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      Universal Music Group Threatens to Remove Music From TikTok

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      The company has been renegotiating its contract to license music with the social media site, which expires Wednesday.Universal Music Group, the world’s largest music company, said it would revoke the licenses for its vast catalog of songs from TikTok on Wednesday if the companies could not reach a new deal targeting artist compensation, artificial intelligence and other issues.In an open letter posted late Tuesday, Universal accused TikTok of responding to the company with “indifference, and then with intimidation,” creating a public squabble between the companies in the remaining hours of their existing contract. If the talks fail, TikTok users will be left without some of their favorite songs, including those by Taylor Swift, Bad Bunny, Alicia Keys and others.TikTok, owned by the Chinese company ByteDance, is indisputably one of the fastest growing and most popular social media platforms, with more than a billion users. The company says that includes about 150 million Americans. For a majority of TikTok users, music is an integral part of the experience, as it plays over the short clips that fill users’ feeds.TikTok’s current license for using music from Universal’s catalog expires on Wednesday, and in negotiating its renewal, Universal said it asked TikTok to address three specific issues, including artist compensation. Universal said TikTok had proposed paying Universal’s artists and songwriters a fraction of the rate that similar social media platforms pay. Universal accused TikTok of trying to build a music-based business “without paying fair value for the music.”Universal said that as negations continued, TikTok tried to “bully” the company into accepting a deal worth less than their previous deal, claiming it was far less than fair market value.As of Wednesday morning, it was unclear if talks between Universal and TikTok were ongoing or if they had broken down. Universal did not immediately respond to a request for further comment, and a spokeswoman for TikTok said the company had nothing to add beyond a statement shared on social media, in which it accused Universal of putting “their own greed above the interests” of their artists and songwriters.“Despite Universal’s false narrative and rhetoric, the fact is they have chosen to walk away from the powerful support of a platform with well over a billion users that serves as a free promotional and discovery vehicle for their talent,” TikTok said in its statement. More

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      That Spotify Daylist That Really ‘Gets’ You? It Was Written by A.I.

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      The music-streaming platform’s new “daylist” feature serves users three personalized playlists a day, with titles ranging from quirky to bewildering.Have your Sunday scaries ever given way to a “Nervous Ocean Monday Morning”? Does the weekend truly begin on Friday, or on a “Wild and Free Chaotic Thursday Afternoon”? How should one dress for a “Paranormal Dark Cabaret Evening”?Those odd strings of words are titles of “daylists,” a newish offering from the music-streaming giant Spotify. The feature provides users three new algorithmically generated playlists a day, each with an ultra-specific title that practically begs to be screencapped and posted.The often baffling titles have recently captured the attention of social media, propelling the service to fresh popularity about four months after its September debut. In post after post, users seem amused by the feature’s ability to see right through them.“Spotify called me out a little bit with this daylist,” one X user wrote of her own playlist. Its title: “Midwest Emo Flannel Tuesday Early Morning.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Pitchfork, the Early Years

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicLast week, Condé Nast announced that Pitchfork, the taste-making music news and criticism website it had acquired in 2015 — which had entranced and sometimes infuriated fans for more than two decades — would be brought under the editorial umbrella of GQ. Many staffers were laid off.The announcement felt like a death knell for a certain kind of critical posture — progressive but not inaccessible, knowledgeable but also curious — that feels increasingly remote in the current media landscape. Some version of the site will continue, but online, the news was received with dismay and frustration.On this week’s Popcast, a conversation with two of the people responsible for building the site’s editorial and business operations about what it took to develop the company from a one-person organization to a cross-platform publication and festival business, and the challenges that led to its sale to Condé Nast.Guests:Ryan Schreiber, the founder of Pitchfork and its editor in chief for approximately two decadesChris Kaskie, Pitchfork’s first employee and first CEOConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      in US Politics

      ‘Floored’ union leader called AOC new Springsteen after shock primary win, book says

