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    British Museum Sues Former Curator for Return of Stolen Items

    The museum accuses Peter Higgs, a former keeper of Greek and Roman antiquities, of stealing or damaging at least 1,800 artifacts and selling many on eBay.A judge has ordered a former curator who the British Museum says stole hundred of artifacts to return any gems or jewelry from the institution that are in his possession.The museum claims that the former curator, Peter Higgs, who once ran the museum’s Greek and Roman antiquities department, stole or damaged over 1,800 artifacts from its collections and sold hundreds of those items on eBay, according to court documents.Officials also want Mr. Higgs to explain the whereabouts of other artifacts that they says the former curator sold online. The court documents state that Mr. Higgs disputes the accusations against him.At a High Court hearing in London, the presiding judge, Heather Williams, ordered Mr. Higgs to return any items within four weeks. Judge Williams also ordered PayPal, the online payments company, to disclose data relating to Mr. Higgs’s eBay accounts, including his transaction history.The missing museum items include engraved gems and jewelry, some of which are thousands of years old.On Tuesday, Mr. Higgs and his family did not respond to emails and social media messages from The Times. In court papers, the museum’s lawyers said the curator was “suffering from severe mental strain” and was “unable to respond effectively to the proceedings.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Has the Luxury E-Commerce Bubble Burst?

    After implosions by Farfetch and MatchesFashion — and with other blowouts possible — the future for online fashion retailers looks uncertain.Rosh Mahtani, the founder of the jewelry brand Alighieri, is celebrating the 10th anniversary of her company this year. Her handmade gold-plated pieces, inspired by Dante’s “Divine Comedy,” made her a winner of the Queen Elizabeth II Award for British Design and a mainstay of luxury e-commerce vendors.During Paris Fashion Week last month, buyers came to her showroom to select stock for the upcoming season, including MatchesFashion, a leading multibrand fashion retailer that is responsible for about half a million pounds, or $630,000, of Alighieri’s projected revenues. But there was a problem.“They had owed me 70,000 pounds [about $88,000] in unpaid invoices since October and had been asking for discounts on those bills,” Ms. Mahtani said last week. It made her uneasy, even if such bargaining was increasingly commonplace for independent brands like hers. Still, she said, she wasn’t quaking in her boots.“The team made a selection, and we talked about a capsule collection for the summer,” she said. “I don’t think any of us had a sense of what would come next.”Days later, MatchesFashion was put into administration (the British term for bankruptcy). Its owner, Frasers Group, which bought the company in December for about 52 million pounds, or $66 million, now said the operation was not commercially viable. Overnight, almost half of the staff was fired from a company that had been valued at $1 billion when it was sold to Apax Partners in 2017. Today, 200 brands are owed money and cannot access unsold inventory, and a furious customer base rages online about accessing orders or making returns.Rosh Mahtani, founder of cult jewelry label Alighieri, was owed substantial sums by MatchesFashion when the retailer was put into administration earlier this month.via Alighieri JewelryWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Camilla Takes Center Stage With King Charles and Catherine Ill

    The woman whose very existence once seemed to threaten the royal family’s stability has emerged as a stabilizing force during a major health crisis.In the last few weeks, as illness has sidelined two of Britain’s most visible royal figures, Catherine, Princess of Wales, and King Charles III, one member of the family’s frontbench has stepped into the vacuum: Queen Camilla.Last week, she traveled to the Isle of Man to deliver a speech on Charles’s behalf and met with public officials and community groups. She then flew to Northern Ireland, where she visited a bakery and butcher shop, attended a literary event and accepted salutes at a military parade.Camilla, 76, smiled for the photographers, joking on Thursday that a camera-friendly toddler who upstaged her visit to the butcher shop was a “natural.” She betrayed neither the strain of taking care of a cancer-stricken husband, nor that a day later Catherine would announce that she, too, had been diagnosed with cancer.It is the kind of twist of fate that royal watchers savor: Camilla, the woman whose very existence once seemed to threaten the stability of the royal family, has emerged as a stabilizing force during a major royal health crisis. At times recently, it has felt as though she was carrying the entire House of Windsor on her shoulders.“This is a vulnerable time for the royal family, where their human frailties are fully on display,” said Arianne J. Chernock, an associate professor of history at Boston University and an expert on the modern British monarchy. “Camilla’s own background and training can help her in these circumstances.”Crowds awaited Queen Camilla’s arrival in Douglas, Isle of Man, last week, where she filled in for Charles.Chris Jackson/Chris Jackson Collection, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Broadway-Bound ‘Sunset Boulevard’ Leads Olivier Award Nominations

