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    At Rickwood Field, Willie Mays Is the Star of the Show, One More Time

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    Earlier this week, as Major League Baseball prepared for a tribute game in his hometown Birmingham, Ala., Willie Mays said that age would keep him away but that he would be watching from afar.“Rickwood Field is where I played my first home game, and playing there was it — everything I wanted,” he said in a statement to The San Francisco Chronicle.Mays died the next day, at 93, and as fans walked into the ballpark on Thursday, it felt like he was there in spirit, watching from afar.“I’m sure he’s here,” said his son, Michael Mays, who rushed to California from Alabama to pray over his father’s body and then returned in time for the game. “He figured out a way to be the center of attention like he always did. He’s the star of the show. He’s Willie Mays.”His death added poignancy to M.L.B.’s celebration of the Negro leagues at Rickwood Field — the nation’s oldest professional ballpark, where Mays got his start as a professional — and to the game between the San Francisco Giants, Mays’s old team, and the St. Louis Cardinals.Willie Mays’s death added poignancy to M.L.B.’s celebration of the Negro Leagues at Rickwood Field, the nation’s oldest professional ballpark, where Mays got his start as a professional.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Willie Mays, Birmingham and Rickwood Field: Baseball Honors a Legend in His Hometown

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      Major League Baseball is in Birmingham to honor the legacy of the Negro Leagues. With Mays’s death, the celebration at ancient Rickwood Field takes on new meaning.In the late innings of a minor league game on Tuesday night at Rickwood Field in Birmingham, Ala., fans throughout the grandstand, suddenly and almost in unison, began staring at the news on their phones: The great Willie Mays had died, at 93, in California.An inning later, a tribute video played on the scoreboard overlooking the outfield where Mays played his first professional game as a teenage phenom for the Birmingham Black Barons, and the loudspeaker blared “Say Hey (the Willie Mays Song),” recorded in 1954 by the R&B group the Treniers.“I was shocked,” said Randy Ferguson, 70, a member of the Friends of Rickwood, the nonprofit organization that oversees the ancient ballpark. He was standing outside a small museum underneath the stands, where the next day fans would line up to see Mays’s flower-draped Hall of Fame plaque, the first time it has left the wall in Cooperstown since it was installed at his induction in 1979. “I have chill bumps. I can’t think of any place to be than here.”At 114 years old, Rickwood Field is the nation’s oldest professional ballpark, the first place Mays played pro ball and the last ballpark still standing that he called home. To honor the legacy of the Negro Leagues, Major League Baseball scheduled a game in Mays’s hometown between the San Francisco Giants, Mays’s old team, and the St. Louis Cardinals, that will be played on Thursday.The Rev. William H. Greason, 99, who was the first Black pitcher for the Cardinals in the 1950s, has been a pastor in Birmingham for more than a half-century since retiring from baseball. He had been hoping to see his old friend this week, at the ballpark where they played together.At 114 years old, Rickwood Field is the nation’s oldest professional ballpark and the first place Mays played professional baseball.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ohtani’s Former Interpreter Is Said to Be Negotiating a Guilty Plea