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      Donald Trump memorably compared the New York Democratic congresswoman Alexandria Ocasio-Cortez to Eva Perón, the Argentinian first lady known as Evita. But a new book reveals that when the young Latino leftwinger burst on to the US political scene in 2018, one US labour leader made perhaps a more telling comparison – to Bruce Springsteen.“I was floored,” Michael Podhorzer, then political director of the AFL-CIO, told the author Joshua Green. “The best comparison I can make is to the famous Jon Landau line: ‘I’ve seen rock’n’roll’s future and its name is Bruce Springsteen.’”Landau is a journalist who became Springsteen’s manager and producer. He passed his famous judgment in May 1974, after seeing Springsteen play at the Harvard Square Theater in Cambridge, Massachusetts. Then 25, Springsteen went on to sell records by the million and win Grammys by the sackful, becoming widely known as the Boss but maintaining his image as a blue-collar hero, true to his New Jersey roots.In Democratic politics, Ocasio-Cortez – widely known as AOC – has built her own star power while maintaining working-class credentials.In 2018, she was a 28-year-old bartender when she scored a historic upset primary win over Joe Crowley, then 56 and a member of Democratic US House leadership, in a New York City district covering parts of Queens and the Bronx.In a campaign ad, Ocasio-Cortez depicted herself as an ordinary New Yorker, hustling to work on the subway.She described Crowley, in contrast, as “a Democrat who takes corporate money, profits off foreclosure, doesn’t live here, doesn’t send his kids to our schools, doesn’t drink our water or breathe our air”.Green, previously the author of Devil’s Bargain, on Trump’s rise to power, reports Podhorzer’s response in his new book, The Rebels: Elizabeth Warren, Bernie Sanders, Alexandria Ocasio-Cortez, and the Struggle for a New American Politics.A look at three stars of the modern Democratic left, the book will be published next week. The Guardian obtained a copy.Podhorzer, Green says, is a union official “who spends his waking hours trying to get voters to care about working people”. Among working people who might appreciate his comparison of Ocasio-Cortez to Springsteen is none other than Crowley, now senior policy director for Dentons, the world’s largest law firm.At a party event on election night in 2018, as he digested the sudden end of his 20-year congressional career, Crowley picked up a guitar and took the stage with a band.“This is for Alexandria Ocasio-Cortez,” he said, launching a cover of Springsteen’s Born to Run.In his epilogue, Green considers a common question: was Ocasio-Cortez born to run for president?Noting how AOC, Warren and Sanders have pushed Democrats left, as evidenced by Joe Biden’s record in office, he writes that Ocasio-Cortez “still gets covered mainly through the lens of ‘the Squad’” – a group of mostly female representatives of color who have achieved prominence on Capitol Hill.“But among the rising generation of Democratic staffers and strategists who will soon run the party, she’s come to be seen as a significant figure in her own right.”Speaking anonymously, a Warren adviser adds: “You can see [AOC] pointing a path toward the future in a way that none of the other Squad members are doing. She’s the one really marking the future of the left in the post-Biden era.” More

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      US senators introduce ‘fans first’ live-event ticketing reform bill

