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      How Erdogan Reoriented Turkish Culture to Maintain His Power

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      At the final sundown before the first round of voting in the toughest election of his two-decade rule, President Recep Tayyip Erdogan of Turkey visited Hagia Sophia for evening prayers — and to remind his voters of just what he had delivered.For nearly a millennium the domed cathedral had been the epicenter of Orthodox Christianity. After the Ottoman conquest of Constantinople in 1453, it became one of the Islamic world’s finest mosques. In the 1930s, the new Turkish republic proclaimed it a museum, and for nearly a century its overlapping Christian and Muslim histories made it Turkey’s most visited cultural site.President Erdogan was not so ecumenical: In 2020 he converted it back into a mosque. When Turks return to the ballot box this Sunday for the presidential runoff, they will be voting in part on the political ideology behind that cultural metamorphosis.Join the crowds at the Hagia Sophia Grand Mosque now, leaving your shoes at the new long racks in the inner narthex, and you can just about glimpse the mosaics of Christ and the Virgin, today discreetly sheathed with white curtains. The famous marble floor has been upholstered with thick turquoise carpet. The sound is more muffled. The light’s brighter, thanks to golden chandeliers. Right at the entrance, in a simple frame, is a presidential proclamation: a monumental swipe at the nation’s secular century, and an affirmation of a new Turkey worthy of its Ottoman heyday.“Hagia Sophia is the crowning of that neo-Ottomanist dream,” said Edhem Eldem, professor of history at Bogazici University in Istanbul. “It’s basically a transposition of political and ideological fights, debates, polemical views, into the realm of a very, very primitive understanding of history and the past.”In the 1930s, the new Turkish republic made Hagia Sophia, which, over the centuries, had been a cathedral and a mosque, into a museum. In 2020 President Erdogan made it a mosque again. Bradley Secker for The New York TimesBradley Secker for The New York TimesBradley Secker for The New York TimesIf the mark of 21st-century politics is the ascendancy of culture and identity over economics and class, it could be said to have been born here in Turkey, home to one of the longest-running culture wars of them all. And for the past 20 years, in grand monuments and on schlocky soap operas, at restored archaeological sites and retro new mosques, Mr. Erdogan has reoriented Turkey’s national culture, promoting a nostalgic revival of the Ottoman past — sometimes in grand style, sometimes as pure kitsch.After surviving a tight first round of voting earlier this month, he is now favored to win a runoff election on Sunday against Kemal Kilicdaroglu, the candidate of the joint opposition. His resiliency, when poll after poll predicted his defeat, certainly expresses his party’s systematic control of Turkey’s media and courts. (Freedom House, a democracy watchdog organization, downgraded Turkey from “partly free” to “not free” in 2018.) But authoritarianism is about so much more than ballots and bullets. Television and music, monuments and memorials have all been prime levers of a political project, a campaign of cultural ressentiment and national rebirth, that culminated this May on the blue-green carpets beneath Hagia Sophia’s dome.Some mosaics with Christian imagery are now discreetly covered by white curtains.Bradley Secker for The New York TimesOn the eve of the first round of voting President Erdogan visited Hagia Sophia for Maghrib prayers. Murat Cetinmuhurdar/PPO, via ReutersOutside Turkey, this cultural turn is often described as “Islamist,” and Mr. Erdogan and his Justice and Development Party, known as the A.K.P., have indeed permitted religious observances that were once banned, such as the wearing of head scarves by women in public institutions. A Museum of Islamic Civilizations, complete with a “digital dome” and light projections à la the immersive Van Gogh Experience, opened in 2022 in Istanbul’s new largest mosque.Yet this election suggests that nationalism, rather than religion, may be the true driver of Mr. Erdogan’s cultural revolution. His celebrations of the Ottoman past — and the resentment of its supposed haters, whether in the West or at home — have gone hand in hand with nationalist efforts unrelated to Islam. The country has mounted aggressive