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      Tacita Dean Draws Her Way Into the Menil

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      In the artist’s first major U.S. museum survey, she bonds with Cy Twombly through works on paper, films and photographs.During a residency at the Menil Collection in Houston last February, the British artist and filmmaker Tacita Dean spent the night in the Cy Twombly Gallery.She wanted to be surrounded by Twombly’s work, having long felt connected to the so-called Blackboard artist, who died in 2011, and in particular to his collage-drawings and preoccupation with the passage of time.“He connects to the classical world in a way that is deeply emotive,” Dean said. “I’m interested in where your mind goes when you look at one of his works. It can go to memory, it can go to envy — you think, ‘God, that’s so perfect.’”Now Dean is bringing her own monumental blackboard drawings and her rarely shown drawings on paper, found postcards, and albumen photographs to the Menil, in a show that opens on Oct. 11. The exhibition, “Tacita Dean: Blind Folly,” is her first major museum survey in the United States.“The presence of Cy Twombly in Houston really ignited the show and the conversation,” said Michelle White, senior curator at the Menil, who organized the exhibition. “It just became such a lovely point of connection.”In a recent interview at her Los Angeles studio, Dean, 58, said a focus on her drawings “is quite unusual for me,” given that shows typically focus on her films. And the artist said it is meaningful to be presenting her work in a place where Twombly’s presence is felt.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Nobody Wants This’ Pits Jewish Women Against ‘Shiksas.’ Nobody Wins.

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      The derisive word for a male gentile is shegetz. I didn’t know the term until I married one. Even though my family is 100 percent Jewish and my brother took a DNA test to prove it, up to that point, I had only ever heard the female equivalent of the word: shiksa.When I heard my community of mostly secular Jews use the word shiksa growing up, it wasn’t really used as a slur; it was used as a referent for the conventional American ideal of beauty. It was understood that as Jewish women, we purportedly existed outside this ideal. We were assumed to be emasculating scolds, obligations men were saddled with rather than women to be desired.Our looks were all wrong and in need of expensive plastic surgery or hair treatments to even attempt to measure up. The feeling was summed up by a line from a throwaway character, apparently post-makeover, in a Season 2 episode of “Sex and the City” that first aired in 1999: “Well, you know, my boyfriend and I were really compatible, except for one thing. He liked thin, blond WASP-y types, so … now I am.”That’s because the shiksa stereotype looms large in American pop culture as an object of Jewish male desire. It was largely constructed in the mid-20th century by Philip Roth, Woody Allen and Neil Simon. Writing in 2013 for The Los Angeles Review of Books, Menachem Kaiser described the stereotype succinctly:By the 1980s, what I’ll call the Allenesque Jew/shiksa split was entrenched: Jewish = nonathletic, brainy, neurotic, pasty, dark-haired, profoundly unhealthy parental relationship, usually from the New York area; shiksa = healthy, WASP-y, carefree, blond, supportive (if judgmental) parents, from the Midwest or from a home that might as well be in the Midwest.But it’s not 1980, 1999 or even 2013 anymore. It’s no longer shocking or novel when a Jew dates or marries outside his or her religion — 61 percent of Jews who have married since 2010 are intermarried, according to a 2021 Pew Research report. Among non-Orthodox Jews, that number is 72 percent.That’s why I found the experience of watching the new Netflix series “Nobody Wants This” — which was originally titled “Shiksa” — to be both off-putting and bizarre. The show seems to have been beamed in from the past century in both its depiction of Jew-gentile relations and also its gender politics.Set in Los Angeles, “Nobody Wants This” is about a blond sex-and-relationships podcaster, Joanne (Kristen Bell), who falls for a rabbi, Noah (Adam Brody). The dramatic tension comes entirely from Joanne’s shiksa status (light spoilers ahead). The majority of Noah’s circle is hostile to Joanne from the jump, particularly his mother (Tovah Feldshuh), his sister-in-law, Esther (Jackie Tohn), and his ex-girlfriend Rebecca (Emily Arlook).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Los Angeles District Attorney Says He Is Reviewing Menendez Case

