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    James Ledbetter, Media Critic and Business Journalist, Dies at 60

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    He wrote the Press Clips column for The Village Voice, held top jobs at Inc. magazine and Slate, and wrote a book about how the startup magazine The Industry Standard fizzled.James Ledbetter, a former media critic who wrote the Press Clips column for The Village Voice in the 1990s, led Inc. magazine as its editor in chief and started an online financial technology newsletter, died on Monday at his home in Manhattan. He was 60.His sister Kathleen Ledbetter Rishel confirmed the death but declined to specify the cause.At The Village Voice, where Alexander Cockburn had originated Press Clips, Mr. Ledbetter was a keen observer of local and national news media.“Week after week, perhaps no one tops James Ledbetter’s razor-sharp dissection of the nation’s print media,” Seth Rogovoy of The Berkshire Eagle in Massachusetts wrote in 1995.Michael Tomasky, the editor The New Republic and a friend, said Mr. Ledbetter “was a voracious reader of the tabloids, all four of them at the same time,” adding, “He wrote Press Clips at a time when media criticism exploded into an industry.”In a column about The New York Post in 1998, Mr. Ledbetter castigated New York State for approving a $12.9-million economic development grant to the newspaper to keep it from moving to New Jersey.“Why, taxpayers want to know, should part of our hard-earned paychecks pamper the pockets of the paper that’s always complaining about everyone else’s welfare check?” he wrote. “Especially since that paper is owned by billionaire Rupert Murdoch?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dan Morgenstern, Chronicler and Friend of Jazz, Dies at 94

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      He wrote prolifically about the music and played an important role in documenting its history, especially in his many years with the Institute of Jazz Studies.Dan Morgenstern, a revered jazz journalist, teacher and historian and one of the last jazz scholars to have known the giants of jazz he wrote about as both a friend and a chronicler, died on Saturday in Manhattan. He was 94.His son Josh said his death, in a hospital, was caused by heart failure.Mr. Morgenstern was a jazz writer uniquely embraced by jazz musicians — a nonmusician who captured their sounds in unpretentious prose, amplified with sweeping and encyclopedic historical context.He was known for his low-key manner and humility, but his accomplishments as a jazz scholar were larger than life.He contributed thousands of articles to magazines, newspapers and journals, and he served the venerable Metronome magazine as its last editor in chief and Jazz magazine (later Jazz & Pop) as its first. He reviewed live jazz for The New York Post and records for The Chicago Sun-Times, as well as publishing 148 record reviews while an editor at DownBeat, including a stint from 1967 to 1973 as the magazine’s chief editor.His incisive liner-note essays won eight Grammy Awards. He was named a National Endowment for the Arts Jazz Master in 2007 and received three Deems Taylor Awards for excellence in music writing from the American Society of Composers, Authors and Publishers, two of them for his books “Jazz People” (1976) and “Living With Jazz” (2004). He was involved — as a writer, adviser, music consultant and occasional onscreen authority — in more than a dozen jazz documentaries. Most decisively, he served from 1976 to 2011 as the director of the Institute of Jazz Studies at Rutgers University-Newark, elevating the institute into the largest repository of jazz documents, recordings and memorabilia in the world.“I don’t like the word ‘critic’ very much,” Mr. Morgenstern often maintained. “I look at myself more as an advocate for the music than as a critic,” he wrote in “Living With Jazz.” “My most enthusiastic early readers were my musician friends, and one thing led to another. What has served me best, I hope, is that I learned about the music not from books but from the people who created it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lloyd Ziff, Visionary Photographer and Art Director, Dies at 81