    The musical, starring Nicole Scherzinger, secured 11 nominations at Britain’s equivalent of the Tony Awards.A revival of Andrew Lloyd Webber’s “Sunset Boulevard,” starring Nicole Scherzinger as a former screen idol descending into madness, received the most nominations on Tuesday for this year’s Olivier Awards, Britain’s equivalent of the Tonys.The show, which ran at the Savoy Theater in London and will transfer to Broadway this year, is in the running for 11 awards — two more than any other play or musical — including best musical revival, best actress in a musical for Scherzinger and best director for Jamie Lloyd.When the production opened last fall, it impressed London’s often demanding theater critics. Matt Wolf, writing in The New York Times, said the production was, like its lead character, “a bit mad: reckless and daring, stretching its source material to the limit and beyond.”“I can’t imagine another London show generating comparable buzz this season,” Wolf added.Lloyd’s maverick production features hand-held cameras that are used to spotlight characters’ emotions at pivotal moments. Although critics appreciated the technique, Lloyd faces stiff competition in the best director category. The other nominees include Sam Mendes for “The Motive and the Cue,” which debuted last spring at the National Theater. The play, by Jack Thorne, dramatizes a fraught backstage relationship between Richard Burton and John Gielgud as they rehearse a Broadway production.Justin Martin, who directed “Stranger Things: The First Shadow,” also received an Olivier nomination.Manuel HarlanRupert Goold is also nominated for best director, for “Dear England,” a play about the English national soccer team that also ran at the National Theater and transferred to the West End. That show secured nine nominations.Despite receiving mixed reviews, “Stranger Things: The First Shadow,” a theatrical prequel to the Netflix show that is running at the Phoenix Theater, secured five nominations, including best new entertainment or comedy play. Houman Barekat, reviewing the production in The New York Times, said it was “exactly what you’d expect from a show co-produced by Netflix: Cheap thrills, expensively made.”This year’s nominations include a hint of TV glamour in many categories. Among the nominees for best actress in a play are Sarah Jessica Parker for “Plaza Suite,” which runs through April 13 at the Savoy Theater, and Sarah Snook (of “Succession”) for a one-woman “The Picture of Dorian Gray” at the Theater Royal Haymarket, through May 11.They will compete for that title against Laura Donnelly for “The Hills of California” at the Harold Pinter Theater, Sheridan Smith for “Shirley Valentine” at the Duke of York’s Theater, and Sophie Okonedo for “Medea” at @sohoplace.The best actor nominees include Andrew Scott for a one-man “Vanya” at the Duke of York’s Theater, and James Norton for his performance in “A Little Life” at the Harold Pinter Theater. The other nominees are Joseph Fiennes for “Dear England,” Mark Gatiss for “The Motive and the Cue,” and David Tennant for “Macbeth” at the Donmar Warehouse.The winners of this year’s awards are scheduled to be announced April 14 in a ceremony at the Royal Albert Hall in London. More

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    London Police Should Not Have Hired Officer Who Killed Woman, Inquiry Finds

    Troubling information about the past of the man who killed Sarah Everard in 2021, a case that shook Britain, should have prevented him from joining the force, a long-awaited report said.An inquiry published Thursday into the murder of a young woman three years ago by a London police officer — a case that rattled Britain and set off a broader reckoning in the country about violence against women — has found that the police force missed signs of a troubling past that should have prevented him from being hired.The woman, Sarah Everard, 33, was abducted, raped and murdered in March 2021 by Wayne Couzens, a member of London’s Metropolitan Police Service. Mr. Couzens was later sentenced to life in prison for the killing.Ms. Everard’s murder cast a spotlight on how bad behavior and violence against women had been allowed to thrive within the country’s police ranks, prompting soul-searching and demands to improve the processes of hiring and overseeing officers.“It is time for all those in policing to do everything they can to improve standards of recruitment, vetting and investigation,” Elish Angiolini, a lawyer who led the inquiry, said at a news conference. “Wayne Couzens was never fit to be a police officer. Police leaders need to be sure there isn’t another Couzens operating in plain sight.”The inquiry found that Mr. Couzens’ initial vetting when he applied to join the Metropolitan Police Service in 2018 had been deeply flawed, missing available information, including on troubling incidents when he served in another police force in Kent, in southeast England. The information was overlooked when Mr. Couzens applied to work in London in 2018 and again when he applied for a specialized firearms role the next year, the inquiry found.Earlier reports included a concerning use of pornography, an indecent exposure allegation that was never acted upon by the authorities and an incident, which the inquiry did not detail, in which he was reported missing from his home.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    King Charles’s Cancer Diagnosis May Reshape How U.K. Monarchy Works