campaigns for the return of Greco-Roman antiquities from Western museums. Foreign archaeological teams have had their permits withdrawn. Turkey stands at the bleak vanguard of a tendency seen all over now, not least in the United States: a cultural politics of perpetual grievance, where even in victory you are indignant.For this country’s writers, artists, scholars and singers, facing censorship or worse, the prospect of a change in government was less a matter of political preference than of practical survival. Since 2013, when an Occupy-style protest movement at Istanbul’s Gezi Park took direct aim at his government, Mr. Erdogan has taken a hard turn to authoritarian rule. Numerous cultural figures remain imprisoned, including the architect Mucella Yapici, the filmmakers Mine Ozerden and Cigdem Mater, and the arts philanthropist Osman Kavala. Writers like Can Dundar and Asli Erdogan (no relation), who were jailed during the purges that followed a failed military coup against Mr. Erdogan in 2016, live in exile in Germany.This election suggests that nationalism, rather than religion, may be the true driver of Mr. Erdogan’s cultural revolution. Bradley Secker for The New York TimesMore than a dozen musical concerts were canceled last year, among them a recital by the violinist Ara Malikian, who is of Armenian descent, and a gig by the pop-folk singer Aynur Dogan, who is Kurdish. The tensions reached a grim crescendo this month, shortly before the first round of voting, when a Kurdish singer was stabbed to death at a ferry terminal after declining to sing a Turkish nationalist song.In the days after the first round of voting, I met with Banu Cennetoglu, one of the country’s most acclaimed artists, whose commemoration of a Kurdish journalist at the 2017 edition of the contemporary art exhibition Documenta won acclaim abroad but brought aggravation at home. “What is scary right now compared to the 90s, which was also a very difficult time, especially for the Kurdish community, is that then we could guess where the evil was coming from,” she told me. “And now it could be anyone. It is much more random.”For the Turkish artist Banu Cennetoglu, Istanbul has become a city of self-censorship. “But even if you don’t speak,” she says, “you can be the next one.”Caroline Tompkins for The New York TimesThe strategy has worked. Independent media has shrunk. Self-censorship is rife. “All the institutions within art and culture have been extremely silent for five years,” Ms. Cennetoglu said. “And for me this is unacceptable, as an artist. This is my question: when do we activate the red line? When do we say no, and why?”Nationalism is nothing new in Turkey. “Everybody and his uncle is a nationalist in this country,” Mr. Eldem observed. And the Kemalists — the secular elite who dominated politics here for decades until Mr. Erdogan’s triumph in 2003 — also used nationalist themes to spin culture to their political ends. Turkey’s early cinema glorified the achievements of Mustafa Kemal Ataturk. Archaeological digs for Hittite antiquities aimed to provide the new republic with a past rooted even more deeply than Greece and Italy.Edhem Eldem at his home in Istanbul. “When it comes to heritage, the uses of the past, he’s not very different from his predecessors,” the historian says. “He’s just more efficient.”Bradley Secker for The New York TimesIn the 2000s, Mr. Erdogan’s blend of Islamism and reformism had Turkey knocking at the door of the European Union. A new Istanbul was being feted in the foreign press. But the new Turkish nationalism has a different cultural cast: proudly Islamic, often antagonistic, and sometimes a little paranoid.One of the signal cultural institutions of the Erdogan years is the Panorama 1453 History Museum, in a working-class district west of Hagia Sophia, where schoolchildren discover the Ottoman conquest of Constantinople in a painted cyclorama. At one point, a painting in the round might have been immersion enough. Now it’s been souped up with blaring video projections, a wildly nationalist pageant styled like the video game “Civilization.” Kids can watch Sultan Mehmed II charge toward Hagia Sophia, while his horse rears up in front of a celestial fireball.Visitors to Panorama 1453, a history museum founded in 2009, whose 360-degree mural celebrates the Ottoman conquest of Istanbul.Bradley Secker for The New York TimesAn immersive video animation depicts the Ottoman victory over the Byzantine Empire.Bradley Secker for The New York TimesSultan Mehmed II rears for battle.Bradley Secker for The New York TimesThere’s a similar backward projection in Turkey’s television dramas, which are hugely popular not just here but internationally, with hundreds of millions of viewers throughout the Muslim world, in Germany, in Mexico, all over. On shows such as “Resurrection: Ertugrul,” an international hit about a 13th-century Turkic chieftain, or “Kurulus: Osman,” a “Game of Thrones”-esque Ottoman saga airing every Wednesday here, past and present start to merge.