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    Jay-Z, Accused in Suit of Raping Minor with Sean Combs, Calls It Blackmail

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    The entertainer said the suit, which accuses him of assaulting an unnamed 13-year-old girl in 2000, was an effort to gain settlement money by putting forward “idiotic” claims.Jay-Z was accused of raping a 13-year-old girl with Sean Combs in a lawsuit filed Sunday by an unnamed plaintiff. He vehemently denied the allegation and accused the lawyer who brought the suit of trying to blackmail him with false claims.The allegations against the billionaire rapper and hip-hop mogul came as part of the flurry of litigation against Mr. Combs, who is facing federal sex trafficking and racketeering charges and at least 30 lawsuits accusing him of sexual misconduct. One of those lawsuits, filed in October, accused Mr. Combs and an anonymous celebrity of raping the teen at an after-party following the MTV Video Music Awards in New York in 2000.On Sunday, the plaintiff amended the lawsuit to name Jay-Z as the other celebrity, asserting in court papers that he and Mr. Combs took turns raping her after she arrived at the party and drank part of a drink that made her feel “woozy and lightheaded.” Jay-Z called the claims “idiotic” and said that he came from a world where “we protect children.” Mr. Combs has denied all allegations of sexual assault and misconduct and has pleaded not guilty to the criminal charges.The lawsuit was filed by Tony Buzbee, a personal injury lawyer in Houston, who has filed at least 20 sex assault lawsuits against Mr. Combs and used a phone hotline, Instagram and a news conference to find clients.In an extensive response, Jay-Z, 55, said he had received a demand letter from Mr. Buzbee appearing to seek a settlement but that the letter had the opposite effect: “It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!,” the statement read.The statement went on to say: “My heart and support goes out to true victims in the world, who have to watch how their life story is dressed in costume for profitability by this ambulance chaser in a cheap suit. You have made a terrible error in judgment thinking that all ‘celebrities’ are the same. I’m not from your world. I’m a young man who made it out of the project of Brooklyn. We don’t play these types of games.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Elections

      DJ Clark Kent, Who Introduced Jay-Z to the Notorious B.I.G., Dies at 58

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      He was a producer and club D.J. who helped rappers find their voices and fortunes, and who later became known as a raconteur of hip-hop history.Antonio Franklin, known as DJ Clark Kent, a widely respected hip-hop insider for four decades who had influential relationships with many leading rappers, died on Thursday at his home in Greenbrook, a township in northern New Jersey. He was 58. The cause was colon cancer, his wife, Kesha (Vernon) Franklin, said.Mr. Franklin’s career followed the trajectory of hip-hop itself. He entered the scene just as it was taking shape, in New York in the 1980s, and he reached prime time when rap itself did, in the mid-90s. After being a club D.J. for years, he moved on to work as a producer and took jobs with Atlantic Records and Motown.In 1995, he produced a rap classic — and his first hit song — with “Player’s Anthem” by Junior M.A.F.I.A., a group formed by the Notorious B.I.G., who also appeared on the track. The song became a breakout single for the group and introduced Lil’ Kim to the international hip-hop audience.The next year, he produced three songs on Jay-Z’s debut album, “Reasonable Doubt.” His most noteworthy contributions were to the song “Brooklyn’s Finest.” Mr. Franklin provided the vocals for the hook, and he suggested to Jay-Z and his manager, Damon Dash, that they include Notorious B.I.G. on the track. The two somewhat hesitantly agreed — without realizing that Mr. Franklin had already asked Notorious B.I.G. to wait downstairs. The collaboration took place instantly.That kind of behind-the-scenes orchestration was ordinary for Mr. Franklin. In 1998, he saw a young man who went by Shyne freestyling in a barbershop, then introduced him to Sean “Puff Daddy” Combs, who signed him to a record deal on the spot.“I practically knew every rapper before they made their records,” Mr. Franklin told the pop culture publication Complex. “They wanted to be familiar with the D.J.s and what was happening in hip-hop. I was happening in hip-hop.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares189 Views