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      Interest in the Menendez brothers has intensified after the release of a new Netflix drama about the case. A separate documentary is forthcoming.George Gascón, the Los Angeles district attorney, said on Thursday that his office was reviewing a decades-old case involving the brothers Lyle and Erik Menendez, who killed their parents in their Beverly Hills home and were sentenced to life in prison.The case in the 1990s was one of the first to draw a daily national audience to a televised criminal trial. By their own testimony, the two young men marched into the den of the family’s mansion one evening with shotguns and fired more than a dozen rounds at their mother and father while the couple sat on the couch.Prosecutors presented the brothers as greedy, coldblooded killers, interested in having unfettered access to their parents’ assets, which were valued at about $14 million. Defense lawyers for the brothers argued that they had been sexually molested for years by their father, and had killed out of fear.Mr. Gascón wouldn’t indicate which way he was leaning, but his remarks indicated that the sex abuse claims are among the aspects his office was reviewing. He said his office was divided over whether the brothers should remain in prison for the rest of their lives.“We have a moral and ethical obligation to review what is being presented to us,” he said.Mr. Gascón’s remarks come in the homestretch of his re-election bid as interest in the Menendez case has intensified after the release of a new Netflix drama about the case. The series, “Monsters: The Lyle and Erik Menendez Story,” has been assailed by Erik Menendez and many other members of the Menendez family as grotesque and riddled with falsehoods.Ryan Murphy, one of the series’s creators, has defended his work in interviews. He told The Hollywood Reporter that there was “room for all points of view” and argued that the brothers should be grateful to him for bringing more attention to the case.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Newsom Tacks to the Middle With California in the Spotlight

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      While Donald J. Trump has attacked California as too liberal for the nation, Gov. Gavin Newsom has vetoed several bills that could have become political fodder.For much of the past year, conservatives have considered Gov. Gavin Newsom of California a perfect symbol of liberal excess, a well-coifed coastal governor with national aspirations whose state seemed to embrace undocumented immigrants while homeless encampments proliferated on the streets.It was Mr. Newsom who was invited to debate Gov. Ron DeSantis of Florida on Fox News last November. It was Mr. Newsom whose political action committee ran ads in Republican states to criticize their policies on abortion rights.But Mr. Newsom, a business owner, often governs more from the middle than his critics acknowledge. And over the past month, as he has sifted through hundreds of bills that the heavily Democratic Legislature sent his way to sign or veto by this Monday, his decisions indicate a more centrist shift than usual.With Vice President Kamala Harris, a former senator from California, in a hotly contested race for the White House, Republicans have aimed a spotlight on her and Mr. Newsom’s home state. As such, the governor has been under pressure to make sure that California’s lawmakers don’t give them more ammunition for political attacks.The national political stakes are highMr. Newsom approved many measures that were in keeping with what most Americans would expect in California. There were big bills to address the state’s ongoing housing crisis; labor bills to protect the earnings of child influencers and the likenesses of Hollywood performers; and an outright ban on all plastic bags at retail stores.There was legislation to name the Dungeness crab as the official state crustacean, the banana slug as the official slug, and the black abalone as the official seashell. There was a bill pushed by celebrities like Woody Harrelson and Whoopi Goldberg that will allow Amsterdam-style “cannabis cafes” to open.There was a measure that will require health insurers to cover infertility treatment, including in vitro fertilization, as Democrats have attacked Republicans nationally for restricting access to fertility services.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Earthquake Rattles Coastal Area Near Los Angeles

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      Preliminary estimates said a 4.7-magnitude temblor was centered near Malibu. The authorities were determining whether there was any significant damage.Los Angeles residents were rattled on Thursday morning by an earthquake centered near Malibu. Preliminary estimates showed it was a magnitude 4.7, according to the United States Geological Survey.Across the region, which has been shaken by several temblors in recent months, some residents still in bed were awakened by an alert on their phones. Window coverings and shelves rattled for about 15 seconds.The authorities were looking to determine whether there was any significant damage.This is a developing story. Check back for updates. More

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      Lloyd Ziff, Visionary Photographer and Art Director, Dies at 81

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      He designed some of the most visually exciting magazines of the 1970s and ’80s. But his real love, and eventually his focus, was photography.Lloyd Ziff was not yet a celebrated art director in 1968, when he photographed an art school classmate, Robert Mapplethorpe, and his girlfriend, Patti Smith, in their tiny Brooklyn apartment. “I found them very beautiful,” Mr. Ziff said years later.The black-and-white portraits he took are tender and moving, almost heartbreakingly so; as James Danziger, the gallerist who showed them in 2013, said recently: “Youth is moving. They capture a moment in time just before Patti and Robert were going to explode. They both carried an aura, and Lloyd was drawn to that. They wanted to be photographed just as much as he wanted to photograph them.”Mr. Ziff photographed Robert Mapplethorpe and Patti Smith at their apartment in 1968. “I found them very beautiful,” he said.Lloyd ZiffMr. Ziff went on to serve as art director for some of the most influential and visually arresting magazines of the 1970s and ’80s, including Rolling Stone, House & Garden, Vanity Fair and Condé Nast Traveler. Mr. Mapplethorpe and Ms. Smith, of course, would find their own fame, and tragedy, when Mr. Mapplethorpe died of AIDS in 1989. When Ms. Smith wrote of their coming-of-age in her 2010 memoir, “Just Kids,” she included a few of Mr. Ziff’s portraits.“Although we weren’t particularly close,” Mr. Ziff said, “I believe we recognized in each other something we probably couldn’t put into words at the time.”Mr. Ziff died on Aug. 1 at his home in Orient Point, N.Y., on Long Island. He was 81.His husband, Stephen Kelemen, confirmed the death. He said that Mr. Ziff had been in declining health.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      At Los Angeles Galleries, Savoring the Waning Days of Summer

