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    Ella Jenkins, Musician Who Found an Audience in Children, Dies at 100

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    Performing and recording, she transformed what was seen as a marginal genre in the music industry into a celebration of shared humanity. Ella Jenkins, a self-taught musician who defied her industry’s norms by recording and performing solely for children, and in doing so transformed a marginal and moralistic genre into a celebration of a diverse yet common humanity with songs like “You’ll Sing a Song and I’ll Sing a Song,” died on Saturday in Chicago. She was 100. Her death was confirmed by John Smith, associate director at Smithsonian Folkways Recordings.Ms. Jenkins had no formal musical training, but she had an innate sense of rhythm. “I was always humming or singing and la-la, lu-lu or something,” she once said.She absorbed the everyday melodies of her childhood — the playground clapping games, the high school sports chants, the calls of a sidewalk watermelon vendor hawking his produce. As an adult, she paired such singsong rhythms with original compositions and sought not simply to amuse or distract children but to teach them to respect themselves and others.Against the sound of a kazoo, a harmonica, a variety of hand drums or, later, a baritone ukulele, Ms. Jenkins sang subtly instructive lyrics, as in “A Neighborhood Is a Friendly Place,” a song she wrote in 1976:You can say hiTo friends passing byA neighborhood is a friendly place.You can say helloTo people that you knowA neighborhood is a friendly place.Neighbors to learn to shareNeighbors learn to careA neighborhood is a friendly place.Over children’s steady clapping, she recorded the age-old “A Sailor Went to Sea”:A sailor went to sea, sea, seaTo see what he could see, see, seeAnd all that he could see, see, seeWas down in the bottom of the sea, sea, sea.For many parents and classroom teachers, Ms. Jenkins’s renditions of traditional nursery rhymes like “Miss Mary Mack” and “The Muffin Man” are authoritative.Still, from the beginning of her career in the 1950s, Ms. Jenkins pronounced her signature to be call-and-response, in which she asked her charges to participate directly in the music-making, granting them an equal responsibility in a song’s success. She had seen Cab Calloway employ the technique in “Hi-De-Ho,” and for her, the animating idea, veiled in a playful to-and-fro, was that everything good in the world was born of collaboration.In one of her most popular recordings, Ms. Jenkins sings out, “Did you feed my cow?” “Yes, ma’am!” a group of children trumpet back. The song continues:Could you tell me how?Yes, ma’am!What did you feed her?Corn and hay!What did you feed her?Corn and hay!As Ms. Jenkins repopularized time-honored children’s songs, she also gave the genre global scope. Before Ms. Jenkins, children’s music in the United States consisted primarily of simplified, often cartoonish renditions of classical music.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      If I were Captain America, I’d quit | Stewart Lee

