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      Three London Fashion Brands Coming to the U.S.: Hunza G, Rixo and Me + Em

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      Three beloved London brands are making their way across the Atlantic to stake a bricks and mortar presence in the United States.Looks, left to right, from Rixo, Hunza G and Me+Em, three British brands that are coming to the United States.RIXO, Hunza G, Me + EmBritain’s fashion brands have long looked to the United States for a chance to supersize sales — with varying degrees of success. For every Boden, there is a Topshop, Ted Baker or Hunter Boots that failed to successfully crack the market. After all, the United States is much larger, more diverse and already has plenty of fashion labels to choose from. Garments with an appealing English eccentricity or appeal in their home market may feel out of touch in major American shopping hubs.But the pandemic led many Americans to spend more time online seeking out new brands, including ones from across the Atlantic. Now, three cultish London brands that experienced new popularity during that time have decided to set up shop on the East and West Coasts.What can they bring to the market that no one else has? The founders of Hunza G, Rixo and Me+Em explain their rationale for planting their flags on American soil.Hunza swimwear is made in a knitted seersucker fabric that molds to fit women who are different sizes on top and bottom.Sydney KrantzHunza GYou may not have heard of Hunza G, but chances are you’ve seen the label’s signature wrinkly-crinkly, super-stretchy Lycra swimsuits on the likes of Rihanna or Hailey Bieber or Kim Kardashian.Established in 1984 by the designer Peter Meadows, Hunza was known for tight and bright dresses that were a fixture on the 1980s club scene. Whitney Houston wore a lilac tank style for the “I Wanna Dance With Somebody” video, and Julia Roberts wore a blue and white cutout version for her first scenes in “Pretty Woman.” Almost 30 years later, in 2015, and after a period out of fashion favor, the label was revived under a new co-founder and creative director, Georgiana Huddart.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      2024 Olivier Awards: The Snubs and Surprises

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      Our theater critics and a reporter discuss the big winner — “Sunset Boulevard” — and the rest of the honorees at Britain’s equivalent of the Tonys.On Sunday night, the Olivier Awards — Britain’s equivalent to the Tonys — took place in London. As expected, “Sunset Boulevard” took home the most trophies (and will have a Broadway run later this year), but there were also some surprise winners. Matt Wolf and Houman Barekat, The New York Times’s London theater critics, joined the reporter Alex Marshall to discuss the winners, the snubs and the last year in British theater.Jamie Lloyd’s stripped-back “Sunset Boulevard,” starring Nicole Scherzinger as Norma Desmond, took home seven awards. Do you think it deserved to dominate?ALEX MARSHALL I saw “Sunset Boulevard” from the cheapest of cheap seats in the back row, but it was still my most memorable night in a theater last year. I’m not surprised that Andrew Lloyd Webber responded to the show’s wins by writing on X that it was “a highlight of my career.”For me, the only downside to its sweep is that Nicholas Hytner’s “Guys and Dolls” failed to win any major awards (it picked up one for choreography). If Lloyd’s reimagining of “Sunset” was brutal and stark, Hytner’s revamp was all exuberance and joy.Scherzinger in “Sunset Boulevard.”Marc BrennerMATT WOLF I loved everything about “Sunset Boulevard,” so, yes, I do think it deserved to dominate. That said, it must have been galling for the “Guys and Dolls” company to open that show to universal raves last spring, only to have “Sunset” come along and blindside them. The radical daring of Lloyd’s “Sunset” doesn’t happen every day, and “Guys and Dolls” was the unfortunate victim of that fact.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Sunset Boulevard,’ Heading to Broadway, Wins Big at Olivier Awards