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      During an often quiet season in the art world, several outstanding solo shows and one group show offer a feast for the eye and the mind.Rick Lowe’s “Cavafy Remains,” 2024, acrylic on canvas, in the group exhibition “Social Abstraction” at Gagosian Beverly Hills.via Rick Lowe and Gagosian; Photo by Thomas DubrockThe traditional summer lull in the art gallery calendar typically spurs a rash of phoned-in group shows, a chance to drag unsold works out of storage and repackage them under limp catchall themes. Not so much this month in Los Angeles, where several eye-catching solo exhibitions feature artists who are overdue for a moment in the sun.On the evidence of these shows, there’s no single dominant trend in art right now, but rather a general sense of permission to take seriously a broad spectrum of artists and positions, especially those of older generations. In this late-summer heat, it’s a welcome respite.‘Magdalena Suarez Frimkess: The Finest Disregard’Through Jan. 25. Los Angeles County Museum of Art, 5905 Wilshire Boulevard, Los Angeles; 323-857-6000; lacma.org.Top to bottom: “Minnie Mouse Wearing Venice Canals Dress,” 2004; “Minnie Mouse Wearing Pineapple and Palm Tree Pattern,” 2005; “Minnie Mouse in a White Dress With Red Polka Dots,” 2007; “Minnie Mouse in a Green Dress With Pink Polka Dots,” 2007; and “Minnie Mouse in a Pink Dress,” undated.via Magdalena Suarez Frimkess and Los Angeles County Museum of ArtAt 95, the Venezuelan-born Magdalena Suarez Frimkess has waited a long time for her first museum retrospective. Trained in Chile as a sculptor, she came to the United States on a fellowship in 1962 and met Michael Frimkess, a classical ceramist. They were soon married, and settled in Los Angeles. After he was diagnosed with multiple sclerosis, she began applying her Pop-inflected imagery onto his elegant vessels, painting them with colored glaze.This exhibition of ceramics, furniture, paintings and drawings at LACMA, curated by José Luis Blondet, takes its title from an astute review in Art in America by Paul Harris: “The work of Magdalena Suarez Frimkess — the most daring sculptor working in Chile — is distinguished by the finest disregard for whatever is supposed to be so.” We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tim Walz and the Pull of Rural America

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      More from our inbox:A Rattled Donald TrumpCancer Screenings Save Lives and Are Worth the CostFrom Rust to Rescue HeroAn Olympic Transit Reality Check Abbie Parr/Associated PressTo the Editor:Re “Democrats Have Needed Someone Like Walz for Decades,” by Sarah Smarsh (Opinion guest essay, Aug. 9):Thank you for publishing Ms. Smarsh’s article, which so eloquently and succinctly illustrates how politicians, pundits and journalists have marginalized rural America by lumping us into a single category: red state.I am from a long line of early Indiana settlers: hard-working people who began as farmers and maintained honest lives while supporting democratic ideals and the Democratic Party. Reading this piece is a breath of fresh air, and I appreciate that Ms. Smarsh shares our appreciation for the honesty and direct communication of a fine person like Tim Walz. Thank you, Minnesota.Diana WannLebanon, Ind.To the Editor:Having grown up in a small town in Minnesota, I agree with Sarah Smarsh that Gov. Tim Walz brings back some essential elements into our politics.I am only a few generations removed from Norwegian immigrants who came to America and helped settle an area near the South Dakota border in the last decades of the 19th century.The effort to tame and harvest the prairie created a very pragmatic “let’s get it done and move on to other things” philosophy. Many of the older farmers I remember would describe today’s political rhetoric as “bells and whistles, but no engine.”Mr. Walz is not only a refreshing relief from much of the mindless political rhetoric we have to listen to today. He may very well also be putting the engine back on our national economy.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More