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    Phil Lesh’s Life in Pictures

    Phil Lesh, the bassist and a charter member of the Grateful Dead who was 84 when he died on Friday, will be remembered as a versatile musician and a pioneer for his instrument of choice.Lesh co-wrote songs and was an occasional lead vocalist across his 30-year career with the rock band. But his skill at soaring improvisation and his chemistry with the band’s lead guitarist, Jerry Garcia, ensured that Lesh would also be seen as a main character.Here are some snapshots from Lesh’s life and career.Paul Ryan/Michael Ochs Archives, via Getty ImagesPhil Lesh, Bob Weir and Jerry Garcia in 1965 as the Warlocks before they became the Grateful Dead.Ron Rakow/Retro Photo ArchiveLesh on Ashbury Street in 1968.Associated PressThe Grateful Dead with reporters in San Francisco in 1967.Don Paulsen/Michael Ochs Archives, via Getty ImagesFrom left, Bill Kreutzmann on drums, Lesh and Weir at the Cafe Au Go Go in New York in 1967.Leni Sinclair/Getty ImagesFrom left, Garcia, Lesh and Weir in Ann Arbor, Mich., in 1967.Malcolm Lubliner/Michael Ochs Archives, via Getty ImagesSan Francisco, 1968.Chris Walter/WireImage, via Getty ImagesThe Dead in 1970, clockwise from top left: Weir, Lesh, Bill Kreutzmann, Ron McKernan, Mickey Hart and Garcia.Robert Altman/Michael Ochs Archives, via Getty ImagesSan Francisco, 1970.Bettman/Getty ImagesThe Dead in the late ’60s.Ed Perlstein/Redferns, via Getty ImagesFrom left, Garcia, Weir and Lesh in Golden Gate Park, San Francisco, 1975.Ron Rakow/Retro Photo ArchiveLesh at Hollywood Bowl, 1974.Mark Sullivan/Getty ImagesLesh, at right, with David Crosby, left, and Ned Lagin, who both played briefly with the Dead.Ed Perlstein/Redferns, via Getty ImagesSan Francisco, 1978Roger Ressmeyer/Corbis and VCG, via Getty ImagesWeir and Lesh.Roger Ressmeyer/Corbis and VCG, via Getty ImagesWeir and Lesh at a recording studio in San Rafael, Calif.Roger Ressmeyer/Corbis and VCG, via Getty ImagesThe Dead in 1982, from left: Brent Mydland, Lesh, Kruetzmann, Weir, Garcia and Hart.Tim Mosenfelder/Getty ImagesRed Rocks Amphitheatre in Colorado in 1987.Thearon W. Henderson/Getty ImagesHart, Wier and Lesh with the mascot of the San Francisco Giants in 2011.Jason Henry for The New York TimesLesh at Terrapin Crossroads in San Rafael, Calif.Associated PressThe Dead at Soldier Field in Chicago in 2015.Jason Henry for The New York TimesLesh at Terrapin Crossroads in 2015.Astrida Valigorsky/Getty ImagesAt the Great South Bay Music Festival in Patchogue, N.Y., last year. More

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    Beyoncé to appear with Kamala Harris in Houston to highlight abortion rights – reports