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      Ippei Mizuhara stands accused of covering his gambling debts by stealing millions of dollars from Shohei Ohtani’s bank account.Ippei Mizuhara, the former translator for Shohei Ohtani who was fired late last month amid allegations he stole millions of dollars from the baseball star’s bank account to cover debts that Mizuhara owed to an illegal bookmaker, is in negotiations to plead guilty to federal crimes in connection with the purported theft, according to three people briefed on the matter.The investigation, which began about three weeks ago after news of the alleged theft broke while Ohtani’s team, the Los Angeles Dodgers, was opening its season with two games in South Korea, is rapidly nearing a conclusion, according to the people, who spoke on the condition of anonymity because the inquiry is continuing.A guilty plea from Mizuhara before a federal judge — likely to include an admission of a range of facts related to any illegal conduct — could confirm the account that Ohtani gave to reporters two weeks ago, in which he said he had no knowledge of what happened to the money. Those briefed on the matter claim that prosecutors have uncovered evidence that Mizuhara may have stolen more money from Ohtani than the $4.5 million he was initially accused of pilfering, the people said. In particular, the authorities think they have evidence that Mizuhara was able to change the settings on Ohtani’s bank account so Ohtani would not receive alerts and confirmations about transactions, the three people said.Ohtani’s lawyers initially alerted the federal authorities about the alleged theft, and Ohtani pledged publicly to cooperate with the federal investigation and one being conducted by Major League Baseball. According to one of the people briefed on the investigation, the federal authorities interviewed Ohtani in recent weeks to learn more about his relationship with Mizuhara.By quickly pleading guilty, Mizuhara would increase his chances of receiving a more lenient sentence, as federal prosecutors and judges often look more favorably upon defendants who make the government’s job easier by expeditiously admitting their guilt.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sports Leagues Bet on Gambling. Now They’re Facing Its Risks.

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      A string of gambling situations involving athletes leaves leagues in a tough spot.Major League Baseball held its season openers this week under the shadow of a gambling scandal. Reports surfaced that the National Basketball Association is investigating a player over irregular bets. And college basketball fans await results from a review into unusual betting on a men’s basketball game.The incidents have highlighted a trade-off that professional sports leagues made when they embraced gambling.Leagues have signed lucrative marketing deals with betting apps like FanDuel and DraftKings and use gambling to amp up fan engagement. But this new source of revenue has also opened the doors to a fundamental danger: that an explosion of sports betting could threaten the assumption of fairness at the core of athletic competitions.“The risk is that the game becomes like professional wrestling — which is rigged. And nobody bets on professional wrestling,” said Fay Vincent, the M.L.B. commissioner from 1989 to 1992. “And if baseball becomes professional entertainment the way wrestling is, it’s dead.”Leagues are unlikely to abandon gambling completely. But is there a way for them to protect their image as they profit from betting?Clubs can no longer blame gambling itself for scandals. When Pete Rose was barred from baseball in 1989 for betting on games, in one of the most famous gambling scandals in sports history, Commissioner A. Bartlett Giamatti, Vincent’s predecessor, denounced gambling as corrosive. But after a 2018 Supreme Court decision paved the way for states to legalize betting, leagues are now working directly with sports books. The N.B.A. signed an estimated $25 million contract with MGM Resorts in 2018, and M.L.B. has an exclusive multiyear deal with FanDuel.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Shohei Ohtani Is Home and Focused on Baseball. Dodgers Fans Are Relieved.

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      Los Angeles finally got a close look at baseball’s megastar on Thursday as a gambling situation involving his former interpreter took a back seat to opening day.The top deck of Dodger Stadium is far from the action but may have the best view in baseball. Straight ahead are the San Gabriel Mountains. During night games, as the sun goes down, the sky glows pink. Down below, the full choreography of the game is on display, offering a panoramic view shunned by the movie stars and moguls who fill the sections behind home plate.And on Thursday morning, fans heading to those cheap seats passed a new addition to the ballpark: an eight-foot stone lantern given as a gift to the Dodgers in the 1960s by a famous Japanese sports columnist, Sotaro Suzuki, who helped draw the Dodgers to Japan for a good-will tour in 1956, two years before the team left Brooklyn for Los Angeles.For Kimi Ego, a longtime Dodger fan, the lantern has a special meaning, and she cried when she saw it: Her father was a close friend of Suzuki’s, and for years, before her father died in 2000, he took care of the stone lantern, which was then tucked into a hillside beyond the outfield bleachers, and trimmed the plants and shrubs surrounding it.“Tears of joy,” said Ego, a retired schoolteacher who has been coming to Dodgers game since the 1960s. “My father worked so hard maintaining the garden.”The monument is a homage to the team’s past, and also its present.In December, the Dodgers signed the world’s biggest baseball star, the two-way sensation Shohei Ohtani, to the richest contract in sports history, $700 million over 10 years. For good measure, the team signed another Japanese superstar, the pitcher Yoshinobu Yamamoto, for $325 million over a dozen years. It was the most lucrative contract ever for a pitcher.On Thursday, as Los Angeles got a glimpse of its newest megastar, Ohtani’s impact was apparent before he even stepped on the field: New advertisements for Asian companies — an airline, a retail chain, yogurt drinks, skin care products — dotted the stadium. One local newscaster — in pregame coverage that began when most Angelenos were having breakfast, or stuck in traffic — compared Ohtani to Taylor Swift, saying that the Dodgers were baseball’s version of the Eras Tour. And a new addition to the stadium menu is a Japanese fried octopus fritter being promoted as one of Ohtani’s favorite dishes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Peter G. Angelos, Owner of the Baltimore Orioles, Dies at 94

