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    Rihanna Steals the Fashion Awards

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    And a dozen other looks that made news at Britain’s Met Gala of style.She wasn’t even nominated, and Rihanna still stole the show Monday night at the Fashion Awards in London.Arriving last, as has become her wont at events like the Met Gala and the Alaïa show, and there as a plus-one to support her partner, ASAP Rocky, who received the Cultural Innovator award, the artist and Fenty mogul made her entrance in a turquoise wrap coat and faux fur hat from Christian Lacroix’s fall 2002 couture collection. With that she wore a black corset, black leather opera gloves and sheer black tights. The effect was kind of haute Flintstone meets the Folies Bergère.As for ASAP Rocky, he wore Bottega Veneta — a navy chore coat, matching pants and a red leather tie — and called the honor “surreal.” That was also an accurate description of the Royal Albert Hall, where the awards were held and where a crimson disco ball cast a new light on a familiar scene. But it was Rihanna’s enormous hat, jauntily tilted and visible from every vantage point, that summed up the point of the night: The business of fashion may be serious, but wearing it should be fun.Her look was as laudable as the actual winners, who included Alex Consani as model of the year, the first trans woman to receive the recognition; Grace Wales Bonner as British men’s wear designer of the year; Simone Rocha as British women’s wear designer; and Jonathan Anderson of Loewe and JW Anderson as designer of the year for the second year in a row.That choice wasn’t a big surprise, especially given Mr. Anderson’s moonlighting this year as the costume designer on the Luca Guadagnino films “Queer” and “Challengers” and the multiple wild rumors surrounding his future job prospects, but some of the other outfits were. Here’s what else caught our eye.More Method DressingNicola Coughlan of “Bridgerton” wore a Gaurav Gupta gown.Gareth Cattermole/Getty ImagesAnd Simone Ashley wore Prada.Scott A Garfitt/Invision, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      For Rent: 4-Bedroom London House. The Owner? Prime Minister Keir Starmer

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      Keir Starmer has rented out his home in north London since moving to Downing Street, according to newly published official records.For rent: a four-bedroom home within easy reach of the shops, restaurants and bars of fashionable north London. It might be a good idea to look after the place, however. The owner is Britain’s prime minister, Keir Starmer.After winning the general election in July, Mr. Starmer moved with his family into perhaps the nation’s most famous address, 10 Downing Street, freeing up the house in which he had lived for about two decades.According to official records released this week, his home has now been leased, as has a south London house owned by Rachel Reeves, the chancellor of the Exchequer, who has also moved into her official residence, 11 Downing Street.They are not the first senior British politicians presented with the dilemma of what to do with their properties when coming into power. Both the prime minister and the chancellor are given the use of a London home as well as a palatial country house for weekends.In 1997, when Labour’s Tony Blair was elected prime minister, he was advised against staying in his north London house for security reasons. But he was also warned against renting it out because of potential political embarrassment.That was because of a scandal that arose several years earlier when a previous chancellor of the Exchequer, Norman Lamont, unknowingly rented his west London apartment to a tenant who, tabloid newspapers gleefully discovered, worked as a sex therapist under the name “Miss Whiplash.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In London, a Pro-Palestinian Protest Disrupts the Launch of an American Mural

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      The U.S. ambassador Jane Hartley was en route to the dedication of a climate-themed mural in London by Shepard Fairey, who created the iconic Obama ‘Hope’ poster. But then a protest began.It’s the kind of cultural exchange any diplomat would savor: A prominent American street artist paints a mural, dedicated to the cause of climate activism, on an apartment building in one of London’s hippest neighborhoods.Jane D. Hartley, the United States ambassador to Britain, who proposed the idea to the artist Shepard Fairey, has a track record in these projects. When she was ambassador to Paris from 2014 to 2017, she asked another well-known American artist, Jeff Koons, to create a sculpture to honor victims of terrorist attacks there.But when Ms. Hartley was on her way to the dedication ceremony for this latest project on Monday morning, she got word that a small band of pro-Palestinian demonstrators had gathered in the Shoreditch neighborhood, beneath the red-and-blue mural, which rises four floors above the street.They began chanting anti-American slogans and unfurling banners calling for justice for the Palestinians in Gaza — a message that seemed even more fraught than usual, given the timing on the first anniversary of the Hamas attack on Israel.It was another example of how the Israel-Gaza conflict has reverberated around the world, fueling protests, large and small, on college campuses, city squares,and in this case, in a normally tranquil neighborhood.Ms. Hartley’s security team diverted her car, while Mr. Fairey, who was on hand to greet her, hurriedly relocated with embassy staff members to a nearby café. He seemed bemused by the disruption, noting that much of his work has a protest element, even if his patron on this project was a government official.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      When Monet and Turner Found Beauty in London’s Toxic Fog