    Britain’s king has been a highly visible royal, making hundreds of public appearances. As he steps back from view, who will fill the gap?Queen Elizabeth II liked to say that she needed to be seen to be believed. Now it falls to her son King Charles III to test that principle, after a cancer diagnosis that will force him out of the public eye for the foreseeable future.For a family that has cultivated its public image through thousands of appearances a year — ribbon-cuttings, ship launchings, gala benefits, investiture ceremonies, and so on — the sidelining of Charles may finally force the royals to rethink how they project themselves in a social-media age.The king’s illness is the latest blow to the British royal family, which has seen its ranks depleted by death (Elizabeth and her husband, Prince Philip), scandal (Prince Andrew), self-exile (Prince Harry and his wife, Meghan), and other health woes (Catherine, the wife of Prince William).Charles, who is 75, took part in 425 royal engagements in 2023, his first full year on the throne, according to a count by The Daily Telegraph. That made him the second hardest-working royal after his younger sister, Princess Anne, who did 457. Both were busier than in the previous year, when Elizabeth, though in the twilight of her life, still appeared in public sporadically.While Anne, 73, shows little sign of slowing down and William plans to return to public duties while his wife convalesces at home from abdominal surgery, even a temporary absence of the king from the public stage would put heavy pressure on the family’s skeleton crew of working royals.Princess Anne, left, during royal duties on Tuesday, giving an honor to Nicholas Spence, an operatic tenor.Yui Mok/Press Association, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    King Charles Released From Hospital After Prostate Procedure

    Charles was released on Monday hours after Catherine, Princess of Wales, left the same hospital following abdominal surgery.King Charles III was released from a London hospital on Monday after undergoing a procedure to treat an enlarged prostate, Buckingham Palace officials said.Charles was seen waving as he exited The London Clinic, a private hospital, hours after his daughter-in-law Catherine, Princess of Wales, left the same hospital following an abdominal operation she had earlier this month.In a statement on Monday, the palace said Charles, 75, had “rescheduled forthcoming public engagements to allow for a period of private recuperation.” The king was admitted to the hospital Friday morning for what Buckingham Palace described as “scheduled treatment.” Benign prostate enlargement is common in men over 50 and can be found in up to 90 percent of men over 70. Treatment can include medication and changes to diet and lifestyle, as well as surgical procedures in more severe cases to remove excess tissue from the prostate gland.Medical experts said that the most common treatment was a transurethral resection of the prostate, in which a surgeon scrapes out the inside of the prostate gland, giving the urethra more space.Buckingham Palace did not specify which procedure Charles underwent.Queen Camilla was with Charles when he was admitted last week, and she was photographed arriving at and leaving the hospital multiple times over the weekend.January has brought troubling health news for the British royal family. Not only did announcements of Charles and Catherine’s procedures catch supporters and the public off guard, so did news that Sarah Ferguson, Duchess of York and ex-wife of the king’s younger brother, Prince Andrew, had been diagnosed with melanoma, a serious type of skin cancer.It was Ms. Ferguson’s second cancer diagnosis within a year. Last summer she spoke publicly about her decision to undergo a mastectomy and reconstructive surgery after a breast cancer diagnosis. More

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    Un gran año electoral no debe distraer del deterioro democrático

    Hay que prestar atención al declive institucional.No tengo idea de cómo llegué a mi oficina esta mañana. Quiero decir, sí lo sé: caminé a la estación del metro que está cerca de mi casa, me subí a un tren, unas paradas después transbordé a otro, me bajé cerca de mi oficina y luego entré al edificio, aunque antes fui rápido a una cafetería para comprar un sándwich para el desayuno.Pero esa lista de pasos describe el límite de mi conocimiento. No tengo ni idea de quién abrió la estación de metro ni de lo que se necesita para mantenerla en funcionamiento. (O, como fue el caso, por qué uno de los torniquetes estaba atascado a medio abrir y zumbaba a nadie en particular una quejumbrosa alarma sobre su situación). No sé conducir un tren y, desde luego, no sé cómo es su mantenimiento. Y estoy segura de que los londinenses están muy agradecidos de que yo nunca haya tenido que plantearme cómo excavar un túnel de metro o instalar una línea de tren.Y, sin embargo, si esas cosas no hubieran sucedido en el orden correcto, tal como las diseñaron los expertos y las llevaron a cabo los profesionales, Londres se paralizaría. De hecho, la semana pasada estuvo a punto de producirse ese colapso, debido a una huelga de transportes que se suspendió en el último momento.Lo mágico de las instituciones es esto: existen para que los procesos complejos puedan automatizarse, para que grandes grupos de personas puedan colaborar sin tener que crear nuevos sistemas para hacerlo y para que personas como yo podamos confiar en su pericia sin poseer ni un ápice de esa experiencia.Pero como las instituciones suelen funcionar en segundo plano, sin que se note, a veces es difícil determinar el momento en que empiezan a desmoronarse. Y, lo que es frustrante para mí, es que es aún más difícil escribir sobre el declive progresivo sin que suene tremendamente aburrido.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More