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      Why Does Kendrick Lamar Want Drake to Return Tupac’s Ring?

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      At Mr. Lamar’s Juneteenth concert on Wednesday, he made a request for Drake to return Mr. Shakur’s iconic crown ring. Is this about more than just beef between the two rappers?When Kendrick Lamar made his entrance to his sold-out show at the Kia Forum in Inglewood, Calif., on Juneteenth, he did so with a bang. He performed “Euphoria,” a track he released in April during his well-documented feud with Drake, adding a new lyric: “Give me Tupac ring back and maybe I’ll give you a little respect.” The internet went wild.This was Mr. Lamar’s first time performing since his testy dispute with Drake escalated into a volley of diss tracks this spring. For the show, titled “The Pop Out: Ken & Friends,” he brought out fellow West Coast artists such as Dr. Dre, YG, Tyler, the Creator, Schoolboy Q and Steve Lacy, the next generation of musicians from the region after Tupac Shakur. It was a victory lap after unofficially winning the war. Mr. Lamar had been questioning Drake’s authenticity and status among Black musicians and fans, and adding the line about Mr. Shakur’s ring only doubled down on that message.The ring is one of the most iconic jewelry pieces in hip-hop history. It features a 14-karat crown encrusted with cabochon rubies and pavé diamonds. It also bears the inscription “Pac & Dada 1996,” referring to his engagement to Kidada Jones, the daughter of Quincy Jones. The ring, which he designed himself, commemorates both the founding of his media company, Euphanasia, and his romance with Ms. Jones. He wore it at the 1996 MTV Video Music Awards, his last public appearance before his killing.In August 2023, Drake purchased the ring from an auction at Sotheby’s for $1.01 million. That irked Mr. Lamar, who has taken the baton of West Coast rap from Mr. Shakur and has been influenced by his legacy.According to Vikki Tobak, author of the 2022 book “Ice Cold; A Hip-Hop Jewelry History,” jewelry has long been a symbol of allegiance and brotherhood in hip-hop. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Roban a un agente del Servicio Secreto la noche de la gala de Biden en Los Ángeles

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      El agente fue encañonado en el condado de Orange. El robo fue la misma noche en que Biden estaba en California recaudando fondos para campaña.[Estamos en WhatsApp. Empieza a seguirnos ahora]Un agente del Servicio Secreto de Estados Unidos fue atracado a punta de pistola en el sur de California durante el fin de semana, la misma noche en que el presidente Joe Biden se encontraba en Los Ángeles para recaudar fondos para su reelección, informaron el lunes las autoridades.Los agentes de policía recibieron una llamada de un conjunto residencial en el condado de Orange sobre las 9:36 p. m. del sábado por informes de un posible robo, dijo el Departamento de Policía de Tustin en un comunicado.Al llegar a la urbanización —una antigua base militar—, la policía descubrió que la víctima era un agente del Servicio Secreto al que le habían robado el bolso a punta de pistola, según el comunicado. Durante el robo, un agente disparó un arma, añadió la policía.El presunto robo se produjo la misma noche en que Biden asistía en el centro de Los Ángeles a un acto estelar de recaudación de fondos para la reelección con el expresidente Barack Obama. Celebridades como George Clooney, Julia Roberts y Barbra Streisand asistieron a la gala, en la que, según la campaña de Biden, se recaudaron al menos 28 millones de dólares.No estaba claro si el agente del Servicio Secreto estaba en California protegiendo a Biden o a Obama. El comunicado de la policía no identificaba al agente. El Departamento de Policía de Tustin no respondió inmediatamente a las solicitudes de aclaración.No se sabe cuántos sospechosos estaban implicados o si resultaron heridos durante el tiroteo, según el comunicado que afirmaba que no se había encontrado a ningún sospechoso. La policía pudo localizar algunas pertenencias del agente en la zona.El Servicio Secreto de EE. UU. no respondió inmediatamente a las peticiones de comentarios.Yan Zhuang es un corresponsal del Times que cubre noticias de última hora más sobre Yan ZhuangContenido relacionado: https://www.nytimes.com/es/2024/04/23/espanol/donald-trump-carcel.html More

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      Does P-22, the Celebrity Big Cat of Los Angeles, Have a Successor?

