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      With ‘The Watchers’ and ‘Trap,’ the Shyamalan Family Scares Together

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      Saleka and Ishana Night Shyamalan are collaborating with their father, M. Night Shyamalan, on the thrillers “The Watchers” and “Trap.” The release dates are a happy coincidence.The Shyamalan family is very close. How close? During a video interview with the sisters Saleka, 27, and Ishana Night Shyamalan, 24, their dad, the “Sixth Sense” director M. Night Shyamalan, called Ishana on the phone. The sound interrupted Ishana speaking about the differences between her and her father’s filmmaking process.“I’m like, you know we’re on this call right now,” she said with a laugh, ignoring the ring.Given this familial bond, it makes sense that the Shyamalan siblings are both on the cusp of major career moments this summer made in collaboration with their father. Ishana’s feature directing debut “The Watchers,” with Night as one of the producers, releases June 7, while Saleka, a musician, portrays a pop star in and wrote original songs for Night’s latest, “Trap,” due Aug. 9. The fact that both projects are emerging around the same time is coincidental, Ishana and Saleka said, but they are happy to share in the celebration.“I feel like in some ways we’ve always done that, since we were growing up, experience things together,” Saleka said. “So it feels right even though it was unplanned.”Dakota Fanning, who stars in “The Watchers,” with Ishana on set.Jonathan Hession/Warner Bros.In an era where discourse over nepotism in Hollywood runs hot, the Shyamalans wear their name proudly. (Their mom, Bhavna Shyamalan, is the owner of a fitness studio and the vice president of the M. Night Shyamalan Foundation.) Fans noticed that there was a poster for “The Watchers” in the “Trap” trailer. The sisters did acknowledge the advantages that come with their lineage, but they have tried to make up for that with discipline. “It’s really about meeting that privilege and honoring that with as hard a work ethic as we can, by being as kind people as we can and holding ourselves to the highest standard possible,” Ishana said.But no matter what they chose as professions, Saleka said, their dad was probably going to be nearby. “He’s just a super involved parent,” she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      At the Tribeca Festival, Vision and Vibe

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      The festival favors abundance, which can make it easy for cinema fans (and critics) to miss the loveliest trees for the sheer breadth of forest.Early in the animated film “Boys Go to Jupiter,” premiering at this year’s Tribeca Festival, an indie electronic beat kicks in. Like a music video rendered on Kid Pix, the sequence that follows finds the mulleted Rozebud (voiced by the singer Miya Folick) tending to neon citrus trees while crooning a melody as catchy as it is ethereal. The film, from the artist Julian Glander, belongs to a subset of Tribeca movies that use music in startling and adventurous ways. Their soundscapes conjure vision and feeling, as well as that ineffable thing sometimes called vibe.Running from Wednesday through June 16, the Tribeca Festival — it dropped “film” from its name in 2021 — is big on vibe, for better and for worse. This is an event that embraces virtual reality, artificial intelligence and immersive installations, that pairs its screenings with concerts and its concerts with visuals, that touts buzzword-friendly panels about brands, innovation or brand innovation. Spilling across downtown Manhattan and a little into Williamsburg, Tribeca favors multimedia abundance, which can make it easy for cinema fans (and critics) to miss the loveliest trees for the sheer breadth of forest.My favorite Tribeca selection also ranks in my top films of the year so far: Nathan Silver’s fidgety and finely tuned “Between the Temples,” a sensational Jewish love comedy about a dispirited cantor (Jason Schwartzman) and his adult bat mitzvah student (Carol Kane). I caught it at Sundance, and feel a sacred duty to spread the word. But I primarily dedicate my Tribeca time to sampling world premieres — movies that haven’t played at other festivals and need a nudge to break out.A scene from “Boys Go to Jupiter,” directed by Julian Glander.Julian GlanderIn my hunt for gems, I often have luck in the Viewpoints section, designed to house films that push the boundaries of form and perspective. It was there that I made contact with the otherworldly “Boys Go to Jupiter,” a memorable standout, and not only because of Rozebud’s earworm. Following a cast of slackers and crackpots in suburban Florida, the video game-like musical comedy marries gummy 3-D graphics and stoned-guy humor with sly commentary on hustle culture and the gig economy. The ensemble of avatars is voiced by a corps d’elite of quirky comedians like Cole Escola and Julio Torres.Glander’s film would pair nicely with “Eternal Playground,” a Parisian drama that follows Gaspard (Andranic Manet), a middle school music teacher. Shot in sumptuous 16 mm, this labor of love from the filmmakers Pablo Cotten and Joseph Rozé opens just before the bell rings for summer break, although Gaspard won’t be leaving the premises: He and five childhood pals have resolved to secretly camp out in the vacant school while classes are out for summer. A French New Wave-inflected love letter to the schoolyard, “Eternal Playground” accompanies the crew as they sing, romp, reminisce and memorialize a late friend.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Which Cannes Films Might Become Oscar Contenders?