“They are casting the discourse of Tayyip Erdogan in the antique ages,” said Ayse Cavdar, a cultural anthropologist who’s studied these shows. “If Erdogan faces a struggle right now, it is recast in an Ottoman context, a fictional context. In this way, not the knowledge about today’s struggle, but the feeling of it, is spread through society.”A still from “Kurulus: Osman,” starring Burak Ozcivit as Osman I, the first sultan of the Ottoman Empire. Turkish historical dramas are popular not just at home but abroad.ATVIn these half-historical soap operas, the heroes are decisive, brave, glorious, but the polities they lead are fragile, teetering, menaced by outsiders. Ms. Cavdar noted how frequently the TV shows feature leaders of an emerging, endangered state. “As if this guy has not been governing the state for 20 years!” she said.Culture came on the agenda during the runoff, too, as Mr. Erdogan showed up to inaugurate the new home of Istanbul Modern. The president had praise for the new Bosporus-side museum, designed by the Italian architect Renzo Piano — but he couldn’t help bashing the creations of the previous century, with what he described as a misguided abandonment of the Ottoman tradition.Now, the president promised, an authentic “Turkish century” was about to dawn.Assuming he wins on Sunday, his neo-Ottomanism will have survived its strongest test in two decades. The cultural figures with the most to regret are of course those in prison, but it will also be a bitter outcome for the academics, authors and others who left the country in the wake of Mr. Erdogan’s purges. “A.K.P.’s social engineering can be compared to monoculture in industrial agriculture,” said Asli Cavusoglu, a young artist who recently had a solo show at New York’s New Museum. “There is one type of vegetable they invest in. Other plants — intellectuals, artists — are unable to grow, and that’s why they leave.”Back issues of Agos, the bilingual Turkish-Armenian newspaper edited by Hrant Dink, a journalist assassinated in Istanbul in 2007. His home has been converted into a memorial museum.Bradley Secker for The New York TimesNayat Karakose, coordinator of the museum, in Hrant Dink’s office. “In the past we were able to cooperate more with universities, but now it’s almost impossible,” she said.Bradley Secker for The New York TimesTurkey’s minorities may face the greatest hazards. At the memorial museum for Hrant Dink, the Turkish-Armenian journalist assassinated in 2007, I looked through copies of his independent newspaper and watched footage of his television chat shows, each an admonishment of contemporary Turkey’s constricted freedom of expression. “Civil society actors are becoming more prudent,” said Nayat Karakose, who oversees the museum and is of Armenian descent. “They do events in a more cautious way.”For Mr. Eldem, who has spent his career studying Ottoman history, the reconversion of Hagia Sophia and the “Tudors”-style TV dramas are all of a piece, and are less confident than they seem. “Nationalism is not just glorification,” he said. “It’s also victimization. You can’t have proper nationalism if you’ve never suffered. Because suffering gives you also absolution from potential misconduct.”“So what the naïve Turkish nationalist, and especially neo-Ottomanist nationalist, wants,” he added, “is to bring together the idea of a glorious empire that would have been benign. That’s not a thing. An empire is an empire.”But whether or not Mr. Erdogan wins the election on Sunday, there are headwinds that no amount of cultural nationalism can stand against: above all, inflation and a currency crisis that has bankers and financial analysts flashing a red alert. “In that future, there’s no place for heritage,” Mr. Eldem said. “The Ottomans are not going to save you.”Hagia Sophia has been the epicenter of Orthodox Christianity, one of the Islamic world’s finest mosques and, for decades, a museum that was Turkey’s most visited cultural site. Now it is called the Hagia Sophia Grand Mosque.Bradley Secker for The New York Times More

