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      Puerto Rican stars Bad Bunny and Ricky Martin back Kamala Harris after racist comments at Trump rally

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      Puerto Rican stars star Bad Bunny and Ricky Martin have thrown their support behind Kamala Harris on the same day that a comedian appearing at Donald Trump’s rally at Madison Square Garden called Puerto Rico a “floating island of garbage”.On Sunday international reggaeton star Bad Bunny- whose official name is Benito Antonio Martínez Ocasio – shared a video of the Democratic presidential nominee to his more than 45 million followers on Instagram. His support could be a boost for the Harris campaign as it tries to bolster its support with Latino and Puerto Rican voters.Bad Bunny signalled his support for Harris moments after comedian Tony Hinchcliffe made the remarks about Puerto Rico at the Trump rally in New York. Hinchcliffe also made crude remarks about Latinos.The comment was immediately criticised by the Harris-Walz campaign. Ricky Martin, another Puerto Rican pop star, wrote in a post to his 18m followers on Instagram: “This is what they think of us. Vote for @kamalaharris.”Later, Trump campaign spokesperson Danielle Alvarez in a statement said: “this joke does not reflect the views of President Trump or the campaign.”Other Latino singers who had already expressed support for Harris – including Jennifer Lopez and Marc Anthony – also shared the video from Democratic candidate.Bad Bunny has won three Grammy awards and was the most streamed artist on Spotify in 2020, 2021 and 2022, only surpassed by Taylor Swift in 2023. He was named artist of the year by Apple Music in 2022.The artist has increasingly waded into politics, especially in his native Puerto Rico, where he purchased billboards in protest of the pro-statehood New Progressive party and has been critical of the electric system, which was leveled by Hurricane Mario.The video he shared on Sunday shows Harris saying: “There’s so much at stake in this election for Puerto Rican voters and for Puerto Rico.”He then shared another part of the clip where Harris says: “I will never forget what Donald Trump did and what he did not do when Puerto Rico needed a caring and a competent leader,” she says.Puerto Rican voters are crucial to both Trump and Harris, and Trump has recently been making inroads with the group. In Pennsylvania, a key battleground state, the majority of the 580,000 eligible Latino voters are of Puerto Rican descent.Harris on Sunday visited a Puerto Rican restaurant in Philadelphia where she outlined plans to introduce an “economic opportunity taskforce” for Puerto Rico.She also recognized the need to urgently rebuild Puerto Rico’s energy grid, promising to work with local leaders to ensure all Puerto Ricans have access to reliable electricity, and cut red tape to ensure disaster recovery funds are used quickly and effectively.A year after the storm, public health experts estimated that nearly 3,000 perished because of the effects of Hurricane Maria.Trump’s actions and policies towards the island have repeatedly drawn criticism. He repeatedly questioned the number of casualties, saying it rose “like magic”. His visit to the island after the hurricane elicited controversy such as when he tossed paper towels. His administration released $13bn in assistance years later, just weeks before the 2020 presidential election. And a federal government watchdog found that officials hampered an investigation into delays in aid delivery.Bad Bunny also shared a part of the clip showing Harris saying that Trump “abandoned the island, tried to block aid after back-to-back devastating hurricanes and offered nothing more than paper towels and insults”.A representative for the artist confirmed his endorsement. More

