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      ‘Furiosa’ Is a Memorial Day Weekend Box Office Dud

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      Memorial Day weekend ticket sales in North America are expected to total $125 million, down 40 percent from last year.Hollywood expected “Furiosa: A Mad Max Saga” to scorch the box office over the holiday weekend. Instead, the big-budget Warner Bros. prequel iced it over.“Furiosa,” which cost $168 million to make, not including tens of millions of dollars in marketing costs, collected an estimated $25.6 million in the United States and Canada from Thursday night to Sunday. Box office analysts expected the film to take in about $5.4 million on Monday, for a holiday-weekend total of $31 million.That would be the worst Memorial Day weekend result in 43 years after adjusting for inflation — ever since “Bustin’ Loose,” a comedic drama starring Richard Pryor, collected $24 million in 1981. (Box office records exclude 2020, when most theaters were closed because of the coronavirus pandemic.)The franchise’s previous chapter, “Mad Max: Fury Road,” took in $45.4 million in 2015, or roughly $61 million in today’s dollars — and that was without the benefit of a holiday weekend.Hollywood had high expectations for “Furiosa,” which Warner Bros. premiered at the Cannes Film Festival; the movie received exceptional reviews. On Sunday, however, it was unclear whether “Furiosa” would manage even first place at the box office. Analysts said the poorly reviewed “Garfield” (Sony), which cost $60 million to make, could inch ahead. It could also be a tie.Sony declared victory, saying it expected “Garfield,” produced and financed by Alcon Entertainment, to be No. 1, with $31.8 million in ticket sales. “With summer holidays beginning this week, the film is well-positioned for a long theatrical run,” Sony said, adding that it had successfully “relaunched” the lasagna-loving character as a movie franchise.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Summer Begins

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      Memorial Day is the starting gun of a new season. Here’s a guide on how to spend the summer months. Memorial Day is a starting gun. While other holidays can be like a finish line — the culmination of so much energy — Memorial Day marks the beginning. The whole summer stretches out in front of us, a track shimmering in the sun.If you’re not yet sure how to spend the long weekend, or the next few months, don’t worry. The Morning has compiled the best ideas and recommendations from The Times to get you ready for the summer. Starting now.For your time outdoorsHere’s motivation to get you back in your garden, or to start a new one.Make your outdoor space work for you with these design ideas.A friend of mine recently lamented not having summer break as an adult. Here are ideas to relax even if you work full-time, like her.Outdoor activities — in the mountains or in your backyard — mean a greater chance of injury. Know your first aid basics.Pools are open and families are hitting the beach this Memorial Day. Try these workouts in the water.More people are building ponds in their backyard for swimming. See some examples.The joy of gardening.Ike Edeani for The New York TimesFor your travelsIf you’re flying this weekend with some time to kill, test your airport I.Q. with this quiz.If you want some entertainment for a long road trip, here’s a collection of great audiobooks, organized by length.Europe is anticipating yet another season of heat waves. Read how locals, and tourists, are preparing.Here are the best beaches in the U.S. and Mexico for each activity, like swimming, surfing or sand-castle building.Fifty years after working at a Massachusetts hotel, a writer examines what’s changed.Stay at one of these five waterside hotels.For your leisureRead the best fiction and nonfiction of the year (so far).Watch these films this weekend — whether in a movie theater or on your couch.Play these video games if you don’t want to leave your house.Laugh with these new stand-up specials.THE LATEST NEWSIsrael-Hamas WarThe Israeli military continued its operation in Rafah, southern Gaza, despite an International Court of Justice order to immediately suspend its campaign there.Some in Rafah have chosen not to evacuate, while others have fled and then returned after being unable to find safety elsewhere.In an Israeli prison infirmary, a Jewish dentist aided a seriously ill Yahya Sinwar. Years later, Sinwar, the leader of Hamas in Gaza, was an author of the Oct. 7 attack.War in UkraineVladimir Putin, likely feeling confident about the war and his hold on power, has overhauled his Defense Ministry.Russia is carrying out arson attacks on sites in Europe in a low-level sabotage campaign to undermine support for Ukraine.Some American precision-guided weapons have proved ineffective against Russian electronic warfare, classified Ukrainian reports show.A military branch of professional musicians travels Ukraine’s front lines and taps into a tradition of music as resistance, The Washington Post reports.More International NewsIn Papua New Guinea.Andrew Ruing, via ReutersAt least 670 people are thought to have died after a landslide in Papua New Guinea, a local U.N. official said.“They knew that’s where they were supposed to be”: A family member of a missionary couple who were killed in gang violence in Haiti spoke with The Wall Street Journal. Read about why aid groups stay in the country.In India, Prime Minister Narendra Modi uses wide-reaching welfare programs to create loyal voters.PoliticsJohn FettermanKenny Holston/The New York TimesSenator John Fetterman, Democrat of Pennsylvania, is picking fights with the progressives he once courted on issues including Israel and immigration.Rates of violent crime in most U.S. cities are down from pandemic-era highs. But rising property crime has made lawlessness an election issue.In Montana, the voting intentions of an influx of wealthy out-of-state newcomers hang over this year’s Senate race.President Biden told West Point’s graduating class that they owed an oath to the U.S. Constitution, not to their commander in chief. See a video.Other Big StoriesSevere storms are likely across portions of the U.S., while summer heat settles in across the South.At least five people have died and three others have gone missing on Mount Everest since the beginning of the climbing season.THE SUNDAY DEBATEShould Justice Samuel Alito recuse himself from cases about the Jan. 6, 2021, attack?Yes. The flags in support of rioters on Jan. 6, waved on Alito’s properties, add to the Supreme Court’s crisis of confidence. This incident “is a stark reminder of the importance of maintaining a clear separation between personal beliefs and judicial responsibilities,” Aron Solomon writes for The Hill.No. Justices have expressed political opinions publicly before, such as Justice Ruth Bader Ginsburg about Donald Trump. “In all matters of public interest, justices have opinions — and they are appointed to some extent due to their opinions,” Michael Broyde writes for CNN.FROM OPINIONThe Fresh Air Fund in New York City teaches children about nature — and invites them to dream big, the editorial board writes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Richard Sherman, Songwriter of Many Spoonfuls of Sugar, Dies at 95