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      The musical, which stars Nicole Scherzinger, won seven awards at Britain’s version of the Tonys. And Sarah Snook won best actress for “The Picture of Dorian Gray.”A reimagining of Andrew Lloyd Webber’s “Sunset Boulevard,” starring Nicole Scherzinger as Norma Desmond, the long forgotten silent movie star who descends into madness, was the big winner at this year’s Olivier Awards, Britain’s equivalent of the Tonys.The musical, which will open at the St. James Theater on Broadway this fall, was honored Sunday during a ceremony at the Royal Albert Hall in London with seven awards, including best musical revival, best actress in a musical for Scherzinger, best actor in a musical for Tom Francis, as the screenwriter who falls for Desmond’s charms, and best director for Jamie Lloyd.The number of awards was hardly a surprise. After the musical opened last fall, critics praised Lloyd’s stark production, especially highlighting its contemporary twists that included using cameras to zoom in on characters’ faces, then beam their emotions onto a screen at the back of the stage.Matt Wolf, writing in The New York Times, said that Lloyd’s production belonged firmly “to the here and now.” With this show, the director “takes an established musical by the scruff of the neck and sends it careering into the modern day,” Wolf added.Sarah Hemming, in The Financial Times, was among the critics to praise Scherzinger’s magnetic performance. “She’s not afraid to look scary or ridiculous,” Hemming said, “but there’s also a strung-out vulnerability about her. And when she sings, she pins you to your seat with the harrowing intensity of her delivery.”“Sunset Boulevard” beat several other acclaimed productions to the best musical revival award, including “Guys & Dolls” at the Bridge Theater and “Hadestown” at the Lyric Theater.Sarah Snook in “The Picture of Dorian Gray,” a solo version for which she won best actress at the Olivier Awards. Snook plays 26 roles in the show.Marc BrennerA host of musicals and plays shared the night’s other major prizes. “Operation Mincemeat,” a word-of-mouth hit about a bizarre World War II counterintelligence plot that is running at the Fortune Theater, won best new musical. While “Stranger Things: The First Shadow,” a prequel to the Netflix show, now at the Phoenix Theater, was chosen as best new entertainment or comedy play.The best new play award went to James Graham’s “Dear England,” about the English national soccer team, which transferred to the West End from the National Theater.In the hotly contested acting categories, Sarah Snook (“Succession”) was named best actress for “The Picture of Dorian Gray,” a solo show running through May 11 at the Theater Royal Haymarket. Snook plays all 26 roles, often interacting with recorded projections of her characters.Before Sunday’s ceremony, some critics had expected the best actor award to go to Andrew Scott for a similarly dazzling solo performance: a one-man “Vanya” at the Duke of York’s Theater. In the end, the prize went to Mark Gatiss for his role as the revered actor and director John Gielgud in “The Motive and the Cue,” a play by Jack Thorne that dramatizes the fraught backstage relationship between Gielgud and Richard Burton as they worked on a Broadway show. Like “Dear England,” that play ran at the National Theater before transferring to the West End. More

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      British Museum Sues Former Curator for Return of Stolen Items

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      The museum accuses Peter Higgs, a former keeper of Greek and Roman antiquities, of stealing or damaging at least 1,800 artifacts and selling many on eBay.A judge has ordered a former curator who the British Museum says stole hundred of artifacts to return any gems or jewelry from the institution that are in his possession.The museum claims that the former curator, Peter Higgs, who once ran the museum’s Greek and Roman antiquities department, stole or damaged over 1,800 artifacts from its collections and sold hundreds of those items on eBay, according to court documents.Officials also want Mr. Higgs to explain the whereabouts of other artifacts that they says the former curator sold online. The court documents state that Mr. Higgs disputes the accusations against him.At a High Court hearing in London, the presiding judge, Heather Williams, ordered Mr. Higgs to return any items within four weeks. Judge Williams also ordered PayPal, the online payments company, to disclose data relating to Mr. Higgs’s eBay accounts, including his transaction history.The missing museum items include engraved gems and jewelry, some of which are thousands of years old.On Tuesday, Mr. Higgs and his family did not respond to emails and social media messages from The Times. In court papers, the museum’s lawyers said the curator was “suffering from severe mental strain” and was “unable to respond effectively to the proceedings.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Has the Luxury E-Commerce Bubble Burst?