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      The presidency of Donald Trump contaminates everything that touches it, like dogshit on the end of a pointed stick. Be careful, politicians of the world, entertainment brands, and commercial properties, that you don’t get any on you. It stinks.On Monday night, one of my lovely rescue cats, having battled the cat flap into submission, disappeared in the stupid firework dark. He’s not back yet and I am very sad. Like me, he was abandoned to his fate as a child, but in a cardboard box outside the Jehovah’s Witnesses’ place rather than in the Children’s Society offices in Lichfield (a town from which I have been banned from performing by the mayor’s office since 1990). Dependent, like me, on the kindness of a chain of strangers, the cat’s arrival and survival felt like a small balancing of the book of life. But maybe, like many millions of us worldwide, he just couldn’t face Wednesday morning.Last week, Robert Jenrick, our new shadow justice secretary, was trying to blame Keir Starmer for the early release of sex offenders from the very prisons his own government had carelessly overcrowded; another mess left for someone else to pick up. The Tories spent 14 years treating the whole country like a teenager’s bedroom. I only went in to gather up all the old coffee cups, and ended up tripping over a series of abandoned infrastructure projects and falling into a vast network of sewage-filled waterways.But, one has to ask, if Jenrick’s so worried about sex offenders being on the loose, why is he so pleased that one is now in the White House? “If I were an American citizen, I would be voting for Donald Trump”, the child-hating sod told GB News’s calcified opinion-vampire Camilla Tominey, Britain’s 49th most influential rightwing figure, in September. It looks like it’s one rule for white working class British rapists and quite another for orange American billionaire sex offenders with their fingers on the nuclear codes. Two-tier Jenrick can do one! Accommodating Donald Trump will invalidate us all.This week, Bob Dylan is at the Royal Albert Hall. I couldn’t buy a ticket, and wasn’t about to pay five times over the odds to one of the Tories’ ticket criminals. But I may go down to Kensington and hang around outside hopefully, like a dog, in case another middle-aged man with an opinion about the relative merits of the five extant takes of She’s Your Lover Now wants to sell a sudden spare to “the world’s greatest living standup comedian” (the Times).I would like to see Bob Dylan one more time, at least, but wonder what it would feel like to watch one of the architects of postwar progressive America performing in a world where the culture he helped create is so obviously in retreat, as a sexual abuser reclines in Washington inflating himself like a bulbous brown toad. One thing you can say about Dylan, who rarely offers the casual fan the opportunity to enjoy any of his back catalogue live without a significant ontological struggle, is that he was never a nostalgia act. Well, he is now. Trump has moved the dial and made him into one. The times they are a-changing. But not in a good way.Since the second world war, America’s most powerful tool has been the soft global diplomacy of its irresistible, and broadly liberal, popular culture – rock’n’ roll, cinema, and latterly the comic-book characters that are now the tentpoles of the international entertainment industry. But how do those American icons make sense in a Trumpian world, where the star-spangled iconography that informs their costumes is now redolent of fascism and climate denialism rather than freedom and the future? Nobody would want their child to be saved from a burning building by Swastika-Chest Man and his kid sidekick Drill Baby.Because working-class Jewish autodidact visionaries, producing the pop art primers of tomorrow on a pittance, drew Captain America punching out Hitler in the early 40s, and because formerly one-dimensional superheroes were made thrillingly two-dimensional by acid-fried college dropout creatives in the 60s and 70s, Marvel Comics, though their roots are obscured, remain broadly liberal, even almost countercultural. That’s how I reverse-engineer my infantilised pseudo-intellectual desire to keep reading them at the age of 56, anyway.Indeed, in September 1963, Jack Kirby, the 12-cent William Blake of the Lower East Side, drew the Fantastic Four fighting the Hate-Monger, a villain whose superpowers were not the ability to control soil or infuriate moles, but the ability to whip up hate. “We must drive all the foreigners back where they came from. We must show no mercy to those we hate,” he cries, in his purple hood, as his followers agree – “Long live the Hate-Monger. He’ll clean up this country for us!” – and the Invisible Girl observes, helpfully: “He seems to have the crowd in a trance. They … they’re agreeing with his un-American sentiments.” Hang on! Was that Fantastic Four Issue 21, 61 years ago, or Sky News last week?skip past newsletter promotionafter newsletter promotionScarlett Johansson, Marvel’s Black Widow, pointlessly assembled a squadron of Avengers actors to denounce Trump, arguably emphasising America’s divides, but the real Avengers would oppose Trump. If they existed. In 1974, as Watergate’s curtain fell on Nixon, the comics writer Steve Englehart, a former soldier who became a conscientious objector, had Captain America abandon his costume and take on the identity of Nomad (“the man without a country”) because he couldn’t square the fictional character’s values with his country’s corrupt figurehead. My Captain America would not sling his vibranium shield for Donald Trump. The success of Trump invalidates the shared, if naive, notion of what America is. I’m going to look for my cat.Stewart Lee’s 2025 tour Stewart Lee vs The Man-Wulfbegins at London’s Leicester Square theatre this December, with a July Royal Festival Hall run just announced.

      Do you have an opinion on the issues raised in this article? If you would like to submit a letter of up to 250 words to be considered for publication, email it to us at observer.letters@observer.co.uk More

