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    Revisiting the Harlem Renaissance

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    Why the era still resonates a century later.I’m a Brooklyn girl, but I’m low-key obsessed with the Harlem Renaissance. I’ve written a book about the era and taught its literature at universities. I can, and often do, spend whole weekends rereading Langston Hughes and Zora Neale Hurston, listening to Louis Armstrong and Duke Ellington, thumbing through books featuring artwork by Aaron Douglas and Augusta Savage.But what brings me back to the Renaissance again and again is the way it changed this country. When the movement started a century ago, the United States was finally creating our own distinctly original culture — songs and dances, paintings and novels. We were looking less to Europe as a model of creativity. And in this moment — the 1920s, in New York City, both uptown and downtown — we become more wholly American.This year, a team of Times journalists marked the 100th anniversary of the Harlem Renaissance with a series examining its vibrant history.A 1925 breakfast party for Langston Hughes.Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public LibraryWe began with a little-known dinner party that took place on March 21, 1924, an unprecedented interracial gathering that included such luminaries as W.E.B. Du Bois, Carl Van Doren and Alain Locke, as well as up-and-coming writers like Gwendolyn Bennett and Countee Cullen.Even today, in New York, this kind of gathering is rare. The purpose of the dinner was to marry talent to opportunity, connecting writers with editors and critics, and it was a wild success: In the decade after the dinner, Renaissance writers published more than 40 volumes of fiction, nonfiction and poetry, works that transformed the literary landscape of our nation. You can read about the dinner party (and the friendships, feuds and affairs that it launched) in this piece.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Studio Museum in Harlem to Open New Building in Fall 2025

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      The 82,000-square-foot structure on 125th Street will open with a show featuring the artist Tom Lloyd.The Studio Museum in Harlem on Tuesday announced that it will open its new home on 125th Street in the fall of 2025. Its first show there will bring the museum full circle by focusing on the work of Tom Lloyd, the artist, educator and activist who was featured in the 1968 opening exhibition of the institution — which was then just a second-floor rented loft on upper Fifth Avenue.“This building represents the collective aspirations of all who have been involved in thinking about what it would mean to make a museum on 125th Street devoted to the work of Black artists,” said Thelma Golden, the museum’s director, in a recent walk through the new structure. “This space allows us to fully execute on all of the work that we have been known to do, but gives us so much more capacity and so much more possibility.”Featuring stacked volumes of differing sizes over five stories, the new building provides 82,000 square feet, increasing the exhibition space by more than 50 percent and the public areas by about 60 percent.The museum’s news release makes no mention of the building’s architect, David Adjaye, nor those currently credited for the design — Adjaye Associates in collaboration with Cooper Robertson. (The museum parted ways with Adjaye in the wake of allegations of sexual harassment and misconduct. Adjaye has denied the accusations.)Golden declined to discuss Adjaye, but said, “We are thrilled with and proud of this design and look forward to working in it.” A rendering of the lobby, facing north. The museum said it has raised more than $285 million of a $300 million capital campaign for future sustainability. via Adjaye AssociatesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Test Your Literary Knowledge of the Harlem Renaissance

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      Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s installment tests your knowledge of novels, poems and memoirs by writers connected to the Harlem Renaissance, a creative movement by Black authors, artists and musicians that crystallized into a cultural force a century ago. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books and other information if you’d like to do some further reading.3 of 5In 1930, Langston Hughes collaborated on a play called “Mule Bone,” which was never finished but was published in a new edition and produced on Broadway in 1991, long after both authors were dead. His co-writer, who was also an anthropologist, was the author of several fiction and nonfiction books, including an autobiography titled “Dust Tracks on a Road.” Who was it? More

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      Even With No Speakers, Pro-Palestinian Activism Marks CUNY Law Ceremony

