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    Reagan Arthur Returns to Hachette

    Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint.Reagan Arthur, the former publisher of Knopf, is joining Hachette Book Group to start and run a new imprint, Hachette said Thursday.Her appointment comes weeks after Arthur was let go from her position as publisher of Knopf, one of the most prestigious imprints at Penguin Random House, a move that surprised many in the publishing industry.At Hachette, Arthur will launch and oversee a new publishing line within Grand Central Publishing Group, and will also edit prominent authors at other imprints. Arthur’s own imprint, as yet unnamed, will release between four and six books a year.In an interview, Arthur said she envisioned her new imprint as a place to further develop the kinds of books she’s long published, putting out a selective list of literary and commercial fiction and narrative nonfiction.“I get to build something that will have a lot of care and focus,” she said. “I’m excited about bringing in new voices as well as writers that I’ve admired for a long time.”Arthur is known for her keen commercial instincts. Before moving to Knopf, she was the publisher of Little, Brown, a Hachette imprint, where she edited and published a string of best-selling and award-winning works, including books by Elin Hilderbrand, Michael Connelly, Malcolm Gladwell, James Patterson, Kate Atkinson, Eleanor Catton and David Sedaris.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Bronx Teacher Asked. Tommy Orange Answered.

    When the author received an impassioned email, he dropped everything to visit the students who inspired it.Tommy Orange sat at the front of a classroom in the Bronx, listening as a group of high school students discussed his novel “There There.”A boy wearing blue glasses raised his hand. “All the characters have some form of disconnection, even trauma,” Michael Almanzar, 19, said. “That’s the world we live in. That’s all around us. It’s not like it’s in some faraway land. That’s literally your next-door neighbor.”The class broke into a round of finger snaps, as if we were at an old-school poetry slam on the Lower East Side and not in an English class at Millennium Art Academy, on the corner of Lafayette and Pugsley Avenues.Orange took it all in with a mixture of gratitude and humility — the semicircle of earnest, engaged teenagers; the bulletin board decorated with words describing “There There” (“hope,” “struggle,” “mourning,” “discovery”); the shelf of well-thumbed copies wearing dust jackets in various stages of disintegration.When Orange spoke, students paid close attention. Many identified with the characters in Orange’s book “There There” and with the world it portrayed. Hiroko Masuike/The New York TimesHis eyebrows shot up when a student wearing a sweatshirt that said “I Am My Ancestors’ Wildest Dreams” compared the book to “The Road,” by Cormac McCarthy. When three consecutive students spoke about how they related to Orange’s work because of their own mental health struggles, he was on the verge of tears.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More