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      Stream These 11 Movies Before They Leave Netflix in February

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      “Dune” and “Snowpiercer” are among the action epics, dramas and teen comedies leaving soon for U.S. subscribers. Watch them while you can.Family fun, action epics, historical dramas, teen comedy — there’s a little something for everyone among the titles leaving Netflix in the United States in February. (Dates indicate the final day a title is available.)‘Chicken Run’ (Feb. 14)Stream it here.With the long-awaited made-for-Netflix sequel “Chicken Run: Dawn of the Nugget” having hit the service barely six weeks ago, you’d think Netflix would have licensed the original installment for a bit longer. Frankly, they should keep it around even if there weren’t I.P. to service — this is one of the most delightful family pictures of the 2000s, a fast-paced and very funny riff on “The Great Escape” and its ilk. Assembled with the customary care and wit by the stop-motion masterminds at Aardman Animations (the crew behind Wallace and Gromit), it’s a delight for kids and grown-ups alike.‘Prometheus’ (Feb. 14)Stream it here.In 1979, the director Ridley Scott had his first big hit with “Alien,” an ingeniously conceived and cleverly executed mash-up of an alien adventure and a haunted-house horror movie. The series continued in the hands of directors like James Cameron and David Fincher, while Scott continued to hone his distinctive style; this 2012 installment was his return to the franchise. Some were disappointed that the results weren’t merely “Alien” redux, but credit to Scott for making “Prometheus” an exploration of the themes and aesthetics that preoccupied him at that point in his long career, rather than merely retreading a past success. The special effects are astonishing, the production design is spot-on and the performances (particularly Charlize Theron as a villainous upper manager and Michael Fassbender as an enigmatic android) are memorable.‘Real Steel’ (Feb. 14)Stream it here.It’s not exactly a promising premise: a washed-up boxer turned sleazy promoter finds a champion on the underground robot-boxing circuit, bonding with his estranged son in the process. To call it hypercalculated is an understatement (our critic parsed its DNA as “‘Transformers’ meets ‘E.T.’ meets ‘Rocky’ meets ‘The Champ,’” and that’s not far off), but as Roger Ebert liked to say, it’s not what a movie’s about, but how it’s about it. The director Shawn Levy orchestrates the events with earnestness, refusing the urge to look down on the material (or the audience), and he has an invaluable partner in the movie’s star, Hugh Jackman, who plays the slimy lead without pulling his punches, yet retains enough of his inherent charisma to make us root for his inevitable redemption arc.‘Operation Finale’ (Feb. 19)Stream it here.Oscar Isaac is in fine form as a tough but sensitive Nazi hunter tasked with finding and extracting Adolf Eichmann (Ben Kingsley), one of the architects of the Final Solution, from his hide-out in Argentina to stand trial in Jerusalem. This true story is efficiently dramatized by the director Chris Weitz (whose filmography, which includes such divergent efforts as “American Pie” and “About A Boy,” might not make him an obvious choice for a tough historical drama), and though Matthew Orton’s screenplay includes juicy supporting roles for the likes of Nick Kroll, Mélanie Laurent and Haley Lu Richardson, its best scenes put Isaac and Kingsley toe to toe and watch them work.‘Babylon Berlin’: Seasons 1-3 (Feb. 28)Stream it here.This German crime epic became an international sensation when it began airing in 2017 — reportedly the most expensive television program ever produced in its home country. Based on the best-selling novels by Volker Kutscher and brought to life by a trio of writer-directors (Achim von Borries, Henk Handloegten and Tom Tykwer, the latter of “Run Lola Run” and “Cloud Atlas”), this sprawling, handsomely mounted narrative is set in the underworld of Germany during the Weimar Republic, the wild and fruitful period that preceded the Third Reich. It’s dizzyingly complex and giddily entertaining, but also timely; as Handloegten noted on its premiere: “All these people didn’t fall from the sky as Nazis. They had to become Nazis.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Minute-Long Soap Operas Are Here. Is America Ready?