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      With speeches canceled, students at the CUNY School of Law ceremony chanted, carried signs and walked out.In some ways, a walkout by pro-Palestinian students at the City University of New York School of Law’s commencement on Thursday was part of the unique political moment that has marked the Class of 2024’s graduation season at so many universities.But CUNY law students were also carrying on something of a graduation tradition at their school.Students chanted pro-Palestinian messages, waved painted banners as they walked across the stage and turned their backs to the law school’s dean, Sudha Setty, during her remarks onstage at the Apollo Theater in Harlem. Then, after the last degrees had been conferred, dozens of students rose from their seats and walked out, joined by a handful of professors and guests.“It reminded me so much of why I came to CUNY Law,” Ale Humano, one of the graduates who walked out of the ceremony, said.The walkout on Thursday is not the first time that tensions over Israel have taken center stage during a commencement ceremony for the New York City public law school. The school, which is known for fostering public interest lawyers, has been a hot spot for pro-Palestinian activism for years, and its graduation ceremonies have recently become the site of conflict over politics related to Israel.For the past two years, law school commencement speakers have made support for Palestinians and opposition to Israel a focus of their speeches, eliciting criticism from public officials, who called the speeches antisemitic.In 2023, Fatima Mousa Mohammed, a Yemeni immigrant and an activist devoted to the Palestinian cause, denounced “Israeli settler colonialism” in her address. The speech set off furious coverage and a wave of public criticism, including from Mayor Eric Adams, who spoke at the same ceremony and condemned the speech’s “divisiveness.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Leaves His Trial to Rail Against Crime and Jab at Prosecutor

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      In his first campaign stop since his criminal trial in Manhattan began, former President Donald J. Trump on Tuesday visited a bodega in Harlem where he made a pointed attack on the district attorney prosecuting him and portrayed himself as tough on crime, a central theme of his 2024 run.His visit to the store — the site of a case that prompted political controversy for Manhattan’s district attorney when an employee was charged after fatally stabbing a man after a confrontation — made for a striking juxtaposition.After spending much of the day in a Manhattan courtroom as a criminal defendant, Mr. Trump immediately traveled uptown both to criticize the district attorney, Alvin Bragg, for being too lenient on crime and to play up his “law and order” message.Mr. Trump has for months tried to draw a distinction between his frequently expressed tough-on-crime stance and the felony charges he faces in four separate cases. Outside the bodega, he again tried to dismiss his charges as political persecution, arguing that Mr. Bragg was too focused on Mr. Trump’s 2016 campaign sex scandal cover-up trial and was ignoring crime in the city.“It’s Alvin Bragg’s fault,” Mr. Trump said. “Alvin Bragg does nothing.”Though Mr. Trump is prevented by a gag order from attacking witnesses, prosecutors and jurors in his New York case, the order does not cover Mr. Bragg or the judge overseeing his trial.Before he arrived at the bodega, his campaign attacked Mr. Bragg over his handling of the 2022 incident, in which Jose Alba, a clerk, was charged with second-degree murder after stabbing a man, Austin Simon, in an altercation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Steadying Force for The Africa Center is Stepping Down

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      Uzodinma Iweala, chief executive of the Harlem institution, will leave at the end of 2024 after guiding it through pandemic years and securing funds.After guiding The Africa Center through rocky pandemic years and securing a huge chunk of funding for a major construction project, the leader of the Harlem institution is stepping down.Uzodinma Iweala, who is in his seventh year as chief executive of the Africa Center, will depart at the end of 2024.Iweala’s leadership helped to settle an institution with a tumultuous past of various mandates, locations and even names. It was formerly known as the Museum for African Art, which The New York Times’s co-chief art critic, Holland Cotter, called the “source of some of the most conceptually daring exhibitions of its era,” and before that, the Center for African Art. Faced with a delayed opening date during the pandemic, Iweala expanded its programming to include lectures and visits from heads of state, outdoor dance parties, films and author talks. All of it was aimed at connecting with the African diaspora and changing the way Americans interact with the African continent.Iweala, who as a writer and medical doctor has a nontraditional background for an arts institution leader, said he planned to focus on new creative projects including finishing a book. His multifaceted background and personal history — he is Nigerian-American and has lived in Nigeria — were regarded by many in the arts community as a good fit for an institution trying to transform itself into more than a museum or gallery. In an interview last year, the Studio Museum in Harlem’s Thelma Golden called him “visionary.”“I’m really proud of what we’ve been able to build over the past few years, especially in a challenging environment,” Iweala said. “It’s the right time to leave for me and for the institution.”Under Iweala, the Center has partnered with the Museum of Food and Drink on an exhibition as well as independent curators to offer “States of Becoming,” a 2022-23 exhibition that featured 17 African artists from the continent and diaspora. He partnered with the University of Cape Town to help organize a media index to track how Africa is covered in the media and created the Future Africa Forum that offered discussions with presidents, philanthropists and other leaders during the U.N. General Assembly meetings in New York.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Subway Death in NYC Gives Insight Into the City’s Challenges