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      He designed some of the most visually exciting magazines of the 1970s and ’80s. But his real love, and eventually his focus, was photography.Lloyd Ziff was not yet a celebrated art director in 1968, when he photographed an art school classmate, Robert Mapplethorpe, and his girlfriend, Patti Smith, in their tiny Brooklyn apartment. “I found them very beautiful,” Mr. Ziff said years later.The black-and-white portraits he took are tender and moving, almost heartbreakingly so; as James Danziger, the gallerist who showed them in 2013, said recently: “Youth is moving. They capture a moment in time just before Patti and Robert were going to explode. They both carried an aura, and Lloyd was drawn to that. They wanted to be photographed just as much as he wanted to photograph them.”Mr. Ziff photographed Robert Mapplethorpe and Patti Smith at their apartment in 1968. “I found them very beautiful,” he said.Lloyd ZiffMr. Ziff went on to serve as art director for some of the most influential and visually arresting magazines of the 1970s and ’80s, including Rolling Stone, House & Garden, Vanity Fair and Condé Nast Traveler. Mr. Mapplethorpe and Ms. Smith, of course, would find their own fame, and tragedy, when Mr. Mapplethorpe died of AIDS in 1989. When Ms. Smith wrote of their coming-of-age in her 2010 memoir, “Just Kids,” she included a few of Mr. Ziff’s portraits.“Although we weren’t particularly close,” Mr. Ziff said, “I believe we recognized in each other something we probably couldn’t put into words at the time.”Mr. Ziff died on Aug. 1 at his home in Orient Point, N.Y., on Long Island. He was 81.His husband, Stephen Kelemen, confirmed the death. He said that Mr. Ziff had been in declining health.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Landon Y. Jones, Who Made People a Star Among Magazines, Dies at 80

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      An unapologetic champion of the newsworthiness of celebrities, he also drew attention to teenage pregnancy and helped popularize the term “baby boomer.”Landon Y. Jones, who was the top editor of People magazine in the 1990s, when its profits increased fourfold, and whose fascination with popular culture inspired him to write a 1980 book that helped popularize the term “baby boomer,” died on Aug. 17 in Plainsboro, N.J. He was 80.His son, Landon Jones III, said the cause of his death, in a hospital near Princeton, N.J., where he had lived for more than 50 years, was complications of myelofibrosis.An unapologetic champion of the newsworthiness of celebrities, Mr. Jones was perpetually eager to learn about the next famous person. As a writer for People, he interviewed a young Bill Gates in 1983 and brought along a colleague, one of the few he knew with a personal computer, to help him understand the Windows operating system.During his stint as People’s managing editor, the top editorial job, from 1989 to 1997, Diana, Princess of Wales, appeared on the cover dozens of times. Mr. Jones would say that People, a publication of Time Inc., was about the “three D’s”: Diana, diet and death, specifically that of celebrities.“There were other people at People who dreamed of being on the big book — on Time,” Jeff Jarvis, a colleague of Mr. Jones’s, said in an interview. “But I never sensed that Lanny was chagrined about being on People. It was the pathway that led to the things that fascinated him, like baby boomers and celebrity. He did it with pride.”During Mr. Jones’s tenure, People introduced color printing; moved its newsstand date from Monday to Friday to capture weekend supermarket sales traffic; and made women its primary target audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘I’m better looking than Kamala’: why Donald Trump is so rattled by his rival’s Time magazine cover

