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    Ella Jenkins, Musician Who Found an Audience in Children, Dies at 100

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    Performing and recording, she transformed what was seen as a marginal genre in the music industry into a celebration of shared humanity. Ella Jenkins, a self-taught musician who defied her industry’s norms by recording and performing solely for children, and in doing so transformed a marginal and moralistic genre into a celebration of a diverse yet common humanity with songs like “You’ll Sing a Song and I’ll Sing a Song,” died on Saturday in Chicago. She was 100. Her death was confirmed by John Smith, associate director at Smithsonian Folkways Recordings.Ms. Jenkins had no formal musical training, but she had an innate sense of rhythm. “I was always humming or singing and la-la, lu-lu or something,” she once said.She absorbed the everyday melodies of her childhood — the playground clapping games, the high school sports chants, the calls of a sidewalk watermelon vendor hawking his produce. As an adult, she paired such singsong rhythms with original compositions and sought not simply to amuse or distract children but to teach them to respect themselves and others.Against the sound of a kazoo, a harmonica, a variety of hand drums or, later, a baritone ukulele, Ms. Jenkins sang subtly instructive lyrics, as in “A Neighborhood Is a Friendly Place,” a song she wrote in 1976:You can say hiTo friends passing byA neighborhood is a friendly place.You can say helloTo people that you knowA neighborhood is a friendly place.Neighbors to learn to shareNeighbors learn to careA neighborhood is a friendly place.Over children’s steady clapping, she recorded the age-old “A Sailor Went to Sea”:A sailor went to sea, sea, seaTo see what he could see, see, seeAnd all that he could see, see, seeWas down in the bottom of the sea, sea, sea.For many parents and classroom teachers, Ms. Jenkins’s renditions of traditional nursery rhymes like “Miss Mary Mack” and “The Muffin Man” are authoritative.Still, from the beginning of her career in the 1950s, Ms. Jenkins pronounced her signature to be call-and-response, in which she asked her charges to participate directly in the music-making, granting them an equal responsibility in a song’s success. She had seen Cab Calloway employ the technique in “Hi-De-Ho,” and for her, the animating idea, veiled in a playful to-and-fro, was that everything good in the world was born of collaboration.In one of her most popular recordings, Ms. Jenkins sings out, “Did you feed my cow?” “Yes, ma’am!” a group of children trumpet back. The song continues:Could you tell me how?Yes, ma’am!What did you feed her?Corn and hay!What did you feed her?Corn and hay!As Ms. Jenkins repopularized time-honored children’s songs, she also gave the genre global scope. Before Ms. Jenkins, children’s music in the United States consisted primarily of simplified, often cartoonish renditions of classical music.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Steve Harley, ‘Make Me Smile’ Singer, Dies at 73

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      Mr. Harley was the frontman of the 1970s rock band Cockney Rebel, which landed several hits on the British charts.Steve Harley, the 1970s British rock star who topped U.K. music charts with the single “Make Me Smile,” died on Sunday. He was 73.He died at his home, his family said on Facebook. No cause was given but Mr. Harley had announced last month that he would step away from the stage to undergo treatment for cancer and previously canceled several concerts scheduled for this year.Mr. Harley was the frontman of the band Cockney Rebel, which he formed in the early 1970s.His biggest hit was the 1975 single “Make Me Smile,” in which Mr. Harley’s even-keeled vocals and melancholic lyrics cruise over instrumentals bearing the optimistic sound distinct to bands of the era. The song hit the top of the British charts in February of that year.Cockney Rebel graced the British charts with other releases, including the 1974 single “Judy Teen,” which peaked at No. 5 on the charts that year, and a funky cover of “Here Comes the Sun” by the Beatles in 1976.Steve Harley and Cockney Rebel in 1974.Gijsbert Hanekroot/RedfernsOther songs found success outside of Britain.“Sebastian,” a single featured on the band’s debut 1973 album, “The Human Menagerie,” wound up being a No. 1 hit in Belgium and the Netherlands, according to Mr. Harley’s website.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Founder of the New Christy Minstrels Randy Sparks Dies at 90

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      With a keen eye for young talent, he helped boost the careers of Steve Martin, John Denver, Kenny Rogers and many other performers.Randy Sparks, a creative impresario whose musical ensemble, the New Christy Minstrels, helped to jump-start the folk revival of the early 1960s and launched the careers of performers like John Denver, Steve Martin and Kenny Rogers, died on Sunday at an assisted-living facility in San Diego. He was 90.His son Kevin confirmed the death. Mr. Sparks had been living on his 168-acre ranch in Jenny Lind, Calif., northeast of San Francisco, until a few days before his death.Mr. Sparks in Los Angeles in 2006. He was well known as a singer, songwriter and actor in Southern California when he formed the New Christy Minstrels.Sherry Rayn Barnett/ Michael Ochs Archives, via Getty ImagesBefore Beatlemania and the British invasion revolutionized American popular music, folk music dominated the airwaves — and perhaps no group was more ubiquitous than the New Christy Minstrels. They were a nearly constant presence on television and sold an estimated two million albums in their first three years.Mr. Sparks was already well known as a singer, songwriter and actor in Southern California when he drew together nine other musicians in 1961 to form the group, which took its name from a popular stage show in the 1840s led by Edwin P. Christy. Mr. Sparks was quick to note that his group otherwise shared nothing with its namesake, a white group that had promoted the music of Stephen Foster in blackface.His group was a hit from the start; its debut album, “Presenting the New Christy Minstrels” (1962), won the Grammy Award for best performance by a chorus and stayed on the Billboard chart for two years.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      'I have a sense of urgency': Sufjan Stevens wakes from the American dream

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      The Oscars were an ordeal for Sufjan Stevens. “Honestly, one of the most traumatising experiences of my entire life,” the songwriter half-laughs, half-groans. The event was, he says, “a horrifying Scientology end-of-year prom” representative of “everything I hate about America and popular culture”.He had never paid much attention to them before being nominated in 2018. Mystery of Love – his bittersweet folk ballad, written for Luca Guadagnino’s Call Me By Your Name – was up for best original song and Stevens had been invited to perform. His devoted fans celebrated this appearance as a moment of long-overdue mainstream recognition for the spotlight-shy then-42-year-old; 26 million viewers were watching at home, after all. But for the artist himself, shrinking into his pink-and-black striped blazer as Hollywood A-listers schmoozed around him, there was not much to celebrate. “I didn’t want to have anything to do with that world and that culture,” he says. “I don’t want to be part of any room full of adults hemming and hawing over plastic trophies.”Stevens has spent his career adjusting his work to help avoid such rooms. The Detroit-born composer is an indie household name, with St Vincent, Moses Sumney (both of whom joined him onstage at the Oscars) and the National among his peers. He has fans in hip-hop, too: Kendrick Lamar and Mac Miller have both sampled him, while in 2011, Donald Glover proclaimed himself “the only black kid at the Sufjan concert” in a verse from Fire Fly telegraphing his sensitivity. More