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      Review: Renaissance Portraits Undercover in Met’s ‘Hidden Faces’

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      Portraits go undercover in the new Metropolitan Museum show “Hidden Faces,” about the practice of concealing artworks behind sliding panels and reverse-side paintings.The Met’s delightful show “Hidden Faces: Covered Portraits of the Renaissance” illuminates a curious trend in 15th- and 16th-century painting: the slow reveal. The works on view, originally concealed in special cases and behind sliding or reversible panels, gamify the experience of looking at portraiture; they have to be moved, before they can move us.Of course, we can’t actually handle these artworks, many of them on loan to the Met from European museums including the Courtauld in London and the Uffizi in Florence. But we can peer at them from double-sided glass cases and watch animations of faces emerging from sliding panels. The covers are marvelous works in their own right, with elaborate emblems and allegories that are themselves a form of representation.The interactions between the different components can be quite playful, with a literary and theatrical flair. A mesmerizing portrait of a Florentine lady in a flowing sheer veil, attributed to the early-16th-century Italian painter Ridolfo Ghirlandaio, is accompanied by a decorative panel with the Latin inscription “To each his own mask” and a trompe l’oeil face covering to match.Ridolfo Ghirlandaio, Attributed to Giuliano di Piero di Simone Bugiardini, “Cover With a Mask, Grotteschi, and Inscription”; at right, Ridolfo Ghirlandaio, Giuliano di Piero di Simone Bugiardini, “Portrait of a Woman (La Monaca),” both circa 1510.Jeenah Moon for The New York TimesAmong the show’s many examples of Netherlandish portraiture, a clever narrative unfolds through a double-sided work by Hans Süss von Kulmbach, a protégé of Albrecht Dürer. On the front is a bust-length image of a man who seems to be looking at the upper left corner of the painting — or, perhaps, he is gazing up at the woman sitting in a window who appears when the panel is flipped.The Renaissance practice of covering paintings was rooted in earlier religious traditions and liturgical rituals, a point made in the show by a work borrowed from the Cloisters: a private devotional shrine with wings that open to display images of a female donor and her husband next to Saint Catherine.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Met Museum Hires Its First Head of Provenance Research

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      Lucian Simmons is leaving Sotheby’s to lead the museum’s increased efforts to review its collection, which has recently returned looted artifacts, including dozens last year.As part of its more aggressive restitution investigation efforts, the Metropolitan Museum of Art on Friday announced that it had appointed a Sotheby’s executive to the newly created position of head of provenance research.Lucian Simmons will leave Sotheby’s, where he is vice chairman and worldwide head of the restitution department — and senior specialist for the Impressionist and Modern art department — to take on the role of coordinating research efforts across the museum, starting in May.Like museums all over the world, the Met has faced increased scrutiny from law enforcement officials, academics and the news media over the extent to which its collection of more than 1.5 million works includes looted artifacts. In recent years, for example, the Manhattan district attorney’s office has seized dozens of antiquities from the museum to return them to countries including Turkey, Egypt and Italy.In a telephone interview, Max Hollein, the museum’s director and chief executive, said the volume of materials an auction house must review gave Simmons the background necessary to take on a review of the Met’s encyclopedic collection.“He has a vast amount of experience understanding the level of research you need to apply and what timelines you need to set to get to a result,” Hollein said. “He probably had to deal with more issues at Sotheby’s than have many other institutions. You have to vet and scrutinize a huge number of objects. He’s someone who understands the theory but who also has a very practical attitude.”The Met last year announced a major new effort to review its holdings and policies with a view toward returning items it finds to have problematic histories.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jeffrey Gibson Will Bring Sculptures of Ancestral Spirits to Met Facade

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      The Met named its 2025 art commissions, which include Gibson’s facade sculptures and a roof garden installation by the soundsmith Jennie C. Jones.Last summer, Jeffrey Gibson received an honor that most artists wait for their entire lives. Would he represent the United States at the Venice Biennale, the art world’s version of the Olympics? Only a few weeks after accepting, there was another auspicious ring on the telephone.It was the curator David Breslin, wondering if Gibson would become the sixth artist to alter the Metropolitan Museum of Art’s facade with newly commissioned sculptures.“He called me from the beach,” recalled Gibson, a Choctaw-Cherokee artist known for infusing abstract works with queer and native themes.For the commission, Gibson will return to the ancestral spirit figures he started assembling in 2015. The challenge will be translating these delicate structures of beadwork, textiles and paint into four weatherproof sculptures that will gaze upon museum visitors from their plinths above Fifth Avenue. They will be on view from September 2025 through May 2026.Breslin, who leads the Met’s modern and contemporary art department, described Gibson as “one of the most incredible artists of his generation.”Gibson’s 2015 sculpture, “Can’t Take My Eyes Off of You,” an ancestral spirit figure made from glazed ceramic and repurposed tipi pole, artificial sinew and copper jingles. Gibson will explore his Indigenous heritage, abstraction and popular cultures on the Met facade.Jeffrey GibsonWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mighty Shiva Was Never Meant to Live in Manhattan