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      He and his brother, Robert, teamed up to write the songs for “Mary Poppins” and other Disney classics. They also gave the world “It’s a Small World (After All).”Richard M. Sherman, the younger brother in a songwriting team that won two Oscars and two Grammys, brought Disney movies to musical life and gave the world numbers like “A Spoonful of Sugar,” “Supercalifragilisticexpialidocious,” and the ubiquitous, multiply translated “It’s a Small World (After All),” died on Saturday in Los Angeles. He was 95.The death, in a hospital, was announced by the Walt Disney Company.The careers of the Shermans — Richard and Robert — were inextricably linked with Walt Disney. Their Academy Awards were for “Chim Chim Cher-ee,” a chimney sweep’s alternately cheerful and plaintive anthem from “Mary Poppins” (1964), and for the film’s score. Their Grammy Awards were for “Winnie the Pooh and Tigger Too,” shared in 1975 for best recording for children, and the “Mary Poppins” score.“It’s a Small World” was written for the Disney theme-park ride of the same name. The song plays as guests in boats pass among 240 dolls of many nations with identical faces — tiny can-can and folk dancers, mermaids and mariachi bands — plus Big Ben, the Taj Mahal and grinning farm animals.“People want to kiss us or kill us,” Richard Sherman said in a 2011 video interview about the song, which he said was “the biggest hit of the World’s Fair,” where it was introduced in 1964.The Shermans brought a musical-theater sensibility to movie songwriting. The question was never which came first, the music or the words; what came first was the idea.The framework of “Mary Poppins” did not exist until the Shermans got their hands on P.L. Travers’s beloved books about a magical nanny, a series of adventures in 1930s London with no discernible conflict or resolution. In the movie, the problem is the children’s behavior, brought on by a neglectful father. It also seemed like bad taste to employ live-in servants during hard economic times, so they moved the Banks family to the Edwardian era.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Baker’s ‘Anora’ Wins Palme d’Or at Cannes Film Festival