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      Your Thursday Briefing: Iran’s Protests Intensify

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      Plus Myanmar gets closer to Russia and a dire climate report.Iranian mourners walked toward the cemetery where Mahsa Amini is buried.Eurovision Social Network/Via Agence France-Presse — Getty Images Iranians mourn Mahsa AminiTens of thousands of demonstrators in Iran gathered yesterday to mark the 40th day of the traditional Islamic mourning period for Mahsa Amini, whose death in police custody set off protests across the country.The mourning was marred by violence as security forces attacked and shot at demonstrators across the country. By evening, demonstrations had spread across the country to many cities and university campuses, with large crowds in the streets clapping and defiantly chanting the mantras of the protests: “Women, Life, Freedom” and “We will fight and take Iran back,” according to videos on social media.Security forces attacked protesters with tear gas, beat them with batons and in some places, like Tehran, Qazvin and Saghez, opened fire on them, videos showed. Some crowds in the capital fought back, chasing security forces and setting fire to their motorcycles.In Tehran, women tossed their head scarves onto bonfires in the street, shouting “Freedom! Freedom!” videos showed. In many places, the protesters condemned the country’s supreme leader, Ayatollah Ali Khamenei, and chanted for his death and removal.Analysis: The protests that unfolded in recent weeks were more scattered and smaller in recent days, but the revolt may inject new energy into the demonstrations.Culture: The Times spoke with Zar Amir Ebrahimi, who fled Iran in 2008, and won the best actress award at Cannes this year. She stars in “Holy Spider,” a timely Iranian story of female resistance in the face of male violence. “I saw these images of three actresses throwing away their hijabs, saying we don’t want to lie anymore, we don’t want to hide ourselves,” Ebrahimi said, “and I figure if they arrived at this point, the whole of society is kind of there.”Myanmar’s junta sees itself as part of a new world order led by strongmen ideologically opposed to democracy.Nanna Heitmann for The New York TimesMyanmar cozies up to RussiaMyanmar’s junta, ostracized by the West and by its neighbors, is deepening its ties with Russia.Myanmar is the only Southeast Asian country to endorse Russia’s invasion, and the Kremlin has referred to Senior General Min Aung Hlaing, the head of the junta, as the “prime minister,” a post he gave himself that no other major country recognizes.The relationship has mutual benefits. Myanmar gets Russian oil in the midst of a fuel shortage exacerbated by the junta’s mismanagement, as well as ammunition and a powerful ally at the U.N.More on the Protests in IranA Women-Led Uprising: Casting off their legally required head scarves, Iranian women have been at the forefront of the demonstrations, supplying the defining images of defiance.Prison Fire: The causes of a fire in the notorious Evin Prison, in Tehran, remain unclear. But witnesses and families of prisoners say that the authorities there had been bracing for potential unrest.The New Faces of the Protests: Two 16-year-old girls who were killed by the Iranian security services in a crackdown on protesters have become a symbol of the uprising.Economic Despair: While Iranians have a range of grievances to choose from, the sorry state of Iran’s economy has been one of the main forces driving the protests. Strikes by oil-sector workers joining the protests could damage it further.Russia gets revenue as Western sanctions squeeze its economy. Moscow could even eclipse Beijing as Myanmar’s top supplier of weapons, which have been frequently deployed by the military against civilians since it took control of the country in a military coup in 2021.Ukraine war updates:A hydroelectric dam could be a linchpin in the looming battle for Kherson. If Ukraine retook the dam, Russian soldiers would have nowhere to retreat, but Russia could breach the dam to slow Ukraine’s advance.Ukraine’s government urged displaced people not to return this winter, acknowledging that the country faces hardships in the cold months ahead.A new propaganda push by the Kremlin frames the war as a counterterrorism operation.Earth is heading toward more intense flooding, wildfires, drought, heat waves and species extinction.Feisal