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      Prince Harry Hits the Polo Field in Front of Netflix Cameras

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      The Duke of Sussex competed in a match in South Florida the day after the announcement that he will be working on a new polo-related Netflix project.In front of rolling cameras and a crowd of nearly 300 guests, Prince Harry, Duke of Sussex, barreled toward one end of a polo field in South Florida on Friday.“The Duke of Sussex may score a goal!” an announcer cried through a loudspeaker at the Royal Salute Polo Challenge to Benefit Sentebale, which was attended by spectators including Serena Williams and Meghan, Duchess of Sussex, and by film crews with Netflix. The streamer is producing a polo-related project with Harry and Meghan that was announced on Thursday and that will be filmed in Wellington, an affluent area near Palm Beach known for its equestrian scene.The announcer and many in the crowd groaned audibly when Harry missed the shot. He was wearing a blue and white jersey with the No. 2 on it, along with a logo for Sentebale, a charitable organization he founded to support children in the African countries Lesotho and Botswana, and a logo for Royal Salute, a whisky brand and a sponsor of the invitation-only charity match involving three teams.The event took place at the Grand Champions Polo Club and its organizers included Melissa and Marc Ganzi, members of Wellington’s polo community as well as the founders of the World Polo League and the owners of the Grand Champions club. The Ganzis also own the Santa Rita Polo Farm in Wellington and the Aspen Valley Polo Club in Colorado. Mr. Ganzi is the chief executive of Digital Bridge, an investment firm formerly known as Colony Capital, where he succeeded Thomas J. Barrack Jr., the chairman of former President Donald J. Trump’s inaugural committee.Meghan, Duchess of Sussex, and Serena Williams were among the spectators at the event.Rebecca Blackwell/Associated PressHarry, 39, one of the highest-profile polo players in the world, competed in the match with other stars of the sport like the renowned Argentine player Adolfo Cambiaso; the English player Malcolm Borwick, an ambassador for Royal Salute; and Nacho Figueras, the Argentine athlete who has regularly faced off against Harry on polo fields and whose career has made him a face not only of the sport but also of Ralph Lauren, a brand that has intertwined its identity with polo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Eleanor Coppola, Who Chronicled Her Family’s Filmmaking, Dies at 87

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      She made documentaries of her husband Francis Ford Coppola’s “Apocalypse Now” and her daughter Sofia Coppola’s “The Virgin Suicides” and recalled their lives in books.Eleanor Coppola, a documentary filmmaker and artist who called herself “an observer at heart,” a description borne out through works chronicling the cinematic triumphs and ordeals of her husband, Francis Ford Coppola, and their daughter, Sofia Coppola, died on Friday at her home in Rutherford, Calif. She was 87.Her family announced her death in a statement, which did not state a cause.Ms. Coppola’s career as a documentarian began when her husband asked her to record the production of “Apocalypse Now,” his 1979 exegesis of the Vietnam War that took so long to make, some began calling it “Apocalypse Never.” By then Mr. Coppola was Hollywood royalty on the strength of his first two “Godfather” movies. But with “Apocalypse Now,” he stumbled.He came close to going broke as the movie, its roots in Joseph Conrad’s “Heart of Darkness,” ran way over budget and over schedule. Filming was slowed by steady rains on location in the Philippines, which served as a stand-in for Vietnam. A typhoon destroyed movie sets. Major parts of the script were written on the fly. Marlon Brando was overweight and underprepared for his role as a deranged Green Berets colonel. To top it all off, the film’s principal actor, Martin Sheen, had a heart attack during the shooting.As for the Coppolas, they careened toward divorce, a marital collapse set in motion largely by his sexual infidelities and frequent tantrums on and off the movie set. “My greatest fear,” his wife captured him on tape as saying, “is to make a really pompous film on an important subject, and I am making it.”Ms. Coppola had her own lapses. “If I tell the truth, we both strayed from our marriage, probably equally, each in our way,” she wrote in “Notes on the Making of Apocalypse Now,” a 1979 account of that period. “Francis has gone to the extremes in the physical world, women, food, possessions, in an effort to feel complete. I have looked for that feeling of completeness in the non‐physical world. Zen, est, Esalen, meditation.”Ms. Coppola with her husband, Francis Ford Coppola, in 2022. They had a trying marriage but remained together. Hunter Abrams for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Brandy Hellville & the Cult of Fast Fashion’: 5 Takeaways

