Action Conference – the Maga hat-filled, far-right convention known as CPAC – as an avowed Democrat willing, for better and for worse and with a considerable amount of controversy, to engage with the opposition. He appeared on stage with the chairman of the American Conservative Union, prompting the question, from myself, from the panel’s moderator and surely from audience members: “Why are you here?”The answer – the distance between 2016 and 2019, and the messy, at times contradictory journey in between – forms the backbone of the The First Step, a new, wide-ranging and thoughtful documentary on his fraught activism and the bipartisan criminal justice legislation he championed. Created by the brothers team of director Brandon Kramer and producer Lance Kramer, The First Step opens with that CPAC appearance and takes it name from the First Step Act, the bill heralded by Jones and his criminal justice organization, #cut50, that was signed into law by President Trump in 2018. The measure barred punitive practices such as shackling pregnant prisoners, placed inmates in facilities closer to their families, cut down some federal sentences by anywhere from weeks to years and allowed those convicted of pre-2010 crack cocaine offenses to apply for resentencing to a shorter term.During the initial Trump years, Jones “felt like somebody needed to be engaging and reaching across the aisle and trying to see if there was any sliver of room to get something accomplished on some of the issues where there is some bipartisan support”, said Brandon Kramer. The First Step Act was thus a hodgepodge of reforms and concessions, with a wide range of supporters (people as ideologically opposed as Kamala Harris and Ted Cruz) and skeptics. Some Republicans interested in decreasing mass incarceration backed it; other hardliners, such as the then attorney general, Jeff Sessions, opposed it. Many progressives viewed the measure as too little, too patchwork, one whose passage would allow Republicans to claim criminal justice reform without meaningfully addressing mandatory minimum sentencing laws. Jones’s bipartisan approach – as in, courting Republicans, Jared Kushner and Democrats – drew plenty of critics; the bill was initially opposed by liberal groups including the NAACP Legal Defense Fund and the ACLU.It also makes for a fascinating, thorny watch, one which, Jones’s occasional foot-in-mouth moments or glad-handing aside, tangles with evergreen questions of political work: incremental change versus radical reform, resoluteness versus compromise, how and when to build a coalition. The Kramers, who worked with Jones on a 2016 web series called The Messy Truth, in which Jones spoke to people across the political spectrum, were interested in someone “going against the grain and doing something really tough and controversial and being able to tell those stories in a really complex way,” said Brandon. “It felt like no matter what would come out of that, it would be a really important document and story for the American public to have.” The First Step began production during the Women’s March in January 2017 and filmed into 2020, as the bill was worked and nearly killed, reworked and nearly killed and then passed, and beyond. “People talk about bridge-building, but it’s very rare that you get to see bridge-building in action,” said Brandon.The film proceeds along three intertwined tracks: first, the work to pass the bill itself, trying to nail down support from Democrats and attract Republicans with a Trump endorsement, as well as Trump’s Oval Office, on the day of signing. (Jones addresses Trump personally and gratefully.) Second, on Jones’s personal journey to activism, from shy, bookish kid to Yale Law School to fighting to shut down prisons in San Francisco in the 1990s, which convinced him that “you cannot help people en masse with one party or with one race. The only way you’re gonna help is you get everybody together.”Jones, whose style encompasses hard-won insights (“you can’t fight an opponent you don’t understand,” he says of researching the right), whiffs and bromides in one impassioned mix, is often a besieged island of one; “He who walks in the middle of the road gets hit on both sides,” says the bishop TD Jakes in a phone call with a fatigued Jones. We meet his small #cut50 team as well as some of his prominent liberal critics, from his friend Senator Cory Booker to progressive criminal justice advocates. The First Step Act is “not the law that we need right now”, says the Black Lives Matter co-founder Patrisse Cullors in the film. “This bill is going to jeopardize the work that we’ve done for the last couple decades.”And third, the film sits in on meetings facilitated by Jones between two grassroots groups grappling with addiction and incarceration: an organization of Black and Hispanic residents from South Central LA besieged by the crack epidemic and the “war on drugs”, and some predominantly white, Trump-voting citizens of McDowell county, West Virginia, reeling from the opioid crisis and cyclical arrests. Each group visits the other; most find common ground in shared trauma and frustration over a system that punishes rather than rehabilitates, if not in justifying the others’ vote in 2016. In one of the film’s most riveting scenes, Jones tries to convince the LA group members to visit Trump’s White House to tell their stories, because the people who shouldn’t be in power will make the trip, and “the right people won’t go” to make an impact. Some do make an uncomfortable visit, greeted by Kellyanne Conway; others view engagement as a bridge too far, certain that Trump and Conway “will find a way to misuse it”.The tension between engagement and non-engagement, incremental work versus comprehensive reform, course throughout the film with, of course, no definitive resolution. “There are very legitimate and important reasons why to engage, and there’s legitimate and important reasons why some people don’t engage or why they’re fighting for a more comprehensive reform,” said Brandon. “The hope is that you see people who represent your view, but you’re also given a window into a different strategy or opinion or view.”“It’s valuable for the human experience but also the political process to be able to engage with these kind of narratives but also just paradoxes in this space,” said Lance Kramer of the multitude of experiences and approaches professed in the film. “I think it’s a healing space, when you have that opportunity.”If anything, the US political environment has only grown more polarized, and the Republican party more untethered from reality, in the years since The First Step was filmed; it can feel weird to watch the film, and its depiction of bipartisan efforts, in a post-January 6 context. But, as Jones and the film-makers point out, there is still a point to political bridge-building. The First Step Act did get passed, allowing thousands of federal prisoners to go home early. The film ends with immediately eye-watering clips of former inmates reunited with their families, months or years ahead of time. “There’s virtues in still trying to get things done and not just throwing up our hands and giving up,” said Lance. “At the end of the day, it’s people’s lives that depend on it.”
