London (England)

Subterms

    More stories

    • 125 Shares99 Views

      in Elections

      Jeremy Corbyn Wins Election Against Labour, Party He Once Led

      by

      Jeremy Corbyn, an independent candidate running for Parliament, won his seat against a candidate from the Labour party, which he once led.It was a vindication for Mr. Corbyn, who was running for the first time against the party he led from 2015 to 2020.Mr. Corbyn, who has held the seat since 1983, was suspended as Labour leader and eventually purged by the party over his response to allegations of antisemitism during his tenure.Supporters of Jeremy Corbyn in Islington on Thursday.Andrew Testa for The New York TimesFor many in his constituency — an area of London with pockets of deep wealth alongside deprivation — the race meant choosing between a longstanding affinity for Labour and a politician who had represented the area for more than 40 years and was a deeply familiar presence in the community. For others, Mr. Corbyn’s handling of alleged antisemitism on the hard-left of the Labour Party while he was its leader was an enduring stain on his reputation.Heading into Election Day, a poll by YouGov had declared the race to be a tossup, with the Labour candidate, Praful Nargund, holding a slight lead over Mr. Corbyn.Paul Anthony Ogunwemimo, who said he had lived in the area for 14 years, called Mr. Corbyn “a very nice man.” But he had voted for the Labour candidate on Thursday, he said, largely to support Keir Starmer, who replaced Mr. Corbyn as the head of the party.Hibbah Filli, who was born and raised in Mr. Corbyn’s constituency, said many of her friends and family members had voted for him in the past as “more of a Labour thing.” Voting for the first time on Thursday, she said she had backed Mr. Corbyn.“I feel like he’s very dedicated to the community,” she said. “I feel like he’s done a good job for a long time, and I feel like we need a diverse range of voices in Parliament.” More

    • 125 Shares189 Views

      in Elections

      Overlooked No More: Otto Lucas, ‘God in the Hat World’

      by

      His designs made it onto the covers of fashion magazines and onto the heads of celebrities like Greta Garbo. His business closed after he died in a plane crash.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.To many fashionable women in the mid-20th century, no hat was worth wearing unless it was made by Otto Lucas.A London-based milliner, Lucas designed chic turbans, berets and cloches, often made from luxe velvets and silks and adorned with flowers or feathers.His designs made it onto the covers of magazines like British Vogue, and onto the heads of clients who reportedly included the actresses Greta Garbo and Gene Tierney, and the Duchesses of Windsor and Kent.The name Otto Lucas was ubiquitous in England, and at the height of his success, he sold thousands of hats each year around the world.The British actress Zena Marshall wearing a hat designed by Lucas.Colaimages/AlamyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

      in Elections

      The Aftermath of a U.K. Cyberattack: Blood Shortages and Delayed Operations

      by

      Several London hospitals, still reeling from a cyberattack last week, have made an urgent plea to medical students to help stem the disruption.Several London hospitals, still under significant strain more than a week after a cyberattack crippled services, have asked medical students to volunteer to help minimize disruption, as thousands of blood samples have had to be discarded and operations postponed.The ransomware attack on Synnovis, a private firm that analyzes blood tests, has crippled services at two major National Health Service hospital trusts, Guy’s and St. Thomas’ and King’s College, which described the situation as “critical.”According to a memo leaked in recent days, several London hospitals asked medical students to volunteer for 10- to 12-hour shifts. “We urgently need volunteers to step forward and support our pathology services,” said the message, which was reported earlier by the BBC. “The ripple effect of this extremely serious incident is felt across various hospital, community and mental health services in our region.”The attack also disrupted blood transfusions, and the N.H.S. appealed to the public this week for blood donors with O-negative blood types, which can be used in transfusions for any blood type, and O-positive blood types, which is the most frequently occurring blood type, saying it could not match patients’ blood at the same frequency as usual.While the N.H.S. has declined to comment on which group was suspected of carrying out the attack, Ciaran Martin, a former head of British cybersecurity, told the BBC last week that a Russian cybercriminal group known as Qilin was most likely the perpetrator. Synnovis said last week in a statement that it was working with the British government’s National Cyber Security Center to understand what had happened.Synnovis, in an email sent Monday to primary health providers, said that thousands of blood test samples would probably have to be destroyed because of the lack of connectivity to electronic health records. In a statement on Wednesday, Synnovis said that the I.T. system had been down for too long for samples taken last week to be processed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares199 Views