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      in Elections

      Quincy Jones: A Life in Photos

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      A musician, bandleader, composer, producer and much more, Quincy Jones, who died at 91 on Sunday in California, led many musical lives. Only supreme talent can explain his accomplishments, but there was another factor, too: a ferocious work ethic.From childhood, he fought to learn the skills that would allow him to build a life in music. He first touched a piano at age 11 after breaking into a recreation center looking for food. Two years later, he persuaded a professional trumpeter to give him lessons every morning before school started.But once he had acquired those musical foundations, he worked to expand the range of his skills at a dizzying speed. Over the decades that followed, Mr. Jones was presented with a steady stream of opportunities — sometimes simultaneously. He embraced them all, turning much of what he touched to gold, and remaking American music along the way in a career that endured for more than five decades.These photographs show Mr. Jones both under and outside the spotlight, often helping other artists bring forth their best work. They also show the public side of him — a musical titan honored for his achievements.PoPsie Randolph/Michael Ochs Archives, via Getty ImagesQuincy Jones and the singer Lesley Gore working on the song “It’s My Party” circa 1956 in New York City.Franz Hubmann/Imagno, via Getty ImagesMr. Jones leading a band at the Konzerthaus in Vienna in 1960.Gai Terrell/Redferns, via Getty ImagesMr. Jones guiding a session in a recording studio in 1963.David Redfern/Redferns, via Getty ImagesMr. Jones and the singer Roberta Flack, circa 1973.A&M Records/ Michael Ochs Archives, via Getty ImagesMr. Jones posing in 1974.David Redfern/Redferns, via Getty ImagesMr. Jones, left, with Duke Ellington, center, during the recording of the television special “Duke Ellington … We Love You Madly” at the Shubert Theater in Los Angeles in 1973.Bettmann, via Getty ImagesStevie Wonder and Mr. Jones during a recording of the song “Stop, Don’t Pass Go.”G. Paul Burnett/The New York TimesMr. Jones won six Grammy Awards in 1991 for his album “Back on the Block.”URLI/GARCIA and Gamma-Rapho, via Getty ImagesMr. Jones in Paris in 1988.Alain Benainous/Gamma-Rapho, via Getty ImagesMr. Jones leading student musicians at the Montreux Jazz Festival in 1991.Jeff Kravitz/FilmMagic, Inc, via Getty ImagesMr. Jones and Oprah Winfrey at the 1995 Academy Awards in Los Angeles, where he was given the Jean Hersholt Humanitarian Award.Associated Press/Associated PressMr. Jones with President Obama in 2011, when Mr. Jones received the National Medal of Arts at the White House.Danny Moloshok/Invision, via Associated PressMr. Jones onstage with Oprah Winfrey at his induction into the Rock & Roll Hall of Fame in 2013 at the Nokia Theater in Los Angeles.Richard Shotwell/Invision, via Associated PressMr. Jones at a hand and footprint ceremony at the TCL Chinese Theater in Los Angeles in 2018.Damon Winter/The New York TimesMr. Jones at the Mandarin Oriental Hotel in New York in 2013. More

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      in US Politics

      Groping, greed and the lust for great power: what Wagner’s Ring Cycle tells us about Trump v Harris