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      in Elections

      DJ Clark Kent, Who Introduced Jay-Z to the Notorious B.I.G., Dies at 58

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      He was a producer and club D.J. who helped rappers find their voices and fortunes, and who later became known as a raconteur of hip-hop history.Antonio Franklin, known as DJ Clark Kent, a widely respected hip-hop insider for four decades who had influential relationships with many leading rappers, died on Thursday at his home in Greenbrook, a township in northern New Jersey. He was 58. The cause was colon cancer, his wife, Kesha (Vernon) Franklin, said.Mr. Franklin’s career followed the trajectory of hip-hop itself. He entered the scene just as it was taking shape, in New York in the 1980s, and he reached prime time when rap itself did, in the mid-90s. After being a club D.J. for years, he moved on to work as a producer and took jobs with Atlantic Records and Motown.In 1995, he produced a rap classic — and his first hit song — with “Player’s Anthem” by Junior M.A.F.I.A., a group formed by the Notorious B.I.G., who also appeared on the track. The song became a breakout single for the group and introduced Lil’ Kim to the international hip-hop audience.The next year, he produced three songs on Jay-Z’s debut album, “Reasonable Doubt.” His most noteworthy contributions were to the song “Brooklyn’s Finest.” Mr. Franklin provided the vocals for the hook, and he suggested to Jay-Z and his manager, Damon Dash, that they include Notorious B.I.G. on the track. The two somewhat hesitantly agreed — without realizing that Mr. Franklin had already asked Notorious B.I.G. to wait downstairs. The collaboration took place instantly.That kind of behind-the-scenes orchestration was ordinary for Mr. Franklin. In 1998, he saw a young man who went by Shyne freestyling in a barbershop, then introduced him to Sean “Puff Daddy” Combs, who signed him to a record deal on the spot.“I practically knew every rapper before they made their records,” Mr. Franklin told the pop culture publication Complex. “They wanted to be familiar with the D.J.s and what was happening in hip-hop. I was happening in hip-hop.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in US Politics

      Stevie Nicks says Fleetwood Mac would have been ‘done’ without 1977 abortion

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      Stevie Nicks thrust herself into the ongoing fight for access to abortion in the US because she had “been there, done that”, the legendary singer-songwriter says in a new interview.“I tell a good story,” Nicks remarked in an interview conducted by CBS News Sunday Morning, a clip of which was circulated by the network in advance.“So maybe I should try to do something.“I was also there.”Nicks’ comments come after the release in September of her new single The Lighthouse, which was inspired by progressives’ battle to reinstate federal abortion rights in the US.She wrote the rock song after three US supreme court justices appointed by the Donald Trump White House voted to essentially overturn the 1973 Roe v Wade ruling that gave Americans a constitutional right to an abortion.In a recent Rolling Stone interview, Nicks discussed her certainty that if she had not gotten an abortion in the 1970s, it would have marked the end of the renowned band Fleetwood Mac that she ultimately helped launch to rock immortality.Nicks at the time had a contraceptive intrauterine device but nonetheless became pregnant with singer Don Henley after breaking up her prior relationship with Fleetwood Mac bandmate Lindsey Buckingham, she told Rolling Stone. She said she decided to terminate the pregnancy in about 1977, or going into 1978, as Fleetwood Mac sat atop the world after its album Rumours.Rumours won Fleetwood Mac the Grammy for album of the year in 1978, a year that saw the band play 18 live shows in 11 US states. Three of the album’s singles – Go Your Own Way, Don’t Stop and You Make Loving Fun – reached the top 10 on the charts. Dreams, with Nicks’ vocals, went No 1 as Rumours eventually finished seventh on Rolling Stone’s list of the 500 greatest albums of all time.“Now what the hell am I going to do?” Nicks said to Rolling Stone about her thought process at the time of her aborted pregnancy. “I cannot have a child. I am not the kind of woman who would hand my baby over to a nanny, not in a million years.“So we would be dragging a baby around the world on tour, and I wouldn’t do that to my baby. I wouldn’t say I just need nine months. I would say I need a couple of years, and that would break up the band period.”Nicks said she doesn’t “really care” if people become upset with her over having decided to get an abortion. “My life was my life, and my plan was my plan and had been since I was in the fourth grade,” Nicks said to Rolling Stone, adding that Fleetwood Mac would have been “done” if she had decided otherwise.Nicks’ remarks to Rolling Stone about her personal experience with abortion elaborate on ones she delivered to the Guardian in 2020, when she said: “There’s just no way that I could have had a child then, working as hard as we worked constantly.”Meanwhile, after the reversal of Roe v Wade as Trump set his sights on a second presidency in the 5 November election, Nicks said she heard everywhere around her that “somebody has to do … [and] say something” to support abortion rights.“And I’m like: ‘Well I have a platform,’” Nicks said after CBS Sunday Morning correspondent Tracy Smith asked the singer about the courage needed to “step into the waters of the abortion debate”.The result was The Lighthouse, a rare new release for Nicks, whose last album of entirely fresh material was put out in 2011. The single casts her as a lighthouse guiding women to campaign for their rights as voters choose between Kamala Harris and Trump, whose supporters include a conservative thinktank that is urging him to step up attacks against sexual and reproductive health and rights.“They’ll take your soul, take your power, unless you stand up, take it back,” Nicks sings on the track. “Try to see the future and get mad/It’s slipping through your fingers, you don’t have what you had/And you don’t have much time to get it back.” More

