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    Johnny Wactor, ‘General Hospital’ Actor, Reported Killed in Shooting in Los Angeles

    Johnny Wactor was fatally shot when he interrupted a person who was stealing his vehicle’s catalytic converter, his mother told a news outlet.Johnny Wactor, an actor best known for his role in “General Hospital,” was shot and killed on Saturday, reports said, amid what his family described as an attempted theft of a catalytic converter in Los Angeles.The fatal shooting took place around 3 a.m. on Saturday, when Mr. Wactor approached three men in downtown Los Angeles, The Associated Press reported, citing the Los Angeles Police Department.His mother, Scarlett Wactor, told the local news station ABC7 that Mr. Wactor left the rooftop bar where he worked late in the evening and was walking with a co-worker toward his vehicle when he interrupted someone who was in the process of stealing the vehicle’s catalytic converter.Ms. Wactor said her son thought his car was being towed at first, and when he approached the person to ask, the person “looked up, he was wearing a mask, and opened fire.”Three men fled the scene in a vehicle, and Mr. Wactor was taken to a hospital, where he died, The A.P. reported. No arrests have been made.Representatives for the Police Department did not immediately respond to requests for comment on Monday.Mr. Wactor had played Brando Corbin in more than 160 episodes of the soap opera “General Hospital,” according to his IMDB page. He also appeared in episodes of “Westworld,” “The OA” and “Station 19.”In a statement on social media, a page for “General Hospital” said the show’s cast and crew were “heartbroken to hear of Johnny Wactor’s untimely passing.”Many of Mr. Wactor’s co-stars from the show posted tributes on social media, including Kirsten Storms, who played the character Maxie Jones. Ms. Storms wrote in an Instagram post, “I just cannot believe that his life was stolen from him the way it was.”There has been a jump in the number of thefts of catalytic converters, or “cats” for short, in recent years. These critical emission-control devices are valuable because they contain rare metals, like palladium and rhodium, that can be extracted and resold. More

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    The L.A. Roller Rink Where the Years Glide By

    A companion to T’s 212 series about New York institutions, the 213 column highlights beloved landmarks in and around Los Angeles.On a dark night in February, east of the 5 Freeway, south of the 134, down the street from the so-called Gentlemen’s Club, glows the blue neon sign: Moonlight Rollerway. These are the industrial hinterlands of Glendale, a tidy enclave in the rambling city-state that is Los Angeles, and here, among plumbing supply warehouses and an Amazon delivery van lot, sits a squat cinder-block building, an unexpected portal.Under the white overhang, signage abounds: “No In & Out Privileges,” “No Fast Wild or Reckless Skating,” “Be Neat & Clean.” A lengthy passage politely, firmly reminds visitors that risk of accident is inherent in the sport. “If you are not willing to assume that risk,” it reads, “please do not roller-skate here.”Like any Los Angeles icon, the rink has its share of screen credits, appearing in TV shows — “Euphoria,” “The Good Life,” “American Horror Story,” “Modern Family” and “GLOW” — and movies like “Beginners,” “Roller Boogie” and “Straight Outta Compton.”Abdi IbrahimRisk assumed, the 30-some customers ahead of me move steadily up the cement ramp to the box office and flash their tickets for the clerk behind the window. Those who’ve brought their own skates — about half the crowd — present them for inspection (no fiberglass wheels, no micro wheels; they can gouge the floor). Then a door slams behind us and we are somewhere else, in the land of motion.Nostalgia comes fast, from all directions — the black carpet patterned with fluorescent zigzags, the buzz and trill of a Ms. Pacman game, a whiff of some sugary confection being heated at the snack bar — but most of all from the rink, where, beneath two disco balls, skaters revolve, some gliding, some wobbling, one pressing herself against the red-carpeted wall while Donna Summers asks, “Could it be magic?”Built in 1942 to manufacture airplane parts during World War II, the 70,000-square-foot building on San Fernando Boulevard was converted to a roller rink in 1956.Abdi IbrahimWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Chaotic Night at U.C.L.A. Raises Questions About Police Response