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      Popularized in China during the pandemic, ReelShort and other apps are hoping to bring minute-by-minute melodramas to the United States.When Albee Zhang received an offer to produce cheesy short-form features made for phones last spring, she was skeptical, and so, she declined.But the offers kept coming. Finally, Ms. Zhang, who has been a producer for 12 years, realized it could be a profitable new way of storytelling and said yes.Since last summer, she has produced two short-form features and is working on four more for several apps that are creating cookie-cutter content aimed at women.Think: Lifetime movie cut up into TikTok videos. Think: soap opera, but for the short attention span of the internet age.The biggest player in this new genre is ReelShort, an app that offers melodramatic content in minute-long, vertically shot episodes and is hoping to bring a successful formula established abroad to the United States by hooking millions of people on its short-form content.“The Double Life of My Billionaire Husband” is one of the many short features you can watch on ReelShort, an app that offers short dramatic content meant to be watched on phones. ReelShort

      @reelshortapp On your 18th birthday, the Moon Goddess granted you a RED wolf. She said a new journey awaited you, but there were also evil forces after your power… Called weak your whole life, what POWER could you possibly have?! #fyp #reelshort #binge #bingeworthy #bingewatching #obsessed #obsession #mustwatch #witch #alpha #werewolf #moon #wolfpack #booktok #luna #drama #film #movie #tiktok #tv #tvseries #shortclips #tvclips #filmtok #movietok #dramatok #romance #love #marriage #relationship #couple #dramatiktok #filmtiktok #movietiktoks #saturday #saturdayvibes #saturdaymood #saturdaymotivation #saturdayfeels #saturdayfeeling #weekend #weekendvibes ♬ original sound – ReelShort APP We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Can You Match Up These Short Stories and Their Screen Adaptations?

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      This 1950 film, a psychological thriller about four differing eyewitness accounts concerning a pair of crimes, was directed by Akira Kurosawa and is considered a cinematic masterpiece. Most of the script was adapted from “In a Bamboo Grove,” a short story by Ryūnosuke Akutagawa, with elements of another Akutagawa story as well. What is the name of the film? More

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      Malia Obama at the Sundance Film Festival

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      The former first daughter’s short, “The Heart,” focuses on a sensitive man racked with guilt when his mother dies after they have an argument.If you’re a celebrity seeking to rebrand, the Sundance Film Festival can offer a useful assist. From Marvel superheroes seeking an indie turn to teenage movie stars hoping to segue into spicy adult roles, the snowy event is the perfect place to debut a new direction.This year’s big rebrand was so skillfully executed that many people I ran into here at Sundance didn’t even know it had happened at all. If they had, we might have gotten a mob scene at one of the typically sedate short-film showcases, where an 18-minute project called “The Heart” premiered from a fledgling filmmaker credited as Malia Ann, though she’s much better known as Malia Obama, the daughter of the former president.Now 25, Obama is no Hollywood neophyte: After interning at the Weinstein Company in 2017, she studied filmmaking at Harvard as a visual and environmental studies major and then, upon graduation, wrote for the Amazon series “Swarm.” That show was cocreated by Donald Glover, who also served as executive producer of “The Heart” and has been helping to steer Obama’s nascent career: “The first thing we did was talk about the fact that she will only get to do this once,” Glover told GQ last year. “You’re Obama’s daughter. So if you make a bad film, it will follow you around.”That’s not a fate likely to befall “The Heart,” a well-shot and spare debut. Effectively a two-hander, the short stars singer-actor Tunde Adebimpe as Joshua, a sensitive man who still lives with his mother (LaTonya Borsay). After they have a passive-aggressive fight about the groceries and share a silent, side-by-side TV dinner, Joshua goes upstairs for a shower. Minutes later, his mother clutches her chest, collapses to the floor and dies alone.Tunde Adebimpe in a scene from “The Heart.”Sundance InstituteRacked with guilt, Joshua finds it hard to move on, not least because he must now carry around a jar containing his mother’s preserved heart, as per her will. But he gets a second chance of sorts when he encounters a stranger on the street who looks just like his departed mother. Determined to say the things he never got to tell her when she was alive, Joshua ultimately learns that maybe he should go a little bit easier on himself.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Herbert Coward, Actor Who Played Toothless Man in ‘Deliverance,’ Dies at 85