Omar/ReutersClimate pledges are falling shortOnly 26 of 193 nations that agreed to climate action plans have followed through, increasing the likelihood of an environmental catastrophe, according to a U.N. report.Without drastic reductions in greenhouse gas emissions, the document said, the planet is on track to warm by an average of 2.1 to 2.9 degrees Celsius, compared with preindustrial levels, by 2100.That’s far higher than the goal of 1.5 degrees Celsius (2.7 degrees Fahrenheit) set by the landmark Paris Agreement in 2015, and it crosses the threshold beyond which scientists say the likelihood of catastrophic climate impacts significantly increases.The U.N. report comes less than two weeks before nations are set to gather for climate talks in Sharm el Sheikh, Egypt, to discuss unfulfilled promises and the fight to stave off a catastrophe.Details: The world’s top two polluters, China and the U.S., have taken some action but did not pledge more interventions this year; climate negotiations between the two have been frozen for months. Toll: Emperor penguins have been listed as a threatened species by the U.S. government. Experts predict that 99 percent of the birds will disappear by 2100 without a significant reduction in carbon pollution.THE LATEST NEWSAsia PacificThe fossil was taken in broad daylight. Bryan Le Dantec /Getty ImagesTwo men with a rock saw and a chisel stole a cherished 23-million-year-old whale fossil from a remote riverbank in New Zealand. Shanghai began using an inhalable form of the Covid-19 vaccine, China Daily reports.Anne Jakrajutatip, a transgender Thai billionaire and celebrity, purchased the Miss Universe Organization for $20 million, Reuters reports.Medibank, Australia’s largest health insurer, said a hack had compromised the data of all its customers, Reuters reports.Around the WorldMarkets were unruffled by Rishi Sunak’s announcement, but the Labour Party is on the offensive against him.Dan Kitwood/Getty ImagesRishi Sunak, Britain’s new prime minister, delayed the announcement of a major economic plan, saying that he needed time to make the “right decisions.”A measure tracked by Wall Street signaled that the U.S. could be heading toward an economic slump.This summer, Mexico’s government said it had finally solved the mystery behind a mass abduction in 2014. Since then, the case has fallen apart.Other Big StoriesPresident Biden thought he had secured a secret pledge from Saudi Arabia to increase oil production. He was wrong. Nablus, a city in the West Bank, has been under a semi-blockade for weeks by the Israeli Army. Residents are furious. A small trial suggested that some breast cancer patients could skip surgery and be treated with chemotherapy alone.A Morning ReadMadhur Jaffrey’s 1985 children’s book, “Seasons of Splendour: Tales, Myths and Legends of India,” is being reissued next month.Adrianna Newell for The New York TimesMadhur Jaffrey introduced Indian food to the West. Now, at 89, she continues to publish recipes and articles and give interviews. Her first cookbook, “An Invitation to Indian Cooking,” will be reissued next year. “She inspired an entire generation of Indians,” said Chintan Pandya, 42, the chef at New York City’s Dhamaka who was named the best chef in New York State this year at the James Beard awards. “She planted the seed.”TAIPEI DISPATCHTaiwan’s autocratic relicsSouth of Taipei, there’s a museum dedicated to Taiwan’s not-so-distant authoritarian past. It’s become a surprising tourist hot spot.Once the site of a secretive military detention center, the Jing-Mei White Terror Memorial Park has seen an increase in visitors since Nancy Pelosi, the U.S. House speaker, met there in August with pro-democracy activists who have criticized China.“Now, Taiwan is already a free and democratic country,” said Chen Chung-tong, 85, a physician who was held there for a decade until his release in 1979. He said that Pelosi’s visit to the site was a reminder that Chiang Kai-shek’s Chinese Nationalist Party, or Kuomintang, “used to rule Taiwan this way, like the Communist Party rules China now.”Political dissidents were prosecuted at the detention center during the four decades until 1992 known in Taiwan as the White Terror, which began when the Kuomintang fled to the island to escape the Communist revolution in China. During that period, the Kuomintang targeted people seen as threats to its rule over the island.For many, the site has a new resonance as China increases its military intimidation in a bid to