      The First Step is now available digitally in the US More

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      George Santos: Republican fabulist praises ‘genuine’ actors in Oscars picks

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      George Santos: Republican fabulist praises ‘genuine’ actors in Oscars picksNew Yorker with mostly made-up CV and multiple investigations calls nominee Angela Bassett ‘Meryl Streep, the Black version’Asked for his Oscars predictions, the Republican congressman and fabulist George Santos said he liked actors who were “genuine”.“I have my favorite actors,” said the New Yorker, who has been shown to have made up most of his résumé and whose behaviour before and after entering politics is the subject of multiple investigations.Oscars 2023: final predictions, timetable and how to watchRead more“And then I have the actors I think are charismatic. JLo, The Rock. Melissa McCarthy. They’re genuine.”None of them were however nominated for the Academy Awards set to be handed out in Hollywood on Sunday night.Santos has admitted “embellishing” a résumé shown to include false claims about his family, educational and professional background, fueling questions about his very identity, given activities under another name, Anthony Devolder.He has repeatedly said he has done nothing illegal, even as his campaign finances, an allegation of sexual harassment and multiple claims of financial wrongdoing are investigated at local, state, federal, congressional and international levels.He has rebuffed calls to resign from constituents in Queens and Long Island as well as Democrats in Congress and his fellow New York Republicans.He withdrew from committee assignments but retains the support of Republican leaders, after backing Kevin McCarthy through 15 votes for House speaker, a role the Californian must play with a narrow majority, prey to rightwing rebellion.Santos discussed the Oscars and his film tastes with Matthew Foldi, a reporter who has also interviewed him for the Spectator, in an interview published on Sunday on Pirate Wires, a site “focused on the intersection of technology, politics, and culture”.The discussion started with “the Slap”, the moment last year when Will Smith left the Oscars audience to hit the host, Chris Rock, over a joke about Jada Pinkett Smith, Smith’s wife.“Quite frankly, it was fucking stupid,” Santos said. “Chris Rock is a genius.”Santos said he would not watch the Oscars this year, because “they won’t really put box [office] sellers there” and he did not want to see a celebration of “fancy people” and “elitists” such as Quentin Tarantino and James Cameron.Those two directors and Steven Spielberg (who has three nominees for The Fabelmans to one for Cameron’s Avatar: The Way of Water) had “fallen to the woke”, Santos said.Santos said he liked comedy and horror films, adding: “Let’s be honest, Saw was a fucking great horror movie. But the Oscars don’t have a horror category. Resident Evil, great cinematics. Milla Jovovich is arguably one of my favorite actresses of all time. It’s her, Morgan Freeman, Angela Bassett and Gerard Butler.”Bassett is nominated this year for best supporting actress, for Black Panther: Wakanda Forever. Santos said she should be up for best actress, because: “I’m not trying to be racist, but she’s Meryl Streep, the Black version. She’s just as good. She’s fantastic.”The congressman lamented the academy’s relative neglect of Leonardo DiCaprio (who won best actor for The Revenant in 2016) but criticised Tom Cruise, producer and star of Top Gun: Maverick, a best picture nominee this year.“Tom Cruise has given me enough evidence of what he thinks of America to make me not like him,” Santos said, going on to criticise the actor Jane Fonda in similar terms, for “decid[ing] to make her entire life political”.The professional politician professed not to know the “political beliefs” of actors including Bassett, Freeman, Denzel Washington and Mel Gibson, “because they don’t share them. And you know why that is? Because we look to them for entertainment. I appreciate these people so much because they’re not activists.”Of Gibson, Foldi wrote: “We do know his views on Jews … and they are not favorable.”Santos’s claim to be Jewish has been debunked. Openly gay, he was once married to a woman. Accusing Hollywood of caving to Chinese censors – although “as a good old capitalist, I don’t blame them” – he told Foldi: “Woke wants everything gay, and pro-China-beholden-Hollywood can’t have that.“To me, it becomes a cannibalistic event that I would actually enjoy watching. That’s a movie I would watch. Woke Hollywood takes on Chinese-influenced Hollywood.”Santos also lamented the declining fortunes of other favourites including Steven Seagal, the pro-Putin action star who Santos said once shone in “hyper-action police movies” but was out of favour because “instead of giving the police a platform, we just want to defund them and burn them to the ground”.In comedy, Santos said, “You’re not going to see another Adam Sandler or Vince Vaughn or Chris Rock or Kevin Hart. Well, Kevin Hart survives because – I guess he gets a pass because he’s a little Black guy. People aren’t gonna want to make his life miserable.”Towards the end of the interview, Foldi said, the man whose performance as a politician has captured the national spotlight “turned reflective”.“I’m very, very close-minded about actors these days,” Santos said. “Because the more I learn about your non-performative career, the less interested I am in you.”A spokesperson for Santos did not immediately reply to a request for comment.TopicsGeorge SantosOscarsOscars 2023Awards and prizesUS politicsUS CongressHouse of RepresentativesReuse this content More

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      The Independent review – Jodie Turner-Smith and Brian Cox chase political scandal