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      Six US senators have introduced a new “Fans First Act” to address flaws in the live event ticketing system by increasing transparency in ticket sales, protecting consumers from fake or overpriced tickets, and building accountability measures for bad actors.The bipartisan bill, brought to Congress by three Republicans (John Cornyn of Texas, Marsha Blackburn of Tennessee, Roger Wicker of Mississippi) and three Democrats (Amy Klobuchar of Minnesota, Peter Welch of Vermont and Ben Ray Luján of New Mexico), is the latest effort by Congress to combat high and exploitative ticket pricing for concerts and other live events.The heated situation with online ticket sellers – predominantly by Ticketmaster, by far the largest of retailers – reached a boiling point in 2022, when demand for tickets to see Taylor Swift’s and Bruce Springsteen’s tours, respectively, crashed the site and sent prices soaring.Several Swift fans went on to sue Ticketmaster for “fraud, price-fixing and antitrust violations”, alleging that “intentional deception” allowed scalpers to buy the majority of tickets, to be resold at a mark-up; within hours of the Eras tour sale, tickets were being resold on secondary seller sites for as much as $22,000 (£18,000).“Because no other venue can hold half as many people as the stadiums and venues working through Ticketmaster, Taylor Swift and other popular musicians have no choice but to work through Ticketmaster,” the suit alleged. The controversy led to congressional hearings with Ticketmaster executives. Though started before the Swift debacle, the US justice department launched an antitrust investigation into Ticketmaster’s parent company, Live Nation, over whether it abused its power in the multibillion-dollar live entertainment industry.According to an announcement signed by the six senators, the Fans First Act seeks to improve pricing transparency by requiring all live event ticket sellers and resellers to disclose the total cost of the ticket, including fees, when the fan initially selects a ticket for purchase; a breakdown of the ticket cost; clear terms and conditions of purchase; which seat or section they are selling in order to avoid ticket misrepresentation; and whether or not they are the original seller.The act would also strengthen the Better Online Ticket Sales (Bots) Act, signed into law in 2016, to further prohibit the use of bots to purchase tickets online, and would impose civil penalties on resellers engaging in illegal ticket sale practices. The bill would create a reporting website for fans to file complaints, to be enforced and monitored by the Federal Trade Commission (FTC) and state attorneys general. And it seeks to stop bad actors by prohibiting the sale of “spec” tickets which resellers do not yet possess, prevents the use of deceptive websites and bad actors masquerading as legitimate sellers, and requires reporting of Bots Act violations from ticketing companies to the FTC.“The current ticketing system is riddled with problems and doesn’t serve the needs of fans, teams, artists or venues,” said Cornyn in the announcement. “This legislation would rebuild trust in the ticketing system by cracking down on bots and others who take advantage of consumers through price gouging and other predatory practices and increase price transparency for ticket purchasers.”Live Nation, the owner of Ticketmaster, applauded the new bill: “We support the Fans First Act and welcome legislation that brings positive reform to live event ticketing. We believe it’s critical Congress acts to protect fans and artists from predatory resale practices, and have long supported a federal all-in pricing mandate, banning speculative ticketing and deceptive websites, as well as other measures. We look forward to our continued work with policymakers to advocate for even stronger reforms and enforcement.” More

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      Springsteen, Dolly Parton and the Killers: songs presidential candidates think make them look good