      in Elections

      The Grammys Aim for a Big Tent, but Not Everyone Feels at Home

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      The most awarded artists were diverse on Sunday night. How those winners received their honors, however, differed mightily.Sunday night at the 66th annual Grammy Awards, Jay-Z accepted the Dr. Dre global impact award, a sort of éminence grise prize. He’s previously won 24 Grammys, but he did not treat the moment like a homecoming.Instead, he used his speech to alternately nudge and excoriate the Recording Academy, the body that awards the Grammys, for its mistreatment and short-shrifting of Black artists: “We want y’all to get it right. At least get it close to right.” He mentioned his wife, Beyoncé, winner of the most Grammys ever, yet never a winner for album of the year. “Think about that,” he said, as he scrunched up his face with distaste.By this point, the room seemed to understand what was happening — Jay-Z was rinsing the Grammys on its own stage. Beyoncé, in the audience, appeared to be somewhere near tears. “When I get nervous,” Jay-Z said, “I tell the truth.” He reached out and grabbed the hand of his daughter Blue Ivy for support before urging those who have been overlooked and slighted to persevere “until they give you all those accolades you feel you deserve.”Jay-Z’s speech took a moment of acclaim and turned it into a moment for reflection, and maybe a lecture. Over the past few years, several Black artists have effectively been boycotting the Grammys by declining to submit their music for consideration, frustrated with how hip-hop and R&B are treated, particularly in the biggest all-genre categories.This year was no different — album, record and song of the year were won by white artists, though broadly speaking, the most awarded artists were diverse: three each for SZA, Killer Mike and Victoria Monét; four for Phoebe Bridgers (three of which came as part of boygenius) and two each for Taylor Swift, Billie Eilish and Miley Cyrus.How those artists received those honors, however, differed mightily.In their speeches, Monét and SZA emphasized how long and roundabout their paths to this moment had been. During her acceptance for best new artist, Monét called the prize the endpoint of “a 15-year pursuit.” She’s primarily been known for her songwriting, particularly her work with Ariana Grande. And while she’d released music independently through the 2010s, her 2023 album, “Jaguar II,” was her first major-label LP. “My roots have been growing underneath ground, unseen for so long,” she said. “And I feel like today, I’m sprouting.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in US Politics

      Lady Gaga attacks Trump's 'grab' remarks at Joe Biden rally

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      Lady Gaga gave an impassioned message of support for Joe Biden as America heads to the polls, making reference to Donald Trump’s history of crude sexual remarks and alleged sexual assaults.“Vote like your life depends on it, or vote like your children’s lives depends on it, because they do,” she told a rally in Pennsylvania. “Everybody, no matter how you identify, now is your chance to vote against Donald Trump, a man who believes his fame gives him the right to grab one of your daughters, or sisters, or mothers or wives by any part of their bodies … Vote for Joe. He’s a good person.”Her words referred to Trump’s infamous 2005 boast that “when you’re a star, they let you do it … Grab ’em by the pussy. You can do anything”.Trump referred to Gaga at his own Pennsylvania rally, saying she “is not too good … I could tell you stories about Lady Gaga. I know a lot of stories.”On Sunday, Trump’s communications director Tim Murtagh tweeted: “Nothing exposes Biden’s disdain for the forgotten working men & women of PA like campaigning with anti-fracking activist Lady Gaga. This desperate effort to drum up enthusiasm is actually a sharp stick in the eye for 600,000 Pennsylvanians who work in the fracking industry.” Gaga responded: “I’m glad to be living rent free in your head.”At his Pennsylvania rally, Trump also criticised Jon Boni Jovi, Jay-Z, and LeBron James, who won the 2020 NBA championship with the LA Lakers in October. “I didn’t watch one shot, I got bored, back forth, back forth,” Trump said. “You know why? When they don’t respect our country, when they don’t respect our flag, nobody wants to watch”, a reference to the kneeling protests James and his team made on their return in July.James later endorsed Biden on Instagram, saying: “We need everything to change and it all starts tomorrow.” More