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    Peggy Caserta, Who Wrote a Tell-All About Janis Joplin, Dies at 84

    Her Haight-Ashbury clothing store was ground zero for the counterculture. But she was best known for a tawdry book — which she later disavowed — published after Ms. Joplin’s death.Peggy Caserta, whose funky Haight-Ashbury clothing boutique was a magnet for young bohemians and musicians, and who exploited her relationship with Janis Joplin in a much-panned 1973 memoir that she later disavowed, died on Nov. 21 at her home in Tillamook, Ore. She was 84.Her partner and only immediate survivor, Jackie Mendelson, confirmed the death but did not specify a cause.The Louisiana-born Ms. Caserta was 23 and working at a Delta Air Lines office in San Francisco when she decided to open a clothing store for her cohort, the lesbians in her neighborhood. She found an empty storefront on Haight Street, near the corner of Ashbury, which she rented for $87.50 a month.At first Ms. Caserta sold jeans, sweatshirts and double-breasted denim blazers that her mother made. Then she added Levi’s pants, which a friend turned into flares by inserting a triangle of denim into the side seams. When the friend couldn’t keep up with the orders, Ms. Caserta persuaded Levi Strauss & Company to make them.She named the place Mnasidika (pronounced na-SID-ek-ah), after a character in a poem by Sappho. “It’s a Greek girls’ name,” Ms. Caserta told The San Francisco Examiner in 1965, for an article about the “new bohemians” colonizing the Haight-Ashbury district.Ms. Caserta was 23 when she opened a clothing store, Mnasidika, in the Haight-Ashbury district of San Francisco.via Wyatt MackenzieWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Theologian Who Changed His Mind About Gay Marriage

    I’ve spent my life in politics, but faith has been most central to shaping who I am. My conversations with people of faith have been among the most enriching of my life. Richard Hays, an ordained minister who is an emeritus professor at Duke Divinity School, is one of the world’s leading New Testament theologians. In 1996 he wrote “The Moral Vision of the New Testament,” in which he argued that gay and lesbian sexual relationships distort God’s created order and that churches should not bless same-sex unions. In his new book, “The Widening of God’s Mercy,” written with his son Christopher Hays, Richard Hays says he was wrong. I spoke to Richard Hays about his journey and what changed his mind. This conversation, which has been lightly edited, is the first of what I hope will be a series exploring the world of faith.1. A Different Way of Looking at How God Sees Gay RelationshipsPeter Wehner: You now hold an affirming view, the belief that gay relationships are not sinful and that sexual orientation and gender identity are not justification for exclusion from church membership or leadership. You had a very different view in 1996 when you wrote “The Moral Vision of the New Testament.” What do you see now that you didn’t see in 1996, and what would Richard Hays circa 2024 say to his younger self?Richard Hays: What I see now has been over the last 10 to 15 years, the experience of having gay and lesbian students in my classes, when I was still teaching, who were very clearly committed to the church and to Christian faith and who were seeking conscientiously how best to serve going forward. That couldn’t help but make an impression on me.And the other thing closely related to that is that in my own experience in the church, I saw church members who were not theological students or anything like that but who were exercising roles of gracious and meaningful leadership.The other thing that I’ve seen is that in the conservative evangelical churches, there was a kind of smug hostility toward gay and lesbian people, and the attitudes that I was encountering there didn’t seem to me consonant with the New Testament’s portrayal of what people seeking to follow Jesus should be like. That they should be patient, kind, generous. And I didn’t see that.I saw ugly condescension in those churches where that was the strongly held view. And the most dismaying thing about that is that people who were manifesting those attitudes were appealing to my book as a justification, which I actually think means they didn’t read my book very carefully. Because back in 1996, at the time when gay marriage was illegal in the United States and forbidden in just about every church, with maybe one or two exceptions, I saw that chapter as, in part, making an appeal for people to be graciously accepting of gay folks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Man With Neo-Nazi Ties Sentenced to Life in Killing of Gay Ex-Classmate