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      ‘America is ready for a new chapter,” Barack Obama declared to the Democratic National Convention in August, “America is ready for a better story.” Many would agree, but as commentators try to explain the bewildering reversals and bizarre dynamics of this long and unprecedented election campaign they have often instead reached for stories that are old and familiar.Shakespeare has been a popular reference point: Joe Biden has frequently been compared to King Lear in his reluctance to relinquish power, Donald Trump to everyone from Richard III to Macbeth. Yet a rather different form of drama, ostensibly less realistic and less obviously relevant to contemporary politics, may in fact offer analogies that are more illuminating still.Richard Wagner’s Ring of the Nibelung was first performed in its entirety in the Bavarian town of Bayreuth almost 150 years ago. As the cycle of dramas begins, the dwarf Alberich, the Nibelung from whom it takes its name, gropes the beautiful Rhinemaidens and lasciviously compares their charms. They carelessly reveal that their river contains gold that could make its owner master of the world, but only if he renounces love. Alberich accepts this condition and steals the gold, an act of despoliation whose consequences ripple out through the work’s four evenings. With his brother Mime as his apprentice, he makes a ring and a magic helmet that bring him supreme authority. Similarities with Donald Trump, his beauty contests and gameshows, his misogyny, his exhortations to “drill, baby, drill” and his amoral lust for power, are not hard to find.View image in fullscreenLike Trump, Alberich holds on to power for much less time than he hopes. His enemies exploit his vanity to trick him out of the ring, effecting a transition whose legitimacy he will never accept. Alberich exhorts his followers to revolt, but without success, and regaining the ring is an obsession that endures for the rest of the story. In the final drama, Twilight of the Gods (Götterdämmerung), Alberich enlists the help of Hagen, the son he has fathered in a loveless union with a mortal woman. Trump, too, relies on younger family members to prosecute his interests: Ivanka and her husband Jared Kushner were crucial figures in his presidency, Eric and his wife Lara have recently risen to prominence, Donald Jr is a constant presence.Trump’s latest surrogate is his vice-presidential candidate, JD Vance, reputedly selected at Donald Jr’s behest. Like Hagen, Vance is a vociferous advocate of marriage: in Twilight of the Gods, Hagen seeks matches for his half-siblings Gunther and Gutrune, supposedly for their benefit but in fact as part of an elaborate strategy to trick Siegfried into giving up the ring. Both Vance and Hagen offer plausibility, engaging in social interactions and vice-presidential debates with a superficial courtesy of which Trump and Alberich are incapable.But both are less interested in serving their promoters than in securing for themselves the ultimate prize, whether that is the ring or the 2028 Republican nomination.View image in fullscreenThe parallels between Biden and Wotan – the character who seizes the ring from Alberich – are equally striking. Like the 46th president, the king of the gods has accomplished much during his long career as a legislator, notably building the magnificent fortress of Valhalla.But he is tormented by his waning abilities, and the reluctant realisation that the task he wants to accomplish himself – the recovery of the ring from the dragon, Fafner – can only be achieved by a younger proxy: stronger, fearless and less tarnished by a lifetime of compromise. Ultimately, it is a female authority figure, older even than himself, who persuades him to abandon his ambitions. Few people know what Nancy Pelosi said to Biden in July, but the agonised confrontation between Wotan and Erda in Act III of Siegfried gives some idea of the likely emotions involved.Wotan’s daughter, the Valkyrie Brünnhilde, ends The Ring with an impassioned soliloquy. It is now impossible to predict whether Kamala Harris can emulate Brünnhilde by having the last word in this year’s election drama – but millions across the world cling to the hope that she will. Through most of Twilight of the Gods, Brünnhilde is exploited and humiliated by Siegfried, the hero she thought was her husband, and Hagen, the villain who uses her for his own ends. But in the drama’s final minutes, she emerges from her torment to convey a commanding message of love, laughter and joy. Harris’s willingness to embody these same values, conspicuously absent from recent political discourse, fuelled her swift transformation from patronised vice-president to plausible candidate. Journalists covering her campaign frequently comment on her personal warmth; her equally exuberant running-mate, Tim Walz, observes that “she brings the joy”.View image in fullscreenOf course, as many have noted, joy is not a political programme, and despite Harris’s success in changing the campaign’s character, she has struggled to define what she would do differently from the unpopular administration she has served. Late in the day though it came, Harris’s incursion into the hostile territory of Fox News, where she insisted that her presidency would not be a continuation of Biden’s, was a notable effort to do just that. The interview’s equivalent in The Ring is Brünnhilde’s searing encounter with Waltraute in act I of Twilight of the Gods, when she resists her sister’s pleas to halt their father’s decline by returning the ring to the Rhine. By doing so, she condemns Wotan to irrelevance, but also articulates what is most important to her, establishing the moral authority that allows her to command the cycle’s ending as she does.Needless to say, the parallels between Wagner’s story and that of the election only stretch so far. Incest and immolation, key motifs in The Ring, have not surfaced as themes even in the most surreal of Trump’s ramblings – though with a week to go, anything remains possible. Nor are there many swords and spears, dragons or talking birds in today’s American politics. Intrepid heroes, too, are notably absent, though perhaps there have been enough would-be Siegfrieds among Biden’s 45 predecessors. But if we take The Ring less literally, it offers extraordinary insights into how power passes from one generation to another, into the consequences of denuding the Earth of its resources, and into the transformative potential of love.Wagner has often been appropriated by the political right, notoriously during the Third Reich, and there is plenty in his writing to encourage fascists and authoritarians, not least the disgustingly antisemitic tracts that disfigure his posthumous reputation. But at the time he conceived The Ring, Wagner was a leftwing revolutionary, working to overthrow the regime in Saxony that employed him as Kapellmeister. As his idealism curdled into resignation, he experimented with different endings, giving Brünnhilde words that echoed the philosophy of renunciation of his new intellectual hero, Arthur Schopenhauer. He ultimately decided not to set these words, giving the final say instead to music, and to an ecstatic melody that he told his wife Cosima represented the “glorification of Brünnhilde”.View image in fullscreenThe Ring is many things: a practical realisation of a revolutionary theory of musical theatre; a compendium of brilliant orchestral sounds; a monumental physical and psychological challenge for singers; for some, a philosophical meditation or political tract. But it is also, perhaps above all, a supreme piece of storytelling, one that only truly exists when played out in a theatre. This need for perpetual recreation makes The Ring inescapably not just a story of its own time but of ours too, one that absorbs and reflects its audience’s preoccupations. And by allowing music to take flight in his drama’s final moments, Wagner invites his listeners to fill the imaginative space he has opened up, connecting his concerns with our own.Like The Ring, this election campaign still permits many possible endings, and like Wagner, the American electorate is leaving it uncomfortably late in the process to clarify which will prevail. The ultimate fate of Alberich is left ambiguous: almost uniquely among The Ring’s major characters, he is neither shown nor described as dying, though his world-view is discredited and his scheming thwarted, and he plays no part in the cycle’s final act. Perhaps the one certainty about this election is that whether defeated or victorious, Trump will not remain similarly silent. But whatever the outcome, old stories like Wagner’s can help us understand the newest chapters in our own. More

