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      The American Tenor Jonathan Tetelman, a Puccini Specialist, Arrives at the Met

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      Jonathan Tetelman will sing in “La Rondine” and “Madama Butterfly” in New York. He trained as a baritone and worked as a D.J. before finding his “authentic voice” as a tenor.In the middle of last summer’s production of Verdi’s “Macbeth” at the Salzburg Festival, the American tenor Jonathan Tetelman brought down the house. As Macduff, Tetelman gave a searing rendition of “Ah, la paterna mano,” the heartbreaking aria after his character learns that the bloodthirsty monarch has slaughtered his wife and children.Tetelman’s performance in Krzysztof Warlikowski’s monumentally gloomy production was one of the festival’s highlights. Later this month, the 35-year-old tenor will make his Metropolitan Opera debut in Puccini’s “La Rondine.” He’ll also be heard at the Met as Pinkerton in a revival of the composer’s better-known “Madama Butterfly” that reunites him with his “Macbeth” co-star, the soprano Asmik Grigorian, in April and May. (There are planned Met Live in HD broadcasts of both productions.)In an email, the Met’s general manager, Peter Gelb, wrote that Tetelman had a “beautiful and big voice that is perfectly suited to the generous size of the Met’s auditorium, which is much larger than most European opera houses, and to these soaring Puccini roles.”Tetelman has swiftly risen to become one of his generation’s most in-demand lyric tenors and is particularly sought after for his Puccini. After singing Rodolfo in “La Bohème” for the first time in 2017 in Fujian, China, he reprised the role a year later at Tanglewood (replacing the Polish star tenor Piotr Beczala) and then on opening night of Barrie Kosky’s production at the Komische Oper Berlin in January 2019.Tetelman played Macduff in a performance of “Macbeth” at the 2023 Salzburg Festival.Bernd Uhlig/SFBut Tetelman’s path to the Met’s stage was anything but typical. Born in Chile, Tetelman was adopted by an American couple when he was 6 months old and grew up in Princeton, N.J. As an undergraduate at the Manhattan School of Music, he trained as a baritone but felt frustrated.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Audience Snapshot: Four Years After Shutdown, a Mixed Recovery

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      Covid brought live performance to a halt. Now the audience for pop concerts and sporting events has roared back, while attendance on Broadway and at some major museums is still down.It was four years ago — on March 12, 2020 — that the coronavirus brought the curtain down on Broadway for what was initially supposed to be a monthlong shutdown, but which wound up lasting a year and a half.The pandemic brought live events and big gatherings to a halt, silencing orchestras, shutting museums and movie theaters and leaving sports teams playing to empty stadiums dotted with cardboard cutouts.Now, four years later, audiences are coming back, but the recovery has been uneven. Here is a snapshot of where things stand now:Broadway audiences are still down 17 percent from prepandemic levels.On Broadway, overall attendance is still down about 17 percent: 9.3 million seats have been filled in the current season as of March 3, down from 11.1 million at the same point in 2020. Box office grosses are down, too: Broadway shows have grossed $1.2 billion so far this season, 14 percent below the level in early March of 2020.Broadway has always had more flops than successes, and the post-pandemic period has been challenging for producers and investors, especially those involved in new musicals. Three pop productions that have opened since the pandemic — “Six,” about the wives of King Henry VIII, “MJ,” about Michael Jackson and “& Juliet,” which imagines an alternate history for Shakespeare’s tragic heroine — are ongoing hits, but far more musicals have flamed out. The industry is looking with some trepidation toward next month, when a large crop of new shows is set to open.Many nonprofit theaters around the country are also struggling — attracting fewer subscribers and producing fewer shows — and some have closed. One bright spot has been the touring Broadway market, which has been booming.— More

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      Nikki Haley’s Views on Social Security

