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      Cillian Murphy Wins His First Oscar for ‘Oppenheimer’

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      Cillian Murphy won the Oscar for best actor for his portrayal in “Oppenheimer” of the physicist J. Robert Oppenheimer, who developed the atomic bomb and was haunted by its impact.“For better or for worse, we’re all living in Oppenheimer’s world,” Murphy said in his acceptance speech. “So I would really like to dedicate this to the peacemakers everywhere.”This is Murphy’s first Oscar win and his first nomination. He was a top contender at this year’s Academy Awards after winning a slew of other awards, including best actor at the Screen Actors Guild Awards, best leading actor at the BAFTA Film Awards and best actor in a drama at the Golden Globes.“It’s been the wildest, most exhilarating, most powerfully satisfying journey you’ve taken me on over the last 20 years,” he said, thanking “Oppenheimer” producer Emma Thomas and director Christopher Nolan, who also won his first Oscar on Sunday night. “I owe you more than I can say.”The contest for best actor had developed into a two-way race between Murphy and Paul Giamatti (“The Holdovers”), who won best actor at the Critics Choice Awards and best actor in a musical or comedy film at the Golden Globes.Bradley Cooper (“Maestro”), Colman Domingo (“Rustin”) and Jeffrey Wright (“American Fiction”) were also nominated in the category. More

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      Emma Stone Wins Her Second Best Actress Oscar for ‘Poor Things’

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      Last year’s Oscar for best actress went to a universe-hopping laundromat owner who at one point appears to have hot dogs for fingers. Naturally, this year had to go even stranger.The award went to Emma Stone for her performance in the Yorgos Lanthimos-directed “Poor Things” as Bella Baxter, once dead but resurrected by a mad scientist, who implanted the brain of her unborn child into her skull.The result is a full-grown woman with the impulses of an infant, until she progresses into a child testing boundaries and searching for independence in a world where men are accustomed to dictating women’s lives.Stone, who was visibly overwhelmed in her acceptance speech, shared a conversation she had with Lanthimos, who is a frequent collaborator.“The other night I was panicking, as you can kind of see happens a lot, that maybe something like this could happen,” she said, “and Yorgos said to me, ‘Please take yourself out of it.’ And he was right because it’s not about me. It’s about a team that came together to make something greater than the sum of its parts.”The victory is Stone’s second for best actress: she won for her turn as a striving Hollywood performer in the 2016 musical “La La Land.”In the fantastical, absurdist world of “Poor Things,” Stone’s Bella Baxter is charmingly blunt, brash and intent on being free to experiment. In one memorable scene at a restaurant in Portugal, Baxter launches into a wild and silly dance, inspiring her lover (played by Mark Ruffalo) to furiously try matching her vigor.“She’s drinking up the world around her in such a unique and beautiful way that I just dream I could,” Stone, 35, said in an interview with The Times in November.This past year was something of a crossroads for Stone’s career as she made a sharp turn away from the kind of mainstream roles that made her famous (“Easy A,” “The Help”). On TV, Stone starred alongside Nathan Fielder and Benny Safdie in “The Curse,” a satire of a home renovation show filled with little absurdities that almost rival the duck-headed bulldog in “Poor Things.”Baxter’s unusual character arc provided Stone a unique actor’s playground as her character learned how to walk and talk, discovered her sexuality, learned the deepest horrors of humanity, and sought to forge her own life as an adult.“I felt like I kind of lived with her for a long time,” Stone told Vanity Fair. “Yorgos and I still talk about how we miss her now.” More

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      Billie Eilish (and ‘Barbie’) Win an Oscar for ‘What Was I Made For?’

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      Billie Eilish’s tender, yearning ballad “What Was I Made For?” won for original song, ensuring that “Barbie” will leave the ceremony with at least one Oscar.The soundtrack for Greta Gerwig’s blockbuster film became a powerhouse unto itself, loaded with songs by A-list stars. “What Was I Made For?,” which Eilish wrote with her brother, Finneas O’Connell, won song of the year at the Grammys and was the favorite in this category at the Oscars. This is the siblings’ second original-song Oscar. They previously won for “No Time to Die” from the 2021 James Bond blockbuster.“I was not expecting this,” Eilish said in a speech. “I’m so grateful for this song and for this movie and the way that it made me feel. And this goes out to everyone who was affected by the movie and how incredible it is.”In a sign of the strength of the “Barbie” soundtrack, the winner’s stiffest Oscars competition may have been another song from the film, “I’m Just Ken,” Ryan Gosling’s doleful lamentation. Gosling, and a large ensemble that included some of the film’s Kens, performed the number on Sunday night.“Barbie,” which has grossed $1.4 billion at the box office worldwide, came into the evening with eight Oscar nominations but was a favorite only in the song category. More