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      Films backed by the studio Neon have won Cannes and gone on to Oscar nominations regularly in the last few years. That’s one reason to keep an eye on “Anora.”Last year’s Cannes Film Festival was practically a one-stop shop for Oscar voters, premiering three major films — “Anatomy of a Fall,” “The Zone of Interest” and “Killers of the Flower Moon” — that would go on to be nominated for best picture.Does this year’s crop of Cannes movies have the same juice?At the 77th edition of the festival, which concluded Saturday, Sean Baker’s “Anora” was named the winner of the prestigious Palme d’Or. Three of the last four Palme winners went on to receive a best-picture nomination — “Anatomy of a Fall,” “Triangle of Sadness” and “Parasite” — and all of them, like “Anora,” were distributed by the studio Neon. That’s an astonishing streak that positions “Anora” in the best way possible, lending a veneer of prestige to Baker’s raucous comedy about a Brooklyn stripper who marries into Russian wealth.In 2018, Baker’s “The Florida Project” came awfully close to a best-picture nomination. If voters are more amenable to his indie sensibility this time around, expect robust campaigns for the lead Mikey Madison and for Baker’s script and direction. More of a long shot but equally worthy is supporting actor Mark Eydelshteyn as the live-wire heir our title character weds: Though Oscar voters rarely reward young men, this kid’s a total find, like a Russian Timothée Chalamet.Zoe Saldaña shared the best actress award at Cannes with three other female co-stars of “Emilia Pérez,” which is so much more than a musical.VixensIn a surprise move, the Cannes jury split the best actress award four ways, honoring the main female cast of the talked-about musical “Emilia Pérez.” That means the ensemble member Selena Gomez now has a Cannes trophy that has eluded the likes of Marion Cotillard, though I suspect more fruitful Oscar campaigns would be waged on behalf of the leading lady Zoe Saldaña, who’s never had a more robust role, and especially Karla Sofía Gascón, who could become the first trans actress to be nominated for an Oscar. (The fourth winner was Adriana Paz.)Netflix has picked up “Emilia Pérez” and will certainly give it a significant awards push, though the streamer’s stewardship could have drawbacks. It’s true that this is a hard-to-classify film — equal parts crime drama, trans empowerment narrative and full-blown movie musical — which would have made it a difficult theatrical sell. But some of its more outrageous moments are certain to be memed and mocked as soon as it makes its streaming debut, which could hobble the film’s reputation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The 15 Most Unforgettable Looks From Cannes

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      The Cannes Festival jury led by Greta Gerwig announced its winners this weekend, including the Palme d’Or for “Anora,” a comedy from the American filmmaker Sean Baker about a sex worker who marries the son of a Russian oligarch. The ceremony concluded 10 full days filled with movies and long ovations, news conferences peppered with politics, a filmmaker’s return, women-led films that caused a stir, a president’s origin story and, of course, canine stars. But the Côte d’Azur’s red carpet proved also to be a bonanza, where stars upped the ante on style, wearing bright swaths of color, statement hats that canceled out the need for any SPF — and baring skin, lots of it. Here, 15 looks worth remembering. Anya Taylor-Joy: Most Flapper!Andre Pain/EPA, via ShutterstockThe star of “Furiosa: A Mad Max Saga” wore an updated flapper style in her Jil Sander skirt suit. The actress mixed a cropped jacket, shag skirt and fringe with a delicate heel and dramatic eyes to pull off an elegant yet understated look.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Michelle Buteau Takes the Lead in ‘Babes’ and on Netflix