pressure Taiwan into unification. The site also carries echoes of China’s autocratic present under Xi Jinping — and a potent warning of one possible future. Some fear the past may be a prologue.PLAY, WATCH, EATWhat to CookRyan Liebe for The New York Times. Food Stylist: Barrett Washburne.Delicata squash has an edible skin, so you can roast it without having to peel it.What to ReadBooks to take you through Istanbul.Ask WellDo statins, which lower blood cholesterol, increase the risk of diabetes?Now Time to PlayPlay the Mini Crossword, and a clue: Taxi (Three letters).Here are the Wordle and the Spelling Bee.You can find all our puzzles here.That’s it for today’s briefing. See you next time. — AmeliaP.S. Lindsay Zoladz, a pop music critic, is joining The Times. Her brand-new newsletter will recommend new songs (and older ones, too).The latest episode of “The Daily” is on the subpoena issued to Donald Trump.You can reach Amelia and the team at briefing@nytimes.com. More

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      ‘Ordinary Citizens’ Turned Rioters on Jan. 6

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      More from our inbox:Republican Contempt for Voting RightsParler’s Free Speech PrinciplesI’ll Take the Jefferson StatueThe Transition From DrivingI Keep My Files on Paper, Not in the Cloud  Joseph RushmoreTo the Editor:Re “90 Seconds of Rage on the Capitol Steps” (front page, Oct. 17):This is one of the best pieces of reporting on the Jan. 6 riot to appear in some time. The role of Proud Boys, neo-Nazis and other committed insurrectionists and troublemakers is easy to understand in connection with the day’s events. The ability of seemingly ordinary, heretofore law-abiding citizens to be swept along in something like this, to the point of violently attacking police officers, is what needs our more considered attention.Donald Trump continues to hold rallies and deliver semi-coherent rants rooted in lies and fantasies. He remains a menace to American democracy, world peace and fundamental human decency.But perhaps we should worry less about the man at the microphone and more about the crowds that continue to cheer him even after all that has come before. Especially after all that has come before.W.T. KoltekLouisville, OhioTo the Editor:What are we to conclude about the insurrection participants you profiled? Their family members, friends and neighbors were quoted as saying that these were nice, giving and very helpful people. Some of the participants stated that they just wanted to be in the rally or to see President Donald Trump.Did they have a short circuit in their brains that made them participate in the riot? Is there some kind of contradiction between their lives back home and their violent behavior on Jan. 6?Not at all. We should not be distracted by the attempts to portray these participants as just ordinary folk. Some of them brought or used other items as weapons, as well as communication devices for coordinating their efforts. These participants engaged in a violent attempt to subvert our democracy and injure or kill our elected officials, as well as the police protectors of our nation’s democratic process and buildings.Actions have consequences. They are responsible for their behavior and must be brought to justice. No niceness can save them from judicial remedies.Robert RosofskyMilton, Mass.To the Editor:This article is chilling because it is likely that Donald Trump, if he becomes president again, would grant a blanket pardon to these and other so-called “patriots” for any federal crimes arising out of the Jan. 6 riots.The article notes that prosecutors and congressional investigators are looking into how “seemingly average citizens — duped by a political lie, goaded by their leaders and swept up in a frenzied throng — can unite in breathtaking acts of brutality.” This statement evokes Kristallnacht and the horror that followed.Donald Trump did goad this group. What these “ordinary citizens” are capable of in the thrall of a demagogue is frightening.Mr. Trump has learned this from Jan. 6. And from past Republican inaction, he’s also learned, and would certainly come into office believing, that the rule of law does not apply to him. That power and mind-set in the hands of this petulant little man are a true danger.Gary H. LevinFort Washington, Pa.Republican Contempt for Voting RightsProtesters demonstrate in support of voting rights on Tuesday in Washington.Shuran Huang for The New York TimesTo the Editor:Re “Voting