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      Mr. Angelos, who built a fortune as a class-action lawyer, endeared himself to fans by investing in free agents to bolster the team.Peter G. Angelos, the longtime owner of the Baltimore Orioles who built a fortune as a class-action lawyer, died on Saturday. He was 94.His death was confirmed in a statement from his family that was posted on the team’s social media account, which said that Mr. Angelos had “passed away quietly.” No cause was given, though the statement acknowledged that he had been ill for several years.Mr. Angelos’s death came as his family awaited approval by Major League Baseball owners to sell the team — valued, along with its assets, at $1.725 billion, according to The Baltimore Sun — to David Rubenstein, the president of Inner Harbor Sports.The sale was approved on March 20 by the Maryland Stadium Authority board, which was required under the terms of the team’s lease for ownership to be transferred.As the owner of the Orioles, Mr. Angelos, who grew up in Baltimore, endeared himself to fans by investing in free agents to bolster the team.“Peter Angelos was a true Baltimorean,” Brandon M. Scott, the city’s mayor, said on social media. “His impact on Baltimore & Baltimoreans will live for generations.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Audience Snapshot: Four Years After Shutdown, a Mixed Recovery

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      Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.It was four years ago — on March 12, 2020 — that the coronavirus brought the curtain down on Broadway for what was initially supposed to be a monthlong shutdown, but which wound up lasting a year and a half.The pandemic brought live events and big gatherings to a halt, silencing orchestras, shutting museums and movie theaters and leaving sports teams playing to empty stadiums dotted with cardboard cutouts.Now, four years later, audiences are coming back, but the recovery has been uneven. Here is a snapshot of where things stand now:Broadway audiences are still down 17 percent from prepandemic levels.On Broadway, overall attendance is still down about 17 percent: 9.3 million seats have been filled in the current season as of March 3, down from 11.1 million at the same point in 2020. Box office grosses are down, too: Broadway shows have grossed $1.2 billion so far this season, 14 percent below the level in early March of 2020.Broadway has always had more flops than successes, and the post-pandemic period has been challenging for producers and investors, especially those involved in new musicals. Three pop productions that have opened since the pandemic — “Six,” about the wives of King Henry VIII, “MJ,” about Michael Jackson and “& Juliet,” which imagines an alternate history for Shakespeare’s tragic heroine — are ongoing hits, but far more musicals have flamed out. The industry is looking with some trepidation toward next month, when a large crop of new shows is set to open.Many nonprofit theaters around the country are also struggling — attracting fewer subscribers and producing fewer shows — and some have closed. One bright spot has been the touring Broadway market, which has been booming.— More

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      Jackie Robinson Statue Is Stolen From Kansas Park