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      Once relegated to supporting roles, this comedian is a star of the film “Babes” and is moving to a bigger stage, Radio City Music Hall, for her new special.“Oh my God, are we best friends?” the comedian Michelle Buteau said, 27 seconds into meeting me.Honestly, it was a joke that felt like it could ricochet into reality. It didn’t. But that is the power of Buteau’s ebullient charisma, which telegraphs to audiences that her preternatural comic rhythm and dolled-up, side-eye style of delivery are in service of being a warmhearted bestie. To her TV, film, podcast and stand-up fans, she’s a moral center with a blue streak. “I truly, sincerely care,” she said, “about these bitches.”The B-word is one that Buteau and her friend and co-star in the new comedy “Babes,” Ilana Glazer, roll and dice into multiple syllables and meanings, in a sisterhood built on tell-it-like-it-is endearments, unfiltered but uplifting, like Buteau’s comedy.In “Babes,” which was directed by Pamela Adlon, Buteau plays an exhausted working mother of two young children, reconfiguring her life minute by minute, task by task, to accommodate her career, her family, her partner and her friendships. Also the occasional hallucinogenic trip and breast pump-destroying dance party.In real life, Buteau does that (or most of it), and is both cleareyed and funny about it: “Every day feels like a panic room — I’m just searching for the next clue.” Having 5-year-old twins with her Dutch husband, a house in the Bronx, some dogs and an ascending, multistrand career is undeniably a lot; the movie reflects that, too. “There’s no such thing as balance,” she said, during a recent lunch interview. “You do what you can, when you can.”Buteau, opposite Ilana Glazer in “Babes,” is “just a perfect comedy machine,” said the film’s director, Pamela Adlon.Gwen Capistran/Neon, via Associated PressIn the last five years, Buteau, 46, has made the leap from a 20-year stalwart of the New York comedy scene to a headliner and the star of her own scripted Netflix series, “Survival of the Thickest,” loosely based on her 2020 essay collection of the same name, and heading toward its second season. With “Babes,” now in wide release, she also moves up from the BFF and assistants she played in Ali Wong’s “Always Be My Maybe” and Jennifer Lopez’s “Marry Me,” to a lead: the movie is centered on the friendship between Glazer and Buteau’s characters. It arrives as Buteau is preparing to film her second hourlong Netflix special, “Full Heart, Tight Jeans,” on June 6 at Radio City Music Hall.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Furiosa’ Is a Memorial Day Weekend Box Office Dud

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      Memorial Day weekend ticket sales in North America are expected to total $125 million, down 40 percent from last year.Hollywood expected “Furiosa: A Mad Max Saga” to scorch the box office over the holiday weekend. Instead, the big-budget Warner Bros. prequel iced it over.“Furiosa,” which cost $168 million to make, not including tens of millions of dollars in marketing costs, collected an estimated $25.6 million in the United States and Canada from Thursday night to Sunday. Box office analysts expected the film to take in about $5.4 million on Monday, for a holiday-weekend total of $31 million.That would be the worst Memorial Day weekend result in 43 years after adjusting for inflation — ever since “Bustin’ Loose,” a comedic drama starring Richard Pryor, collected $24 million in 1981. (Box office records exclude 2020, when most theaters were closed because of the coronavirus pandemic.)The franchise’s previous chapter, “Mad Max: Fury Road,” took in $45.4 million in 2015, or roughly $61 million in today’s dollars — and that was without the benefit of a holiday weekend.Hollywood had high expectations for “Furiosa,” which Warner Bros. premiered at the Cannes Film Festival; the movie received exceptional reviews. On Sunday, however, it was unclear whether “Furiosa” would manage even first place at the box office. Analysts said the poorly reviewed “Garfield” (Sony), which cost $60 million to make, could inch ahead. It could also be a tie.Sony declared victory, saying it expected “Garfield,” produced and financed by Alcon Entertainment, to be No. 1, with $31.8 million in ticket sales. “With summer holidays beginning this week, the film is well-positioned for a long theatrical run,” Sony said, adding that it had successfully “relaunched” the lasagna-loving character as a movie franchise.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Summer Begins