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      “What if museums give back so much art that they have nothing left to display?” As a scholar of the debates about returning cultural objects to the countries from which they were stolen, I have, over the years, heard many variations of that question. “Museums have lots and lots of stuff,” I usually answer, fighting the urge to roll my eyes. “It’s not like they’re just going to shut down.”But in December, the Metropolitan Museum of Art announced it would return a substantial proportion of its Khmer-era works to Cambodia, which is claiming still more, including nearly all the museum’s major Cambodian pieces. Last month, the American Museum of Natural History indefinitely closed two of its halls in response to new federal regulations about the display of Native American sacred and burial artifacts. Now Manhattan’s Rubin Museum of Art, which features art from the Himalayas, has announced that it will close later this year. The museum says the decision is unrelated to issues of cultural repatriation, but it comes after the museum faced many accusations of cultural theft and returned some prized pieces.Clearly, I need to change my answer.When stolen artifacts go back to their rightful owners, it is now clear, some display cases will indeed empty out, some galleries will shut their doors, and entire museums may even close. But it’s worth it. Repatriating these precious items is still the right thing to do, no matter the cost.Why? Museums are supposed to educate us about other ways of being in the world. But looted artifacts alone — removed from their original context, quarantined in an antiseptic display case — cannot do this. Unlike, say, Impressionist paintings or Pop Art sculptures, ritual objects were not meant to be seen in a gallery at a time of the viewer’s choosing. Used alongside music, scents and tastes, these holy relics are tools to help participants in rituals achieve a transcendent experience. Imagine looking at a glow stick necklace and thinking it could teach you what it’s like to greet the sunrise dancing ecstatically with hundreds of strangers.The Rubin Museum, which displays art from Tibet, Nepal and elsewhere in the Himalayan region, returned two stolen objects to Nepal in 2022 and last year surrendered another, a spectacular 16th-century mask depicting one of Shiva’s manifestations. By chance, I heard the news about the Rubin’s closing while I was looking at photographs from the mask’s homecoming ceremony.The mask was one of a nearly identical pair depicting the snarling deity with golden skulls and snakes twining through blood-red hair. For centuries, they had been featured in an annual ceremony, in which worshipers sought blessings by drinking rice beer from the masks’ lips. In the mid 1990s they were both stolen from the home of the family that was entrusted to care for them when the ceremony was not underway.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Your Friday Briefing: Heat Shakes China’s Economy