    Beyoncé will appear with Kamala Harris in Houston on Friday, according to media reports.The star turn will confirm that, following Harris’s endorsement by Taylor Swift last month, the Democratic vice-president and US presidential candidate has the support of the two most popular musicians in the world – a potentially invaluable asset for galvanising young voters.Harris is rallying in Texas, a Republican stronghold, to highlight abortion rights and support Democratic Senate candidate Colin Allred, who trails Republican Ted Cruz in opinion polls.Beyoncé, 43, will appear in her home city along with her mother, Tina Knowles, and 91-year-old country music giant Willie Nelson, according to sources cited by the Washington Post newspaper.The event presents an opportunity for Beyoncé to give a live performance of Freedom, a song from her 2016 album Lemonade, which the vice-president has been using as walk-on music at rallies while making freedom a central theme of her campaign.Beyoncé, who has hundreds of millions of followers on social media, sang a cover of Etta James’s At Last at one of President Barack Obama’s inaugural balls in 2009, before singing the national anthem at Obama’s second inauguration ceremony in 2013.She performed Formation at a rally for Democrat Hillary Clinton three days before the presidential election in 2016 and told the crowd: “I want my daughter to grow up seeing a woman leading the country. That’s why I’m with her.”Her backing of Harris is therefore no surprise and fed fevered speculation – and inaccurate reporting – that she would make a dramatic entrance at this summer’s Democratic national convention in Philadelphia.Beyoncé becomes the latest celebrity to bring star power to the Harris campaign. On Thursday, the Democrat is holding a rally in Atlanta, Georgia, with musician Bruce Springsteen, film director Spike Lee, actor Samuel L Jackson and actor and filmmaker Tyler Perry as well as Obama.Other musicians supporting the Democrat include Eminem, Cher, Billie Eilish, Barbra Streisand, Carole King, John Legend and Stevie Wonder. Trump has the backing of Jason Aldean, Lee Greenwood, Kanye West and Kid Rock, while the Republican national convention was shown a video featuring rapper Forgiato Blow and reality TV star Amber Rose. More

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    From Salzburg to Paris, Dancing Bach’s St. John Passion

    From Salzburg to Dijon to Paris, a German choreographer adds striking dance to the sacred oratorio.The first thing we hear in Sasha Waltz’s production of the “St. John Passion” (“Johannes-Passion”) is not the mournful opening notes of the sacred oratorio, written by Johann Sebastian Bach in 1724, but rather the whir of sewing machines.Eleven dancers bend over a long table as they mechanically stitch together modest frocks. The chorus enters, with lacerating cries of “Herr, unser Herrscher” (“Lord, our Sovereign”), while the dancers slowly carry the billowy white garments that they have just made downstage, their naked bodies bathed in a golden glow. In a recent phone interview, Waltz referred to these frocks as “the shift of life, the cloth that represents, in a way, your own life, from birth to death.”Over the next two hours, the dancers repeatedly don these white gowns, slip into other, colorful garments, or perform in the nude as they bring Bach’s magisterial music to life, their movements enhanced by shimmering nocturnal lighting. For the most part, the set remains bare throughout the performance; the few props include wooden poles, blocks and planks, rope and mirrors.After springtime performances at the Salzburg Easter Festival in Austria and the Opéra de Dijon in France, the production is to arrive at the Théâtre des Champs-Élysées in Paris in early November. Waltz, 61, is perhaps Germany’s best-known living choreographer, and the latest director of many who have been drawn to Bach’s two surviving passions — grand musical settings of the crucifixion of Jesus.“I think it’s very, very theatrical,” Waltz said of the “St. John Passion.” “It’s maybe the oratorio where Bach comes the closest to opera, I would say. And I love the rhythmicality of the turba choirs,” she added, referring to the highly charged crowd scenes.She was speaking days after receiving this year’s German Dance Award. The jury statement praised her “artistically unique and disciplinary-bursting oeuvre,” which has ranged from works staged in museums to operas, such as Henry Purcell’s “Dido and Aeneas” and Wagner’s “Tannhäuser.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘There’s vomit on my sweater already!’ Barack Obama raps Eminem’s Lose Yourself at Detroit rally