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      Name: Time Magazine’s Kamala Harris cover.Age: Published last week.Appearance: Well, that’s the question.Hang on, what’s the question? Does the magazine’s illustrated portrait of Kamala Harris make her look like “the most beautiful actress ever to live”?Eh? Who’s that? Unclear, but it might be Sophia Loren, or possibly Elizabeth Taylor.I’ve looked at the picture, and no, she doesn’t look like either of them. She looks perfectly nice, but definitely like Kamala Harris. Why? Because that’s what Donald Trump said about the illustration; that it makes Harris look like Loren or Taylor. He has also said the sketch resembles “our great first lady Melania”.Only in the sense that it represents a human woman. What on earth is going on? Trump appears to be in a huff because he thinks the picture is too flattering. It’s got so severely under his skin he’s mentioned it four times so far since it was published.Delicious. Tell me more. He made the Melania claim in his Elon Musk interview last Monday (wrapping up, weirdly, with “She’s a beautiful woman, so we’ll leave it at that”). Then, at a rally on Wednesday, he said he wanted to use the cover artist himself, because he liked the artist “very much”. On Thursday, at a press conference, he called the decision to use an illustration “crazy”. Finally, on Saturday, he came out with the Sophia Loren thing at another rally.Oof. It actually got worse after the Loren bit: “I say that I’m much better looking than her. Much better. Much better. I’m a better-looking person than Kamala,” he added.The repetition definitely makes it more convincing. The thing is, Trump is famously obsessed with Time covers. He has claimed – wrongly – to be the most frequent cover star (that was Richard Nixon). He also hung fake Time covers featuring pictures of him in his golf clubs. So this is hitting him squarely where it hurts: in the Time-related vanity.The rightwing media has grumbled about overly complimentary coverage of Harris recently. Is it remotely possible Trump has a point about this picture? No. It actually seems to be based very closely on a recent photo. New York Magazine did some detective work and the “photo-illustration by Neil Jamieson” credit indicates it was drawn quite precisely from a 22 July photograph by Andrew Harnik for Getty Images.I’ve just looked again and the text under the illustration reads: “Her moment”. Is Trump’s ranting really insecurity about Harris smashing fundraising records, seducing the TikTok generation and drawing ahead on national polling? No. It’s definitely about her looking prettier than him in his favourite publication.Do say: “She’s a beautiful woman so we’ll leave it at that.”Don’t say: “Time cover is brat.” More

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      Jill Biden Is Vogue’s Cover Star

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      During the most challenging period of President Biden’s re-election bid, the first lady appears on the cover of a high-fashion bible.The August cover of Vogue featuring Dr. Jill Biden was released online Monday — four days after the big debate — and brought with it a fresh round of scrutiny over her role as a die-hard campaigner for her husband, who is locked in a nail-biting campaign for re-election.During much of President Biden’s term, the first lady was a figure of minimal controversy. That began to shift when campaign season heated up. Laura Ingraham of Fox News claimed that Dr. Biden was covering up the president’s unfitness out of her own desire for political power and prestige. Sounding the same theme, The Daily Caller, a right-wing website, began referring to her as “Lady Mac-Biden.”Dr. Biden took center stage after Mr. Biden struggled to finish his sentences during a dismal debate performance on Thursday against former President Donald J. Trump. Afterward, The New York Times reported that Dr. Biden was the first person he had turned to: “The first lady’s message to him was clear: They’d been counted out before, she was all in, and he — they — would stay in the race.”On the Vogue cover, Dr. Biden wears a white Ralph Lauren tuxedo dress. She was photographed in the spring by Norman Jean Roy, whose recent contributions to Vogue include portraits of Nicki Minaj, Alicia Keys and the White House press secretary, Karine Jean-Pierre. The accompanying profile of the first lady, by Maya Singer, describes her as a “vision of calm amid utter cacophony.”Dr. Biden has been on the cover of Vogue twice before. Tina Brown, the former editor of Vanity Fair and The New Yorker, noted that an appearance on the Vogue cover is a “rite of passage” for first ladies. Still, Ms. Brown added, the implications of Dr. Biden’s appearance on the cover of a fashion magazine are “always a risk.” And at this moment, the Vogue cover “is not particularly helpful,” she added.Soon after the magazine posted the cover image to its Instagram account on Monday, the comments were overwhelmingly negative. Some were from Trump supporters who took Dr. Biden’s appearance as an opportunity to complain about the fact that Melania Trump had been passed over for a Vogue cover when she was first lady. A number of other critical remarks seemed to come from Democrats, one of whom argued that Dr. Biden was pursuing her and her husband’s own ambitions “at the expense of Americans safety and happiness.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stormy Daniels Tells of Her Encounter With Trump in Tahoe

