Macbeth (Play)

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    Theater to Stream: David Tennant as ‘Macbeth,’ ‘Death of England’ and More

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    Take in Shakespeare, experimental theater and a three-play series on the fallout of Brexit, all available to watch at home.‘Macbeth’Stream it on Marquee TV.In the 2023 production of Shakespeare’s “Macbeth” at the Donmar Warehouse in London, directed by Max Webster, an unusual request was made of audience members as they entered the theater: Wear headphones.The actors, too, wore headsets, their quips, shouts and whispers transmitted digitally into the audience’s ears, at times alternating between the left and right earphones. Writing for The New York Times, the critic Houman Barekat said that “the transmitted audio imbues the words with an added richness and immediacy.” The production conjures “just enough novelty,” he added, “to freshen things up, while still ensuring that the text remains center stage — in all its timeless glory.”Luckily for Shakespeare fans, the show, which was nominated for three Olivier awards, including best revival, best actor and best sound design, was recorded live.From Barekat’s critical notebook, which praised David Tennant’s turn as Macbeth, a “gaunt, energetic bundle of angst”:Tennant, with his slim-line physique and withdrawn, vaguely haunted-looking face, has a more expressive emotional energy that lends itself to treacherous intrigue and anguished remorse alike. He is frantic, almost from the get-go.The N.Y.C. Fringe FestivalAzhar Bande-Ali in “Bad Muslim.”Peter CooperStream it on frigid.nyc.Each year, the New York City Fringe Festival, presented by the nonprofit theater company Frigid, uses a lottery system to randomly select the plays it produces, giving less established theater makers a chance to stage their work.This year, the festival is running April 2-20, but you don’t have to be in Manhattan to take in the lineup. A large number of performances are available to livestream from home, including Jenn Howd and Roz Mihalko’s campy musical, “Texas Annie: The Legend of the Moan Ranger,” which follows the adventures of a renegade sex toy dealer in Texas; Azhar Bande-Ali’s comedy “Bad Muslim”; and Joanna M. Briley’s “Swipe This! My Life in Transit,” about the lonely life of a token booth clerk.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Donald Trump’s Insatiable Bloodlust

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      An earthquake. An eclipse. A bridge collapse. A freak blizzard. A biblical flood. Donald Trump leading in battleground states.Apocalyptic vibes are stirred by Trump’s violent rhetoric and talk of blood baths.If he’s not elected, he bellowed in Ohio, there will be a blood bath in the auto industry. At his Michigan rally on Tuesday, he said there would be a blood bath at the border, speaking from a podium with a banner reading, “Stop Biden’s border blood bath.” He has warned that, without him in the Oval, there will be an “Oppenheimer”-like doomsday; we will lose World War III and America will be devastated by “weapons, the likes of which nobody has ever seen before.”“And the only thing standing between you and its obliteration is me,” Trump has said.An unspoken Trump threat is that there will be a blood bath again in Washington, like Jan. 6, if he doesn’t win.That is why he calls the criminals who stormed the Capitol “hostages” and “unbelievable patriots.” He starts some rallies with a dystopian remix of the national anthem, sung by the “J6 Prison Choir,” and his own reciting of the Pledge of Allegiance.The bloody-minded Trump luxuriates in the language of tyrants.In “Macbeth,” Shakespeare uses blood imagery to chart the creation of a tyrant. Those words echo in Washington as Ralph Fiennes stars in a thrilling Simon Godwin production of “MacBeth” for the Shakespeare Theater Company, opening Tuesday.“The raw power grab that excites Lady Macbeth and incites her husband to regicide feels especially pertinent now, when the dangers of autocracy loom over political discussions,” Peter Marks wrote in The Washington Post about the production with Fiennes and Indira Varma (the lead sand snake in “Game of Thrones.”)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Broadway-Bound ‘Sunset Boulevard’ Leads Olivier Award Nominations

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      The musical, starring Nicole Scherzinger, secured 11 nominations at Britain’s equivalent of the Tony Awards.A revival of Andrew Lloyd Webber’s “Sunset Boulevard,” starring Nicole Scherzinger as a former screen idol descending into madness, received the most nominations on Tuesday for this year’s Olivier Awards, Britain’s equivalent of the Tonys.The show, which ran at the Savoy Theater in London and will transfer to Broadway this year, is in the running for 11 awards — two more than any other play or musical — including best musical revival, best actress in a musical for Scherzinger and best director for Jamie Lloyd.When the production opened last fall, it impressed London’s often demanding theater critics. Matt Wolf, writing in The New York Times, said the production was, like its lead character, “a bit mad: reckless and daring, stretching its source material to the limit and beyond.”“I can’t imagine another London show generating comparable buzz this season,” Wolf added.Lloyd’s maverick production features hand-held cameras that are used to spotlight characters’ emotions at pivotal moments. Although critics appreciated the technique, Lloyd faces stiff competition in the best director category. The other nominees include Sam Mendes for “The Motive and the Cue,” which debuted last spring at the National Theater. The play, by Jack Thorne, dramatizes a fraught backstage relationship between Richard Burton and John Gielgud as they rehearse a Broadway production.Justin Martin, who directed “Stranger Things: The First Shadow,” also received an Olivier nomination.Manuel HarlanRupert Goold is also nominated for best director, for “Dear England,” a play about the English national soccer team that also ran at the National Theater and transferred to the West End. That show secured nine nominations.Despite receiving mixed reviews, “Stranger Things: The First Shadow,” a theatrical prequel to the Netflix show that is running at the Phoenix Theater, secured five nominations, including best new entertainment or comedy play. Houman Barekat, reviewing the production in The New York Times, said it was “exactly what you’d expect from a show co-produced by Netflix: Cheap thrills, expensively made.”This year’s nominations include a hint of TV glamour in many categories. Among the nominees for best actress in a play are Sarah Jessica Parker for “Plaza Suite,” which runs through April 13 at the Savoy Theater, and Sarah Snook (of “Succession”) for a one-woman “The Picture of Dorian Gray” at the Theater Royal Haymarket, through May 11.They will compete for that title against Laura Donnelly for “The Hills of California” at the Harold Pinter Theater, Sheridan Smith for “Shirley Valentine” at the Duke of York’s Theater, and Sophie Okonedo for “Medea” at @sohoplace.The best actor nominees include Andrew Scott for a one-man “Vanya” at the Duke of York’s Theater, and James Norton for his performance in “A Little Life” at the Harold Pinter Theater. The other nominees are Joseph Fiennes for “Dear England,” Mark Gatiss for “The Motive and the Cue,” and David Tennant for “Macbeth” at the Donmar Warehouse.The winners of this year’s awards are scheduled to be announced April 14 in a ceremony at the Royal Albert Hall in London. More