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      The movie about a sex worker, from the American filmmaker Sean Baker, took the top prize at a ceremony that also honored George Lucas.The Palme d’Or at the Cannes Film Festival was awarded on Saturday to “Anora,” a giddily ribald picaresque from the American director Sean Baker about a sex worker who marries the son of a Russian oligarch — and things get very messy.A critical favorite, “Anora” takes a nonjudgmental attitude toward its protagonist, played by Mikey Madison in a go-for-broke breakthrough performance that critics have praised. George Lucas, who received an honorary award at the ceremony, presented the Palme d’Or. Baker hugged Lucas and thanked the jury before blurting out, “I really don’t know what’s happening now.” He dedicated his award to “sex workers past, present and future — this is for you.”The ceremony, which took place in the Grand Lumière Theater in the festival’s headquarters, opened with a spoof of the opening crawl of the original “Star Wars.” When Lucas eventually took the stage, he received a thunderous standing ovation. The applause grew even louder when Lucas’s longtime close friend Francis Ford Coppola appeared to present Lucas with an honorary Palme d’Or. Coppola, who referred to Lucas as his “kid brother,” was at the festival with his epic “Megalopolis,” which screened in the main competition and did not win anything.The competition jury, led by Greta Gerwig, gave a special award to the gripping Iranian tragedy “The Seed of the Sacred Fig,” about a small family that comes violently undone just as the Women, Life, Freedom protest movement in Iran is igniting. The director, Mohammad Rasoulof, who fled the country right before the festival opened, accepted the award in person. On May 13, he announced on Instagram that he had left Iran after being sentenced to eight years in prison for his movies; he was also to be fined and whipped, and have property confiscated.The Grand Prix, the festival’s second-highest honor, was given to “All We Imagine as Light,” from the Indian director Payal Kapadia. A gentle drama about three women coming to terms with one another and their own desires in contemporary Mumbai, “All We Imagine as Light” was another critical favorite. In Kapadia’s acceptance speech, she thanked the three leading actresses, whom she brought onstage with her, as well as all of the workers who make the festival run.Mikey Madison in a scene from “Anora.”Neon, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Zack Norman, Actor Who Juggled Multiple Professions, Dies at 83

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      Best known for movies like “Romancing the Stone,” he also made a mark as a producer, a real estate developer and the butt of a Generation X-friendly television gag.Zack Norman, who made his mark as an actor in films like “Romancing the Stone” and “Cadillac Man” and with appearances on television shows like “The A-Team” and “The Nanny” — and who, as a producer, also became known for a star-crossed movie that became a running punchline on the show “Mystery Science Theater 3000” — died on April 28 in Burbank, Calif. He was 83.The cause of his death, at a hospital, was bilateral pneumonia related to the coronavirus, his daughter Lori Zuker Briller said.While best known for scene-stealing appearances as a supporting player, Mr. Norman was always more than a character actor. He was also a painter, a real estate developer and an art collector who in the 1980s mingled with the likes of Andy Warhol and Jean-Michel Basquiat.Mr. Norman had a memorably menacing turn alongside Danny DeVito in the hit 1984 movie “Romancing the Stone.”20th Century Fox/Everett CollectionStarting in the early 1970s, Mr. Norman tallied nearly 40 movie and television acting credits. He had a memorably menacing turn as Danny DeVito’s crocodile-tending antiquities-smuggler sidekick in “Romancing the Stone,” Robert Zemeckis’s 1984 adventure comedy starring Kathleen Turner and Michael Douglas.He was abundantly familiar to fans of the indie director Henry Jaglom, appearing in many of Mr. Jaglom’s films, including “Sitting Ducks” (1980), a comedy in which he was one of two dimwitted hoods who steal from a gambling syndicate, and “Hollywood Dreams” (2006), in which he played a kindly film producer who looks after a fame-obsessed starlet (Tanna Frederick).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Director Who Fled Iran Brings a Movie and a Message of Hope to Cannes

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      At a news conference for his film “The Seed of the Sacred Fig,” Mohammad Rasoulof reveled details of his escape from the country to avoid a prison sentence.While shooting his new film “The Seed of the Sacred Fig,” the director Mohammad Rasoulof learned that he was facing eight years in prison for making movies that criticize Iran’s hard-line government.So Rasoulof fled Iran, made his way to Germany, and then arrived in France this past week for the Cannes Film Festival. After “The Seed of the Sacred Fig” premiered in competition at the festival to strong reviews on Friday night, Rasoulof promised to continue making films that shine a light on the situation in his country.“The Islamic Republic has taken the Iranian people hostage,” he said at a news conference on Saturday. “It’s very important, then, to talk about this indoctrination.”Set against a backdrop of student protests in Tehran, “The Seed of the Sacred Fig” follows an investigating judge in the Revolutionary Court in Tehran whose job approving death sentences begins to take a heavy toll on him and his family. The judge’s paranoia is stoked after his gun goes missing, and as he begins to suspect his wife and daughters of conspiring against him, he makes drastic moves to determine who the culprit is.Rasoulof said the idea for the film had come to him in 2022, when he was imprisoned alongside the director Jafar Panahi for signing a petition that called on Iran’s security forces to use restraint during public protests.After his release in February 2023, the director began formulating a plan to shoot “The Seed of the Sacred Fig” in a clandestine fashion, with a small crew, so as not to arouse suspicion. “Sometimes people said, ‘There’s someone outside lurking,’ and we would all scatter,” Mahsa Rostami, an actress in the film, said at the news conference. “We just prayed that this project would be followed through to the end.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Morgan Spurlock, Documentarian Known for ‘Super Size Me,’ Dies at 53