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      ReviewThe Independent review – Jodie Turner-Smith and Brian Cox chase political scandalTurner-Smith and Cox team up as journalists investigating a presidential candidate. But there is none of the insider authenticity of director Amy Rice’s earlier Obama documentaryFilm-maker Amy Rice spent two years on the campaign trail with Barack Obama to make a 2009 fly-on-the wall documentary. So it’s massively disappointing that her new fictional political thriller is so insipid and unsatisfying, and completely lacks any kind of authentic insider knowledge of Machiavellian political skullduggery. It’s as generic as they come, though British actor Jodie Turner-Smith is brilliant as a rookie reporter for the fictional Washington Chronicle who uncovers a scandal with the potential to blow open the presidential race.Turner-Smith’s character, Eli James, is increasingly frustrated at having to write clickbait lifestyle articles such as “college dorm must-haves”. But when she uncovers a lottery scandal, she teams up with the paper’s Pulitzer-winning columnist Nicholas Booker (Brian Cox, giving a lefty-intelligentsia version of his alpha-ego male in Succession). Their relationship is nicely played, especially by Turner-Smith, who makes Eli a satisfyingly complicated woman: super smart and competitive, a bit reckless and most of all determined – as she’s had to be as a woman of colour in a largely male, mostly white world.The lottery scandal is linked to political funding and seems to lead right to the Republican presidential candidate Patricia Turnbull (Ann Dowd, channelling Matilda’s Mrs Trunchbull). She’s neck and neck with the Democratic incumbent; then an independent enters the fray. This is mega-celebrity Olympic gold medallist Nate Sterling (ex-WWE wrestler John Cena): he’s promising to take action on climate change, and has the right kind of lantern-jawed all-American jock appeal for rightwingers. Eli’s boyfriend Lucas (Luke Kirby) is a speechwriter for Sterling – who may be too good to be true.There’s a twist at the end that is anticlimactic and uninteresting, and the script is unforgivably clumsy in places. Twice, characters obtain vital information illicitly from computers left unlocked by individuals with a lot to hide. Cox’s veteran journalist is famous for eating his steaks cooked bloody – not just rare. But really this film could be juicier.skip past newsletter promotionafter newsletter promotionTopicsFilmThrillersUS politicsNewspapersBrian CoxreviewsReuse this content More

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      ‘It’s been very dark for all of us’: film-maker Alexandra Pelosi on a family on America’s political frontline

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      Interview‘It’s been very dark for all of us’: film-maker Alexandra Pelosi on a family on America’s political frontlineDavid Smith in Washington With her father recovering from a brutal hammer attack, the director’s latest film shows her mother Nancy Pelosi resisting the January 6 insurrectionAlexandra Pelosi is at home in New York, preparing a birthday party for her 15-year-old son, and pops up on Zoom beside a sign that says: “Don’t work for assholes. Don’t work with assholes.” When our interview begins with the most unimaginative of queries – “How are you?” – she is in no mood for casual conversation.Pelosi in the House: documentary captures speaker’s January 6 struggleRead more“How am I supposed to answer that question?” the fast-talking film-maker bats back. “Look, I don’t know how you do polite small talk because I’ve just been through basically like both of my parents’ funerals.”To be clear, neither of Alexandra’s parents is dead. Her father Paul Pelosi, 82, is undergoing a slow and painful recovery from a hammer attack in late October by a home intruder. Her mother Nancy Pelosi, also 82, last month announced her retirement as Democratic leader in the House of Representatives, assured of a place in history as the first female speaker.Alexandra, 52, recalls that, when her father emerged from intensive care, his house looked like a funeral home because so many well-wishers sent flowers. “I was reading the notes from his friends and I was like, this is great, ’cos you get to go to your own funeral, ’cos you get to see what people say about you when you die. I’m putting a good spin on it, trying to cheer him up.”Then she went to Washington for her mother’s long goodbye. “If you’re in politics and you step down, it’s like going to your own funeral because you get to read your own obituary. Essentially it’s like I’ve read both of my parents’ obituaries and now I have to keep living with two living people. That’s surreal.”The pitiless assault on Paul Pelosi was one of the most disturbing examples yet of America’s increasingly coarse, polarised and violent political culture. He has told how he was sleeping when a man he had never seen before entered his bedroom looking for Nancy, who was in Washington at the time.Officers responding to Paul’s 911 call found him and David DePape, 42, fighting over a hammer, according to a federal indictment. An officer ordered DePape to drop the hammer but he responded, “ummm nope,” before forcefully swinging it at Paul, who was treated at a hospital for a fractured skull.DePape last month pleaded not guilty to federal charges of attempting to kidnap a federal official and assaulting a federal official’s family member. Paul, wearing a hat and glove on one hand, made his first public appearance since the assault at the recent Kennedy Center Honors in Washington.“Wasn’t that amazing?” asks Alexandra, who has been struggling to sleep and has had nightmares about the incident. “Come on, you can’t be a bitter old journalist! I think every member of our family cried when they saw that because that’s the first time he left the house. That was a nice 10 seconds of his life but he has to live with traumatic brain injury for the rest of his life and he’s 82. If it could’ve been me, I would have loved to have been in his place.”She reflects: “It’s been very dark for all of us. We all process it differently. I’ve been very dark because the minute it happened I got on a plane with my mom and went to San Francisco. We sat in the ICU for a week and I was very upset because my mother loves to tell the story that, when I was 16, she came to me and said, ‘Mommy has the chance to run for Congress and I will only do it if you give me your permission but I’d have to be gone three nights a week.’ I was like, ‘Mom, get a life!’“She loves that story and so then we were sitting in the ICU 35 years later and I was like, ‘If I had known that this is where it was going to end, I never would have given you my blessing that day 35 years ago.’ But my dad was like, you can’t say that because it’s not fair to erase her career just because of this; you have to say, if you came to me today, I would not give you my permission because of how toxic the social media environment is.”Alexandra’s son, Paul, is named after her father and worships him. He was with her at the US Capitol when it came under attack from a mob of Donald Trump supporters on 6 January 2021. “He was asking me that day, ‘Mom, why do all these people want to kill MiMi?’ I couldn’t come up with an answer. Because of the Affordable Care Act? I don’t know.“I know that if you watch Fox News, you hate Nancy Pelosi because they’ve programmed you to hate Nancy Pelosi and, if I watched Fox News, I would hate Nancy Pelosi too. But I don’t know how it gets from that to, ‘I want to break into her house and try and kill someone in her family.’ That’s a leap and so it’s been a lot for my teenagers to try and process that.”The Virginia governor, Glenn Youngkin, and Arizona gubernatorial candidate Kari Lake made fun of it while Trump’s son, Don Jr. retweeted a “Paul Pelosi Halloween costume” featuring a hammer.Alexandra, who had to clean up the mess and has photos of her father’s bloody pyjamas on her phone, comments: “I can’t see how the governor of Virginia can make jokes about it or the wannabe governor of Arizona can make jokes about it and then how elected members of Congress can tweet these insane Pizzagate-style conspiracies. That’s unforgivable. That’s who I’ll never forgive. I’m trying to make peace with that.”Both her parents feature in her latest film, her 14th documentary for HBO, broadcast on Tuesday. Pelosi in the House is shot in a cinéma vérité style across three decades with plenty of shots of Nancy’s back as she strides through the corridors of power. At one point she is seen putting Vice-President Mike Pence on speakerphone while doing household chores.Alexandra admits: “She never gave me permission. She has not signed a release. She has not seen the film. She does not know what this is. I don’t know if she’s ever going to watch it.” Indeed, Alexandra could never get her mother to sit down for an in-depth interview. “This is watching her work because Nancy Pelosi is her job. The only way to understand her is to watch her work so the only way I could explain her is watching her work. But if I tried to talk to her or ask a question, it just wouldn’t work. She just didn’t play ball with me. That’s not what she does. ”The documentary sometimes revels in the quotidian but, when it arrives at January 6, moves to a different plane. Watching on TV as Trump delivers an incendiary speech urging his supporters to “fight like hell” to overturn his election defeat, Nancy vows to “punch him out” if he sets foot in the US Capitol, her sacred ground.Alexandra recalls: “She was protecting her turf. It was the House of Pelosi and they broke into her house and tried to kill all of her family members because the caucus is her family. Nancy Pelosi has two families. She has us, her children and grandchildren, then she has her political family, the members, the caucus.”Whipped up into a frenzy, the mob marched on the Capitol. Alexandra’s husband, the Dutch TV journalist Michiel Vos, was outside reporting the drama; she and her teenage son were inside, watching with alarm. “I was looking out the window: ‘Oh, look at those protesters out there.’ I’m trying to get her [Nancy’s] attention because she’s very laser-focused. Then my son kept saying like, ‘What if they stormed the Capitol?’“At some point the security came over and said we’re leaving. They [the mob] had already broken the window to come in. The security camera shows that the protesters were two minutes from us but we found out that after. At the time we did not know how close they came so it wasn’t as scary as it seemed.”Nor did the threat come as a complete surprise. “The Republicans have spent hundreds of millions of dollars demonising her and turning her into a target. The Capitol police have protected her for decades. There was a pig’s head on her doorstep in San Francisco a few days before that attack. It’s not as if this all came completely out of the blue.”Alexandra accompanied her mother into the back of SUV that sped them away to safety. The speaker, full of cold fury, and other congressional leaders gathered at a military base, working the phones to demand that order be restored so they could certify Joe Biden’s election victory.Alexandra melted into the background and filmed for posterity. Some of the footage made its way into the House’s January 6 committee hearings. “It’s like a soccer player. What do you do when you put a ball in front of me? I’m going to kick it. I knew my job was to kick the ball.”The rioters, meanwhile, had overrun the Capitol and were ransacking the speaker’s office. Among the most haunting footage from that day is the sound of one demanding, “Where’s Nancy?” Subsequently Stewart Rhodes, founder of the far-right Oath Keepers, reportedly said he wanted to hang Nancy “from the lamp-post”.Jokes about Paul Pelosi aren’t just in bad taste. They normalize political violence | Arwa MahdawiRead moreAlexandra reflects: “Stewart Rhodes was prosecuted so my son comes down for breakfast the other day and he’s like, ‘Hey, did you see that this guy was found guilty? He said he wanted to hang Nancy Pelosi from a lamp-post. Why did he want to hang Nancy Pelosi from a lamp-post?’ I don’t know. I still haven’t been able to come up with a good answer for Nancy Pelosi’s grandchildren about why people want to hang her from a lamp-post.”Such unanswerables underline that it has been a bruising couple of months. But a trip to Washington boosted Alexandra’s spirits. First, she was reunited with her “old friend” former president George W Bush – a relationship that bemuses her liberal friends. “It’s renewing my faith in humanity because I know there’s hope that the Republican party does have a life after Donald Trump and then I can live in America and we can all live happily ever after.”Then she attended a state dinner at the White House, sitting across from Biden and next to the guest of honour, the French president, Emmanuel Macron. “Let’s face it, I’m the least interesting person at the table so it’s my job to entertain them.” She began with a mother-in-law joke for Macron’s benefit: “When I met my husband’s mom, the first thing she said to me was, ‘Why can’t you be French?’”Now, in another welcome diversion from her parents’ “funerals”, she has to get ready for her younger son’s birthday party and so ends the interview with a final plea. “Be nice,” she says mischievously. “Haven’t the Pelosis suffered enough? I don’t want to retraumatise my family when they read the Guardian. That’s all.”TopicsDocumentary filmsNancy PelosiUS politicsinterviewsReuse this content More

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      Pelosi in the House: documentary captures speaker’s January 6 struggle

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      Pelosi in the House: documentary captures speaker’s January 6 struggle Film by her daughter, Alexandra Pelosi, captures how Nancy Pelosi fought to preserve democracy in the dramatic hours of the Capitol attackThe struggle of Nancy Pelosi, the speaker of the House of Representatives, to preserve American democracy in the dramatic hours of the January 6 attack are captured in a new documentary film shot by her daughter.Pelosi is seen watching on TV Donald Trump’s incendiary speech to his supporters, getting rushed out of the US Capitol building and making calls to Vice-President Mike Pence and other officials from the Fort McNair military base, where congressional leaders took refuge from the mob.Despite the chaos and confusion, she is immediately clear that Trump is responsible for instigating what she describes as an “insurrection”.The blow-by-blow reconstruction of the assault on democracy is contained in Pelosi in the House, produced and directed by the speaker’s daughter, film-maker Alexandra Pelosi, broadcast on HBO on Tuesday. Some of the behind-the-scenes footage was seen in edited form during the House January 6 committee hearings.Early in the day Pelosi is in her office, wearing a face mask and adjusting her hair, as three TV screens show Trump whipping up his supporters at the Ellipse and vowing never to concede the 2020 presidential election. She tells her staff with a laugh: “Tell him if he comes here, we’re going to the White House.”Watching through a window, Alexandra’s teenage son, Paul, spots a flag-waving mob gathering ominously outside the US Capitol. Pelosi’s chief of staff, Terri McCullough, reports that the Secret Service have dissuaded Trump from coming to the Capitol because they would not have the resources to protect him.Pelosi replies defiantly: “If he comes, I’m going to punch him out. I’ve been waiting for this. For trespassing on the Capitol grounds, I’m going to punch him out and I’m going to go to jail, and I’m going to be happy.”Members of Congress adjourn to consider objections to the 2020 election results. A car has “Trump” and “Pelosi is Satan” signs on its windscreen. The chanting, horn-blowing mob attacks police, smashes windows and force its way into the building, shouting: “This is our house!”Pelosi escapes with just two minutes to spare. At 2.15pm she is escorted to safety down a staircase. She asks: “Are they calling the national guard?” A woman replies: “Yes. Yes, ma’am.”Hastening through a tunnel, she asks: “Did you reach McConnell?” – a reference to the then Senate majority leader, Mitch McConnell. Someone says: “We did.” Pelosi: “And will they call the national guard?” Reply: “That’s correct.”Upstairs, the rioters are demanding to know where votes are counted. Walking through another corridor with aides around her, Pelosi evidently realises what a perilous moment this is for democracy. She says: “If they stop the proceedings, they will have succeeded in stopping the validation of the president of the United States. If they stop the proceedings, we will have totally failed.”She is then seen on a phone, telling an unidentified person: “We have got to finish the proceedings or else they will have a complete victory.”Both Pelosi and her daughter climb into the back of a black SUV so they can be taken to safety. Upstairs, her office is being ransacked by Trump supporters. One thinks he has found Pelosi’s laptop. Another asks: “You want Nancy’s pink boxing gloves?” Someone shouts with primal rage: “Fuck Nancy Pelosi!”Sitting in the moving vehicle, the speaker is livid at the disruption of Congress’s sacred duty. “So what’s the prospect? We’re gonna stay here all day, for the rest of our lives, or what? We’re here until what, until the national guard decides to come and get rid of these people?”By now the insurrectionists are inside the Senate chamber. One demands: “Do you see Nancy Pelosi?” Another asks: “Where the fuck is Nancy?” Outside, a bearded man in a “Maga” cap picks up a phone and shouts: “Can I speak to Pelosi? Yeah, we’re coming, bitch.”Pelosi is seen entering the military base at Fort McNair. As Congressman James Clyburn looks on, she says: “There has to be some way we can maintain the sense that people have that there is some security, some confidence that government can function and that we can elect the