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      Director of ’20 Days in Mariupol’ Says He’d Rather Have No Oscar and No War

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      The Ukrainian director Mstyslav Chernov used his acceptance speech for “20 Days in Mariupol,” which won the Oscar for best documentary feature on Sunday, to give an emotional denunciation of the continued invasion of his country by Russian forces.“I’ll be the first director on this stage who will say, ‘I wish I never made this film,’” Chernov said.The harrowing first-person account from Chernov, a video journalist for The Associated Press, captures the first days of the Russian invasion and the devastation and destruction the port city of Mariupol faced. “20 Days in Mariupol” is the first Ukrainian film to win an Oscar.“I wish to be able to exchange this to Russia never attacking Ukraine, never occupying our cities,” Chernov continued. “I wish to give it all the recognition to Russia not killing tens of thousands of my fellow Ukrainians. I wish for them to release all the hostages, all the soldiers who are protecting their lands, all the civilians who are now in their jails.”Chernov and his crew raced to make it out of Mariupol alive. He said in his speech that he could not change history but wanted it to be remembered.“We can make sure that the history record is set straight and that the truth will prevail and that the people of Mariupol and those who have given their lives will never be forgotten,” he said. More

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      ‘Oppenheimer’ Is the Origin Story. These Three Movies Reveal Our Nuclear Present.

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      The national security writer W. J. Hennigan has spent many years ringing the alarm about the world’s new nuclear era — the subject of At The Brink, a new series from New York Times Opinion — and the crisis on the horizon. For anyone whose interest was piqued by the origin story of nuclear weapons in “Oppenheimer,” Mr. Hennigan, who happens to be a movie buff, recommends three essential films that illuminate our new nuclear era.An edited transcript of the above audio essay by Mr. Hennigan follows:W.J. Hennigan: For many years, people haven’t really spent a lot of time thinking about nuclear weapons, but that’s changed — both because of the war in Ukraine as well as the popularity of the recent Christopher Nolan film “Oppenheimer.”The idea that a biopic about a scientist and nuclear weapons would be so popular, the fact that it’s won so many awards and has sparked such an interest, is really quite surprising.For the past quarter-century, an entire generation has come of age without really having to worry about the bomb. This has not something that’s been front of mind.Nuclear weapons were the predominant national security concern for our country for a half-century, and that was reflected within culture and art. Throughout the Cold War, you could see the topic of nuclear weapons in movies, video games, television shows, cartoons, songs, comic books, board games. There were alcoholic drinks inspired by nuclear weapons.That kind of changed on a dime after the fall of the Soviet Union in 1991, but even though the concern and awareness over the nuclear peril faded, the danger hasn’t gone away. We’ve entered a new nuclear era, but that’s not being publicly discussed in the way that it has in the past.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Cabrini’ Review: Embarking on a Pious Mission

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      From the team behind “Sound of Freedom,” this biopic of an Italian nun in 19th-century New York City is stuffed with sanctimonious speeches.“Cabrini,” a cluttered biopic of an Italian nun on a mission in 19th-century Manhattan, is directed by Alejandro Monteverde and produced by Angel Studios. You may recognize the names as the team behind “Sound of Freedom,” the 2023 conservative hit thriller.Yet this new, pious tale, assembled around the ecumenical theme of perseverance, almost makes one nostalgic for the frisson of provocation. The gauzy goodness of this film is axiomatic, and its litany of sanctimonious speeches (“the world is too small for what I intend to do”) generally repels inquiry, let alone controversy.The story begins as Francesca Cabrini (Cristiana Dell’Anna) and Catholic nuns from her order immigrate to New York to run an orphanage in Five Points, the Lower Manhattan neighborhood plagued by violence and adversity. She goes on to challenge various clergymen and politicians in her quest to save the youth and aid the downtrodden, namely, Italians. I should mention that the saintly striver is all the while giving support to a former prostitute, hoping to open a hospital and enduring a lung condition with a terminal prognosis.It’s inspiring stuff, rendered stodgy and repetitive. The screenplay contains numerous scenes of Cabrini striding through opulent rooms as she goes head-to-head with bureaucratic white men; several sequences could have been scrapped in favor of more time spent with the rabble of orphans under her care. Among the multitude, only one suffering boy, bravely volunteering as a representative case, is accorded a name and a back story.CabriniRated PG-13 for some sinful material. Running time: 2 hours 25 minutes. In theaters. More

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      ‘Dune: Part Two’ Draws Biggest Opening Since ‘Barbie’ at the Box Office