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      in Elections

      Lil Durk Is Accused of Conspiring to Kill a Rival. What We Know About the Case.

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      The rapper Lil Durk was arrested at the airport in Miami this week after he had been booked on flights to three international destinations, federal prosecutors said.The Grammy-winning rapper Lil Durk was arrested on a federal charge near Miami International Airport on Thursday over accusations that he conspired to kill a rap rival, resulting in the fatal shooting of another person.Lil Durk put out a bounty on the life of another rapper, identified only as T.B. by prosecutors, as retaliation for the 2020 killing of the rapper King Von, a member of the hip-hop collective Only the Family, which Lil Durk founded, according to the federal criminal complaint filed in the U.S. District Court for the Central District of California.An F.B.I. affidavit also says that Lil Durk had been booked on at least three international flights that were leaving on Thursday — to Italy, Switzerland and the United Arab Emirates — in an attempt to flee the United States.Lil Durk, 32, whose legal name is Durk Banks, appeared in the U.S. District Court for the Southern District of Florida on Friday. He remained in federal custody and was expected to be arraigned in Los Angeles in the coming weeks, according to prosecutors. He was charged with conspiracy to use interstate facilities to commit murder for hire resulting in death.The news of his arrest comes weeks before the scheduled release of his new album, “Deep Thoughts,” on Nov. 22. Earlier this year, he won a Grammy Award for Best Melodic Rap Performance for his song “All My Life,” featuring J. Cole.Representatives for Lil Durk had not responded to a request for comment.Here’s what we know about the case so far:Lil Durk is alleged to have co-conspirators.Lil Durk’s arrest comes on the heels of a recently unveiled federal indictment in Los Angeles charging five other men affiliated with Only the Family, or O.T.F., with the murder-for-hire plot, alleging that they conspired to “track, stalk, and attempt to kill” a rapper identified as T.B. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 188 Shares159 Views

      in US Politics

      Beyoncé brings star power to Harris rally in Texas with abortion law in the spotlight