    Samuel Woodward, who espoused anti-gay rhetoric and had ties to Atomwaffen, a neo-Nazi group, stabbed his victim 28 times in a hate-fueled murder, prosecutors said.A California man who expressed allegiance to a neo-Nazi group and espoused anti-gay rhetoric was sentenced to life in prison on Friday after a jury found him guilty of brutally killing a former high school classmate who was gay in a hate-motivated murder, the Orange County District Attorney’s office said.The man, Samuel Lincoln Woodward, 26, of Newport Beach, Calif., had reconnected with his former classmate, Blaze Bernstein, then a 19-year-old student at the University of Pennsylvania, on a dating app for men seeking men, the authorities said.On the evening of Jan. 2, 2018, Mr. Woodward drove Mr. Bernstein, who believed they were going on a romantic encounter, to a park in Lake Forest, Calif., where Mr. Woodward brutally stabbed Mr. Bernstein 28 times and buried his body in a shallow grave in the park, the district attorney’s office said.On Friday, more than four months after a jury found Mr. Woodward guilty of first-degree murder with a hate crime enhancement, a judge in the Superior Court of Orange County sentenced Mr. Woodward to life in prison without parole, according to court records.“With every hateful stab of his knife, Samuel Woodward stabbed at the very heart of our entire community,” Todd Spitzer, the district attorney for Orange County, said in a statement.He added that “those who commit acts of hate against others will be punished and those who are victimized by hate will be protected.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Dorothy Allison, Author of ‘Bastard Out of Carolina,’ Dies at 75

    She wrote lovingly and often hilariously about her harrowing childhood in a working-class Southern family, as well as about the violence and incest she suffered.Dorothy Allison, who wrote with lyrical, pungent wit about her working-class Southern upbringing — and about the incest and violence that shaped her — and whose acclaimed 1992 novel, “Bastard Out of Carolina,” based on her harrowing childhood, made her a literary star, died on Tuesday at her home in Guerneville, Calif., in Sonoma County. She was 75.Her death, from cancer, was announced by the Frances Goldin Literary Agency, her longtime representative.Ms. Allison was flat broke in 1989 when she decided to try to sell “Bastard Out of Carolina,” the novel she had been writing for nearly a decade, to a mainstream publisher. “Trash,” a critically praised collection of short stories, had already been published by Firebrand Books, a feminist publishing house; so had her collection of poetry, “The Women Who Hate Me,” which she first published herself as a chapbook in 1983. In both books, she tackled lust, the scrum of feminist politics and her chaotic, beloved family. Feminism had saved her life, she often said, and she was certain that because of her political convictions, the mainstream press would not welcome her.“Bastard Out of Carolina” was published in 1992 to almost unanimous acclaim and made numerous best-seller lists.No creditMs. Allison liked to describe herself, as she told The New York Times Magazine in 1995, as a “cross-eyed, working-class lesbian addicted to violence, language and hope.”But at the time, she and her partner, Alix Layman, a trombone player who had been kicked out of the Army for being gay, were living on grits. Ms. Allison, who was legally blind in one eye, had numerous other health concerns and medical debt, and she could no longer support her writing with part-time clerical jobs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Australian Ballet’s ‘Oscar,’ Ventures Into New Romantic Territory

    The Australian Ballet’s premiere of “Oscar,” based on the life of Oscar Wilde, explores the love relationship between two men.Boy loves girl. Prince enchanted by princess. Or swan queen, sylph, fairy, doll, peasant girl or courtesan.The central narrative elements of the full-length story ballets familiar to audiences mostly share a single element: The central romantic relationship is between male and female characters. Since many of these ballets (“Giselle,” “Swan Lake,” “The Sleeping Beauty”) date from the 19th century, that’s not surprising. But well into the 21st century, ballet — unlike opera, film or theater — has been slow to take up the challenges of telling other kinds of tales.That changed last month, with the Australian Ballet’s premiere of “Oscar,” about the life of Oscar Wilde. Choreographed by Christopher Wheeldon and set to a score by Joby Talbot, it is the first full-length narrative ballet that makes a gay hero and his love for another man its central subject.In a video call, Wheeldon pointed out that Matthew Bourne’s “Swan Lake — which featured an unhappy, repressed prince falling in love with a fiercely alluring male swan — was a groundbreaking forerunner, although not a classical ballet. But since then, he said, almost no narrative dance work has put a gay romance at its heart. David Bintley’s 1995 “Edward II” depicted something of the king’s relationship with Piers Gaveston, the Earl of Cornwall, but even the Yuri Possokhov-Kirill Serebrennikov “Nureyev” at the Bolshoi almost entirely skirted the issue of the dancer’s sexuality.It was time for something more. “I wanted us to be a company that tells stories that resonate, to be bold in our storytelling,” said David Hallberg, the artistic director of the Australian ballet. “Oscar Wilde wrote these beautiful tales, but was persecuted in a way that is still true for many people today.”Wheeldon, a major choreographer, clearly likes a narrative challenge. He has created the full-length “Alice in Wonderland,” “The Winter’s Tale” and “Like Water for Chocolate” for the Royal Ballet, and directed and choreographed (and won Tony Awards for) two Broadway shows, “An American in Paris” and “MJ: The Musical.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    U.S. Study on Puberty Blockers Goes Unpublished Because of Politics, Doctor Says