    Nearly two weeks after a pro-Palestinian encampment at the University of California, Los Angeles, was attacked by counterprotesters, university officials still have not explained why security officers stood by for hours while the attack was underway, nor have they arrested any of those who swarmed in wielding metal rods, water bottles and firecrackers in one of the worst outbreaks of violence in the college protests that have rocked the country.The extent of the policing failure has become clearer in recent days, as witnesses have come forward to describe a chaotic night of violence on April 30, in which students and bystanders repeatedly called 911 and nonemergency lines, finding little help and calls that were disconnected. A dispatcher told one caller pleading for help that they were ending the call because “I have actual emergencies to handle.”One man was filmed by a local television station on the phone with emergency dispatchers, alerting them that people were getting hurt. “Security has abandoned this encampment,” he could be heard saying before lowering his phone and looking at it. “They just hung up on me again,” he said incredulously.Miles away in Sacramento, staff members in Gov. Gavin Newsom’s office contacted the U.C.L.A. chancellor’s office shortly after 11 p.m. to make sure that law enforcement officers were responding to the scene, and were assured that more officers were coming, according to a person familiar with the situation, who described the discussions on condition of anonymity because they were not authorized to make them public.Protesters and counterprotesters fought one another for hours before the police intervened.Mark Abramson for The New York TimesBut as the night wore on and there was still no intervention, the person said, the governor’s office moved to circumvent local authority and ordered California Highway Patrol officers to the campus. The state officers began assembling on campus at 1:45 a.m., a few moments before L.A.P.D. riot police arrived, but it took another hour to quell the clashes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sam Rubin, Los Angeles TV Anchor and Entertainment Reporter, Dies at 64

    Mr. Rubin began at the Los Angeles television news station KTLA in 1991 and became a staple of morning viewing through his interviews with celebrities.Sam Rubin, a journalist for the television station KTLA 5 in Los Angeles whose morning interviews with celebrities became requisite viewing for much of the entertainment industry and who endeared himself to Hollywood insiders with his geniality and knowledge of their work, died on Friday. He was 64.Mr. Rubin’s death was announced by a KTLA anchor, Frank Buckley. A tribute segment that aired on the station said the cause was a heart attack.In an industry known for its changing names and evolving trends, Mr. Rubin was for decades a mainstay for viewers across the city and an interview with him was considered a rite of passage for many stars.His ability to make celebrities feel comfortable as he asked them about their craft spanned generations.Although it was clear that Mr. Rubin was immersed in the minutiae of his beat, part of his enduring appeal came from the antics he himself brought to the studio and his ability to change the pace of what could be a rote interview.“Is it shampoo and conditioner, or just shampoo — what is the hair regimen, Jared?” he said in an interview with the actor Jared Leto.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Film Academy Looks Overseas for Donors

    The Academy of Motion Picture Arts and Sciences has announced a global $500 million campaign to shore up its financial future.The Academy of Motion Picture Arts and Sciences on Friday announced a global $500 million fund-raising effort to help diversify its base of support and ensure its financial future in a period of transformation for the film industry and the nonprofit cultural sector.“Both are going through radical business model shifts right now due to changing audience habits and revenue streams,” Bill Kramer, the chief executive of the Academy of Motion Picture Arts and Sciences, said in an email. “As a nonprofit, and like any healthy organization or company, the academy needs a sustainable and diverse base of support to allow for solid long-term planning and fiscal certainty.”Announced during a news conference in Rome hosted by the Italian film studio Cinecittà, the campaign is called Academy100, in honor of the 100th Oscars ceremony in 2028. The academy plans to use about $300 million of the new funds to bring its endowment to $800 million; the remainder will go toward operating expenses and special projects.The academy currently has an annual operating budget of about $170 million, 70 percent of which comes from its Oscars broadcast deal with Disney and ABC, which runs through 2028. About $45 million of the operating expenses are used by the Academy Museum of Motion Pictures.Given the challenges experienced by many cultural organizations, the academy has reason to want to shore up its finances. In March, for example, Joana Vicente of the Sundance Film Festival resigned after less than three years as chief executive amid questions about her fund-raising abilities. Last summer, Center Theater Group in Los Angeles announced a series of sharp cutbacks — including suspending productions at the Mark Taper Forum — to deal with drops in revenue and attendance. And the Metropolitan Opera in New York has withdrawn emergency funds from its endowment.The academy said in its news release that the money raised “will endow and fund programs that recognize excellence in cinematic artistry and innovation; preserve our film history; enable the creation of world-class film exhibitions, screenings and publications; train and educate the next generation of diverse global film artists; and produce powerful digital content.”More than $100 million has already been committed to the campaign, the academy said, including support from Rolex, which is based in Switzerland.As part of the effort, the academy plans to host gatherings and events in locations around the world to “become increasingly global,” press materials said, and help develop a global “pool of new filmmakers and academy members and support the worldwide filmmaking community.”The academy said its “expanded international outreach” will include Buenos Aires; Johannesburg; Kyoto, Japan; Lagos, Nigeria; London; Marrakesh, Morocco; Melbourne, Australia; Mexico City; and Mumbai. More