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      After implosions by Farfetch and MatchesFashion — and with other blowouts possible — the future for online fashion retailers looks uncertain.Rosh Mahtani, the founder of the jewelry brand Alighieri, is celebrating the 10th anniversary of her company this year. Her handmade gold-plated pieces, inspired by Dante’s “Divine Comedy,” made her a winner of the Queen Elizabeth II Award for British Design and a mainstay of luxury e-commerce vendors.During Paris Fashion Week last month, buyers came to her showroom to select stock for the upcoming season, including MatchesFashion, a leading multibrand fashion retailer that is responsible for about half a million pounds, or $630,000, of Alighieri’s projected revenues. But there was a problem.“They had owed me 70,000 pounds [about $88,000] in unpaid invoices since October and had been asking for discounts on those bills,” Ms. Mahtani said last week. It made her uneasy, even if such bargaining was increasingly commonplace for independent brands like hers. Still, she said, she wasn’t quaking in her boots.“The team made a selection, and we talked about a capsule collection for the summer,” she said. “I don’t think any of us had a sense of what would come next.”Days later, MatchesFashion was put into administration (the British term for bankruptcy). Its owner, Frasers Group, which bought the company in December for about 52 million pounds, or $66 million, now said the operation was not commercially viable. Overnight, almost half of the staff was fired from a company that had been valued at $1 billion when it was sold to Apax Partners in 2017. Today, 200 brands are owed money and cannot access unsold inventory, and a furious customer base rages online about accessing orders or making returns.Rosh Mahtani, founder of cult jewelry label Alighieri, was owed substantial sums by MatchesFashion when the retailer was put into administration earlier this month.via Alighieri JewelryWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Camilla Takes Center Stage With King Charles and Catherine Ill

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      The woman whose very existence once seemed to threaten the royal family’s stability has emerged as a stabilizing force during a major health crisis.In the last few weeks, as illness has sidelined two of Britain’s most visible royal figures, Catherine, Princess of Wales, and King Charles III, one member of the family’s frontbench has stepped into the vacuum: Queen Camilla.Last week, she traveled to the Isle of Man to deliver a speech on Charles’s behalf and met with public officials and community groups. She then flew to Northern Ireland, where she visited a bakery and butcher shop, attended a literary event and accepted salutes at a military parade.Camilla, 76, smiled for the photographers, joking on Thursday that a camera-friendly toddler who upstaged her visit to the butcher shop was a “natural.” She betrayed neither the strain of taking care of a cancer-stricken husband, nor that a day later Catherine would announce that she, too, had been diagnosed with cancer.It is the kind of twist of fate that royal watchers savor: Camilla, the woman whose very existence once seemed to threaten the stability of the royal family, has emerged as a stabilizing force during a major royal health crisis. At times recently, it has felt as though she was carrying the entire House of Windsor on her shoulders.“This is a vulnerable time for the royal family, where their human frailties are fully on display,” said Arianne J. Chernock, an associate professor of history at Boston University and an expert on the modern British monarchy. “Camilla’s own background and training can help her in these circumstances.”Crowds awaited Queen Camilla’s arrival in Douglas, Isle of Man, last week, where she filled in for Charles.Chris Jackson/Chris Jackson Collection, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Broadway-Bound ‘Sunset Boulevard’ Leads Olivier Award Nominations