      in Elections

      Washington Post Shake-Up Renews Attention on U.K. Phone Hacking

      by

      The newspaper’s new publisher argued against coverage of British phone hacking. Instead, he has invited renewed scrutiny.In 2011, Rupert Murdoch’s media empire, News Corporation, faced a grave threat in Britain. Reporters at one of his tabloid newspapers were exposed for hacking the phones of celebrities, private citizens and, in one case, a murdered child for information.Other misdeeds soon emerged, including the revelation that for years, tabloid reporters had paid for information from police officers and government officials.Desperate to stop the scandal and appease prosecutors in Britain and abroad, News Corp tapped Will Lewis, a former editor of The Daily Telegraph, to clean up the mess.He did just that. In his telling, he cooperated with the authorities, revealed wrongdoing and helped set the operation on a new course. Some former colleagues and hacking victims, though, long believed that he helped News Corp cover up the extent of the wrongdoing.Those accusations — nearly 15 years old and unproven — suddenly have fresh currency and have complicated Mr. Lewis’s new job as publisher of The Washington Post.Last month, while Mr. Lewis prepared to restructure the Post newsroom, a judge in London ruled that victims of phone hacking could press ahead with more allegations in their wide-ranging lawsuit. Though Mr. Lewis is not a defendant, the lawsuit asserts that his cleanup was in part a cover-up to protect News Corp leaders.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares129 Views

      in Elections

      Candice Carty Williams’s ‘Queenie’ Captures Black British Womanhood

      by

      The coming-of-age show, streaming on Hulu, follows a 25-year-old living in south London, navigating the gulf between her reality and what she wants.In 2022, British television producers released an open casting call, looking for a Black full-figured woman, aged 22 to 30, with a London accent.Thousands of people sent in audition tapes, hoping to land the role of Queenie Jenkins, whom many in Britain already knew as the titular character in Candice Carty-Williams’s best-selling debut novel.Carty-Williams, who was also the TV adaptation’s showrunner, knew that she was looking for an actress who could convey Queenie’s introspection. Dionne Brown — whom she had met during auditions for another show — had the right temperament. “Dionne is constantly thinking in a way that Queenie is,” Carty-Williams said. “You see her standing there and her head is whirring — that was important to me.”“Queenie,” streaming on Hulu, is a coming-of-age story about the titular 25-year-old Londoner navigating the gulf, in love and life, between her reality and what she wants. She is a social media assistant at a newspaper, but has ambitions to write meaningful journalism; her relationship with her boyfriend is falling apart despite her efforts; and she wants carefree sex, but her encounters often leave her feeling disempowered.All the while, Queenie grapples with her childhood trauma and how those experiences complicated her relationship with her mother. The show also explores how culture influences mental health issues: Queenie’s background as the descendant of Jamaican immigrants, her religious upbringing and British society’s emotional repression converge, Carty-Williams said, to create “the Holy Trinity of how to have a nervous breakdown.”When Brown read the script for the eight-episode adaptation, she found Queenie instantly relatable, thinking, “Oh my gosh, I didn’t know other women felt like this,” the actress said recently in an interview. “There was a lot of truth in a lot of the dialogue.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares119 Views

      in Elections

      Gucci Debuts Cruise Collection at London’s Tate Modern

      by

      Turnarounds are hard, especially when the stakes are high. Can Sabato De Sarno deliver the goods with his debut cruise collection at the Tate Modern?As the sun set over the River Thames on Monday night, London’s favorite supermodel Kate Moss struck a pose for the mob of paparazzi gathered outside the soaring industrial heft of the Tate Modern. A stream of stars soon followed, including Dua Lipa, Paul Mescal, Debbie Harry, Solange Knowles and Demi Moore, her tiny Chihuahua Pilaf tucked under her arm like a handbag. They had gathered for Gucci and its creative director, Sabato De Sarno. The budget — and the stakes — could not have been bigger as he presented his debut cruise collection.Gucci is one of the most recognizable fashion brands in the world, generating almost 10 billion euros (about $119 billion) in revenue last year. But Gucci has been scrambling to recover after a sobering drop in its fortunes in recent years. The impact for Kering, its parent company, is considerable given that Gucci is responsible for half of the organization’s sales and two-thirds of its profit. Last month, Kering reported that Gucci had a sales slump of almost 20 percent in the last quarter, leading to a rare profit warning and sliding share price.This is not the fault of Mr. De Sarno, who was appointed 15 months ago and whose designs have only recently started arriving in stores following his Milan Fashion Week debut in September. However, the critical reception of his men’s and women’s wear collections — with a pared-back focus on crisp, contemporary silhouettes and accessories — has been muted, the concern being that he is too safe and straightforward. Certainly, they are less flamboyant than those of his predecessor, Alessandro Michele. But will the fashion industry and its increasingly jittery investors give Mr. De Sarno and his more minimal-leaning vision more time to rebuild the Gucci juggernaut?Dua Lipa and Paul Mescal at Gucci.Tristan Fewings/Getty ImagesFrançois-Henri Pinault, the chairman and chief executive of Kering, and Salma Hayek at the show.Tristan Fewings/Getty ImagesIf the ideas that emerged from the cruise collection, called “We’ll Always Have London,” are anything to go by, they should. The house of Gucci has longstanding roots in London — its founder, Guccio Gucci, worked as a baggage porter at the Savoy hotel, observing the luggage and lifestyles of the international elite. In his show notes, Mr. De Sarno wrote that he had found himself inspired anew by a city that “has welcomed me and listened to me.” The Tate Modern’s vast underground concrete caverns known as the Tanks had been decorated with more than 10,000 verdant plants that blossomed from the ceiling, floor and pillars. Models made their way through the rooms in clothes that felt lighter and more covetable than those in his debut collections — short suede coats and capes, immaculately tailored denim, and shifts and skirts lavishly embroidered with paillette daisies. There were plenty of nods to British fashion woven through the show, especially the pearls, knee-length pencil skirts and slouchy and sensible beige anoraks that could have been worn by Queen Elizabeth II. Dresses and coats covered with squares made of a shimmering bead fringe were a reference to Scottish plaids.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares169 Views