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      More from our inbox:A Climate Protest at the OperaMore Trump Coverage? Brian Snyder/ReutersTo the Editor:Re “Haley Is Coming for Your Retirement,” by Paul Krugman (column, Nov. 28):Mr. Krugman is right in pointing out the inequality connected to proposals to raise the age at which one becomes eligible for Social Security. As he points out, the proposals are, “in effect, saying that the aging janitors must keep working (or be cast into extreme poverty) because rich bankers are living longer.”But it’s even worse than that. The problem of an impending shortfall of the Social Security Trust Fund is in significant part a consequence of our rising economic inequality. High-income people pay a smaller share of their income into Social Security because salary over $160,200 — the so-called “tax max” — is not subject to the Social Security tax.Also, there is no Social Security tax on income from capital (including dividends, interest, capital gains and rents), which tends to go to wealthy people. Consequently, as a larger and larger part of our national income goes to the rich, the share collected by the Social Security tax declines.The solution is not hard to envision: Raise the “tax max” and tax income from capital. Better yet, adopt a set of policies that would move us toward a more equal distribution of income.Arthur MacEwanCambridge, Mass.The writer is professor emeritus of economics at the University of Massachusetts Boston.To the Editor:As a member of Gen Z, I commend Nikki Haley for suggesting ideas to keep Social Security solvent. Raising the retirement age is not a pleasant thought, but tough times require tough decisions. Our national debt is at a record high, and interest repayments are reaching worrying levels. Changes have to be made if the country’s finances are to stay healthy. Numbers don’t lie.I, for one, do not expect to ever be able to collect Social Security, despite having paid 6.2 percent of my income into it over my entire working life. I would rather get rid of the tax altogether than continue to pretend that Social Security will still be around when I retire.I have absolutely zero faith that members of Congress will fix this problem; they have been kicking this can down the road for longer than I’ve been alive.Eric FuquaAtlantaTo the Editor:Paul Krugman’s piece on Nikki Haley makes it quite clear that she is far from the perfect candidate, but what it does not address is the critical role that she may play.The Economist recently described Donald Trump as the gravest danger to the world in 2024, and considering viable alternatives, apart from Nikki Haley, there is only one 81-year-old man with major failings of his own standing in Donald Trump’s way.Even with all her shortcomings, there are strong reasons to support Nikki Haley, as she may be best positioned to save our democracy and the world from Donald Trump.Jon LandauPhiladelphiaA Climate Protest at the OperaThe Metropolitan Opera House, center, at Lincoln Center.Kathy Willens/Associated PressTo the Editor:Re “Climate Protesters Interrupt Met Performance of Wagner’s ‘Tannhäuser’” (news article, nytimes.com, Dec. 1):The recent climate protest at the opera made my heart sink.I’m a climate activist. I’ve marched, I’ve lobbied, I’ve contacted legislators. I’m co-leader of a local chapter of Citizens’ Climate Lobby, a grass-roots organization that believes that effective change will come about through respectful dialogue — and the sheer force of numbers.I’m also a professional singer and an operagoer. And I cringe when I see protesters disrupt the arts to make their point. The very people who might be inclined to help contribute to the urgent cause of fighting global warming may well be sitting in that opera house. But these protesters chose to alienate them. How in the world is that productive?The most effective path toward change is to work with others, not against them. We need dedicated, respectful activists who do their work by finding common ground and then gently but insistently nudging all of us forward.What we don’t need is this kind of spectacle, which gives the rest of us climate activists a bad name, and serves as an affront to the music and art we all need to inspire us in a troubled world.Francesca Huemer KellyHighland Park, Ill.More Trump Coverage?For years, President Biden and Democrats have been happy to mostly ignore Donald J. Trump. But now their thinking appears to be changing as the 2024 election season begins to ramp up.Sophie Park for The New York Times, Doug Mills/The New York TimesTo the Editor:Re “Democrats Want Trump Plastered All Over the News” (news article, Nov. 22):How soon we forget. Think back to Wednesday morning, Nov. 9, 2016. Whether you supported and voted for Hillary Clinton or Donald Trump, you were likely shocked when you heard the final results.Now, Democrats are hoping that heavy media coverage of Mr. Trump, assuming he is the nominee, will remind Americans of his flawed character, his lies, his legal troubles and his hate-filled rhetoric, and this will repel them.But back in 2015 and 2016, Mr. Trump was far from invisible, enjoying plenty of media coverage: as a failed TV star and businessman, as a clown and an entertainer, not to be taken seriously. The polls at the time were suggesting that Mrs. Clinton was the heavy favorite, so many Americans either stayed home or voted for Mr. Trump as a joke or an anti-Hillary statement.Why would we think next year’s coverage won’t still focus on Mr. Trump’s entertainment value as much as on his lies, his threats and his crimes?Democrats may ask for more news coverage, but we should be careful what we wish for.Betsy FrankMattituck, N.Y. More