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      A bronze life-size statue of the baseball player who broke racial barriers in 1947 was cut at its ankles, leaving behind just its shoes and the statue’s base.The authorities in Kansas are searching for the vandals who stole a life-size bronze statue commemorating Jackie Robinson, the first Black Major League Baseball player, after they cut it off at the ankles, leaving behind just the statue’s shoes and base.The police in Wichita were notified of the theft around 12:50 p.m. on Thursday after getting a call from League 42, the Little League nonprofit that installed the statue in McAdams Park, Andrew Ford, a police spokesman, said on Saturday.He estimated that the statue weighed at least 100 pounds.“I don’t know what the motivation is,” Mr. Ford said. “All considerations are being looked into.”The police in Wichita, Kan., said the bronze statue was removed from McAdams Park by thieves who used a truck.Wichita Police DepartmentMr. Ford said the police had surveillance footage of the statue being cut down and being placed in the bed of a truck that was pulled up or parked “at least in a way where it can be, you know, discreetly hidden.”He said that at least two people were believed to be involved. Mr. Ford said the theft occurred early on Thursday morning. He declined to specify what was used to cut the statue because that was part of the investigation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Should Gay People Seek to Be Seen as ‘Normal’?

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      More from our inbox:Domingo Germán, Simply PerfectTrump and EvangelicalsArt in Private Hands, Lost to Public ViewMissing: Younger Women’s Voices Amir Hamja/The New York TimesTo the Editor:Re “As a Gay Man, I’ll Never Be Normal,” by Richard Morgan (Opinion guest essay, nytimes.com, June 25):Mr. Morgan just reinforces the concept of normalcy. Better that we just be ourselves, and ignore the labeling altogether.I live in a college town, and what I see every day is gender fluidity and sexual orientation boundaries continuing to be dissolved at a pace that middle-aged queers like me should find both inspirational and enviable. Young people today don’t care so much about the “who is normal/abnormal” space that the author writes about.We should not retreat from the many hues in our “rainbow” of people, including all those who dwell in the borders. We should neither spend too much time separating out the colors (as the author does), nor dig our heels into concepts of “true” or “pure” queerness.Young people aren’t normalizing queer; they are finding newer and braver ways of being themselves. Whether that means walking in a parade, or never doing it; whether obviously or imperceptibly gender fluid; whether in, out or through the back closet into Narnia; whether normal, abnormal, homogenized or wildly unique. Everyone belongs, and we should have a wide open door.James SeniorMarquette, Mich.To the Editor:Richard Morgan makes the mistake that countless individuals have made in equating heterosexuality with normality and being gay with … something else. Heterosexuality isn’t normal … it’s just common.Yes, Mr. Morgan, as gay folks, you and I are in a distinct minority. But why take on the burden of allowing others to categorize us as abnormal?Yes, homosexuality is less common than heterosexuality, but it’s entirely natural and entirely normal. Raise your consciousness, brother.Jim SkofieldWalpole, N.H.To the Editor:“As a Gay Man, I’ll Never Be Normal” was such a touching reflection of emotions I’ve long held myself. As a teenager I cried and prayed for the “normalcy” he described, but only now have realized that it was ease I hoped for. As a proud gay man I’m happy to have survived such a difficult and uneasy journey to adulthood.The Human Rights Campaign’s messaging for marriage equality, grounded in the claim that gay relationships are deserving of equal protection because they are just like straight relationships, did unmeasurable good for the community. But it was flawed in the sense that it set a requirement of likeness for legitimacy.We aren’t like heterosexuals; we often live and love very differently and across a wide spectrum. I’ve seen a shift in the queer community away from “we’re just like you” messaging recently, and applaud those who demand acceptance despite their differences.While this might not be the easiest path to tolerance, it’s the only path to acceptance.Austin RichardsChicagoTo the Editor:I do not agree with Richard Morgan that “L.G.B.T.Q. folks have a peculiar interest in normalization.” Whether or not he, or I, or any gay man feels either “normal” or “normalized” matters only to the individual.What seems much more important is that our legal, religious and educational institutions come to understand that a society composed of people of