president of the United States.”Chuck Schumer, then the Democratic minority leader in the Senate, informs Pelosi: “My wife just called watching TV. There are people with guns trying to get into the House chamber.”Pelosi had to leave the Capitol without her phone so is forced to borrow others’. Sitting and studying a photo on one phone, says: “Oh, one of them is in the president of the Senate’s seat.”Schumer notes that some senators are still in hiding and pleads by phone with Ryan McCarthy, the army secretary, to send in military personnel. Pelosi, watching the carnage on CNN, speaks to Ralph Northam, the governor of Virginia: “They’re just breaking windows. This is horrendous. And all at the instigation of the president of the United States.”She tells Schumer that Northam agreed to dispatch 200 state police and a national guard unit.At 3.30pm Pelosi and Schumer speak by phone to Jeffrey Rosen, the acting attorney general. Pelosi tells him: “Safety just transcends everything but the fact is, on any given day, they’re breaking the law in many different ways and, quite frankly, much of it at the instigation of the president of the United States.”Schumer adds sharply: “Why don’t you get the president to tell them to leave the Capitol, Mr Attorney General, in your law enforcement responsibility? A public statement they should all leave?”Rosen begins to say his team is “coordinating as quickly and as –” before getting cut off by Schumer, who demands: “No, no, no – please answer my question, answer my question!”Congressional leaders then have a call with the acting defence secretary, Christopher Miller. Pelosi says forcefully: “Just pretend for a moment it was the Pentagon or the White House or some other entity that was under siege. You can logistically get people there as you make the plan and you have some leadership of the national guard there they have not been given the authority to activate.”Then Pelosi speaks to Pence as he waits in a parking garage beneath the Capitol, where rioters chanted for him to be hanged.Taking a seat beside a plant and cabinet full of decorative plates, the speaker says she and other congressional leaders are OK, then asks: “How are you? Oh, my goodness, where are you? God bless you. But are you in a very safe –?”She says she has been told that it will “take days” to clear the Capitol and that Fort McNair has facilities for the House and Senate to meet, adding: “We’d rather go to the Capitol and do it there but it doesn’t seem to be safe.”Pelosi continues: “We’ve got a very bad report about the condition of the House floor, with defecation and all that kind of thing.”She is then seen using her teeth to help unwrap a beef jerky stick and eating while holding the phone in her right hand. She tells Pence: “I worry about you being in that Capitol room. Don’t let anybody know where you are.”Finally, Trump releases a video calling his supporters to go home, but Pelosi and Schumer are not impressed. She comments: “Insurrection. That’s a crime and he’s guilty of it.”By 5.45pm the security forces have regained control. Pence informs Pelosi and Schumer by phone that Congress will be able to reconvene. The backup plan of doing so at Fort McNair is therefore not necessary.Sitting in a vehicle heading back through darkened streets, Pelosi expresses her disgust towards Trump. “I just feel sick at what he did to the Capitol and to the country today. He’s got to pay a price for that.”Back inside the Capitol, Pelosi is informed that the sign outside her office has been taken. She responds phlegmatically: “They took the sign? We’ll get another.”Entering the office, she is warned that there is still a lot of broken glass. A gold framed mirror above the fireplace is smashed. She observes: “Boy, the staff looks scared. They’re traumatised.”The Senate reconvenes around 8pm and the House around 9pm. Pelosi watches on TV as Schumer compares the insurrection to the attack on Pearl Harbor as a “day of infamy”. At 3.48am on 7 January, Joe Biden’s election victory is ratified after all.At 9am Pelosi is in a car, telling Clyburn: “We have to stop this man, the insurrectionist in the White House.” Clyburn warns that invoking the 25th amendment would be a “complicated process” and there may not be enough time, “but there is enough time – and it’s rather simple – to tag him with the uniqueness of a second impeachment”.On 13 January, a week before he left office, the House voted to impeach Trump by a vote of 232-197 for incitement of insurrection. He was the first president in history to be impeached twice.TopicsNancy PelosiDocumentary filmsUS Capitol attackUS politicsDonald TrumpfeaturesReuse this content More

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      Borat targets Trump, Ye and antisemitism at Kennedy Center Honors

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      Borat targets Trump, Ye and antisemitism at Kennedy Center HonorsSacha Baron Cohen skit receives mixed response at ceremony for lifetime achievements in the arts The British actor Sacha Baron Cohen reprised his character Borat and stole the show at America’s prestigious Kennedy Center Honors on Sunday night, targeting the former president Donald Trump, the rapper Kanye West, now known as Ye, and antisemitism.President Joe Biden smiled broadly and his wife, Jill, was in fits of laughter as Cohen told risque jokes in the comical accent of Kazakh television journalist Borat Sagdiyev.