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      The man charged with shoving a man from a subway platform had a violent history, according to officials. The man who died was recovering from his own troubled past, his family said.Before the paths of Jason Volz and Carlton McPherson collided in a terrible moment on a Harlem subway platform on Monday, their lives had seemed to be heading in opposite directions.Mr. McPherson had been hospitalized at least half a dozen times since last year for mental health treatment, according to someone who has seen some of his medical records. A neighbor in the Bronx said he sometimes slept in a hallway closet in his grandmother’s building because she would not let him into her apartment. Last October, a man whom prosecutors believe to be Mr. McPherson — he had the same name and birth year — was charged with beating a Brooklyn homeless shelter employee with a cane.Mr. Volz, 54, was recovering from addiction and had also endured homelessness, but had gotten sober two years ago and had just moved into a new apartment, his ex-wife said.On Monday night, the police say, Mr. McPherson, 24, walked up to Mr. Volz on the uptown platform of the 125th Street station on Lexington Avenue and shoved him in front of an oncoming No. 4 train.Responding police officers, who had been on another part of the platform, found him lifeless beneath the train. His death was a recurrence of the ultimate New York City nightmare, and another example of the difficulty of preventing violence on the subway despite years of efforts by state and city authorities to keep people struggling with severe mental illness out of the transit system.Mayor Eric Adams, who has watched crime in the subway largely defy his attempts to rein it in, sounded a note of defeat on Tuesday, acknowledging that the presence of police officers had not been enough to stop Monday’s attack.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Matt Damon Joins Fight Over Upper West Side Church