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      More than a year after the death of P-22, the beloved mountain lion who made Griffith Park his home, another has been spotted nearby.Vladimir Polumiskov witnessed a wild mountain lion near his home in Los Angeles.Vladimir PolumiskovFor months, Los Angeles residents believed the park had been vacated. Only the memory of P-22, the beloved celebrity mountain lion who had once made it his home, lingered as the city mourned his death. That was until this month, when an apparent successor — another mountain lion, seemingly bigger, younger and stronger — emerged late one night.“It’s very mystical,” said Vladimir Polumiskov, who captured footage of the big cat near his apartment complex, which borders Griffith Park, a sprawling urban reserve north of downtown Los Angeles. “They called P-22 the Brad Pitt of the Hollywood Hills,” he said. “This is going to be the puma DiCaprio.”Mr. Polumiskov, 30, saw the “huge cat” around 9 p.m. on May 14, he said, just as he was returning home from dinner with his wife and their 2-year-old son.He said he had just parked and was unbuckling his son from his seat when he noticed the creature standing just feet away from his car. He gingerly placed his son back into his seat, got back in the car, and closed all the doors — all while the animal stared at him. “I was shocked at how big he was,” he said. “This guy is just beautiful.”After the mountain lion known as P-22 was euthanized in December 2022, a new mountain lion, P-122, has emerged in the same area of the Hollywood Hills. Vladimir PolumiskovWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Johnny Wactor, ‘General Hospital’ Actor, Reported Killed in Shooting in Los Angeles

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      Johnny Wactor was fatally shot when he interrupted a person who was stealing his vehicle’s catalytic converter, his mother told a news outlet.Johnny Wactor, an actor best known for his role in “General Hospital,” was shot and killed on Saturday, reports said, amid what his family described as an attempted theft of a catalytic converter in Los Angeles.The fatal shooting took place around 3 a.m. on Saturday, when Mr. Wactor approached three men in downtown Los Angeles, The Associated Press reported, citing the Los Angeles Police Department.His mother, Scarlett Wactor, told the local news station ABC7 that Mr. Wactor left the rooftop bar where he worked late in the evening and was walking with a co-worker toward his vehicle when he interrupted someone who was in the process of stealing the vehicle’s catalytic converter.Ms. Wactor said her son thought his car was being towed at first, and when he approached the person to ask, the person “looked up, he was wearing a mask, and opened fire.”Three men fled the scene in a vehicle, and Mr. Wactor was taken to a hospital, where he died, The A.P. reported. No arrests have been made.Representatives for the Police Department did not immediately respond to requests for comment on Monday.Mr. Wactor had played Brando Corbin in more than 160 episodes of the soap opera “General Hospital,” according to his IMDB page. He also appeared in episodes of “Westworld,” “The OA” and “Station 19.”In a statement on social media, a page for “General Hospital” said the show’s cast and crew were “heartbroken to hear of Johnny Wactor’s untimely passing.”Many of Mr. Wactor’s co-stars from the show posted tributes on social media, including Kirsten Storms, who played the character Maxie Jones. Ms. Storms wrote in an Instagram post, “I just cannot believe that his life was stolen from him the way it was.”There has been a jump in the number of thefts of catalytic converters, or “cats” for short, in recent years. These critical emission-control devices are valuable because they contain rare metals, like palladium and rhodium, that can be extracted and resold. More

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      The L.A. Roller Rink Where the Years Glide By

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      A companion to T’s 212 series about New York institutions, the 213 column highlights beloved landmarks in and around Los Angeles.On a dark night in February, east of the 5 Freeway, south of the 134, down the street from the so-called Gentlemen’s Club, glows the blue neon sign: Moonlight Rollerway. These are the industrial hinterlands of Glendale, a tidy enclave in the rambling city-state that is Los Angeles, and here, among plumbing supply warehouses and an Amazon delivery van lot, sits a squat cinder-block building, an unexpected portal.Under the white overhang, signage abounds: “No In & Out Privileges,” “No Fast Wild or Reckless Skating,” “Be Neat & Clean.” A lengthy passage politely, firmly reminds visitors that risk of accident is inherent in the sport. “If you are not willing to assume that risk,” it reads, “please do not roller-skate here.”Like any Los Angeles icon, the rink has its share of screen credits, appearing in TV shows — “Euphoria,” “The Good Life,” “American Horror Story,” “Modern Family” and “GLOW” — and movies like “Beginners,” “Roller Boogie” and “Straight Outta Compton.”Abdi IbrahimRisk assumed, the 30-some customers ahead of me move steadily up the cement ramp to the box office and flash their tickets for the clerk behind the window. Those who’ve brought their own skates — about half the crowd — present them for inspection (no fiberglass wheels, no micro wheels; they can gouge the floor). Then a door slams behind us and we are somewhere else, in the land of motion.Nostalgia comes fast, from all directions — the black carpet patterned with fluorescent zigzags, the buzz and trill of a Ms. Pacman game, a whiff of some sugary confection being heated at the snack bar — but most of all from the rink, where, beneath two disco balls, skaters revolve, some gliding, some wobbling, one pressing herself against the red-carpeted wall while Donna Summers asks, “Could it be magic?”Built in 1942 to manufacture airplane parts during World War II, the 70,000-square-foot building on San Fernando Boulevard was converted to a roller rink in 1956.Abdi IbrahimWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Chaotic Night at U.C.L.A. Raises Questions About Police Response

