Guggenheim, Solomon R, Museum

What happened when Pieter Mulier brought the Alaïa show to the Guggenheim.It takes a lot to distract from Rihanna. Especially when she enters a room wearing a cleavage-spilling corset underneath a cream net gown with hundreds of seed pearls caught in its web, sits next to Liv Tyler and starts whispering in her ear.It takes a lot to upstage a mini-reunion of supermodels: Stephanie Seymour in leopard, hugging Naomi Campbell and both of them air-kissing Linda Evangelista, as Amber Valletta, all in black, smiles benignly at the scene.Amber Valletta was among the guests …Gotham/GC Images… as were Naomi Campbell and Stephanie Seymour.The New York TimesYet that is exactly what Pieter Mulier did Friday night with an Alaïa show at the Guggenheim Museum that redefined chic in audience, venue and style. After three years of negotiating, not always easily, with the heritage of the house Azzedine built, he finally made it his own.Holding the first fashion show to take place in the Guggenheim’s soaring atrium with its spiraling Frank Lloyd ramp twirling up to the domed glass ceiling, Mr. Mulier sat his guests — an idiosyncratic mix of gallerists, artists, photographers and fashion folk — on round settees on the ground floor, and then sent the models strolling from top to bottom. At first all the audience could see as they craned their necks back were little heads, bobbing along just above the uppermost part of the ramp. Then shoulders. Then perhaps a torso or two.Finally, the whole thing: a collage of spirals and geometry, form and function that took the essence of sportswear and made it modern. Skin-toned bandeaus were paired with classic Alaïa skater shirts, but rendered lightly in layers of silk chiffon, and billowy trousers that looked like a cross between harem pants and sweatpants (harem sweats?). Later, panniers were added at the hips, as if they had been crossbred with a ball gown and recast in silk taffeta.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More