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      His 2004 film, which was nominated for an Oscar, followed Mr. Spurlock as he ate nothing but McDonald’s for a month.Morgan Spurlock, a documentary filmmaker best known for the Oscar-nominated 2004 film “Super Size Me,” which followed him as he ate nothing but McDonald’s for 30 days, died on Thursday. He was 53.His brother Craig Spurlock confirmed the death in a statement to The Associated Press, and said the cause was complications from cancer. The statement did not say where he died.In “Super Size Me,” Mr. Spurlock tested the broadly held idea that fast food is unhealthy by gorging on McDonald’s Super Size meals, hamburgers, fries, soda and more for weeks, as he steadily gained weight. The film, which grossed more than $22 million on a $65,000 budget, contributed to a sweeping backlash against the fast food industry.A full obituary will follow. More

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      What is Cultpix? A Streaming Alternative to Netflix and Hulu

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      This streaming service collects low-budget, high-creativity movies with outsider status. We single out some of the best on offer.Few words in the cinematic sphere are misappropriated as frequently and as flagrantly as “cult” (no, friends, “Mean Girls,” a pop culture phenomenon as well as critical and commercial success upon its initial release, is not a “cult classic”), so one of the many refreshing pleasures of the streaming service Cultpix is that the titles it streams are honest-to-God cult movies.And what exactly is a cult movie? Definitions and explanations vary, of course; Danny Peary, who literally wrote the book on the subject, defined them as “special films which for one reason or another have been taken to heart by segments of the movie audience, cherished, protected, and most of all, enthusiastically championed.” This is a generously broad definition, however; most blue-blood cinephiles consider low budgets, outsider status, commercial indifference, critical hostility or obscurity to be important factors as well. When the question is posed more directly on Cultpix’s FAQ page, the answer is even simpler: “We decide what is a cult film. This is not a democracy, this is a cult.”Cult movies and the internet have gone hand in hand since the latter’s beginning — in fact, the first feature film ever streamed online was the 1992 cult film “Wax: Or the Discovery of Television Among the Bees” — and while the click-of-a-button ease of online interactions (from streaming to torrenting to disc rental and purchase) has reduced the obscurity factor, it has also allowed online communities of cult film fans to flourish.Our monthly spotlight on lesser-known but worthwhile streaming services has included a fair amount of fringe programming for viewers tired of the same titles rotating between Netflix, Amazon Prime Video, Max and Hulu, but Cultpix (which launched in 2021) offers the wildest variety of options to date: long-forgotten crime thrillers, horror oddities, cheapo fantasy flicks, documentaries of dubious merit, women-in-prison pictures, weirdo westerns, drug dramas, kung fu galore, kaiju city-smashers, and erotica of various shapes and styles. (Consider yourself warned: There are plenty of firmly adults-only titles.)Other collections are even more specialized. To honor the recent loss of Roger Corman, the king of exploitation cinema, the service has re-upped its birthday tribute to the filmmaker. There is a spotlight on “Video Nasties,” films of extreme violence targeted and banned in England in the 1980s and 1990s. The “Background Films for Parties” section offers exactly what it promises — collections of trailers, shorts, adult film “loops,” “soundies” (jukebox musical shorts that were, put simply, the first music videos), and other cinematic ephemera. They also boast a wide enough variety to present a handful of genuinely amusing sub-sub-genres, including “Juvenile Delinquent,” “Fake Gorilla Suit,” “Mad Scientist” and “Women in Fur Bikini”; if you don’t have to have those explained to you, well, you’re the target audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More