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      Nearly two weeks after a pro-Palestinian encampment at the University of California, Los Angeles, was attacked by counterprotesters, university officials still have not explained why security officers stood by for hours while the attack was underway, nor have they arrested any of those who swarmed in wielding metal rods, water bottles and firecrackers in one of the worst outbreaks of violence in the college protests that have rocked the country.The extent of the policing failure has become clearer in recent days, as witnesses have come forward to describe a chaotic night of violence on April 30, in which students and bystanders repeatedly called 911 and nonemergency lines, finding little help and calls that were disconnected. A dispatcher told one caller pleading for help that they were ending the call because “I have actual emergencies to handle.”One man was filmed by a local television station on the phone with emergency dispatchers, alerting them that people were getting hurt. “Security has abandoned this encampment,” he could be heard saying before lowering his phone and looking at it. “They just hung up on me again,” he said incredulously.Miles away in Sacramento, staff members in Gov. Gavin Newsom’s office contacted the U.C.L.A. chancellor’s office shortly after 11 p.m. to make sure that law enforcement officers were responding to the scene, and were assured that more officers were coming, according to a person familiar with the situation, who described the discussions on condition of anonymity because they were not authorized to make them public.Protesters and counterprotesters fought one another for hours before the police intervened.Mark Abramson for The New York TimesBut as the night wore on and there was still no intervention, the person said, the governor’s office moved to circumvent local authority and ordered California Highway Patrol officers to the campus. The state officers began assembling on campus at 1:45 a.m., a few moments before L.A.P.D. riot police arrived, but it took another hour to quell the clashes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sam Rubin, Los Angeles TV Anchor and Entertainment Reporter, Dies at 64

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      Mr. Rubin began at the Los Angeles television news station KTLA in 1991 and became a staple of morning viewing through his interviews with celebrities.Sam Rubin, a journalist for the television station KTLA 5 in Los Angeles whose morning interviews with celebrities became requisite viewing for much of the entertainment industry and who endeared himself to Hollywood insiders with his geniality and knowledge of their work, died on Friday. He was 64.Mr. Rubin’s death was announced by a KTLA anchor, Frank Buckley. A tribute segment that aired on the station said the cause was a heart attack.In an industry known for its changing names and evolving trends, Mr. Rubin was for decades a mainstay for viewers across the city and an interview with him was considered a rite of passage for many stars.His ability to make celebrities feel comfortable as he asked them about their craft spanned generations.Although it was clear that Mr. Rubin was immersed in the minutiae of his beat, part of his enduring appeal came from the antics he himself brought to the studio and his ability to change the pace of what could be a rote interview.“Is it shampoo and conditioner, or just shampoo — what is the hair regimen, Jared?” he said in an interview with the actor Jared Leto.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Film Academy Looks Overseas for Donors

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      The Academy of Motion Picture Arts and Sciences has announced a global $500 million campaign to shore up its financial future.The Academy of Motion Picture Arts and Sciences on Friday announced a global $500 million fund-raising effort to help diversify its base of support and ensure its financial future in a period of transformation for the film industry and the nonprofit cultural sector.“Both are going through radical business model shifts right now due to changing audience habits and revenue streams,” Bill Kramer, the chief executive of the Academy of Motion Picture Arts and Sciences, said in an email. “As a nonprofit, and like any healthy organization or company, the academy needs a sustainable and diverse base of support to allow for solid long-term planning and fiscal certainty.”Announced during a news conference in Rome hosted by the Italian film studio Cinecittà, the campaign is called Academy100, in honor of the 100th Oscars ceremony in 2028. The academy plans to use about $300 million of the new funds to bring its endowment to $800 million; the remainder will go toward operating expenses and special projects.The academy currently has an annual operating budget of about $170 million, 70 percent of which comes from its Oscars broadcast deal with Disney and ABC, which runs through 2028. About $45 million of the operating expenses are used by the Academy Museum of Motion Pictures.Given the challenges experienced by many cultural organizations, the academy has reason to want to shore up its finances. In March, for example, Joana Vicente of the Sundance Film Festival resigned after less than three years as chief executive amid questions about her fund-raising abilities. Last summer, Center Theater Group in Los Angeles announced a series of sharp cutbacks — including suspending productions at the Mark Taper Forum — to deal with drops in revenue and attendance. And the Metropolitan Opera in New York has withdrawn emergency funds from its endowment.The academy said in its news release that the money raised “will endow and fund programs that recognize excellence in cinematic artistry and innovation; preserve our film history; enable the creation of world-class film exhibitions, screenings and publications; train and educate the next generation of diverse global film artists; and produce powerful digital content.”More than $100 million has already been committed to the campaign, the academy said, including support from Rolex, which is based in Switzerland.As part of the effort, the academy plans to host gatherings and events in locations around the world to “become increasingly global,” press materials said, and help develop a global “pool of new filmmakers and academy members and support the worldwide filmmaking community.”The academy said its “expanded international outreach” will include Buenos Aires; Johannesburg; Kyoto, Japan; Lagos, Nigeria; London; Marrakesh, Morocco; Melbourne, Australia; Mexico City; and Mumbai. More