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      in US Politics

      Puerto Rican stars Bad Bunny and Ricky Martin back Kamala Harris after racist comments at Trump rally

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      Puerto Rican stars star Bad Bunny and Ricky Martin have thrown their support behind Kamala Harris on the same day that a comedian appearing at Donald Trump’s rally at Madison Square Garden called Puerto Rico a “floating island of garbage”.On Sunday international reggaeton star Bad Bunny- whose official name is Benito Antonio Martínez Ocasio – shared a video of the Democratic presidential nominee to his more than 45 million followers on Instagram. His support could be a boost for the Harris campaign as it tries to bolster its support with Latino and Puerto Rican voters.Bad Bunny signalled his support for Harris moments after comedian Tony Hinchcliffe made the remarks about Puerto Rico at the Trump rally in New York. Hinchcliffe also made crude remarks about Latinos.The comment was immediately criticised by the Harris-Walz campaign. Ricky Martin, another Puerto Rican pop star, wrote in a post to his 18m followers on Instagram: “This is what they think of us. Vote for @kamalaharris.”Later, Trump campaign spokesperson Danielle Alvarez in a statement said: “this joke does not reflect the views of President Trump or the campaign.”Other Latino singers who had already expressed support for Harris – including Jennifer Lopez and Marc Anthony – also shared the video from Democratic candidate.Bad Bunny has won three Grammy awards and was the most streamed artist on Spotify in 2020, 2021 and 2022, only surpassed by Taylor Swift in 2023. He was named artist of the year by Apple Music in 2022.The artist has increasingly waded into politics, especially in his native Puerto Rico, where he purchased billboards in protest of the pro-statehood New Progressive party and has been critical of the electric system, which was leveled by Hurricane Mario.The video he shared on Sunday shows Harris saying: “There’s so much at stake in this election for Puerto Rican voters and for Puerto Rico.”He then shared another part of the clip where Harris says: “I will never forget what Donald Trump did and what he did not do when Puerto Rico needed a caring and a competent leader,” she says.Puerto Rican voters are crucial to both Trump and Harris, and Trump has recently been making inroads with the group. In Pennsylvania, a key battleground state, the majority of the 580,000 eligible Latino voters are of Puerto Rican descent.Harris on Sunday visited a Puerto Rican restaurant in Philadelphia where she outlined plans to introduce an “economic opportunity taskforce” for Puerto Rico.She also recognized the need to urgently rebuild Puerto Rico’s energy grid, promising to work with local leaders to ensure all Puerto Ricans have access to reliable electricity, and cut red tape to ensure disaster recovery funds are used quickly and effectively.A year after the storm, public health experts estimated that nearly 3,000 perished because of the effects of Hurricane Maria.Trump’s actions and policies towards the island have repeatedly drawn criticism. He repeatedly questioned the number of casualties, saying it rose “like magic”. His visit to the island after the hurricane elicited controversy such as when he tossed paper towels. His administration released $13bn in assistance years later, just weeks before the 2020 presidential election. And a federal government watchdog found that officials hampered an investigation into delays in aid delivery.Bad Bunny also shared a part of the clip showing Harris saying that Trump “abandoned the island, tried to block aid after back-to-back devastating hurricanes and offered nothing more than paper towels and insults”.A representative for the artist confirmed his endorsement. More