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      Beyoncé on Friday lent her star power to Kamala Harris at a high-octane rally in her native Texas, declaring that the country was on the “brink of history” as the vice-president warned the state’s near-total abortion ban could become the law of the land if Donald Trump is elected.“For all the men and women in this room, and watching around the country, we need you,” Beyoncé told a crowd of 30,000 people at the open-air Shell Energy stadium in Houston.With the presidential race effectively deadlocked, Harris detoured from her frenetic race across the seven battleground states to appear in reliably Republican Texas, where she sought to highlight the state’s abortion restrictions for voters who have yet to make up their minds or cast a ballot.“Let us be clear: If Donald Trump wins again, he will ban abortion nationwide,” Harris told the audience, her largest to date. Harris walked on to the stage, as she has ever since she became the presumptive nominee roughly 100 days ago, to Beyoncé’s hard-charging anthem, Freedom.Harris has centered her campaign on the theme of freedom. In the closing days of the campaign, she has painted Trump as posing a threat to hard-won progress, eroding access to reproductive care, seeking to walk back LGBTQ rights and targeting American democracy itself. Earlier this week, Harris agreed that Trump was a “fascist”.Harris spoke to an exuberant crowd, thousands of whom had waited hours in the sticky Houston heat to attend. Rally-goers were given flashing wristbands in all different colors. They danced and sang as a DJ spun pop ballads before the event began.But the message Harris came to deliver was sobering. She listed the sprawling impacts of abortion bans like the one in Texas, which she called “ground zero for the right for reproductive freedom.”“All that to say, elections matter,” Harris said.View image in fullscreenDespite the speculation, the megastar did not perform. “I’m here as a mother,” Beyoncé said. “We are at the precipice of an incredible shift, the brink of history,” Beyoncé told the roaring crowd.In the final days before the election, the Harris campaign is tapping the star power of the party’s most popular figures and celebrity supporters. On Friday night, Willie Nelson, the country music star and Texas resident, performed his best-known songs, including On the Road Again and actor Jessica Alba urged women to vote. Beyoncé was joined by her mother, Tina Knowles, and her former bandmate Kelly Rowland.“We are grabbing back the pen from those who are trying to write an American story that would deny the right for women to make our own decisions about our bodies,” Rowland said. “Today that means grabbing that pen and casting my vote for Kamala Harris.”The night before, Harris held her first campaign event with Barack Obama. They were joined onstage in Atlanta by rocker Bruce Springsteen, who played a three-song set and branded Trump an “American tyrant.” On Saturday, Harris will rally with Michelle Obama in Michigan.Harris does not expect to win Texas. But Democrats here are suddenly hopeful after polls suggest an unexpectedly close senate race between the Republican incumbent, Ted Cruz, and the Democrat, Dallas-area congressman Colin Allred.Democrats face a daunting senate map this cycle. With a loss in West Virginia all but certain, and Montana slipping out of reach, their hopes of maintaining narrow-control of the Senate may rest on an upset in the Lone Star state.“Everything is bigger in Texas,” Allred said on Friday night. “But Ted Cruz is too small for Texas.”The emotional heart of the evening was the personal stories of Texas women who had nearly died from pregnancy-related complications because they did not receive proper care.Ondrea, a Texas woman who appeared in a new Harris campaign, became emotional as she shared her harrowing experience after a miscarriage at 16 weeks and needing an emergency abortion that she was denied under the state’s law. A video played before her remarks showed her with a wound and scars that stretched down her body, from her breast to her pelvis, after a six-hour surgery in which she said doctors had to cut open her torso in order to save her life.Texas residents Amanda and Josh Zurawski, who have become powerful surrogates for Harris on the campaign trail, also shared their story. At 18 weeks pregnant, Amanda Zurawski began to suffer complications and needed an abortion. There was no chance the foetus would survive, but doctors refused to terminate the pregnancy until she eventually developed sepsis, days later.“I was finally close enough to death to deserve healthcare in Texas,” Amanda Zurawski said.Todd Ivey, a reproductive health specialist in Houston, addressed the crowd surrounded by a team of doctors and medical professionals in white lab coats. He emphasized the challenges of administering care to patients when it could mean risking arrest. Since the Texas law took effect the state’s infant mortality has risen.“This is a healthcare crisis,” he said. This is unacceptable and it is cruel.”Among those in the crowd was Sara Gonzales, 32, of Splendora, Texas, who drove to the stadium straight from an early-morning shift at Starbucks. Gonzales said she considers herself an independent and in 2020, wrote in a candidate for president. But the political stakes changed, Gonzales said, the supreme court overturned Roe v Wade, and Texas enacted its near-total ban on abortion.“Being a woman in Texas right now, it’s not OK,” she said. “I should have freedom over my own body.” More