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      The musical, starring Nicole Scherzinger, secured 11 nominations at Britain’s equivalent of the Tony Awards.A revival of Andrew Lloyd Webber’s “Sunset Boulevard,” starring Nicole Scherzinger as a former screen idol descending into madness, received the most nominations on Tuesday for this year’s Olivier Awards, Britain’s equivalent of the Tonys.The show, which ran at the Savoy Theater in London and will transfer to Broadway this year, is in the running for 11 awards — two more than any other play or musical — including best musical revival, best actress in a musical for Scherzinger and best director for Jamie Lloyd.When the production opened last fall, it impressed London’s often demanding theater critics. Matt Wolf, writing in The New York Times, said the production was, like its lead character, “a bit mad: reckless and daring, stretching its source material to the limit and beyond.”“I can’t imagine another London show generating comparable buzz this season,” Wolf added.Lloyd’s maverick production features hand-held cameras that are used to spotlight characters’ emotions at pivotal moments. Although critics appreciated the technique, Lloyd faces stiff competition in the best director category. The other nominees include Sam Mendes for “The Motive and the Cue,” which debuted last spring at the National Theater. The play, by Jack Thorne, dramatizes a fraught backstage relationship between Richard Burton and John Gielgud as they rehearse a Broadway production.Justin Martin, who directed “Stranger Things: The First Shadow,” also received an Olivier nomination.Manuel HarlanRupert Goold is also nominated for best director, for “Dear England,” a play about the English national soccer team that also ran at the National Theater and transferred to the West End. That show secured nine nominations.Despite receiving mixed reviews, “Stranger Things: The First Shadow,” a theatrical prequel to the Netflix show that is running at the Phoenix Theater, secured five nominations, including best new entertainment or comedy play. Houman Barekat, reviewing the production in The New York Times, said it was “exactly what you’d expect from a show co-produced by Netflix: Cheap thrills, expensively made.”This year’s nominations include a hint of TV glamour in many categories. Among the nominees for best actress in a play are Sarah Jessica Parker for “Plaza Suite,” which runs through April 13 at the Savoy Theater, and Sarah Snook (of “Succession”) for a one-woman “The Picture of Dorian Gray” at the Theater Royal Haymarket, through May 11.They will compete for that title against Laura Donnelly for “The Hills of California” at the Harold Pinter Theater, Sheridan Smith for “Shirley Valentine” at the Duke of York’s Theater, and Sophie Okonedo for “Medea” at @sohoplace.The best actor nominees include Andrew Scott for a one-man “Vanya” at the Duke of York’s Theater, and James Norton for his performance in “A Little Life” at the Harold Pinter Theater. The other nominees are Joseph Fiennes for “Dear England,” Mark Gatiss for “The Motive and the Cue,” and David Tennant for “Macbeth” at the Donmar Warehouse.The winners of this year’s awards are scheduled to be announced April 14 in a ceremony at the Royal Albert Hall in London. More

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      London Police Should Not Have Hired Officer Who Killed Woman, Inquiry Finds

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      Troubling information about the past of the man who killed Sarah Everard in 2021, a case that shook Britain, should have prevented him from joining the force, a long-awaited report said.An inquiry published Thursday into the murder of a young woman three years ago by a London police officer — a case that rattled Britain and set off a broader reckoning in the country about violence against women — has found that the police force missed signs of a troubling past that should have prevented him from being hired.The woman, Sarah Everard, 33, was abducted, raped and murdered in March 2021 by Wayne Couzens, a member of London’s Metropolitan Police Service. Mr. Couzens was later sentenced to life in prison for the killing.Ms. Everard’s murder cast a spotlight on how bad behavior and violence against women had been allowed to thrive within the country’s police ranks, prompting soul-searching and demands to improve the processes of hiring and overseeing officers.“It is time for all those in policing to do everything they can to improve standards of recruitment, vetting and investigation,” Elish Angiolini, a lawyer who led the inquiry, said at a news conference. “Wayne Couzens was never fit to be a police officer. Police leaders need to be sure there isn’t another Couzens operating in plain sight.”The inquiry found that Mr. Couzens’ initial vetting when he applied to join the Metropolitan Police Service in 2018 had been deeply flawed, missing available information, including on troubling incidents when he served in another police force in Kent, in southeast England. The information was overlooked when Mr. Couzens applied to work in London in 2018 and again when he applied for a specialized firearms role the next year, the inquiry found.Earlier reports included a concerning use of pornography, an indecent exposure allegation that was never acted upon by the authorities and an incident, which the inquiry did not detail, in which he was reported missing from his home.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More