    Barack Obama rapped Eminem’s signature hit Lose Yourself to a crowd in Detroit during a campaign rally for Kamala Harris.He was preceded by Eminem himself, who told the crowd in his home city: “It’s important to use your voice, I’m encouraging everyone to get out and vote, please … I don’t think anyone wants an America where people are worried about retribution of what people will do if you make your opinion known. I think vice-president Harris supports a future for this country where these freedoms and many others will be protected and upheld.”Obama opened his ensuing speech by saying: “I gotta say, I have done a lot of rallies, so I don’t usually get nervous, but I was feeling some kind of way following Eminem,” before segueing into Lose Yourself’s opening lines: “I notice my palms are sweaty, knees weak, arms are heavy, vomit on my sweater already, mom’s spaghetti, I’m nervous but on the surface I look calm and ready to drop bombs but I keep on forgetting …”He joked that he thought Eminem would be performing and he would be a guest star, adding: “Love me some Eminem.”The former president is an avowed music fan, sharing his favourite songs twice a year in official posts on his social media. Summer 2024’s selections included songs by contemporary pop names such as Beyoncé, Tyla and Rema alongside older tracks by Nick Drake, the Supremes and cosmic jazz musician Pharoah Sanders.Obama went on to excoriate Donald Trump in his speech, recalling how Trump expressed doubt about the election results in 2020. “Because Donald Trump was willing to spread lies about voter fraud in Michigan, protesters came down, banged on the windows, shouting, ‘Let us in. Stop the count.’ Poll workers inside being intimidated … all because Donald Trump couldn’t accept losing … there is absolutely no evidence that this man thinks about anybody but himself.”He questioned Trump’s mental fitness for the role of president, saying: “You’d be worried if Grandpa was acting like this. But this is coming from someone who wants unchecked power.”He also made reference to Trump’s stunt earlier this week, where he worked in a McDonald’s kitchen and drive-thru counter that was closed to the public. Harris, he said, “worked at McDonald’s when in college to pay her expenses. She did not pretend to work at McDonald’s when it was closed.”Tim Walz, also speaking at the rally, decried the stunt as “cosplaying … Fake orders for fake customers”. He also appealed to freedom of speech, saying Trump was “talking about sending the military against people who don’t support him. He’s naming names.” More

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    Kris Kristofferson’s brave anti-war song | Brief letters

    One important song appears to have been overlooked in the eulogies for Kris Kristofferson (Obituary, 30 September). Don’t Let the Bastards (Get You Down) is a brave song for a country singer with a military background in the Reagan era. It remains very relevant today: the opening line is “They’re killing babies in the name of freedom.”Peter TaylorTynemouth, Tyne and Wear Steve Vanstone’s nomination of Bob Dylan as a great songwriter but a bad singer (Letters, 3 October) brings to mind another candidate for the greatest songwriter: Franz Schubert. Maria Wagner, who often heard Schubert sing in her family’s home in Vienna, said she had heard all the famous Schubert singers, “but no one sang as Schubert did, and that without a voice”.Susan TomesEdinburgh My family would just like to reassure Bob Dylan that, contrary to Steve Vanstone’s claim, they have heard us both and Bob is definitely not the worst singer of all time.Andrew KeanRainham, London Is the greatest songwriter debate a boys’ club? Joni Mitchell has not only written wonderful lyrics, her melodies are better and her arrangements more imaginative. And as for her voice…Orlando GooddenWhatley, Somerset The seafaring Anglo-Saxons would not have given a hoot where in Europe the oak for their boats came from, so why should the reconstruction of the Sutton Hoo burial ship be made of English wood (‘They must be somewhere’: appeal for British oak to recreate Sutton Hoo ship, 4 October)?Bill Britnell Shrewsbury, Shropshire More

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    Bruce Springsteen endorses Kamala Harris for president while criticising ‘dangerous’ Trump

    Bruce Springsteen has officially thrown his support behind Kamala Harris, endorsing her for president and simultaneously opposing Donald Trump, calling him “the most dangerous candidate for president in my lifetime”.The Born to Run singer made the announcement in a video posted to his Instagram on Thursday evening (US time) in which he described the upcoming election as “one of the most consequential elections in our nation’s history”.“Perhaps not since the Civil War has this great country felt as politically, spiritually and emotionally divided as it does at this moment. It doesn’t have to be this way.”Springsteen, who was a vocal supporter of Barack Obama and Joe Biden in their respective presidential campaigns, is the latest high-profile endorsement for Harris, joining Taylor Swift, Oprah Winfrey and Barbra Streisand.In the video, he praised Harris and Walz’s commitment to “a vision of this country that respects and includes everyone, regardless of class, religion, race, your political point of view or sexual identity, and they want to grow our economy in a way that benefits all, not just a few like me on top”.“That’s the vision of America I’ve been consistently writing about for 55 years.”Trump, by contrast, “doesn’t understand the meaning of this country, its history or what it means to be deeply American”, the singer said.“His disdain for the sanctity of our constitution, the sanctity of democracy, the sanctity of the rule of law and the sanctity of the peaceful transfer of power should disqualify him from the office of president ever again.”Concluding, Springsteen said: “Now, everybody sees things different, and I respect your choice as a fellow citizen. But like you, I’ve only got one vote, and it’s one of the most precious possessions that I have. That’s why come November 5 I’ll be casting my vote for Kamala Harris and Tim Walz. Thanks for listening.” More