“I know the president of US and A is here,” Borat said to an audience including politicians and celebrities during a segment celebrating the Irish rock group U2. “Where are you, Mr Trump?”As the audience howled, Borat went on: “You don’t look so good. Where has your glorious big belly gone? And your pretty orange skin has become pale.” He then asked if the Russian leader, Vladimir Putin, and the nerve agent novichok were responsible.Borat, the star of two hit satirical films, added: ‘But I see you have a new wife. Wawawoooah! She is very erotic. I must look away before I get a Bono.”The comedian, who is Jewish, then turned his attention to antisemitism in the wake of Trump having dined at his Mar-a-Lago home with the Holocaust denier Nick Fuentes and Ye, who subsequently praised Adolf Hitler and was banned from Twitter for posting an image of a swastika.Borat said: “Before I proceed, I will say I am very upset about the antisemitism in US and A. It not fair. Kazakhstan is No 1 Jew-crushing nation. Stop stealing our hobby. Stop the steal! Stop the steal!” Some guests burst into laughter while others sat in uncomfortable silence.He continued: “Your Kanye, he tried to move to Kazakhstan and even changed his name to Kazakhstanye West. But we said: no, he too antisemitic, even for us.”Borat proceeded to sing a short parody of U2’s song With or Without You with the lyrics changed to “With or without Jews”. He broke off and asked: “What’s the problem? They loved this at Mar-a-Lago. They chose Without Jews.”The Bidens appeared to enjoy Baron Cohen’s routine but it also came as a shock in typically staid and buttoned up Washington. Asked by the Guardian what she thought of it, Biden’s sister Valerie Biden Owens said diplomatically: “I think I like U2”, while Roy Blunt, a Republican senator for Missouri, said: “Not much”.Glenn Youngkin, the governor of Virginia, said: “I was surprised to see him,” and sped away without elaborating.Along with U2, the actor George Clooney, the singer-songwriter Amy Grant, the singer Gladys Knight and the composer Tania León were celebrated at the 45th Kennedy Center Honors, the most prestigious honours for lifetime achievements in the arts. There was also an appearance from Sesame Street’s Big Bird.One audience member from the political world also received a standing ovation. Paul Pelosi, the husband of the House of Representatives speaker, Nancy Pelosi, used the weekend’s honors-related events to make his first public appearance since being attacked in October in their San Francisco home.The Pelosis sat next to the vice-president, Kamala Harris, and her husband, Doug Emhoff, in a balcony. Paul Pelosi wore a black hat and a glove on his left hand.The show highlighted the five artists’ work, and represented a return to pre-coronavirus norms. There was no requirement for testing to attend and few guests wore masks. Anthony Fauci, the chief medical adviser to the president, was among the guests.Clooney, a double Oscar winner, was also praised for his engagement in political causes and spoke to reporters after attending a White House reception.Asked how he thought Biden’s presidency was going, Clooney replied: “Beautifully. I love him. He’s a kind man with great intentions and he has some incredible legislation which kind of gets overlooked and they’re not very good at bragging about right now. He’s done a really good job and I’m very proud to be a supporter.”A follow-up question about whether Clooney, 61, would consider a career in politics prompted his wife, the barrister Amal Clooney, to smile and shake her head. The actor said in agreement: “Listen, we have a really nice life.”In a celebration at the state department on Saturday, Clooney told guests: “I’ve been lucky enough to meet millions of people, every country, literally 125 countries, and they all, without exception, agree and they’ll come up to me and say specifically that, ‘You sucked as Batman’. It’s unified. We could solve world problems if we just all could agree on more than just that I suck as Batman.”At Sunday’s main event at the Kennedy Center, Julia Roberts, who has co-starred in several films with Clooney, wore a floor-length gown with framed images of him on it and called him a “Renaissance man”. The actors Don Cheadle, Matt Damon and Richard Kind also paid tribute, with Damon recalling how Clooney once stole the then-President Bill Clinton’s stationery and wrote notes to fellow actors on it.But the one who moved Clooney to tears was his 88-year-old father, Nick, a journalist and TV anchorman. He recalled that he was hosting a TV show in 1968 when Martin Luther King was assassinated in Memphis. His family came into the green room. “Seven-year-old George had a large paper bag in his hand. I asked him what in the world was in the bag.“Well, he went to the coffee table, he turned the bag upside down. Out poured all of his toy guns landing with a clack. He said: ‘Pop, I don’t want these any more. None of them. Never.’ Well, I tore up my speech. Nothing I would’ve written would have been nearly as eloquent as what George had just done and said.”Nick Clooney said he was often asked what he wanted people to know about his son. “Well, here it is: George’s best and most important work is still ahead of him.”Knight, who has won seven Grammy awards, is famous for hit songs including I Heard It Through the Grapevine and Midnight Train to Georgia as the lead singer of The Pips, which became Gladys Knight and The Pips in 1962. Singers including Garth Brooks and Patti LaBelle performed some of Knight’s songs.Grant rose to prominence as a contemporary Christian music singer who later crossed over to pop stardom, winning six Grammys. The singers Sheryl Crow, Brandi Carlile, CeCe Winans and BeBe Winans were among the artists who honored her.Cuban-born León is a conductor as well as a composer, whose orchestral piece Stride won the 2021 Pulitzer prize in Music. The jazz pianist Jason Moran, the singer Alicia Hall Moran and the cellist Sterling Elliott played one of her creations, Oh Yemanja.The final tribute of the evening was to U2, which, with members Bono, The Edge, Adam Clayton and Larry Mullen Jr, has won 22 Grammys. Eddie Vedder performed Elevation and One, while the Ukrainian singer Jamala joined Carlile and others to perform Walk On. The actor Sean Penn described U2 as “four scrappy Dublin punks” who were also “great musical poets of the ages”.Other guests at the event included the transportation secretary, Pete Buttigieg, the senators Amy Klobuchar, Patrick Leahy, Joe Manchin and Mitt Romney, and representatives James Clyburn and Steny Hoyer, the White House press secretary, Karine Jean-Pierre, and the British ambassador, Dame Karen Pierce.Deborah Rutter, the president of the Kennedy Center, said: “This is probably the largest number of the administration and of Congress that we’ve ever had so that feels really great. People are ready to be back together fully and they want to see a good show.”TopicsBoratSacha Baron CohenDonald TrumpKanye WestAntisemitismU2George ClooneynewsReuse this content More