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      Monet and Turner found something sublime in the polluted 19th-century city — and maybe something darker, too.If you’ve been to London recently (or ever) you’ll probably recognize Claude Monet’s description: “Today the weather was maddening, gusts of snow, then sunshine, fog and dark weather and clear, it was magnificent but all too changeable.”Yet the French painter found London’s moody climate an inspiration, and he purposely came in only the colder months. During three visits from 1899 to 1901, he produced dozens of canvases of the city’s surging River Thames, 36 of which were shown to acclaim in Paris in 1904 but never exhibited in London.One hundred and twenty years later, the Courtauld Gallery has brought a selection of the series home for the first time in “Monet and London: Views of the Thames” (through Jan. 19, 2025). The effect is as radiant and sublime as Monet might have hoped — though today we might see those unsettled skies in a different light.“Every day I find London more beautiful to paint,” he wrote to his wife Alice from the swish Savoy Hotel, where he stayed on those visits. From his riverside balcony, the artist could observe the working waterway, chugging with boat traffic and steaming with trains on bridges above, from sunrise to sunset. Here, he would fulfill his enduring wish to “try to paint some fog effects on the Thames.”Monet’s “Charing Cross Bridge, The Thames” (1903)Alain Basset/Lyon MbaAt the Courtauld (less than half a mile from the Savoy), 21 canvases show the river in an atmospheric suite of cornflower blue, cobalt, dove gray and mauve. The choppy Thames glimmers in shades of silver and blue flecked with violet and pink, or flaming yellow, orange and crimson from the sun — “the little red ball,” Monet called it — that’s high above in a sky thick with “delicious fog.” “The extraordinary fog so very yellow,” he wrote, characterized the industrialized late-19th-century London. Locals already called it “the Big Smoke.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Brontë Sisters Plaque at Westminster Abbey Typo Fixed

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      Punctuation delayed, but not denied: A memorial to Charlotte, Emily and Anne Brontë at Poets’ Corner in the celebrated London church finally gets its accent marks.For 85 years, the names of three of English literature’s best-known writers, Charlotte, Emily and Anne Brontë, were featured in Poets’ Corner, the Westminster Abbey nook dedicated to great poets, authors and playwrights, but something wasn’t quite right: They were missing the accent mark.This week, the error was fixed when six diereses — umlaut-like punctuation dots, each just about a third of an inch in diameter — were added above the E of the famous last name.It’s a small but sizable victory for three sisters who could not publish under their own names nearly 200 years ago, even as their novels “Jane Eyre” and “Wuthering Heights” helped change the portrayal of women’s lives in fiction.“Those three women fought harder than most to have their voices heard, to have their work understood on its own merits, and it endures,” said Sharon Wright, who discovered the mistake while visiting Westminster Abbey in London in January. “We can at least get their names right.”Ms. Wright, who describes herself as a stroppy Yorkshire woman like the literary sisters, was researching her upcoming book “The Brontës in Bricks and Mortar,” when she visited the plaque. Ms. Wright, who also edits the Brontë Society Gazette, a periodical for Brontë fans, compared the plaque with how the women had signed their own names, and saw the discrepancy.“Three of our greatest writers, and their names are spelled incorrectly,” Ms. Wright said at the abbey on Friday. “You can’t make it up.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Commuters See ‘Islamophobic’ Message in Cyber Attack on Public Wi-Fi, Authorities Say

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      The British authorities are investigating after commuters at 19 train stations saw an Islamophobic message when they tried to log on to a public Wi-Fi system.The British authorities are investigating a cyberattack on Wednesday that they said displayed an anti-Muslim message on a public Wi-Fi system serving more than a dozen train stations around the country.Commuters who connected to a Wi-Fi service at stations for Network Rail, Britain’s national rail operator, were met with “Islamophobic messaging,” according to the British Transport Police, who oversee law enforcement on British rail networks. The police said they had received reports of the cyberattack just after 5 p.m. local time, and that they were leading an investigation into the incident. The service was quickly taken down, Network Rail said, and would remain down until security checks were completed.The issue emerged at 19 stations across Britain, including major transportation hubs in London, Edinburgh, Glasgow, Bristol and other cities, a spokesman for Network Rail said in a statement.Commuters attempting to log onto Wi-Fi at the stations were met with a webpage that said “We love you, Europe,” along with information related to terror attacks in Europe, The Manchester Evening News reported.The Wi-Fi was a “click-and-connect” service that did not collect any personal data and was operated by a third-party company, Telent, Network Rail’s statement said.Telent, a technology and communications company, on Thursday pointed to Global Reach, a provider that ran the Wi-Fi service’s landing page. Telent said in a statement that it had found that an “unauthorized change was made to the Network Rail landing page from a legitimate Global Reach administrator account.”British Transport Police were investigating the matter as a criminal case, Telent said, and no personal data was affected by the incident. But, as a precaution, it said, it had temporarily suspended all use of Global Reach services to confirm that none of its other customers had been impacted.Global Reach did not immediately respond to requests for comment on Thursday.Britain’s crime and cybersecurity agencies were also helping with the investigation, the Transport Police said on Thursday.The disruption follows another “cybersecurity incident” on Sept. 1 that targeted Transport for London, the agency that runs the city’s public transit network, in which hackers accessed the contact details of the agency’s customers, and potentially could view bank account details for some commuters. The cyberattack also affected the broadcasting of live train schedules online and payment systems.A 17-year-old was arrested in Walsall, a town in the West Midlands county of England, as part of the investigation into that attack, cybercrime authorities said this month. More