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      Memorial Day is the starting gun of a new season. Here’s a guide on how to spend the summer months. Memorial Day is a starting gun. While other holidays can be like a finish line — the culmination of so much energy — Memorial Day marks the beginning. The whole summer stretches out in front of us, a track shimmering in the sun.If you’re not yet sure how to spend the long weekend, or the next few months, don’t worry. The Morning has compiled the best ideas and recommendations from The Times to get you ready for the summer. Starting now.For your time outdoorsHere’s motivation to get you back in your garden, or to start a new one.Make your outdoor space work for you with these design ideas.A friend of mine recently lamented not having summer break as an adult. Here are ideas to relax even if you work full-time, like her.Outdoor activities — in the mountains or in your backyard — mean a greater chance of injury. Know your first aid basics.Pools are open and families are hitting the beach this Memorial Day. Try these workouts in the water.More people are building ponds in their backyard for swimming. See some examples.The joy of gardening.Ike Edeani for The New York TimesFor your travelsIf you’re flying this weekend with some time to kill, test your airport I.Q. with this quiz.If you want some entertainment for a long road trip, here’s a collection of great audiobooks, organized by length.Europe is anticipating yet another season of heat waves. Read how locals, and tourists, are preparing.Here are the best beaches in the U.S. and Mexico for each activity, like swimming, surfing or sand-castle building.Fifty years after working at a Massachusetts hotel, a writer examines what’s changed.Stay at one of these five waterside hotels.For your leisureRead the best fiction and nonfiction of the year (so far).Watch these films this weekend — whether in a movie theater or on your couch.Play these video games if you don’t want to leave your house.Laugh with these new stand-up specials.THE LATEST NEWSIsrael-Hamas WarThe Israeli military continued its operation in Rafah, southern Gaza, despite an International Court of Justice order to immediately suspend its campaign there.Some in Rafah have chosen not to evacuate, while others have fled and then returned after being unable to find safety elsewhere.In an Israeli prison infirmary, a Jewish dentist aided a seriously ill Yahya Sinwar. Years later, Sinwar, the leader of Hamas in Gaza, was an author of the Oct. 7 attack.War in UkraineVladimir Putin, likely feeling confident about the war and his hold on power, has overhauled his Defense Ministry.Russia is carrying out arson attacks on sites in Europe in a low-level sabotage campaign to undermine support for Ukraine.Some American precision-guided weapons have proved ineffective against Russian electronic warfare, classified Ukrainian reports show.A military branch of professional musicians travels Ukraine’s front lines and taps into a tradition of music as resistance, The Washington Post reports.More International NewsIn Papua New Guinea.Andrew Ruing, via ReutersAt least 670 people are thought to have died after a landslide in Papua New Guinea, a local U.N. official said.“They knew that’s where they were supposed to be”: A family member of a missionary couple who were killed in gang violence in Haiti spoke with The Wall Street Journal. Read about why aid groups stay in the country.In India, Prime Minister Narendra Modi uses wide-reaching welfare programs to create loyal voters.PoliticsJohn FettermanKenny Holston/The New York TimesSenator John Fetterman, Democrat of Pennsylvania, is picking fights with the progressives he once courted on issues including Israel and immigration.Rates of violent crime in most U.S. cities are down from pandemic-era highs. But rising property crime has made lawlessness an election issue.In Montana, the voting intentions of an influx of wealthy out-of-state newcomers hang over this year’s Senate race.President Biden told West Point’s graduating class that they owed an oath to the U.S. Constitution, not to their commander in chief. See a video.Other Big StoriesSevere storms are likely across portions of the U.S., while summer heat settles in across the South.At least five people have died and three others have gone missing on Mount Everest since the beginning of the climbing season.THE SUNDAY DEBATEShould Justice Samuel Alito recuse himself from cases about the Jan. 6, 2021, attack?Yes. The flags in support of rioters on Jan. 6, waved on Alito’s properties, add to the Supreme Court’s crisis of confidence. This incident “is a stark reminder of the importance of maintaining a clear separation between personal beliefs and judicial responsibilities,” Aron Solomon writes for The Hill.No. Justices have expressed political opinions publicly before, such as Justice Ruth Bader Ginsburg about Donald Trump. “In all matters of public interest, justices have opinions — and they are appointed to some extent due to their opinions,” Michael Broyde writes for CNN.FROM OPINIONThe Fresh Air Fund in New York City teaches children about nature — and invites them to dream big, the editorial board writes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Richard Sherman, Songwriter of Many Spoonfuls of Sugar, Dies at 95

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      He and his brother, Robert, teamed up to write the songs for “Mary Poppins” and other Disney classics. They also gave the world “It’s a Small World (After All).”Richard M. Sherman, the younger brother in a songwriting team that won two Oscars and two Grammys, brought Disney movies to musical life and gave the world numbers like “A Spoonful of Sugar,” “Supercalifragilisticexpialidocious,” and the ubiquitous, multiply translated “It’s a Small World (After All),” died on Saturday in Los Angeles. He was 95.The death, in a hospital, was announced by the Walt Disney Company.The careers of the Shermans — Richard and Robert — were inextricably linked with Walt Disney. Their Academy Awards were for “Chim Chim Cher-ee,” a chimney sweep’s alternately cheerful and plaintive anthem from “Mary Poppins” (1964), and for the film’s score. Their Grammy Awards were for “Winnie the Pooh and Tigger Too,” shared in 1975 for best recording for children, and the “Mary Poppins” score.“It’s a Small World” was written for the Disney theme-park ride of the same name. The song plays as guests in boats pass among 240 dolls of many nations with identical faces — tiny can-can and folk dancers, mermaids and mariachi bands — plus Big Ben, the Taj Mahal and grinning farm animals.“People want to kiss us or kill us,” Richard Sherman said in a 2011 video interview about the song, which he said was “the biggest hit of the World’s Fair,” where it was introduced in 1964.The Shermans brought a musical-theater sensibility to movie songwriting. The question was never which came first, the music or the words; what came first was the idea.The framework of “Mary Poppins” did not exist until the Shermans got their hands on P.L. Travers’s beloved books about a magical nanny, a series of adventures in 1930s London with no discernible conflict or resolution. In the movie, the problem is the children’s behavior, brought on by a neglectful father. It also seemed like bad taste to employ live-in servants during hard economic times, so they moved the Banks family to the Edwardian era.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More