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      in Elections

      DJ Clark Kent, Who Introduced Jay-Z to the Notorious B.I.G., Dies at 58

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      He was a producer and club D.J. who helped rappers find their voices and fortunes, and who later became known as a raconteur of hip-hop history.Antonio Franklin, known as DJ Clark Kent, a widely respected hip-hop insider for four decades who had influential relationships with many leading rappers, died on Thursday at his home in Greenbrook, a township in northern New Jersey. He was 58. The cause was colon cancer, his wife, Kesha (Vernon) Franklin, said.Mr. Franklin’s career followed the trajectory of hip-hop itself. He entered the scene just as it was taking shape, in New York in the 1980s, and he reached prime time when rap itself did, in the mid-90s. After being a club D.J. for years, he moved on to work as a producer and took jobs with Atlantic Records and Motown.In 1995, he produced a rap classic — and his first hit song — with “Player’s Anthem” by Junior M.A.F.I.A., a group formed by the Notorious B.I.G., who also appeared on the track. The song became a breakout single for the group and introduced Lil’ Kim to the international hip-hop audience.The next year, he produced three songs on Jay-Z’s debut album, “Reasonable Doubt.” His most noteworthy contributions were to the song “Brooklyn’s Finest.” Mr. Franklin provided the vocals for the hook, and he suggested to Jay-Z and his manager, Damon Dash, that they include Notorious B.I.G. on the track. The two somewhat hesitantly agreed — without realizing that Mr. Franklin had already asked Notorious B.I.G. to wait downstairs. The collaboration took place instantly.That kind of behind-the-scenes orchestration was ordinary for Mr. Franklin. In 1998, he saw a young man who went by Shyne freestyling in a barbershop, then introduced him to Sean “Puff Daddy” Combs, who signed him to a record deal on the spot.“I practically knew every rapper before they made their records,” Mr. Franklin told the pop culture publication Complex. “They wanted to be familiar with the D.J.s and what was happening in hip-hop. I was happening in hip-hop.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in US Politics