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    Chappell Roan isn’t endorsing Kamala Harris. She’s taking a stand for critical thinking instead

    ‘No, I’m not voting for Trump and yes, I will always question those in power,” Chappell Roan said in a recent TikTok video clarifying why she is not stumping for Kamala Harris in the forthcoming US presidential election. As she had explained to the Guardian last week, she doesn’t “feel pressured to endorse anyone” – having previously denounced the Biden-Harris administration’s failure to robustly defend queer rights against hundreds of anti-LGBTQ+ bills tabled by Republicans, and their ongoing support for Israel during the assault on Gaza that has killed more than 40,000 Palestinians.She followed up with another video on Wednesday: “Obviously fuck the policies of the right,” she said, while also castigating what she called “some of the left’s completely transphobic and completely genocidal views”. She said she was voting for Harris, “but I’m not settling for what has been offered … this is not me playing both sides. This is me questioning both sides.”It’s refreshing to hear a pop star talk about politics with conviction and nuance. If only her recent comments had been received that way online. The year’s breakout pop star went viral this weekend when a popular X account that aggregates pop culture titbits cherrypicked a quote from Roan’s Guardian interview in which she said of Democrats and Republicans: “there’s problems on both sides”.While some users supported Roan’s stance, many others called her “cowardly”, criticised her supposedly “neutral” stance, and accused her of being “uneducated”. The backlash suggests that the majority of those pillorying Roan never read the full interview (which wasn’t linked in the original X post), hence Roan hitting out about “being completely taken out of context”.What happened to Roan is emblematic of two things. The first is the parasitic, reductive way that Pop Crave-style news aggregation accounts on X extract quotes from articles in a way that prioritises engagement over substance. Would the outcry have been the same if the account published Roan’s full quote, in which she encourages people to use “critical thinking skills” and “vote for what’s going on in [their] city”, along with her vociferous support for trans rights? I doubt it.The second is that many musicians’ fanbases are now often admirably politically conscious and demand stars speak out against injustice, meaning they will make it known if they are unhappy with an artist’s position. The difficulty comes when those fans expect stars to fit a particular way of performing their politics.Pop stars weren’t always expected to be as politically literate as they are today. The worst of 80s pop was well meaning but wince-inducingly shallow. Later, being political could often be detrimental to mainstream success: in 2003, the Chicks were blacklisted from the country music industry after Natalie Maines said she was ashamed that then-US president George W Bush was from their home state of Texas.But the rise of social media in the early 2010s created an ecosystem of liking, following and sharing, where a user’s tastes reflected back on them and could be used to signal their own political morality. The Tumblr blog “your fave is problematic” documented celebrities’ perceived moral transgressions. Celebrities, particularly pop stars, quickly adapted accordingly.Then came 2016. Hillary Clinton had everyone from LeBron James and Bruce Springsteen to Beyoncé and Kim Kardashian helping her try to stop Donald Trump from becoming president – everyone except Taylor Swift. Swift’s political silence was heavily criticised and conspiracies swirled that she was a Republican. She would later tell the Guardian the pressure she felt “making statements that go out to hundreds of millions of people” and that she worried that her then-maligned reputation (in the wake of beef with Kardashian and Kanye West) might have been “a hindrance” to Clinton.View image in fullscreenShe endorsed Biden in 2020, but more recently, fans have questioned why she has hung out with Brittany Mahomes, a Trump supporter (and wife of a teammate of Swift’s football player boyfriend). Swift backed Harris and Tim Waltz earlier this month – though she explicitly framed her decision to back Harris as triggered by a personal crisis of Trump using AI-falsified images of her appearing to endorse him, rather than leading with a broader social conscience.The furore around both Roan and Swift speaks to the febrile environment dominating US politics. Poll after poll has shown this could be the closest presidential race this century. Women’s right to bodily autonomy is at stake – which is partly why there’s so much more scrutiny on female musicians. The threat of a second Trump presidency, coupled with fears of the far-right activating Project 2025, have made this election feel like a battle for the soul of American democracy. With the race on a knife-edge, leftwing pop fans are grasping at any positive endorsement that might help Harris. It’s not without precedent. Back in 2008, it was estimated that Oprah Winfrey’s endorsement of Barack Obama translated into one million votes. Swift’s post endorsing Harris led to more than 400,000 people going to voter registration sites. The potential power of these endorsements is also evident from rightwing attempts to debunk them: after Paramore singer Hayley Williams spoke out against a potential Trump “dictatorship” at a festival last week, Elon Musk called her a “puppet of the machine”.But there’s an argument that we shouldn’t look to them for political guidance, given that wealthy musicians live in a world mostly unburdened by the hardships and struggles faced by everyday people and marginalised communities, and they seem as prone as anyone to accepting disinformation. Many fans of Janet Jackson – the artist behind the radical, progressive politics of 1989 album Rhythm Nation 1814 – were crushed this weekend when in a Guardian interview she parroted Trump-propagated misinformation that Harris is “not Black”. Pharrell Williams is also currently in hot water with fans for saying that he doesn’t “really do politics” and gets “annoyed” when celebrities tell people who to vote for.I would argue it’s fair to want celebrity musicians to be politically astute, particularly if, like Jackson, they’re willing to comment on politics in interviews. The key thing is not to simplify complex political stances to fit the narrow bounds of what a hive mind on social media has deemed acceptable. Think of the way Nick Cave has been accused of being “conservative” – though it’s fine to question his beliefs about religion, boycotts and dogma, those beliefs do not neatly map on to that term and it diminishes the debate to suggest they do.What separates Roan’s political interventions from her peers is the way she wants to empower her young fanbase to think smarter and harder about how they can actively engage in politics. She had asked for critical thinking, but the kind of narrow, hardline stance her comments were met with is the antithesis of the tolerance, empathy and self-reflection that should be part of leftwing thought. Roan is right not to tell fans what to do this election. Instead she’s a valuable demonstration of what it means to live your politics. As she clarified on TikTok: “Actions speak louder than words and actions speak louder than an endorsement.” More