Rights Impasse Puts Pressure on Filibuster,” by Carl Hulse (news analysis, Oct. 21):The Senate’s failure to pass the Freedom to Vote Act is a cynical corrosion of democratic values. The act would limit partisan gerrymandering, require disclosure of very large campaign contributions and increase election security. These common-sense safeguards are foundational to a functional democracy.Fortunately, my senators, Kirsten Gillibrand and Chuck Schumer, supported the act. But every Republican senator who blocked it — representing a minority of voters — demonstrates contempt for the system they’re elected to defend.Sarah RichardsonNew YorkParler’s Free Speech Principles Lynsey Weatherspoon for The New York TimesTo the Editor:Re “Hey Parler, My Blue City Isn’t Turning Red,” by Margaret Renkl (Opinion guest essay, nytimes.com, Oct. 18):Parler, a social media platform committed to free speech and to the preservation of a digital “town square,” has recently moved its headquarters to Nashville. Ms. Renkl’s premise is that Parler mistook Nashville to be a right-wing haven, and she zeroes in on my assertion that “Tennessee shares Parler’s vision of individual liberty and free expression.” Ms. Renkl wrongly suggests that these principles are somehow exclusive to those on the political right.At Parler, we draw our inspiration from the Constitution — not the Republican Party’s platform — and we defend the American principle of free speech, which, as far as we are aware, is a principle that transcends party politics and is valued on both the left and the right. Or at least it used to be.It is telling that so many on the left believe that “free expression” and “individual liberty” are code words for “conservative.” Worthy of discussion, isn’t it?George FarmerNashvilleThe writer is the chief executive of Parler.I’ll Take the Jefferson Statue  Dave Sanders for The New York TimesTo the Editor:Re “Jefferson Knocked Off Pedestal in New York Council Chamber” (front page, Oct. 19):Thomas Jefferson was a man of his era who, like all men in all eras, did not always live his ideals. Those ideals — that “all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness,” and that the only legitimate government is by consent of the people — are the cornerstones of every modern democracy, including our own.They have enabled our nation to evolve from a society in which slavery was tolerated into one in which, for most Americans, civil and human rights are paramount.The framers’ vision, and the nation that they founded based on an idea, eclipse the frailties that marked Jefferson and his contemporaries as human beings.As James Madison wrote, “If men were angels, no government would be necessary.”If the New-York Historical Society does not accept the City Council’s Thomas Jefferson statue, the city is welcome to relocate it on my front lawn.Rita C. TobinChappaqua, N.Y.The Transition From Driving Gracia LamTo the Editor:Thanks to Jane E. Brody for her thoughtful column “Keeping Older Drivers Protected on the Road” (Personal Health, Oct. 19).One additional point: To help ease the transition from driving, carefully choose where you live. If possible, pick a location where you can walk (or bike) to many of the places you want or need to go to: stores, doctors, cafes, the library, parks and so on. This will enable you to have a healthier and more pleasant life.And, for those now in your 40s and 50s, think ahead. Move to that more walkable neighborhood before you’re old.David W. SearsBethesda, Md.I Keep My Files on Paper, Not in the Cloud Sophia Foster-DiminoTo the Editor:Re “The Case for Filing Cabinets,” by Pamela Paul (Opinion guest essay, Sunday, Oct. 17):Two phrases from this article — “digitally functional people” and “special I.T. skills” — do not describe this senior citizen who finds file cabinets indispensable.I have an active two-drawer file cabinet that is used daily and culled yearly around tax time or when I need room for additions. My genealogy files contain original documents, pictures and even a braid of hair cut from an ancestor’s head circa 1863 — and my own personal and professional history to pass on to my progeny.My late son was a systems analyst with superior I.T. skills. Our difficulty in accessing his encrypted files in the cloud made his scraps of paper and his voluminous paper files crucial in settling his estate.So I will continue to file away without trying to remember passwords, or relying on internet service, which was out the other day.V.E. FranceWhite Plains, N.Y. More