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    The New York Times Presents: ‘Weight of the World’ on Ozempic’s Rise

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    ‘Weight of the World’Producer/Director Esther Dere and Nicole RittenmeyerCo-Producer Leah VarjacquesProducer/Reporter Dani BlumProducer Rachel AbramsWatch our new documentary on FX and Hulu starting Friday, Nov. 22, at 10 p.m. Eastern.The ascent of GLP-1 medications, such as Ozempic, has brought about a transformation within the weight-loss industry and beyond, reshaping societal views on health and body image. Originally developed to manage diabetes, these drugs have become associated with rapid weight reduction, capturing public interest thanks to rumored endorsements from high-profile figures like Oprah Winfrey and Elon Musk.“Weight of the World” dives into this pivotal moment, following the journeys of three individuals as they navigate the complexities of using GLP-1 medications. The film examines their experiences against the backdrop of over 40 years of diet culture in America, prompting an inquiry into whether these medications represent a groundbreaking shift or merely another chapter in the long and complicated narrative of weight loss.Through expert commentary from medical professionals, dietitians and cultural critics, the film looks at this evolving landscape, and it investigates the societal obsession with thinness and the implications of these new pharmaceutical interventions, raising questions about body image, health and the ongoing struggle against obesity.Left Right Productions/The New York Times/Hulu Originals/FX Networks”GLP-1s are a blockbuster because they promise to solve a social problem without changing anything else.”Tressie McMillan Cottom, Times Opinion columnistLeft Right Productions/The New York Times/Hulu Originals/FX Networks“Thinking about weight is probably the No. 1 item that’s on my mind most of the time. Like, I’m always comparing myself to everyone around me.”Jeffrey Luxmore, a subject featured in the filmSupervising Producer Liz HodesDirector Of Photography Victor Tadashi SuarezVideo Editor Geoff O’Brien“The New York Times Presents” is a series of documentaries representing the unparalleled journalism and insight of The New York Times, bringing viewers close to the essential stories of our time. More

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      ‘American Crime Story’ Turns to Sports With Aaron Hernandez Saga

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      The buzzy FX series delves into the N.F.L. star who murdered a friend less than a year after playing in the Super Bowl.The saga of Aaron Hernandez has riveted the sports world and beyond for more than a decade. An N.F.L. star on one of football’s best teams killed a man in 2013 even as he chased fame and glory on the field.Two years after his conviction in 2015, Hernandez hanged himself in prison, leaving unexplained his descent into crime, rumors about his sexuality, and how he was able to hide his off-field life while thriving at America’s most popular sport.Hernandez has been the subject of multiple books, true crime podcasts and documentaries. But his story is getting the Ryan Murphy treatment in a new 10-part anthology series, “American Sports Story: Aaron Hernandez,” premiering on Tuesday on FX and Hulu. Its showrunners are trying a playbook similar to one used for dramatizations of other well-known scandals like “The People v. O.J. Simpson” and “Impeachment,” about former President Bill Clinton’s sexual improprieties. But this time, they’re grappling with new terrain: pro football.Nina Jacobson, an executive producer of “American Sports Story,” said showrunners hoped to offer viewers a “more subjective experience,” rather than a rehashing of previously reported events.“I think we try, in all of these shows, to find a way to put people in the shoes of the characters and put themselves in the eye of the storm — not in a way to excuse anybody’s voices or behaviors,” she said, “but to give people a chance to maybe see them in a different light.”Ahead of the first installment, here are the key points to know about Aaron Hernandez’s football career and murder case, and the TV drama that will depict them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      “Shogun” Emmy Win Lifts FX Past Bigger Rivals

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      The network has been a darling among critics for years. But it hit a new high on Sunday, with “Shogun” winning best drama and “The Bear” picking up several awards as well.When the “Shogun” writer and producer Justin Marks stormed the Emmys stage after his show won best drama on Sunday night, his first order of business was to pay tribute to the people who helped bring him there: the executive team at FX.How, he wondered aloud, did the network approve a show that was extremely expensive, and would be mostly subtitled in Japanese?“I have no idea why you did that, but thank you for your faith in this incredible team,” he said.For roughly two decades, that team at FX has been a darling to television critics with series like “American Horror Story,” “The Americans,” “It’s Always Sunny in Philadelphia” and “Atlanta.” But the network, with less money at its disposal than rivals such as Netflix and HBO, had never won television’s most prestigious prize, best drama, until Sunday.And that’s not all it won.“Shogun,” an adaptation from a 1975 best-selling book centered on 17th century feudal Japan on the brink of civil war, had a dominant night at the Emmys. It set a record for most Emmys won by a show in a single year, winning 18 in all. It was also the first time a foreign language show (roughly 70 percent of the show was in Japanese) had taken the best drama award that is normally the domain of shows that take place in the United States, the United Kingdom or Westeros.Hiroyuki Sanada in a scene from “Shogun.”Katie Yu/FX, via Associated PressAnother FX show, “The Bear,” won several major Emmys on Sunday night, including three acting awards. But in an upset, Max’s “Hacks” defeated “The Bear” in best comedy series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Reservation Dogs’ Showed D’Pharaoh Woon-A-Tai What Is Possible

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      The actor received his first Emmy nomination for his performance on the acclaimed Native comedy. In an interview, he talks about breaking down stereotypes, and possibly reviving his character.Much like his “Reservation Dogs” character, D’Pharaoh Woon-A-Tai grew up wondering if he was a good guy.If his dedication to his craft and his community is any indication, the 22-year-old actor of Anishinaabe, Guyanese and German descent seems to be a pretty upstanding citizen. The day we chat about his Emmy nomination for lead actor in a comedy series, for example, he is visiting his parents in his native Toronto (from his adopted hometown, Los Angeles) and has spent most of the morning chauffeuring his auntie around on a several-hours-long excursion. After all, mothers, grandmothers and aunties are considered the bedrock of Indigenous communities.That’s a fact any “Reservation Dogs” fan would know. With the groundbreaking FX series, the creators Taika Waititi and Sterlin Harjo provided a rare look at everyday life on an Oklahoma Indian reservation through the eyes of four teens reeling in the aftermath of a friend’s suicide. Harjo, who also served as showrunner, has said there was only one way to do it: with an all-Indigenous team of writers, directors and regular actors who could authentically tell this story.Alongside his young co-stars, Woon-A-Tai made uncharted television territory feel warm, raw and utterly relatable, garnering “Rez Dogs” broad acclaim as well as four Emmy nominations this year, including a best comedy nod. His portrayal of Bear Smallhill also earned him an Emmy nomination, placing him alongside Lily Gladstone (“Under the Bridge”) and Kali Reis (“True Detective: Night Country”) as the first Indigenous actors to be nominated in 17 years.In an interview, he talked about breaking down stereotypes, possibly reviving his “Rez Dogs” character and being a good, healthy Indigenous man. These are edited excerpts from the conversation.Despite critical acclaim, “Rez Dogs” was notably overlooked by the television academy for its first two seasons. What does it mean to you to break through with a best comedy nomination and one of the few Indigenous acting nominations in Emmys history?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More