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    ‘You’re Basically on a Broadway Stage, With New Friends’

    At the touring dance party Broadway Rave, the playlist is all show tunes. But don’t worry, no house remixes of “I Dreamed a Dream” here.Julia Cochrane drove for four hours, to New York from Boston, so she could spend last Saturday night immersed in all things Broadway. But not in Manhattan.Instead, she headed to Huntington, Long Island. There, over 100 people packed into Spotlight at the Paramount, a small bar attached to a concert hall, for a touring dance party called Broadway Rave, at which theater kids turned theater adults dance and sing onstage in between shots of tequila.“People who love this, they just want to come together,” said Cochrane, 22, who attended with her friend Hannah Opisso, 23, a Long Island resident who learned about the dance party via Instagram. “It’s like you’re basically on a Broadway stage, with new friends.”“You see these folks get onstage and have the courage to be up there,” said Ethan Maccoby, whose company presents Broadway Rave.Ye Fan for The New York TimesCochrane and Opisso met as students at the State University of New York, Plattsburgh, where Broadway cast albums were their pregame music of choice. Last weekend, Broadway musicals brought them together again, and at one point they took the stage to sing “Meet the Plastics” from the “Mean Girls” musical.Attendees don’t have microphones — this isn’t karaoke — but they are encouraged to rush the stage to sing and dance when their favorite songs come on. And the term “rave” is a misnomer: The playlist is mostly uncut cast album material — though last weekend those theater fans may have caught the remix flair at the beginning of “Jellicle Songs for Jellicle Cats.” Other songs that night included “Out Tonight” (“Rent”), “Popular” (“Wicked”), “Sincerely Me” (“Dear Evan Hansen”) and a few tracks from “Hamilton,” including “The Schuyler Sisters” and “Wait for It.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More