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      Chris Christie digs Coldplay. Cornel West is into Coltrane. And Vivek Ramaswamy, the pharmaceutical magnate whose net worth is approaching $1bn, has found a kindred spirit in Woody Guthrie.These are a few of the 2024 presidential candidates revealing the music that “stirs their soul”, assuming they have one. The lists, solicited by Politico, are oozing with the raw passion politicians are known for: who hasn’t shed a tear while listening to Bananarama, as Nikki Haley apparently has?Sure, the 20-song lists were probably focus-grouped beyond recognition, but you can learn a lot about someone from the music they pretend to like. Here’s what the playlists tell us.Chris Christie: Bruce Springsteen, Bon Jovi, EaglesThe tough-talking former New Jersey governor has a well-documented obsession with the Boss, so it’s no surprise that his list starts with Springsteen. His alleged favorite song is Thunder Road, a politically deft option: it’s popular enough without being obvious, avoids any political messaging, yet still screams “regular guy”. The choice of a pathos-tinged tune also feels appropriate given Christie’s shifting position. Once the loudest bully in the room, he’s been so thoroughly out-evilled by red-meat maniacs that he seems to be running as the guy with a heart.To prove his New Jersey credentials – did you know Chris Christie is from New Jersey? He’s from New Jersey – he’s also chosen the obscure Bon Jovi hit Livin’ on a Prayer. And among the other highlights on his list – which features a truly remarkable number of ageing white guys – is the Eagles’ Hotel California, whose tale of self-imprisonment must ring true for any anti-Trump Republican:
      And in the master’s chambers
      They gathered for the feast
      They stab it with their steely knives
      But they just can’t kill the beast
      Nikki Haley: Dolly Parton, the Killers, Post MaloneThe former South Carolina governor’s favorites feature a bit more variety, squeezing in Dolly Parton, Cat Stevens and Abba. Virtually everything on her list is pre-2010, which is perfectly understandable for a 51-year-old – and then suddenly there’s Post Malone’s Take What You Want, featuring Ozzy Osbourne and Travis Scott.It’s unclear how she stumbled on this song the year after she stepped down as Donald Trump’s UN ambassador, and what about it stirred her soul. Does she cut a rug to lines like “I feel you crumble in my arms down to your heart of stone / You bled me dry just like the tears you never show” while mulling over policy ideas?The only other recent hit on her list is Fast Car – the 2023 version by Luke Combs, rather than the 1988 original by Tracy Chapman, a bona fide American classic. Maybe that version has somehow slipped under her radar for the past 35 years. Or perhaps, like Christie, she’s trying to flex her home-state credentials (Combs is from North rather than South Carolina, but they’re close). Then again, Chapman is from Ohio – a swing state.Haley and Christie have something else in common: a love for the Killers’ Mr Brightside. Tough to imagine why a song about cheating, lies and paranoia would appeal to two Republican presidential candidates.Vivek Ramaswamy: Imagine Dragons, Imagine Dragons, MozartThe Harvard-educated businessman apparently doesn’t know 20 songs: he only submitted eight pieces of music, and one isn’t a song – it’s Mozart’s Rondo Alla Turca, a staple of fifth-grade piano recitals. (That said, it is an absolute banger.) Beyond an inability to count, he also appears to have trouble following directions: he has two songs by the banal pop outfit Imagine Dragons, despite Politico’s one-song-per-artist rule.Eminem’s Lose Yourself tops Ramaswamy’s list, presumably to the artist’s chagrin: Eminem recently told the politician never to perform his song again after Ramaswamy started rapping at the Iowa State Fair. He’s not the only candidate to have a rocky relationship with one of his musical heroes – Springsteen has rejected performance invitations from Christie and mocked him on TV, though they did hug once after Hurricane Sandy.And like Christie, Ramaswamy has chosen Aerosmith’s Dream On; like Haley, he’s into Dolly Parton’s Jolene. In a country that can feel so divided, it’s nice to know that politicians can agree on which songs are most likely to make them look good.Will Hurd: A Tribe Called Quest, Demi Lovato, MatisyahuCredit where credit is due: this former congressman who will never be president has a very interesting list, including tracks from A Tribe Called Quest, Hootie & the Blowfish, Matisyahu and Demi Lovato. Either he has taste so eclectic it’s verging on bizarre, or he closed his eyes and jabbed at random sentences on the Wikipedia page for “American popular music”.Larry Elder: Sam Cooke, Gladys Knight, the BeatlesElder works in radio, so you’d think he might have heard a few songs written after 1992, but apparently none have stirred his soul. To be fair, his list is probably genuine – no focus group would suggest picking two Boyz II Men songs from the same album.Elder grew up in the 60s, and his favorite songs are mostly from that turbulent era – Sam Cooke, Gladys Knight, the Beatles. It was a time of youthful idealism, of fights for civil rights and gender equality and against war. One can only imagine how proud these musicians would be of Elder’s views – his preferred minimum wage of “$0.00”, his assertion that “women know less than men about political issues”, and his support for ending birthright citizenship and allowing the denial of emergency care to undocumented people.Asa Hutchinson: Johnny Cash, Garth Brooks, PinkThe former Arkansas governor also struggled to come up with 20 songs; like Ramaswamy, he managed a total of eight. They’re mostly country and folk hits from the likes of Johnny Cash, Levon Helm and Garth Brooks – not surprising for an Arkansas man.But don’t be fooled: this 2024 Republican contender knows a beat when he hears one. When things start to get wild in the ex-governor’s household – perhaps when the Hutch reflects on such accomplishments as blocking Syrian refugees from entering Arkansas, or resuming executions – he cranks up Pink’s Get the Party Started.Cornel West: John Coltrane, Nina Simone, Aretha FranklinGiven that the philosopher and activist has worked with Talib Kweli, André 3000, Killer Mike and a host of other musicians, he must know more than four songs. But that was all the Green party candidate was able to provide, falling short of even Ramaswamy and Hutchinson.Then again, maybe there are only four songs that truly stir his soul – and tracks from John Coltrane, Nina Simone, Aretha Franklin and the Isleys seem like reasonable candidates. More

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      The Guardian view on politicians and pop: don’t maim that tune | Editorial