      Stevie Nicks says Fleetwood Mac would have been ‘done’ without 1977 abortion

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      Stevie Nicks thrust herself into the ongoing fight for access to abortion in the US because she had “been there, done that”, the legendary singer-songwriter says in a new interview.“I tell a good story,” Nicks remarked in an interview conducted by CBS News Sunday Morning, a clip of which was circulated by the network in advance.“So maybe I should try to do something.“I was also there.”Nicks’ comments come after the release in September of her new single The Lighthouse, which was inspired by progressives’ battle to reinstate federal abortion rights in the US.She wrote the rock song after three US supreme court justices appointed by the Donald Trump White House voted to essentially overturn the 1973 Roe v Wade ruling that gave Americans a constitutional right to an abortion.In a recent Rolling Stone interview, Nicks discussed her certainty that if she had not gotten an abortion in the 1970s, it would have marked the end of the renowned band Fleetwood Mac that she ultimately helped launch to rock immortality.Nicks at the time had a contraceptive intrauterine device but nonetheless became pregnant with singer Don Henley after breaking up her prior relationship with Fleetwood Mac bandmate Lindsey Buckingham, she told Rolling Stone. She said she decided to terminate the pregnancy in about 1977, or going into 1978, as Fleetwood Mac sat atop the world after its album Rumours.Rumours won Fleetwood Mac the Grammy for album of the year in 1978, a year that saw the band play 18 live shows in 11 US states. Three of the album’s singles – Go Your Own Way, Don’t Stop and You Make Loving Fun – reached the top 10 on the charts. Dreams, with Nicks’ vocals, went No 1 as Rumours eventually finished seventh on Rolling Stone’s list of the 500 greatest albums of all time.“Now what the hell am I going to do?” Nicks said to Rolling Stone about her thought process at the time of her aborted pregnancy. “I cannot have a child. I am not the kind of woman who would hand my baby over to a nanny, not in a million years.“So we would be dragging a baby around the world on tour, and I wouldn’t do that to my baby. I wouldn’t say I just need nine months. I would say I need a couple of years, and that would break up the band period.”Nicks said she doesn’t “really care” if people become upset with her over having decided to get an abortion. “My life was my life, and my plan was my plan and had been since I was in the fourth grade,” Nicks said to Rolling Stone, adding that Fleetwood Mac would have been “done” if she had decided otherwise.Nicks’ remarks to Rolling Stone about her personal experience with abortion elaborate on ones she delivered to the Guardian in 2020, when she said: “There’s just no way that I could have had a child then, working as hard as we worked constantly.”Meanwhile, after the reversal of Roe v Wade as Trump set his sights on a second presidency in the 5 November election, Nicks said she heard everywhere around her that “somebody has to do … [and] say something” to support abortion rights.“And I’m like: ‘Well I have a platform,’” Nicks said after CBS Sunday Morning correspondent Tracy Smith asked the singer about the courage needed to “step into the waters of the abortion debate”.The result was The Lighthouse, a rare new release for Nicks, whose last album of entirely fresh material was put out in 2011. The single casts her as a lighthouse guiding women to campaign for their rights as voters choose between Kamala Harris and Trump, whose supporters include a conservative thinktank that is urging him to step up attacks against sexual and reproductive health and rights.“They’ll take your soul, take your power, unless you stand up, take it back,” Nicks sings on the track. “Try to see the future and get mad/It’s slipping through your fingers, you don’t have what you had/And you don’t have much time to get it back.” More

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      in Elections

      Lil Durk Is Accused of Conspiring to Kill a Rival. What We Know About the Case.

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      The rapper Lil Durk was arrested at the airport in Miami this week after he had been booked on flights to three international destinations, federal prosecutors said.The Grammy-winning rapper Lil Durk was arrested on a federal charge near Miami International Airport on Thursday over accusations that he conspired to kill a rap rival, resulting in the fatal shooting of another person.Lil Durk put out a bounty on the life of another rapper, identified only as T.B. by prosecutors, as retaliation for the 2020 killing of the rapper King Von, a member of the hip-hop collective Only the Family, which Lil Durk founded, according to the federal criminal complaint filed in the U.S. District Court for the Central District of California.An F.B.I. affidavit also says that Lil Durk had been booked on at least three international flights that were leaving on Thursday — to Italy, Switzerland and the United Arab Emirates — in an attempt to flee the United States.Lil Durk, 32, whose legal name is Durk Banks, appeared in the U.S. District Court for the Southern District of Florida on Friday. He remained in federal custody and was expected to be arraigned in Los Angeles in the coming weeks, according to prosecutors. He was charged with conspiracy to use interstate facilities to commit murder for hire resulting in death.The news of his arrest comes weeks before the scheduled release of his new album, “Deep Thoughts,” on Nov. 22. Earlier this year, he won a Grammy Award for Best Melodic Rap Performance for his song “All My Life,” featuring J. Cole.Representatives for Lil Durk had not responded to a request for comment.Here’s what we know about the case so far:Lil Durk is alleged to have co-conspirators.Lil Durk’s arrest comes on the heels of a recently unveiled federal indictment in Los Angeles charging five other men affiliated with Only the Family, or O.T.F., with the murder-for-hire plot, alleging that they conspired to “track, stalk, and attempt to kill” a rapper identified as T.B. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Beyoncé brings star power to Harris rally in Texas with abortion law in the spotlight