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      Plus the U.S. and Taiwan will begin formal trade talks and Cambodia spars with the Metropolitan Museum of Art.Good morning. We’re covering overlapping global heat waves and coming formal trade talks between the U.S. and Taiwan.Tea farmers have covered their crops with nets in an effort to shield them from the scorching heat.CFOTO/Future Publishing via Getty ImagesHeat wave strains China’s economyFor more than two months, China has faced its most severe heat wave in six decades. The economy is suffering, and the heat wave is forecast to persist for at least another week. The southwest is particularly hard hit.A drought has shrunk rivers and disrupted the region’s supply of water and hydropower. Factories have been forced to close and the region is suffering from rolling blackouts. In two cities, office buildings were ordered to shut off their air conditioning to spare an overextended electrical grid.The intense heat is also expected to affect agriculture and significantly reduce the size of China’s rice harvest, because it has caused long periods of drought.Context: The economy has been headed toward its slowest pace of growth in years, dragged down by the country’s stringent Covid policies. Youth unemployment has reached a record high, while trouble in the real estate sector has set off an unusual surge of public discontentment.Europe: The dry summer has strained Europe’s energy supply, reducing hydropower, threatening nuclear reactors and crimping coal transport. Russian gas cuts could cause further complications.Despite Taiwan’s small size, it is the U.S.’s eighth-largest trading partner.Lam Yik Fei for The New York TimesU.S. and Taiwan to begin trade talksThe Biden administration will begin formal trade negotiations with Taiwan in the fall, deepening economic and technological ties.The talks, which were announced in June, will focus on 11 trade areas, U.S. officials said, including agriculture and digital industries. In an apparent nod to China, the governments said they would combat market distortions caused by state-owned enterprises.China, which claims the self-governed island as its own, responded to the news with displeasure. An official said that Beijing opposed “any form of official exchanges between any country and the Taiwan region of China.”Background: Relations between Washington and Beijing have deteriorated this summer. After top U.S. lawmakers visited Taiwan this month, China responded by ramping up military drills and firing missiles into the waters around the island. Yesterday, Taiwan held a drill simulating a response to a Chinese missile attack, The Associated Press reported.Region: The U.S. is conducting a separate trade negotiation with 13 Asian nations to form a pact known as the Indo-Pacific Economic Framework. Taiwan expressed interest in joining those talks, but given its contested status, it has not been invited.via The Metropolitan Museum of Art, New YorkDoes the Met have stolen Cambodian artifacts?The Metropolitan Museum of Art, in New York City, worked hard to build up its South and Southeast Asian collection. But 13 items came from a dealer who was later indicted as an illegal trafficker of Cambodian artifacts.Cambodian officials now say they believe many of those items were stolen. They also suspect that dozens of other artifacts were looted, and they believe the dealer, Douglas A.J. Latchford, who died in 2020, often sold stolen items to other dealers and donors before they ended up at the museum.They are now in a standoff with the Met. The Cambodians — who base their claim in part on the account of a reformed looter — have enlisted the U.S. Justice Department.But the Met has not seen the evidence, including the looter’s accounts, which it says it had “repeatedly requested.” The museum, which said it has a track record of returning looted items, has refused to show Cambodia internal documents that might buttress, or undermine, its title to the objects.Context: U.S. officials who regard the looter, Toek Tik, as credible have cited his testimony in three cases. Earlier this month, the U.S. attorney’s office for the Southern District of New York announced the return of 30 looted artifacts that had been sold by Latchford.THE LATEST NEWSAsia PacificMourners carrying the body of a victim of a mosque bombing in Kabul yesterday.Ebrahim Noroozi/Associated PressA bombing at a crowded mosque in Kabul killed at least 21 people during evening prayers, the BBC reports.Flash floods killed at least 40 people in Afghanistan, adding to overlapping crises.Vanuatu’s president dissolved Parliament yesterday after an attempt to oust the prime minister, Reuters reports.Hundreds of people evacuated their homes as days of torrential rains slammed parts of New Zealand, Reuters reports.The New Zealand police said human remains found in suitcases bought in a storage unit auction belonged to children, The Associated Press reports.The War in UkraineHere are live updates.António Guterres, the U.N. secretary general, is visiting Ukraine. Yesterday, he urged Moscow and Kyiv to continue to show the “spirit of compromise” that led to the grain deal. Today, he plans to visit Odesa, where grain is again flowing. Russia’s shelling of Kharkiv killed at least 15 people and destroyed a dormitory for deaf people. Local officials say more than 1,000 civilians have been killed in the war.The U.S. and Russia are competing for control of a sleepy Greek port, which the U.S. is using to send weapons to Ukraine. Turkey also senses a threat.Around the WorldA federal judge ordered the U.S. government to propose redactions to the affidavit the F.B.I. used to search Donald Trump’s home.A judge ruled that the body of José Eduardo dos Santos, Angola’s longtime ruler, can be returned from Spain. He died last month in Barcelona, setting off a dispute over where to bury him.Soldiers raided seven Palestinian human rights organizations that Israel has accused of having links to terrorism. The U.N. and rights groups criticized the move, saying it was meant to silence criticism of Israel.A Morning Read“As long as we have blood in our body we will fight,” a 70-year-old fighter said.In northern Afghanistan, hundreds of Shiite Muslims joined an uprising led by a former Taliban commander. Times journalists spent time with the rebels.Lives lived: Hanae Mori, a Japanese couturier, was the first Asian woman to join the ranks of French high fashion. She died at 96.ARTS AND IDEASA feud over the Zulu throneThe Zulus have a new king. But it’s not clear exactly who he is.South Africa’s largest nation has been gripped by a battle over the royal succession since King Goodwill Zwelithini’s death last year. This Saturday, Misuzulu Sinqobile Zulu is expected to perform a ritual that will be a precursor to his formal coronation. Last weekend, his brother Simakade ka Zwelithini carried out the same ritual.Misuzulu has already been recognized by the South African government and senior members of the royal family. But his right to the throne is being challenged by Simakade, King Zwelithini’s oldest living son. There has been a scuffle at the royal palace. At least one news outlet ran a poll asking readers to pick a king.During a televised court hearing that weighed custom and constitutional law, a judge ruled in favor of Misuzulu. But his detractors have refused to accept the decision. There’s more at stake than a royal title. The head of the Zulus will control a $3.9 million annual budget provided by the South African government.As the traditional leader of 14 million people, the Zulu king also has a politically influential position. — Lynsey Chutel, Briefings writer based in Johannesburg.PLAY, WATCH, EATWhat to CookJoe Lingeman for The New York TimesFor an easy weeknight pasta, try smoked almond pesto spaghetti.What to WatchHere are some unexpected streaming suggestions.What to ReadIn “Elizabeth Finch,” a rigorous new novel from Julian Barnes, an adult student nurses an obsession with his teacher.Now Time to PlayPlay today’s Mini Crossword, and a clue: “Ginormous” (four letters).Here are today’s Wordle and today’s Spelling Bee.You can find all our puzzles here.That’s it for today’s briefing. See you next time. — AmeliaP.S. The Times’s Video team won an Edward R. Murrow Award for its documentary about Jan. 6.The latest episode of “The Daily” is on documents at Mar-a-Lago.Lynsey Chutel wrote today’s Arts and Ideas. You can reach Amelia and the team at briefing@nytimes.com. More