Gyllenhaal, Jake

“The Great Gatsby” turned 100 this week. Probably, like me, you first read it in high school. My true engagement with the novel, though, began five years ago, when I was in my 50s and a writer and college teacher, and I started listening to a portion of the “Gatsby” audiobook every night.I started on March 17, 2020, which was the day the province of Ontario, where I live, declared a state of emergency because of Covid. My wife and I had listened to Jake Gyllenhaal’s rendition of “Gatsby” during a 2015 road trip, liked it and thought it would be a diverting bedtime story to get us through the lockdown, which we expected to last about three or four weeks. We set a sleep timer, pressed “play” and listened for 45 minutes, and the lockdown wound up lasting nearly two years.“Gatsby” for me has grown from a novel bedtime story to a nightly ritual to a kind of compulsion. It’s hard for us to imagine going to bed now without the compelling timbre of Mr. Gyllenhaal in our ears. In 2023 alone, I listened to “Gatsby,” which runs in its entirety for 289 minutes, just over 48 times. I broke that record in 2024 when I stopped setting the sleep timer and began listening to the entire book overnight, letting it unspool into my ears while I slept. “Gatsby” has now laid down roots in my brain — even into my dreams. In a way, that’s not just true of me but of the entire culture.The literary critic Maureen Corrigan once wrote that “Gatsby” contains some of “the most beautiful sentences ever written about America,” and it persists as a book that is nearly “perfect despite the fact that it goes against every expectation of what a Great American Novel should be.”Not only has it inspired at least five movies, an opera and a Broadway musical, “Gatsby” also has a habit of popping up in the strangest places: When the comedian Andy Kaufman wanted to subvert his stand-up by reading from a novel onstage, including on an episode of “Saturday Night Live,” he chose to read from “The Great Gatsby.” His prank inspired the New York-based experimental theater company Elevator Repair Service to create “Gatz” in 2004, a six-and-a-half-hour performance that involves actors reciting the entire book, word for word. And, yes, I’ve seen “Gatz.” Twice.There is a certain look I get when I tell people about my “Gatsby” ritual — call it “curious concern.” If I explain that during Covid I started listening to “Gatsby” as a comfort before bed — and have been listening to it almost every night since — I can hear how strange these words sound even as they trip out of my mouth. Who chooses as a ritual bedtime story a bittersweet novel that ends with a murder-suicide (preceded by a fatal car crash) in which no one finds love and the only character who ends up close to happy is a violent racist and a serial cheat? Maybe “Pride and Prejudice” would be a more acceptable obsession. It’s also a masterpiece and it has a happy ending. But only “Gatsby” can hold my attention. By now, I’m steeped in it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More