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      The science-fiction sequel sold an estimated $81.5 million in tickets in the United States and Canada, the biggest opening for a Hollywood film since “Barbie.”“Dune: Part Two” and its A-list cast jump-started moviegoing in North America after a dismal start to the year.The science-fiction sequel sold an estimated $81.5 million in tickets in the United States and Canada from Thursday night to Sunday, the biggest opening for a Hollywood film since “Barbie” in July. (Taylor Swift’s concert documentary arrived to $93 million in October.) “Dune: Part Two,” directed by Denis Villeneuve, collected an additional $97 million overseas. IMAX screenings were especially strong.Legendary Entertainment and Warner Bros. spent $190 million to produce “Dune: Part Two,” not including a megawatt marketing campaign that found Zendaya, Timothée Chalamet, Austin Butler, Anya-Taylor Joy, Javier Bardem, Josh Brolin and Florence Pugh trotting red carpets in Mexico City, London and New York.The movie had originally been scheduled for November, but Legendary pushed back the release date because of the actors’ strike: Without the buzzy young cast promoting the movie — Zendaya’s bottom-baring robot suit at the London premiere arrived on the internet as a sonic boom — Legendary feared that “Part Two” would not turn out audiences in big enough numbers to warrant the high budget. Sci-fi fans were likely to come one way or another. But Legendary also needed to sell the film’s more delicate story — a boy becoming a man, a guy falling in love — which would be more difficult without cast interviews.“It was a tough decision because I knew moving the movie out of the fall was going to cause a lot of pain for exhibition,” said Josh Grode, Legendary’s chief executive, using Hollywood jargon for theaters. “But when you have a cast like this one, you use it.”“We’re really, really happy,” Mr. Grode added.Ticket sales in North America had been down 20 percent this year compared with the same period last year. “Dune: Part Two” narrowed the decline to 13 percent. Theaters have struggled partly because studios have not released a steady flow of films; moviegoing begets moviegoing, analysts say, with trailers playing before titles on one weekend helping to fill seats the next. Marquees will be less sparse in March. “Kung Fu Panda 4,” “Ghostbusters: Frozen Empire” and Legendary’s “Godzilla x Kong: The New Empire” are all expected to be hits.Second place for the weekend went to “Bob Marley: One Love” (Paramount), with about $7.4 million in ticket sales, lifting its three-week domestic total to $82.8 million. The faith-based drama “Ordinary Angels” (Lionsgate) collected $3.9 million, for a two-week total of $12.6 million. More

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      Kenneth Mitchell, Known for ‘Star Trek’ and ‘Captain Marvel’ Roles, Dies at 49

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      Mr. Mitchell, a Canadian actor who appeared on “Star Trek: Discovery,” had A.L.S.Kenneth Mitchell, a Canadian actor known for his roles on the series “Star Trek: Discovery” and the film “Captain Marvel,” died on Saturday. He was 49.He had lived with the neurological disorder amyotrophic lateral sclerosis, or A.L.S., which causes paralysis and death, for more than five years, according to a statement from Mr. Mitchell’s family posted to his social media.Mr. Mitchell played the Klingons Kol, Kol-Sha, and Tenavik, as well as Aurellio, on “Star Trek: Discovery,” and voiced several other characters in an episode of “Star Trek: Lower Decks.”In “Captain Marvel,” he played the father of the superhero, Carol Danvers. He was also known for portraying Eric Green on the series “Jericho,” Joshua Dodd in the series “Nancy Drew,” a hockey player in the film “Miracle,” and appeared in several other film and television series.Mr. Mitchell lived with his wife, the actress Susan May Pratt, and their children in Los Angeles. He was born on Nov. 25, 1974, in Toronto to Diane and David Mitchell.In 2018, Mr. Mitchell was diagnosed with A.L.S., according to a statement posted to his social media in August. He revealed his diagnosis in an interview with People Magazine in 2020, saying that from the moment he found out, it was “like I was watching that scene where someone is being told that they have a terminal illness.” He added, “It was just a complete disbelief, a shock.”Mr. Mitchell said he focused on spending more time with his family and rejected a lead role in a television series that required moving back to Canada. The makers of the series “Nancy Drew” also accommodated for his illness, he told People, using a stunt double when needed. Other roles were created for him that allowed him to be seated, he added.“This disease is absolutely horrific,” Mr. Mitchell said in the post last year, which accompanied a photo of him watching the sunset from a wheelchair on the beach. “Yet despite all the suffering, there is so much to be grateful for,” he added.Mr. Mitchell is survived by his wife, their children Lilah and Kallum, his parentsand other family members, according to the family statement. More