varying sexual and gender identities is, in the end, what is truly “normal.”David CastronuovoRomeTo the Editor:Richard Morgan is right. As a gay man, I will never be “normal,” even if I always wanted to be accepted like everyone else. I have accepted that truth now and have offered that up as my cross to bear.But I am grateful for the empathy and caring it taught me and for the kindness of strangers, and, of course, for my kind and strong husband.It’s OK to be different. Just learn to let go of the stress and anger it can sometimes bring.Patrick Sampson-BabineauEdmonds, Wash.Domingo Germán, Simply PerfectDomingo Germán of the Yankees needed only 99 pitches to complete a perfect game against the Oakland Athletics.Godofredo A. Vásquez/Associated PressTo the Editor:Re “Yankees Pitcher Throws M.L.B.’s First Perfect Game Since 2012” (Sports, nytimes.com, June 29):He had been so imperfect his last two starts. His statistics were ghastly. And before that, there was the 10-game suspension for being the poster child for this year’s worst sin: a pitcher with too much sticky stuff on his hands.He was a mere afterthought in the starting rotation, an asterisk caused by injury to others. Domingo Germán, hanging on by a thread.So Wednesday night seemed more likely a final chance, a last gasp at redemption rather than a ticket to baseball immortality.Maybe his choice of uniform number — zero — was prophetic. Maybe mere serendipity that he had his best stuff against a uniquely inept opponent, the Oakland Athletics. Whatever the cause, there it was, and there it will be in perpetuity.My most prized piece of sports memorabilia is a ball signed by the pitchers and catchers of the three previous perfect games thrown by the Yankees. Suddenly, that ball needs two more signatures. But I forgive Mr. Germán his transgression.Not good. Not great. Perfect.Robert S. NussbaumFort Lee, N.J.Trump and EvangelicalsIn an effort to consolidate evangelical support, former President Donald J. Trump emphasized his role in appointing three Supreme Court justices who helped overturn Roe v. Wade.Pete Marovich for The New York TimesTo the Editor:Re “Trump Burnishes Judicial Record at Evangelical Conference: ‘This Guy Ended Roe’” (news article, June 26):Evangelicals’ support for such a morally compromised and ethically challenged individual as Donald Trump never ceases to amaze me. Their dubious rationalization for this — that he brought an end to Roe v. Wade — borders on the absurd, given that every Republican candidate running in 2016 and today would have nominated three “pro-life” nominees for the Supreme Court if afforded the same opportunity that Mr. Trump had as president.So why continue to support someone who has made a mockery of almost every fundamental Christian value and endorse such a deplorable example of leadership for our youth when so many others are available who represent those values so much better?Ira BelskyFranklin Lakes, N.J.Art in Private Hands, Lost to Public ViewTo the Editor:Re “$108.4 Million Sale Sets Auction Record for Klimt” (news article, June 28), about the sale of “Lady With a Fan”:Art sold to private collectors is often lost to public view. As someone who spent many years researching Gustav Klimt and his work, I found that your story raised critical issues about ownership and access to important paintings.When the philanthropist and World War II restitution activist Ronald S. Lauder purchased “Portrait of Adele Bloch-Bauer I” for a record $135 million in 2006, he put the portrait in the Neue Galerie in Manhattan, where it has remained on continuous display.By contrast, “Portrait of Adele Bloch-Bauer II” is now in private, unnamed ownership in China, and “Lady With a Fan” is now in the possession of a private collector in Hong Kong.Klimt’s paintings show us the lost world of his Jewish patrons in turn-of-the-century Vienna. Some may applaud Sotheby’s record European sale, but art is more than a commodity; it is part of our shared history.When a painting is sold to private collectors for record millions, it becomes unaffordable to museums and too often inaccessible to the people who would appreciate its beauty and significance.Laurie Lico AlbaneseMontclair, N.J.The writer is the author of “Stolen Beauty,” a novel about the creation and restitution of “Portrait of Adele Bloch-Bauer I.”Missing: Younger Women’s VoicesTo the Editor:Re “Nine Kansas Women on Abortion” (“America in Focus” series, Opinion, June 25):Come on! Of the nine women who discussed their thoughts and votes on abortion, the youngest was 37 years old. The other women interviewed were in their 40s, 50s and 60s!Why be so removed from the women who are the hardest hit subjects of the bans? You should have given readers a chance to hear from the many fertile women in their teens and 20s whose bodily autonomy is being challenged now.Lisa LumpkinOsprey, Fla. More