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      Beyoncé on Friday lent her star power to Kamala Harris at a high-octane rally in her native Texas, declaring that the country was on the “brink of history” as the vice-president warned the state’s near-total abortion ban could become the law of the land if Donald Trump is elected.“For all the men and women in this room, and watching around the country, we need you,” Beyoncé told a crowd of 30,000 people at the open-air Shell Energy stadium in Houston.With the presidential race effectively deadlocked, Harris detoured from her frenetic race across the seven battleground states to appear in reliably Republican Texas, where she sought to highlight the state’s abortion restrictions for voters who have yet to make up their minds or cast a ballot.“Let us be clear: If Donald Trump wins again, he will ban abortion nationwide,” Harris told the audience, her largest to date. Harris walked on to the stage, as she has ever since she became the presumptive nominee roughly 100 days ago, to Beyoncé’s hard-charging anthem, Freedom.Harris has centered her campaign on the theme of freedom. In the closing days of the campaign, she has painted Trump as posing a threat to hard-won progress, eroding access to reproductive care, seeking to walk back LGBTQ rights and targeting American democracy itself. Earlier this week, Harris agreed that Trump was a “fascist”.Harris spoke to an exuberant crowd, thousands of whom had waited hours in the sticky Houston heat to attend. Rally-goers were given flashing wristbands in all different colors. They danced and sang as a DJ spun pop ballads before the event began.But the message Harris came to deliver was sobering. She listed the sprawling impacts of abortion bans like the one in Texas, which she called “ground zero for the right for reproductive freedom.”“All that to say, elections matter,” Harris said.View image in fullscreenDespite the speculation, the megastar did not perform. “I’m here as a mother,” Beyoncé said. “We are at the precipice of an incredible shift, the brink of history,” Beyoncé told the roaring crowd.In the final days before the election, the Harris campaign is tapping the star power of the party’s most popular figures and celebrity supporters. On Friday night, Willie Nelson, the country music star and Texas resident, performed his best-known songs, including On the Road Again and actor Jessica Alba urged women to vote. Beyoncé was joined by her mother, Tina Knowles, and her former bandmate Kelly Rowland.“We are grabbing back the pen from those who are trying to write an American story that would deny the right for women to make our own decisions about our bodies,” Rowland said. “Today that means grabbing that pen and casting my vote for Kamala Harris.”The night before, Harris held her first campaign event with Barack Obama. They were joined onstage in Atlanta by rocker Bruce Springsteen, who played a three-song set and branded Trump an “American tyrant.” On Saturday, Harris will rally with Michelle Obama in Michigan.Harris does not expect to win Texas. But Democrats here are suddenly hopeful after polls suggest an unexpectedly close senate race between the Republican incumbent, Ted Cruz, and the Democrat, Dallas-area congressman Colin Allred.Democrats face a daunting senate map this cycle. With a loss in West Virginia all but certain, and Montana slipping out of reach, their hopes of maintaining narrow-control of the Senate may rest on an upset in the Lone Star state.“Everything is bigger in Texas,” Allred said on Friday night. “But Ted Cruz is too small for Texas.”The emotional heart of the evening was the personal stories of Texas women who had nearly died from pregnancy-related complications because they did not receive proper care.Ondrea, a Texas woman who appeared in a new Harris campaign, became emotional as she shared her harrowing experience after a miscarriage at 16 weeks and needing an emergency abortion that she was denied under the state’s law. A video played before her remarks showed her with a wound and scars that stretched down her body, from her breast to her pelvis, after a six-hour surgery in which she said doctors had to cut open her torso in order to save her life.Texas residents Amanda and Josh Zurawski, who have become powerful surrogates for Harris on the campaign trail, also shared their story. At 18 weeks pregnant, Amanda Zurawski began to suffer complications and needed an abortion. There was no chance the foetus would survive, but doctors refused to terminate the pregnancy until she eventually developed sepsis, days later.“I was finally close enough to death to deserve healthcare in Texas,” Amanda Zurawski said.Todd Ivey, a reproductive health specialist in Houston, addressed the crowd surrounded by a team of doctors and medical professionals in white lab coats. He emphasized the challenges of administering care to patients when it could mean risking arrest. Since the Texas law took effect the state’s infant mortality has risen.“This is a healthcare crisis,” he said. This is unacceptable and it is cruel.”Among those in the crowd was Sara Gonzales, 32, of Splendora, Texas, who drove to the stadium straight from an early-morning shift at Starbucks. Gonzales said she considers herself an independent and in 2020, wrote in a candidate for president. But the political stakes changed, Gonzales said, the supreme court overturned Roe v Wade, and Texas enacted its near-total ban on abortion.“Being a woman in Texas right now, it’s not OK,” she said. “I should have freedom over my own body.” More