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      Can you ignore your family’s politics? Jennifer Lawrence and Sydney Sweeney disagree

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      Can you ignore your family’s politics? Jennifer Lawrence and Sydney Sweeney disagreeArwa MahdawiThe Euphoria actor wants to keep things apolitical – but treating politics as abstract has always been a privilege Jennifer Lawrence says she “can’t fuck with people who aren’t political”. In a cover interview with Vogue, the actor revealed that she no longer has any patience for people who are passive about politics because things are now “too dire … Politics are killing people.”Politics have been killing people for a very long time, of course. Military spending decisions kill people. Austerity, and a lack of social welfare spending, kills people. Climate crisis and gun control policies, or a lack thereof, kill people. Treating politics as something abstract, something that doesn’t significantly impact your day-to-day life, has always been a privilege.I’m not here to scold Lawrence for not being woke straight out of the womb, though (this isn’t Twitter). She grew up in a conservative household in Kentucky and, as many people do, adopted her parents’ politics. Since then, however, she has evolved and been very frank about how and why she gradually moved away from Republican policies. Travelling for work expanded her worldview, Lawrence has said, and made her realize that wherever she went, wealth never seemed to trickle down but was always concentrated at the top. She wasn’t exactly radicalized but she became firmly liberal and now, she tells Vogue, she has nightmares about Tucker Carlson.Lawrence’s views may have evolved but her family’s don’t seem to have, which has caused a painful rift. The 2016 election fractured her relationship with some relatives, including her dad, she told Vogue. The reversal of Roe v Wade dealt it another blow. “I don’t want to disparage my family, but I know that a lot of people are in a similar position with their families. How could you raise a daughter from birth and believe that she doesn’t deserve equality? How?” Brett Kavanaugh, dad to two daughters, might be able to tell her.Lawrence isn’t the only celebrity whose family’s political leanings are making life hard for them. The Euphoria star Sydney Sweeney recently caught flak because her mother threw a hoedown-themed 60th birthday that looked a little Trumpy. Photos of party guests wearing Maga-style red baseball caps with the phrase “Make Sixty Great Again”, and one unidentified guest wearing a “Blue Lives Matter” T-shirt (a pro-police backlash to Black Lives Matter), went viral.Twitter detectives went to work and found a picture on Sweeney’s brother’s Instagram account of a baby with a Maga hat on outside the White House. Rumours started swirling that Sweeney’s family were Trump-loving Republicans and a lot of fans got very upset and started questioning the actor’s politics. Sweeney, it should be noted, has never said much about her political leanings but her roles in shows like Euphoria – and the fact that her breakout role was in The Handmaid’s Tale – seem to have led a lot of her young, progressive fans to assume she’s liberal.“You guys this is wild,” Sweeney tweeted in response to the furore. “An innocent celebration for my moms milestone 60th birthday has turned into an absurd political statement, which was not the intention. Please stop making assumptions.”The anger directed towards Sweeney did feel a little over the top. After all, nobody chooses their family. However, her response to the outrage also felt disingenuous. When you wear a Blue Lives Matter shirt, you’re not making a fashion statement, you’re making a political statement. As a lot of commentators pointed out, Sweeney ignoring the political nature of some of the photos and accusing people of politicizing an innocent event felt a lot like gaslighting.‘I was absolutely terrified of Olivia’: Sydney Sweeney on her White Lotus characterRead moreAgain, nobody chooses their family. But when you’re an adult, you choose how you react to your family’s politics. Lawrence told Vogue that she has she has tried to “forgive my dad and my family and try to understand: it’s different. The information they are getting is different. Their life is different.” Still, she admitted, she can’t pretend their politics don’t matter. “I’ve tried to get over it and I really can’t. I can’t.”Sweeney, meanwhile, seems to have chosen to act as if politics don’t really matter, that civility is more important than civil rights. And she’s not alone in this approach. After Trump won the presidency in 2016, a lot of outlets published advice on how to survive Thanksgiving with a politically divided family. Much of that advice was along the lines of “agree to disagree!” Vogue even suggested a game where anyone who brought up politics was fined $20.You can acknowledge the fact that your parents supporting radically different ideas to you about a woman’s right to choose, for example, is not the same as them supporting a different sports team. You don’t have to disown your parents for their views, but if you don’t confront them in some way, then you are complicit.Maybe Lawrence should take young Sweeney aside at the next Hollywood award show and talk to her a bit about how it’s no longer possible to be passive about politics.TopicsFilmJennifer LawrenceTelevisionUS televisionUS politicscommentReuse this content More