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      The actor was killed in a motor vehicle accident in North Carolina, the authorities said.Herbert Coward, the actor whose modest career included the small but memorable role of Toothless Man in the 1972 thriller “Deliverance,” was killed on Thursday in a motor vehicle accident in North Carolina. He was 85.Mr. Coward died after he drove onto U.S. Highway 23 in Haywood County in the western part of the state and was struck by a truck, said Sgt. Marcus Bethea, a North Carolina State Highway Patrol spokesman. A passenger in Mr. Coward’s vehicle, Bertha Brooks, 78, was also killed, as were a Chihuahua and pet squirrel, Sergeant Bethea said.Mr. Coward, who lived in Canton, N.C., in Haywood County, was often seen with his pet squirrel, according to local news reports.The 16-year-old driver of the truck was taken to a hospital with minor injuries, according to Sergeant Bethea. He said that it was unclear what had led to the crash and that no charges had been filed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      For ‘Barbie’ Fans Online, a Bitterly Ironic Oscar Snub

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      Greta Gerwig and Margot Robbie missed Academy Award nominations for director and actress, respectively — a fact that was a little too on the nose for some.When the 2024 Oscar nominations were announced this morning, the snubs of the two most prominent women involved in “Barbie” — the director, Greta Gerwig, and the lead actress, Margot Robbie — became the breakout story.The top-grossing film of 2023, passing the $1 billion mark worldwide, is based on the imagined life and times of the iconic Mattel doll. A cultural phenomenon on its own terms, “Barbie,” along with “Oppenheimer,” became half of an unusually thoughtful summer blockbuster duo released on the same day in July (“Barbenheimer”): nothing to sneeze at.As it turns out, the internet has strong opinions about today’s announcement.“Let me see if I understand this: the Academy nominated ‘Barbie’ for Best Picture (eight nominations total) — a film about women being sidelined and rendered invisible in patriarchal structures — but not the woman who directed the film. Okay then,” read a viral X post by the writer Charlotte Clymer.The film wasn’t completely shut out — it was nominated for best picture, while Ms. Gerwig picked up a nomination with Noah Baumbach for adapted screenplay, Ryan Gosling for supporting actor, and America Ferrera for supporting actress. But the fact that Mr. Gosling was tabbed for his towheaded Ken, who discovers the idea of patriarchy and then attempts to dominate Barbieland, before Ms. Robbie’s character destroys gender-based oppression, was too much for some to take.“We’re actually doing patriarchy very well,” the writer Jodi Lipper wrote in an Instagram story, quoting a Ken line from the film.(In a statement released today, Mr. Gosling wrote, “To say that I’m disappointed that they are not nominated in their respective categories would be an understatement.”)Indeed, because “Barbie” functions as a commentary on sexism and a metacommentary on its own place in feminist discourse, the movie itself was the first place some of its fans reached to express their outrage over the snubs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Mort Engelberg, Producer of Hit Films and Presidential Campaigns, Dies at 86

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      A celebrated “advance man” — responsible for logistics and camera-ready moments in campaigns — he forged a lasting bond with Bill Clinton.Mort Engelberg, a movie producer behind such hits as “Smokey and the Bandit” and “The Big Easy,” who drew on his Hollywood expertise to stage-manage appearances for politicians, notably a bus tour for Bill Clinton and Al Gore following the 1992 Democratic convention, died on Saturday at a hospital in Los Angeles. He was 86.His brother, Steven Engelberg, said the cause was lung cancer.Mr. Engelberg toggled between film and political advance work, setting up campaign trips meant to produce photo-ready moments and drawing on the tropes of road movies to help invent the modern presidential bus tour. It featured the gregarious Mr. Clinton and his sidekick Mr. Gore on a journey through Pennsylvania, Indiana, Kentucky and other heartland states.“Mort came in with basically the same formulation as the Hollywood buddy movie he so perfected in his ‘Smokey and the Bandit’ series,” said Josh King, a colleague of Mr. Engelberg’s on campaigns and during Mr. Clinton’s presidency.Presidential candidates had long made whistle-stop tours, originally by train. By the 1980s, though, the trips were made in chartered jets with brief airport stops — “basically, nothing but some white men on tarmac,” as Mr. Engelberg said in a 2011 podcast.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Ex-Prosecutor in ‘Rust’ Case Suggested Role ‘Might Help’ Her Campaign