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      The actor will appear in performances meant to benefit a group that wants to save West Park Presbyterian Church on the Upper West Side from demolition.Good morning. It’s Wednesday. Today we’ll look at how a campaign to save a church from demolition — despite church leaders wanting the building torn down — lined up the actor Matt Damon for a fund-raiser.Julia Nikhinson/Associated PressHow do you get a star like Matt Damon to appear in a benefit performance of a play in a church on the Upper West Side?“You ask him,” said Kenneth Lonergan, who wrote the play in question, “This Is Our Youth.”Damon will appear in a performance of “This Is Our Youth” on Nov. 16. The show is a fund-raiser for the Center at West Park, which leases the West Park Presbyterian Church, on West 86th Street at Amsterdam Avenue. Tickets start at $500. The top price for a second performance, on Nov. 17, will be $250, and there will be no fixed admission for some seats; those who attend can pay what they wish.Damon is the latest celebrity to support the center and its campaign, against the congregation’s wishes, to prevent the demolition of the Romanesque Revival-style church. The actors Mark Ruffalo and Wendell Pierce; the comedian Amy Schumer; and the rapper and actor Common have also gotten involved in the cause.Together, they are lending their boldface names to an effort to raise money for the center, including to make repairs to the building that are necessary so that the scaffolding and sidewalk shed that have long covered the property can be removed.Debby Hirshman, the center’s executive director, said the goal was to bring in more than $300,000 from the “This Is Our Youth” performances. That would be in addition to a new capital campaign meant to raise $2 million for repairs to the building — a sum that opponents of demolition say would cover the cost of work outlined in a recent report by an engineering consultant for the city’s Landmarks Preservation Commission.A spokeswoman for the church challenged that analysis, calling it “a Band-Aid solution” that would not pay for interior work that is needed to satisfy fire safety rules and accessibility regulations, just as a lawyer for the center disputed a financial analysis done for the landmarks commission.That document said the building, in the hands of an owner other than the congregation, could not earn a reasonable return. Hirshman said she had met with church officials last summer and had offered to make the church “financially whole” if it withdrew a hardship application it filed with the landmarks commission last year.The application was a first step toward demolishing the building as part of a real estate deal that would give the congregation space in what would be a new apartment building on the site. The church — which was designated a city landmark, over the congregation’s objections, in 2010 — stands to receive $30 million from a developer it signed a binding contract with in 2022.Hirshman said church leaders had rejected her proposal.The center had offered earlier to buy the building; a spokesman for the church said that “none of the offers have been feasible or realistic, given the cost of repairs.” The spokeswoman also questioned the center’s “ongoing inability to raise sufficient funds” to pay for repairs.The landmarks commission has not scheduled a vote on the church’s application.As for Damon’s appearances in “This Is Our Youth” next week, Lonergan turned to him because Josh Hamilton, who had appeared in the original Off Broadway production, was unavailable. The rest of the cast was already set — Ruffalo, reprising his breakout role from 1996, and Missy Yager, along with the director Mark Brokaw. Ruffalo became involved with the center last year and even buttonholed Mayor Eric Adams at the Tribeca Film Festival to argue for saving the building.It helped that Damon and Lonergan knew each other, and that Damon knew the play: He appeared in a London production of it for two months in 2002.“I explained the situation to him and immediately he said, ‘I’m in,’ which is what I thought he would say if he was available,” Lonergan said, “and as a matter of fact, he had an apartment one block away from the church for a year or two, maybe. This is going back a ways.” He said Damon wanted to “keep what’s special about the neighborhood special.”WeatherEnjoy a mostly sunny sky today with high temperatures around the low 50s. In the evening, prepare for a chance of rain and temps near the high 40s.ALTERNATE-SIDE PARKINGIn effect until Friday (Veterans Day).The latest New York newsFlaco perching inside an East Village sculpture garden on Monday. His life on the loose could be entering a dangerous new phase.Jacqueline EmeryLocal newsFeathered fugitive: Flaco the Eurasian eagle-owl, whose escape from the Central Park Zoo captured the public’s attention, turned up in Manhattan’s East Village, about five miles from the wooded park area he had settled into since flying free nine months ago.Code of conduct: New Yorkers are reacquainting themselves with the unofficial subway rules — no eye contact; no stinky food — as the city rebounds from the Covid-19 pandemic.Sunny-day flooding: As high tide floods increase in some parts of the city, residents are asking themselves: When does a place become unlivable?ICYMI: Trump’s testimonyTakeaways: Former President Donald J. Trump took the witness stand in a Manhattan courtroom on Monday as he tried to preserve the business empire that made him famous. Here’s what we learned.Understanding Trump’s defense: Christopher M. Kise and Alina Habba, the two lawyers who joined the former president at the defense table, represent different aspects of what their client seeks in a defender.In South Brooklyn, a Democrat defeats an ex-DemocratAnna Watts for The New York TimesDemocrats held onto a City Council seat in Brooklyn that had shown signs of drifting away. Justin Brannan, a Democrat who is the Council’s powerful finance chairman, defeated his Republican opponent, Ari Kagan, according to The Associated Press.Both are sitting Council members who found themselves facing off in the same district because of redistricting. Kagan, a former radio and television host from Belarus who was elected as a Democrat in 2021, switched parties last year.On Tuesday, Brannan called his victory a triumph over “toxic tribalism” and promised to serve all constituents, regardless of their political affiliations.In another Brooklyn district, created to amplify the voices of Asian voters, the Democrat, Susan Zhuang, defeated Ying Tan, the Republican. Both candidates built their campaigns around the issues of crime, education and the quality of New York City life.Elsewhere in the city, many Democrats ran unopposed, including Yusef Salaam, one of the so-called Central Park Five defendants, Black and Latino men who were exonerated in 2002 in the rape and assault of a female jogger in Central Park 13 years earlier. He won a contested primary in Harlem this past summer.As Salaam prepared to give his victory speech on Tuesday, my colleague Jeffery C. Mays noted, it was not lost on him that former President Trump was facing multiple criminal trials. Trump had called for the reinstatement of the death penalty after Salaam’s arrest.“Karma is real, and we have to remember that,” Salaam said.METROPOLITAN diaryJob at Macy’sDear Diary:One thing I always wanted to do was work at Macy’s in New York City. I got the opportunity when things slowed down at my actual job and management asked for volunteers to take unpaid time off.I took a month, and my husband and I went to New York City. We found a short-term apartment and I applied for a job at Macy’s during the Christmas season. I did not say I only planned to work there a month.I was in my 50s at the time and I started working with a group of men and women who were much younger.I spent my first day learning how to operate the cash register and where everything in the store was. It was so exciting.When it was time for lunch, some of the younger women asked me to go to lunch with them at McDonald’s. Wow. Of course I went. They mostly spoke Spanish. I didn’t understand them, but I didn’t care.I couldn’t have been any more excited when the day was over and I clocked out and headed to the door. Outside, the young women yelled out to me: Come on, Alice. It’s this way to the subway.They wanted me to come with them, but I just said no, thank you. I lived right across the street.— Alice RedmondIllustrated by Agnes Lee. Send submissions here and read more Metropolitan Diary here.Glad we could get together here. See you tomorrow. — J.B.P.S. Here’s today’s Mini Crossword and Spelling Bee. You can find all our puzzles here.Kellina Moore and Ed Shanahan contributed to New York Today. You can reach the team at nytoday@nytimes.com.Sign up here to get this newsletter in your inbox. More