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      Former employees of the brand, a Gen Z fashion favorite, recount race and size discrimination in a new documentary on HBO.The clothing store Brandy Melville is known for selling diminutive, single-size pieces popular among Gen Z: linen short shorts, heart-print camisoles and sweatshirts printed with the word “Malibu.”Behind its Cali-girl aesthetic is a business that mistreats teenage employees and cashes in on young women’s insecurities, according to “Brandy Hellville & the Cult of Fast Fashion,” a documentary released on Tuesday on HBO.The documentary intersperses former employees’ accounts of racism and size discrimination while working in its stores with a broader look at the labor and environmental costs of the fast-fashion industry. The filmmakers said Stephan Marsan, the company’s mysterious chief executive, did not respond to several requests for comment.Eva Orner, the documentary’s director, said in an interview last week that it was a challenge to get former employees on camera because so many were fearful of the company. Those who were included were identified by only their first names. “I’ve done a lot of stuff in war zones, and with refugees and really life-or-death situations, and people have been more comfortable being on camera,” she said.Eva Orner, the director of “Brandy Hellville & the Cult of Fast Fashion,” said many former employees feared retaliation from the company if they participated in the documentary.Lucas Allen/HBOMs. Orner, an Australian who won an Academy Award for the documentary “Taxi to the Dark Side,” had not heard of Brandy Melville before producers mentioned the company to her in 2022 as a potential subject of investigation. The more she learned, the more she was disturbed by the brand’s cultlike following among teenage girls, who see it flaunted by celebrities like Kaia Gerber and Kendall Jenner.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why States Have Spent Billions Subsidizing Hollywood

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      Inside the costly competition to attract TV and film shoots. State governments use our tax dollars to build roads, fund schools and provide health care. In 38 states, they also ship money off to a high-gloss private industry: Hollywood.And it’s a lot of money. My colleague Christopher Kuo and I found that those states had given out more than $25 billion over the past two decades to subsidize the making of movies and television. The idea is to lure businesses to spend money, employ locals and stimulate the economy.The problem is, the programs are actually huge money losers for states. Studies show that these efforts typically return a quarter or even a dime on every dollar given to studios.Yet lawmakers are not slowing their spending. Quite the opposite. Hollywood is playing states off one another, and the competition has them sweetening their deals to lure productions, economists say. Under mounting pressure from New Jersey, New York recently expanded its film incentive program by 67 percent, to $700 million. Oklahoma went from $4 million to $30 million in just three years, in part to stay competitive with Texas. Then, Texas decided to spend nearly seven times that amount.“You could find almost an unlimited number of better uses for the same dollars,” said Michael Thom, a tax expert at the University of Southern California. “Who on earth would say, ‘Keep giving the money to Hollywood; my kid’s school doesn’t need new books’?”My colleagues and I wanted to understand why these programs persist. This morning, we published the third article in our series about the topic. Here’s a quick look at what we found.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sobhita Dhulipala of ‘Monkey Man’ Charts an Unusual Path to Hollywood

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      Sobhita Dhulipala considers herself an outsider — wherever she is.She grew up in the southern Indian state of Andhra Pradesh, making her an outsider in the country’s financial and fashion capital, Mumbai. Her native tongue is Telugu, making her an outsider in predominantly Hindi-speaking Bollywood.And now, with the release on Friday of the high-octane, Jordan Peele-produced “Monkey Man,” in which she stars alongside Dev Patel, she is again an outsider, thrust into Hollywood’s limelight. In fact, the premiere of the film at South by Southwest in Austin, Texas, last month was the first time Ms. Dhulipala, 31, had ever set foot on American soil.“In India, I’m South Indian,” Ms. Dhulipala, who lives in Mumbai, said in a video interview from her hotel room in Los Angeles. “When I come to America, I’m Indian.”“It’s amazing that I get to come to this country with a film,” she added. “It’s like I come with an offering.”In the Amazon Prime series “Made in Heaven,” Ms. Dhulipala portrayed a social climber, navigating her way to ever higher rungs of Indian society.Amazon Prime Video IndiaThat real-life feeling of being an outsider is the undercurrent for many of her onscreen roles. In the Amazon Prime series “Made in Heaven,” Ms. Dhulipala’s character is a low-income nobody who schemes her way into upper-class circles. In “Monkey Man,” she plays Sita, a call girl whose business is the pleasure of powerful but despicable men.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      #MeToo Stalled in France. Judith Godrèche Might Be Changing That.

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      Judith Godrèche did not set out to relaunch the #MeToo movement in France’s movie industry.She came back to Paris from Los Angeles in 2022 to work on “Icon of French Cinema,” a TV series she wrote, directed and starred in — a satirical poke at her acting career that also recounts how, at the age of 14, she entered into an abusive relationship with a film director 25 years older than her.Then, a week after the show aired, in late December, a viewers’ message alerted her to a 2011 documentary that she says made her throw up and start shaking as if she were “naked in the snow.”There was the same film director, admitting that their relationship had been a “transgression” but arguing that “making films is a kind of cover” for forms of “illicit traffic.”She went to the police unit specialized in crimes against children — its waiting room was filled with toys and a giant teddy bear, she recalls — to file a report for rape of a minor.“There I was,” said Ms. Godrèche, now 52, “at the right place, where I’ve been waiting to be since I was 14.”Since then, Ms. Godrèche has been on a campaign to expose the abuse of children and women that she believes is stitched into the fabric of French cinema. Barely a week has gone by without her appearance on television and radio, in magazines and newspapers, and even before the French Parliament, where she demanded an inquiry into sexual violence in the industry and protective measures for children.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Deal Talks Between Paramount and Skydance Heat Up