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      Stormy Daniels on Tuesday told jurors her account of a sexual encounter with Donald J. Trump in 2006, an episode that ultimately resulted in the former president’s criminal trial.Despite the objections of Mr. Trump’s lawyers, Justice Juan M. Merchan ruled that it would be up to jurors to decide on the credibility of the porn actress, whose $130,000 hush-money agreement with Mr. Trump before the 2016 election is at the heart of the charges against him. Prosecutors said she would not, however, describe his genitalia, as she did in her book “Full Disclosure.”Mr. Trump denies they ever had sex.The fateful meeting of Mr. Trump and Ms. Daniels nearly 18 years ago took place at a celebrity golf tournament on the banks of Lake Tahoe in Nevada. Mr. Trump was competing there, and Ms. Daniels was working at the event to promote a porn studio, Wicked Pictures.This account is drawn from versions of her story that Ms. Daniels has told in the past. She first described her interactions with Mr. Trump in a 2011 magazine interview. The magazine, Life & Style, agreed to pay her $15,000 for her story, but she never collected because Mr. Trump’s then fixer, Michael D. Cohen — who is now expected to be one of the prosecution’s primary witnesses — had the story killed before publication.The interview was eventually published in a related publication, In Touch Weekly, in early 2018 after The Wall Street Journal revealed her hush-money deal. She described the episode again in her book, which was published later that year.Ms. Daniels has said that at the tournament she rode with Mr. Trump in a golf court while he was playing, and he later asked for her phone number and invited her to dinner.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Artforum Selects Tina Rivers Ryan as New Top Editor

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      The curator and essayist will become the magazine’s next leader after a period of turmoil.Artforum named Tina Rivers Ryan its next top editor on Thursday, selecting the curator to lead the prestigious magazine after a tumultuous year.“For decades, the editors at Artforum have ensured that this historic magazine has remained a trusted and indispensable resource for conversations about contemporary art and its role in the broader culture,” Ryan, who specialized in digital art as a curator at the Buffalo AKG Art Museum, said in a statement.Five months ago, the magazine fired David Velasco, its editor in chief, after he signed and published a letter calling for Palestinian liberation shortly after the Israel-Hamas war began. Some staff members were upset with his termination; longtime editors resigned in protest and artists declared a boycott. Some writers pulled their essays and some advertisers pulled their spots in the publication, resulting in a noticeably slimmer issue after the events unfolded.Penske Media Corporation, which owns the publication, has spent the past several months attempting to rebuild.Ryan, who has contributed to Artforum over the years, gained notice for a popular essay criticizing the NFT boom. She later softened her stance and helped the Buffalo museum cash in on the craze by organizing an online exhibition and fund-raiser.“We could not be more excited for this next chapter of Artforum with Tina at the editorial helm,” the magazine’s publishers, Danielle McConnell and Kate Koza, said in a statement. “Tina is a brilliant writer and uniquely positioned to uphold the magazine’s reputation for publishing the highest quality long-form criticism, while also contributing to a dynamic vision of audience expansion via continued digital growth and live events.” More

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      William Whitworth, Revered Writer and Editor, Is Dead at 87

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      After writing memorable character sketches and fine-tuning others’ copy at The New Yorker, he spent two decades as editor in chief of The Atlantic Monthly.William Whitworth, who wrote revealing profiles in The New Yorker giving voice to his idiomatic subjects and polished the prose of some of the nation’s celebrated writers as its associate editor before transplanting that magazine’s painstaking standards to The Atlantic, where he was editor in chief for 20 years, died on Friday in Conway, Ark., near Little Rock. He was 87.His daughter, Katherine Whitworth Stewart, announced the death. She said he was being treated after several falls and operations in a hospital.As a young college graduate, Mr. Whitworth forsook a promising career as a jazz trumpeter to do a different kind of improvisation as a journalist.He covered breaking news for The Arkansas Gazette and later for The New York Herald Tribune, where his colleagues eventually included some of the most exhilarating voices in American journalism, among them Dick Schaap, Jimmy Breslin and Tom Wolfe.In 1966, William Shawn, The New Yorker’s decorous but dictatorial editor, wooed Mr. Whitworth to the venerated weekly. He took the job although he had already accepted one at The New York Times.At The New Yorker, he injected wit into pensive “Talk of the Town” vignettes. He also profiled the famous and the not so famous, including the jazz greats Dizzy Gillespie and Charles Mingus (accompanied by photos from his former Herald Tribune colleague Jill Krementz) and the foreign policy adviser Eugene V. Rostow. He expanded his profile of Mr. Rostow into a 1970 book, “Naïve Questions About War and Peace.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More