    The leader of the long-running study said that the drugs did not improve mental health in children with gender distress and that the finding might be weaponized by opponents of the care.An influential doctor and advocate of adolescent gender treatments said she had not published a long-awaited study of puberty-blocking drugs because of the charged American political environment.The doctor, Johanna Olson-Kennedy, began the study in 2015 as part of a broader, multimillion-dollar federal project on transgender youth. She and colleagues recruited 95 children from across the country and gave them puberty blockers, which stave off the permanent physical changes — like breasts or a deepening voice — that could exacerbate their gender distress, known as dysphoria.The researchers followed the children for two years to see if the treatments improved their mental health. An older Dutch study had found that puberty blockers improved well-being, results that inspired clinics around the world to regularly prescribe the medications as part of what is now called gender-affirming care.But the American trial did not find a similar trend, Dr. Olson-Kennedy said in a wide-ranging interview. Puberty blockers did not lead to mental health improvements, she said, most likely because the children were already doing well when the study began.“They’re in really good shape when they come in, and they’re in really good shape after two years,” said Dr. Olson-Kennedy, who runs the country’s largest youth gender clinic at the Children’s Hospital of Los Angeles.That conclusion seemed to contradict an earlier description of the group, in which Dr. Olson-Kennedy and her colleagues noted that one quarter of the adolescents were depressed or suicidal before treatment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Pentagon to Give Honorable Discharges to Some Kicked Out Under ‘Don’t Ask, Don’t Tell’

    More than 800 service members administratively separated from the military under the now-repealed policy will receive discharge upgrades.The Pentagon announced on Tuesday that more than 800 service members who were kicked out of the military under the now-repealed “don’t ask, don’t tell” policy will receive honorable discharge upgrades.Pentagon officials said they had completed a review of about 2,000 cases, as Defense Secretary Lloyd J. Austin III ordered last year.Mr. Austin said in a statement that the military would “continue to honor the service and the sacrifice of all our troops — including the brave Americans who raised their hands to serve but were turned away because of whom they love.”About 13,500 service members were separated from the military because of their sexual orientation while the policy was in effect from 1994 until 2011. About a third of them were not considered for discharge upgrades because they were separated during their initial military training and had not served long enough to qualify.Some groups that work with veterans said the Pentagon should review those cases as well.“We don’t have a ton of clarity about how the Department of Defense went about its process here,” said Renee Burbank of the National Veterans Legal Services Program, which provides legal assistance to veterans on a wide array of issues.Ms. Burbank, who serves as the group’s director of litigation, said that about 7,000 of the 13,500 people ousted under “don’t ask, don’t tell” had already received honorable discharges.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Can Rugby League and Drag Queens Coexist? A U.K. Mill Town Finds Out.

    A gay couple embraced inclusion after buying an English rugby team. To their surprise, the fans bought in, too.Kaue Garcia and Ryan O’Neill had owned a sports team for no more than six months when they decided the time was right to shake things up. What they needed more than anything else, they felt, was a drag queen.They were not entirely sure what the reaction would be. Keighley Cougars, the English club they had bought almost as an act of mercy, was not an obvious place to start pushing boundaries.Keighley is an old textile town, surrounded by the windswept moors of Yorkshire’s Brontë Country. The scars of postindustrial decay remain livid here: spectacular scenery that houses some of the most deprived areas in England. And the Cougars play Rugby League, an especially brutal iteration of a famously bruising discipline.Largely the exclusive preserve of old pit towns in northern England and northeastern Australia, Rugby League involves 26 musclebound players charging into each other at full speed for 80 minutes. Think N.F.L.-level collisions, but without all the helmets and padding. It is a tough game, played by tough people, in tough places.The plan hatched by Mr. Garcia and Mr. O’Neill, then — to arrange a Pride-themed day at Keighley’s stadium, and to employ a drag queen as the pregame entertainment — seemed ambitious.“We were worried nobody would come,” Mr. O’Neill said. His husband feared an even more stinging rebuke. “We’d put a drag queen on the middle of the field, have a big party, and everyone would just disappear,” Mr. Garcia said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More