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    Barbara O. Jones, Actress Who Brought Black Cinema to Life, Dies at 82

    Her arresting roles in movies like “Bush Mama” and “Daughters of the Dust” helped shape a generation of independent filmmakers.Barbara O. Jones, an actress whose captivating work in films like “Bush Mama” and “Daughters of the Dust” helped define the cerebral, experimental and highly influential Black cinema movement that emerged in Los Angeles in the 1970s, died on April 8 at her home in Dayton, Ohio. She was 82.Her brother Marlon Minor confirmed the death but said the cause had not been determined.Starting in the early 1970s just a few miles from Hollywood, a generation of students at the University of California, Los Angeles, began making films that pushed hard against many of the tropes of commercial moviemaking.Budding filmmakers like Charles Burnett, Julie Dash and Haile Gerima eschewed polished scripts and linear narratives in search of an authentic Black cinematic language. They relied on actors like Mrs. Jones, drawn from far outside the mainstream, to bring their work to life.Mrs. Jones was in some ways the typical Los Angeles transplant, having moved from the Midwest in search of a film career. She took acting classes, but, rather than gravitating toward Hollywood, she fell in with the politically charged, aesthetically adventurous scene around the U.C.L.A. film school, a movement that the film scholar Clyde Taylor called the L.A. Rebellion.She appeared in several short student films, including Mr. Gerima’s “Child of Resistance” (1973), in which she played an imprisoned activist loosely based on Angela Davis, and Ms. Dash’s “Diary of an African Nun” (1977), adapted from a short story by Alice Walker.Mrs. Jones in Ms. Dash’s short film “Diary of an African Nun” (1977), adapted from a story by Alice Walker.Julie DashWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    University of California Workers May Strike After UCLA Raid