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      Harvey Weinstein Indecent Assault Case Dropped by U.K. Prosecutors

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      The Crown Prosecution Service said that it had “decided that there is no longer a realistic prospect of conviction.”British prosecutors have dropped a case against Harvey Weinstein, the disgraced movie mogul, just two years after authorizing indecent assault charges against him.In a statement on Thursday, the Crown Prosecution Service said that, “following a review of the evidence,” it had decided to halt the proceedings against Mr. Weinstein.Frank Ferguson, head of the service’s special crime and counterterrorism division, said in the statement that there was “no longer a realistic prospect of conviction.”“We have explained our decision to all parties,” he added.On Thursday, a spokeswoman for the Crown Prosecution Service said in an email that the service would not be giving any further details of the reasoning behind the decision.The case dates to 2022, when British prosecutors authorized two charges against Mr. Weinstein of indecent assault of a woman in London in 1996. Under British law, it is illegal to identify potential victims of sexual assault, even after prosecutors drop a case.At the height of his powers, Mr. Weinstein, now 72, was one of the world’s most important movie producers, widely seen as able to make or break an actor’s career.In 2017, his career went into free fall after The New York Times reported that he had, over the course of nearly three decades, paid off women who had accused him of sexual assault. In the story’s aftermath, prosecutors mounted cases against him in both Britain and the United States.Last year, Mr. Weinstein was sentenced to 16 years in prison after being convicted of rape and sexual assault in California.In April, New York’s highest court overturned Mr. Weinstein’s 2020 felony sex crimes conviction, ruling that the original judge had deprived him of a fair trial. The court said that the original judge should not have let prosecutors call witnesses who said that Mr. Weinstein had assaulted them when their accusations did not form part of the case.In May, Manhattan prosecutors announced they would retry Mr. Weinstein on sex crimes charges and he is currently in the Rikers Island jail complex awaiting that case. More

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      Risking His Own Extinction to Rescue the Rarest of Flowers

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      Carlos Magdalena, whose botanical adventures have shades of Indiana Jones, was a driving force in saving the world’s smallest water lily and finding the largest one. He has been called the “plant messiah.”In Australia, he went plant hunting by helicopter and waded in crocodile-infested waters to watch a water lily bloom. In Mauritius, he grabbed a plant specimen off the ledge of a cliff. Last month, while looking for lilies in a tributary of Colombia’s piranha-packed Orinoco River, he jumped from plank to plank in the pitch dark at 4 a.m. to get to a floating pontoon.“It’s not that I am that daring,” said Carlos Magdalena, a research horticulturalist at the Royal Botanic Gardens, Kew, in London. “These situations just arise, and they are not like Superman extreme. Sometimes it’s more Peter Sellers than Indiana Jones.”Mr. Magdalena’s main responsibility at Kew Gardens is tending tropical plants. But he is also known as “the plant messiah,” as anointed by a Spanish newspaper in 2010, for his work rescuing several plant species from the brink of extinction. That work has earned him enormous respect in the field of botany and made him somewhat of a celebrity in the horticulture world.His renown only grew when David Attenborough, the British doyen of nature documentaries, repeated the “plant messiah” tagline at the 2012 premiere of one of his films, which featured a scene of Mr. Magdalena propagating the pygmy lily.The attention, especially from a figure as venerated as Mr. Attenborough, initially dismayed Mr. Magdalena. “Imagine what happens when the God calls you the messiah,” he said, standing outside one of the graceful greenhouses at Kew Gardens.It is appropriate that Mr. Magdalena’s star moment in the documentary showed him working with lilies, the plant closest to his heart and the first one he grew as an 8-year-old on his parent’s finca, a plot of land in the Asturias region of northern Spain.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Amid Heightened Security, Taylor Swift Will Return to the Stage in London

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      Fans gathering at Wembley Stadium in London said they trusted British security officials to keep them safe.When Taylor Swift canceled three concerts in Vienna last week after officials there foiled a terrorist plot, Swifties soon expressed fears about the pop star’s next shows, in London.Would Swift go ahead with the concerts at the 90,000-seat Wembley Stadium? Given the pop star once said that her “biggest fear” was a terrorist attack on one of her shows, some fans had doubts. Was it even safe to attend those London dates?When Swift didn’t comment on the thwarted attack in Vienna or the upcoming London gigs, fan anxieties only grew.Yet at Wembley Stadium on Thursday afternoon before the first of five concerts there, worry seemed to have given way to excitement at the chance to see Swift perform the latest leg of her globe-spanning Eras tour.In interviews, over a dozen fans, including many from the United States, all said that they felt safe attending the event. Kyle Foster, 46 — wearing a Kansas City Chiefs jersey like Swift’s partner, Travis Kelce — said he had flown from North Carolina with his partner and two daughters for the show. “We didn’t think twice about coming,” he said, adding he felt confident that security would “be on high alert.”Maya Arbad, 18, who had traveled from Dubai, said two friends had decided not to attend the concert because of the foiled attack. “Their families were just too anxious to send them here,” Arbad said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More