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      David Ellison, the founder of the Skydance media company, met with Paramount’s board of directors late last month to discuss the deal.Shari Redstone is getting one step closer to selling her media empire.Paramount, home to one of Hollywood’s most storied movie studios as well as CBS and cable networks like Nickelodeon, has been discussing entering into exclusive talks with the media company Skydance for a potential deal, according to four people with knowledge of the discussions. Moving to exclusive talks would be a significant step forward in a process that has been shrouded in uncertainty for months.Whether the two sides will agree to exclusivity remains to be seen, especially with other investors still pursuing Paramount. Apollo Global Management, an investment firm with more than $500 billion under management, has submitted an $11 billion offer to acquire the Paramount movie studio. Paramount’s board of directors, though, is seeking a deal for the entire company — including its cable channels and CBS — rather than pieces.Apollo continues to evaluate what proposal might most appeal to the company’s board, two people familiar with the situation said. Byron Allen, whose Entertainment Studios owns the Weather Channel, has also expressed interest in acquiring Paramount.Ms. Redstone, the controlling shareholder of Paramount, began negotiating with Skydance to sell her stake in the company last year. She controls Paramount through National Amusements, a holding company that owns her voting stock in Paramount. Ms. Redstone has held off on a sale for years, betting that the company’s fortunes would improve as its flagship streaming service, Paramount+, gained momentum.The terms of the deal being discussed would involve Skydance’s buying National Amusements and merging with Paramount. That deal hinges on approval from Paramount’s board, which has for weeks been weighing its options with the help of advisers.Late last month, David Ellison, the tech scion who founded Skydance, met with Paramount’s board committee to discuss his vision for a deal, according to two of the people familiar with the talks. Founded in 2010, Skydance is best known for shepherding blockbusters for Paramount, including movies in the “Mission: Impossible” and “Top Gun” franchises.Representatives for Paramount and Skydance declined to comment, and the financial terms of the deal couldn’t be learned.Paramount’s stock has fallen 18 percent since the start of the year amid headwinds for the media industry. The company is trading at a steep discount to the combined value of Viacom and CBS, which merged to form Paramount in 2019. Paramount+ is still losing money, but its losses have slowed and it continues to add subscribers.The ratings agency S&P Global downgraded Paramount’s debt to junk last week, citing “accelerating declines” in its traditional television business and continued uncertainty in its push toward streaming. Some analysts said that ratings action might make Paramount easier to acquire, since it could circumnavigate a provision that would require a buyer to immediately pay the company’s debt. More

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      The Best Movies and TV Shows Streaming in April

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      “Fallout,” “Girls State” and a “Bluey” special are streaming.Every month, streaming services add movies and TV shows to its library. Here are our picks for some of April’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Fallout’ Season 1Starts streaming: April 11This sardonic postapocalyptic action-adventure series combines elements from different games within the larger “Fallout” video game franchise, which since its debut in 1997 has delighted gamers with a mix of rich storytelling and wry wit. The series has Ella Purnell playing Lucy, an exemplary citizen in an underground bunker colony on an Earth ravaged by nuclear warfare. When circumstances force Lucy to the surface, the sunny optimism she learned from her father (Kyle MacLachlan) is tested by her encounters with scavengers, mutants and heavily armed soldiers in robotic armor. Developed by Jonathan Nolan and Lisa Joy (the team behind “Westworld”) with the showrunners Geneva Robertson-Dworet (the co-writer of “Captain Marvel”) and Graham Wagner (a “Portlandia” writer), “Fallout” aims to be the rollicking, irreverent counter to all the dour end-of-the-world TV shows.Also arriving:April 1“House” Season 1April 4“Música”April 5“How to Date Billy Walsh”“Alex Rider” Season 3April 12“Apartment 404”April 18“Dinner With the Parents” Season 1“Going Home With Tyler Cameron” Season 1April 25“Them: The Scare” Season 1Cecilia Bartin in “Girls State,” a documentary directed by Amanda McBaine and Jesse Moss on Apple TV+.Whitney Curtis/Apple TV+New to Apple TV+‘Girls State’Starts streaming: April 5The 2020 documentary “Boys State” followed a group of Texas high schoolers at a politics-themed summer camp. For this sequel, the directors Jesse Moss and Amanda McBaine cover a similar camp from a different perspective, embedding with Missouri high school girls as they run for office, draft resolutions and hear court cases, emulating the functions of a state government. This particular edition of Missouri’s Girls State was held on the same campus as Boys State, inviting direct comparison between the programs (which differ in their levels of rigor). It also happened not long after the draft of the Supreme Court’s Dobbs v. Jackson decision was leaked. As with the earlier film, Moss and McBaine avoid turning their subjects into simplistic heroes or villains. Instead, “Girls State” honors these bright, concerned young ladies’ earnest interest in making friends and becoming better leaders.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More