    The largest employee union in the University of California system said on Thursday that it was preparing to ask some or all of its members to authorize a strike over the treatment of pro-Palestinian protesters at the University of California, Los Angeles.The announcement by United Auto Workers Local 4811, which represents some 48,000 graduate student teaching assistants, researchers and other student workers across the state, came hours after police officers arrested about 200 demonstrators at U.C.L.A. for failing to leave.U.A.W. 4811 intends to file unfair labor practices charges that, in essence, accuse U.C.L.A. of discriminating against pro-Palestinian speech and unilaterally changing policies protecting employees’ free speech without bargaining, said Rafael Jaime, the union’s co-president and a Ph.D. candidate in the university’s English department.The group said the university failed to protect union members who were among the pro-Palestinian student protesters when counterprotesters attacked an encampment that had stood since April 25.Mr. Jaime said he was at the encampment Tuesday night as counterprotesters tore down barricades and shot fireworks at pro-Palestinian demonstrators, and that he was hit by pepper spray. Campus police on site did not intervene, and reinforcements from the Los Angeles Police Department and California Highway Patrol did not arrive for hours. No arrests were made.The lack of response was quickly denounced by local leaders and Gov. Gavin Newsom, as well as by students and faculty members.“The university was nowhere to be seen for hours and hours,” Mr. Jaime said. “They just stood there and allowed our co-workers to be brutalized.”On Wednesday night, dozens of police officers in riot gear arrived to disperse protesters who remained at the pro-Palestinian encampment. Mr. Jaime said officers shot projectiles into the crowd of protesters and forcefully arrested students. He said he did not know how many union members had been arrested.and forcefully arrested students, including union members.Arresting some 200 pro-Palestinian demonstrators while not arresting any counterprotesters who assaulted them, he said, amounted to prioritizing anti-Palestinian speech over pro-Palestinian speech, which violated the rights of university employees to free speech.Mr. Jaime said that the union could call a strike authorization vote as early as next week, but he emphasized that it was too early to say whether a strike would include union members across the University of California system or just at U.C.L.A.Officials at the University of California Office of the President said in a statement that the union could not legally engage in a work stoppage and expressed frustration that the union would “exploit” the situation.The statement said that “the University of California is deeply alarmed, concerned and disappointed that our UAW-represented academic employees would choose this moment of crisis to take a vote to engage in an unlawful work stoppage.” Officials added that the university “values these employees and asks them to join it in supporting our communities at this time.”The union’s members do much of the day-to-day work across the vast University of California system, which serves nearly 300,000 students, has some of the nation’s top researchers and is often referred to as the “crown jewel” of the state. The academic workers grade papers, lead discussion sessions and conduct research.But the university employees often struggle with the cost of living in some of the nation’s most expensive housing markets. In 2022, the union’s members — then split into two locals — walked off the job for six weeks in one of the largest strikes by university-based workers in national history. The union called for a cease-fire in Gaza in October, making it part of an early wave of unions declaring support for Palestinians. More

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    How the UCLA Protest Standoff Unfolded

    Follow our live coverage of the college protests at U.C.L.A. and other universities.As protesters chanted and sprayed fire extinguishers at them, police officers moved in on the pro-Palestinian encampment at the University of California, Los Angeles, in the early hours of Thursday, tearing down its barricades, arresting dozens of people and clearing out the tents that had dominated the center of campus for days.The chaotic scenes were part of a tense, hourslong back-and-forth between protesters and police that had been building after violent clashes a day earlier — involving counterprotesters who attacked the encampment — prompted administrators to call in law enforcement. On Wednesday night, the authorities issued a warning to pro-Palestinian demonstrators: Leave the encampment outside Royce Hall or face arrest.As the night wore on, officers in riot gear tried to approach the encampment through one of its entrances but were turned back several times.Demonstrators appeared to try several tactics to fend them off. At one point, they blocked an entrance with wooden pallets and homemade shields. They surrounded police officers, chanting “Free, free Palestine!” and “Peaceful protest!” At another point, they opened umbrellas and began flashing lights and taking photos of the police officers. Then, at around 3 a.m. Thursday, officers breached one of the barricades at the encampment and began to pull apart plywood and other materials that demonstrators had used to build a wall. Some demonstrators sprayed fire extinguishers in response, briefly forcing some officers to fall back.But an hour into the raid, the encampment’s main barricade had been dismantled. A line of students linking arms took its place.Officers gave another dispersal warning to protesters. They corralled those who refused to leave and began arresting them, zip-tying their wrists and leading them away from the encampment.Police pulled up tents — one removed a Palestinian flag and tossed it aside — and at several points fired devices at demonstrators. It was not clear what the officers were using, but Erik Larsen, an officer for the California Highway Patrol, said in a telephone interview that its officers were equipped with a variety of “nonlethal” tools, including flash-bang devices.By dawn, the camp had been cleared of all but a final group of demonstrators, some of whom chanted, “We’ll be back, and we’ll be stronger — you cannot ignore us any longer.” Some were detained and marched away with their hands zip-tied behind their back.The C.H.P. — which, in addition to patrolling state highways is responsible for the safekeeping of state property, including public universities like U.C.L.A. — said that 132 demonstrators had been arrested and would be handed over to the university’s police department. At least 250 C.H.P. officers were involved in clearing the encampment, Mr. Larsen said.Other law enforcement agencies, including the Los Angeles Police Department, the Los Angeles County Sheriff’s Department and the U.C.L.A. university police, were also on the scene, he said. More