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      Andrea Reeb, part of the team that charged Alec Baldwin with manslaughter, wrote in an email in June that the case could help her campaign for the state legislature.When Andrea Reeb was hired last June as a prosecutor investigating the fatal shooting of a cinematographer on the set of the film “Rust,” she emailed the district attorney in charge of the case that an announcement of her role “might help” her campaign for a seat in the state legislature.Ms. Reeb, a former district attorney who was a Republican candidate for the state’s House of Representatives, wrote to Mary Carmack-Altwies, the Santa Fe County district attorney who chose her for the case, that she did not plan to inform the press about her appointment.“At some point though,” Ms. Reeb went on in the email, “I’d at least like to get out there that I am assisting you … as it might help in my campaign lol.”Since then, Ms. Reeb won her election and, as the special prosecutor on the case, was part of the team that brought involuntary manslaughter charges against the actor Alec Baldwin, who was holding the gun that discharged on the “Rust” set on Oct. 21, 2021, killing the film’s cinematographer, Halyna Hutchins.Last week, Ms. Reeb stepped down from the role of special prosecutor, after lawyers for Mr. Baldwin had argued that her simultaneous work for two different branches of state government — serving as a lawmaker and a prosecutor — violated New Mexico’s constitution.Correspondence between Ms. Reeb and Ms. Carmack-Altwies, which was released Tuesday in response to a request under the state’s Inspection of Public Records Act, shows that Ms. Reeb had discussed her legislative campaign early on in her work on the “Rust” case. On June 9, as Ms. Carmack-Altwies discussed with Ms. Reeb bringing her onto the case, Ms. Reeb wrote, “I also won’t talk to the press and will leave that all to you Mary.” Then she made the suggestion that an announcement might help her campaign.In her response to Ms. Reeb’s email, Ms. Carmack-Altwies did not mention the campaign, but said, “I am intending to either introduce you or send it in a press release when we get the investigation!”The district attorney’s office and Ms. Reeb did not immediately respond to requests for comment Tuesday.Ms. Reeb later entered into a contract that stipulated that she would bill $125 per hour for her work on the “Rust” case.In a court filing on Tuesday, a lawyer for Mr. Baldwin, Luke Nikas, described the report of the email as “yet another troubling development” and wrote that “Representative Reeb’s prosecution of this case against Mr. Baldwin to advance her political career is a further abuse of the system and yet another violation of Mr. Baldwin’s constitutional rights.”In January prosecutors announced that they would file involuntary manslaughter charges against Mr. Baldwin and the armorer on the film set, Hannah Gutierrez-Reed, including a charge punishable by five years in prison. Lawyers for Ms. Gutierrez-Reed and Mr. Baldwin maintained that their clients were not guilty.Last month prosecutors downgraded the charges after Mr. Baldwin’s lawyers argued that prosecutors had erred by charging them under a law that had not yet been enacted at the time of the shooting. Under the current charges, if convicted, he and Ms. Gutierrez-Reed face the possibility of a maximum of 18 months in prison.A lawyer for Ms. Gutierrez-Reed, Jason Bowles, said in a statement Tuesday that Ms. Reeb’s comments from last June paint a “troubling picture of a prosecution that worried less about the law and facts than they did about wanting the limelight for personal political purposes.”After lawyers for Mr. Baldwin challenged the appointment of Ms. Reeb, prosecutors initially defended her continued role in the case. But she stepped down March 14, a couple of weeks before a judge was set to rule on whether she should be disqualified.Mr. Baldwin, who has said that he had no reason to believe there were live rounds on the film set when the gun went off, has pleaded not guilty in the case. A lawyer for Ms. Gutierrez-Reed has said she also intends to plead not guilty.A judge is scheduled to determine in May whether the charges against both defendants should move forward. More