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      The scene is Des Moines, Iowa, earlier this month. Up on stage is a man running to be the Republican party’s next pick for US president. A song starts over the tannoy. It is one of the hopeful’s declared favourites. Pumping the air, he lifts the mic and begins rapping along: “You better lose yourself in the music / The moment, you own it, you better never let it go.”So goes one of the best-known songs of the 21st century – and one of the most bizarre moments so far in the Republican primaries. Why is Vivek Ramaswamy – with an estimated net worth somewhere north of $950m – karaoke-ing about life in a mobile home? What does a product of Yale and Harvard know about having to wear a sweater coated with vomit (“mom’s spaghetti”)?Such questions clearly troubled Lose Yourself’s author, Eminem, who last week fired off a lawyer’s letter demanding that the politician stop using any of his work. Just as the song foretold, Mr Ramaswamy only got one shot – sadly for him.Politicians have tangled with pop for decades – just think of Harold Wilson’s canny award of MBEs to the Fab Four – yet in recent years, real political contenders have had to pretend that they actually listen to the stuff. Picking her Desert Island Discs in 1978, Margaret Thatcher thought she would subsist on a diet of Beethoven and Dvořák. Three decades later, Gordon Brown was asked whether he liked Arctic Monkeys and tried a cheery bluff about how they’d “certainly wake you up in the morning”.As the then chancellor later admitted, he’d never heard the band, let alone sluiced cider down his jumper to I Bet You Look Good on the Dancefloor. But he was right to observe that, from Strictly to the Lionesses, “Unless you can offer a view on each and every issue of the day, you are immediately accused of indecisiveness.” As mass-membership parties have withered away, so modern politicians must show that they are one of us through a feigned enthusiasm for popular culture – even though it has nothing to do with their job.In a few weeks, Marshall Mathers, better known as Eminem, turns 51. He ranks among the most talented performers in hip-hop, an art form that has marked its own 50th birthday this month. Both are a good sight older than 38-year-old Mr Ramaswamy, and are soaked into our daily lives to an extent that politicians can only dream of. Lose Yourself has soundtracked countless gym sessions, an advert for Chrysler and a campaign by Joe Biden. Its author may hate the politics of Donald Trump and his Republican acolytes, but artists can’t choose their fans.Yet it is odd to see a venture capitalist such as Mr Ramaswamy act the underdog; or to hear Old Etonian David Cameron proclaim his love for The Eton Rifles by the Jam. Part of how this era of supersized inequality persists is by the people at the top pretending they’re just like those at the bottom. Why, they even listen to the same music! The boss of Goldman Sachs is a DJ, and our very own prime minister enjoys rap. Although, being Rishi Sunak, he knows all the words to that 90s embarrassment Ice Ice Baby. Give us Eminem any day. More

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      Eminem demands Vivek Ramaswamy cease using his music on campaign trail

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      The rapper Eminem has demanded that Vivek Ramaswamy cease using his music.In a letter reported by the Daily Mail, a representative for the rapper’s publisher told counsel for the Republican presidential hopeful that Eminem, whose real name is Marshall Mathers III, objected to Ramaswamy’s use of his compositions and was revoking a license to use them.The letter, dated 23 August, became public weeks after Ramaswamy, 38, a financial investor and politics newcomer, mounted an impromptu performance of Lose Yourself by Eminem at the Iowa State Fair, bemusing many Republicans but securing a measure of internet renown.Ramaswamy also grabbed the spotlight last Wednesday, at the first Republican debate in Wisconsin. His angry and blustering performance, including clashes with other candidates and a claim that “the climate change agenda is a hoax”, harvested significant media coverage.The Guardian has reported on how Ramaswamy’s claims to be a political outsider stand in contrast to deep links to rightwing donors and influencers, including Peter Thiel and Leonard Leo.Ramaswamy’s love for rap, and for Eminem in particular, has been widely reported. When he was a Harvard undergraduate, the future biotech entrepreneur rapped under the name “Da Vek”. He also told the Crimson, the Harvard campus newspaper, Lose Yourself by Eminem was his personal theme.“I consider myself a contrarian,” Ramaswamy said then. “I like to argue.”In its letter to the Ramaswamy campaign, Broadcast Music, Inc (BMI) said it “will consider any performance of the Eminem works by the Vivek 2024 campaign from this date forward to be a material breach of the agreement for which BMI reserves all rights and remedies”.In a statement to the Mail, a spokesperson for Ramaswamy referred to another Eminem song: “Vivek just got on the stage and cut loose. To the American people’s chagrin, we will have to leave the rapping to The Real Slim Shady.” More