      in Elections

      Sadiq Khan Heads for 3rd Term as London Mayor

      by

      Initial results showed the mayor, representing the center-left opposition Labour Party, gaining ground against a right-wing rival who focused on crime and cars.Sadiq Khan, the two-term center-left mayor of London, was poised on Saturday to become the first three-time winner of the job by a clearer margin than some of his supporters had predicted.Mr. Khan, from the main opposition Labour Party, was initially elected to the post in 2016, becoming London’s first Muslim mayor, and would now become the first politician to win three consecutive terms since the role was created in 2000.With the Labour Party well ahead in the opinion polls ahead of a looming general election, many analysts had expected Mr. Khan to cruise to a comfortable victory in a city that tends to lean to the left, but some saw the potential for an unexpectedly tight race against Susan Hall, representing Britain’s governing Conservative Party.That prospect quickly faded on Saturday, with Mr. Khan’s party declaring victory and the BBC forecasting him as the winner after results from half of London’s regions showed the mayor exceeding his performance in his last election, in 2021.“Sadiq Khan was absolutely the right candidate,” said Keir Starmer, leader of the Labour Party. “He has got two terms of delivery behind him and I am confident he has got another term of delivery in front of him.”The vote itself took place on Thursday along with other local and mayoral elections in which the Conservatives, led by Britain’s embattled prime minister, Rishi Sunak, suffered a series of setbacks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares169 Views

      in Elections

      Andrew Davis, 80, Dies; Renowned Conductor Who Championed Britain’s Music

      by

      Celebrated for his long tenure with Lyric Opera of Chicago, he led this and other orchestras with force and a notably energetic podium presence.Andrew Davis, an ebullient British conductor who brought energy to his countrymen’s compositions and passion to hundreds of opera performances, died on April 20 in Chicago. He was 80.His manager, Jonathan Brill, said the cause of Mr. Davis’s death, in a hospital, was leukemia.More than many conductors, Mr. Davis was remembered by those who worked with him as deriving a sense of physical enjoyment from the music — “almost a palpable pleasure,” the pianist Emanuel Ax said in an interview. And that translated into a pleasure for his collaborators. “People loved playing for him,” Mr. Ax said.Mr. Davis spent 21 years, from 2000 to 2021, as music director and principal conductor of one of America’s great opera companies, Lyric Opera of Chicago, in a vast repertoire ranging from Mozart through Wagner to Berg. He also led orchestras in Canada — the Toronto Symphony Orchestra, from 1975 to 1988 — and Australia — the Melbourne Symphony Orchestra, from 2013 to 2019. He also conducted at the Glyndebourne Festival in England from 1988 to 2000.But it was as an interpreter of 20th-century British music, and particularly the works of Elgar, Vaughan Williams, Delius, Holst, Britten and others, that Mr. Davis made his mark and earned his way into the affections of his fellow Britons. With its fervid, billowing patriotism and ruminative pastoral interludes, this music sometimes struggles to cross national boundaries.Mr. Davis conducting the BBC Symphony Orchestra in 1995. He was the orchestra’s principal conductor for a decade.Robbie Jack/Corbis, via Getty ImagesMr. Davis, as principal conductor of the BBC Symphony Orchestra from 1989 to 2000 and at summer London Proms concerts in front of enthusiastic audiences of thousands in the Royal Albert Hall, made the most of the British compositions that were his specialty. This deep homegrown commitment led The New York Times’s Bernard Holland, reviewing a 1987 Avery Fisher Hall appearance by Mr. Davis that included little-known works by Arnold Bax and Michael Tippett, to write that “the music of 20th-century Britain has hugely profited from the fervent ministrations of British musicians and the British musical press.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More