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      in Elections

      Phil Lesh’s Life in Pictures

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      Phil Lesh, the bassist and a charter member of the Grateful Dead who was 84 when he died on Friday, will be remembered as a versatile musician and a pioneer for his instrument of choice.Lesh co-wrote songs and was an occasional lead vocalist across his 30-year career with the rock band. But his skill at soaring improvisation and his chemistry with the band’s lead guitarist, Jerry Garcia, ensured that Lesh would also be seen as a main character.Here are some snapshots from Lesh’s life and career.Paul Ryan/Michael Ochs Archives, via Getty ImagesPhil Lesh, Bob Weir and Jerry Garcia in 1965 as the Warlocks before they became the Grateful Dead.Ron Rakow/Retro Photo ArchiveLesh on Ashbury Street in 1968.Associated PressThe Grateful Dead with reporters in San Francisco in 1967.Don Paulsen/Michael Ochs Archives, via Getty ImagesFrom left, Bill Kreutzmann on drums, Lesh and Weir at the Cafe Au Go Go in New York in 1967.Leni Sinclair/Getty ImagesFrom left, Garcia, Lesh and Weir in Ann Arbor, Mich., in 1967.Malcolm Lubliner/Michael Ochs Archives, via Getty ImagesSan Francisco, 1968.Chris Walter/WireImage, via Getty ImagesThe Dead in 1970, clockwise from top left: Weir, Lesh, Bill Kreutzmann, Ron McKernan, Mickey Hart and Garcia.Robert Altman/Michael Ochs Archives, via Getty ImagesSan Francisco, 1970.Bettman/Getty ImagesThe Dead in the late ’60s.Ed Perlstein/Redferns, via Getty ImagesFrom left, Garcia, Weir and Lesh in Golden Gate Park, San Francisco, 1975.Ron Rakow/Retro Photo ArchiveLesh at Hollywood Bowl, 1974.Mark Sullivan/Getty ImagesLesh, at right, with David Crosby, left, and Ned Lagin, who both played briefly with the Dead.Ed Perlstein/Redferns, via Getty ImagesSan Francisco, 1978Roger Ressmeyer/Corbis and VCG, via Getty ImagesWeir and Lesh.Roger Ressmeyer/Corbis and VCG, via Getty ImagesWeir and Lesh at a recording studio in San Rafael, Calif.Roger Ressmeyer/Corbis and VCG, via Getty ImagesThe Dead in 1982, from left: Brent Mydland, Lesh, Kruetzmann, Weir, Garcia and Hart.Tim Mosenfelder/Getty ImagesRed Rocks Amphitheatre in Colorado in 1987.Thearon W. Henderson/Getty ImagesHart, Wier and Lesh with the mascot of the San Francisco Giants in 2011.Jason Henry for The New York TimesLesh at Terrapin Crossroads in San Rafael, Calif.Associated PressThe Dead at Soldier Field in Chicago in 2015.Jason Henry for The New York TimesLesh at Terrapin Crossroads in 2015.Astrida Valigorsky/Getty ImagesAt the Great South Bay Music Festival in Patchogue, N.Y., last year. More

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      in US Politics

      Beyoncé to appear with Kamala Harris in Houston to highlight abortion rights – reports

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      Beyoncé will appear with Kamala Harris in Houston on Friday, according to media reports.The star turn will confirm that, following Harris’s endorsement by Taylor Swift last month, the Democratic vice-president and US presidential candidate has the support of the two most popular musicians in the world – a potentially invaluable asset for galvanising young voters.Harris is rallying in Texas, a Republican stronghold, to highlight abortion rights and support Democratic Senate candidate Colin Allred, who trails Republican Ted Cruz in opinion polls.Beyoncé, 43, will appear in her home city along with her mother, Tina Knowles, and 91-year-old country music giant Willie Nelson, according to sources cited by the Washington Post newspaper.The event presents an opportunity for Beyoncé to give a live performance of Freedom, a song from her 2016 album Lemonade, which the vice-president has been using as walk-on music at rallies while making freedom a central theme of her campaign.Beyoncé, who has hundreds of millions of followers on social media, sang a cover of Etta James’s At Last at one of President Barack Obama’s inaugural balls in 2009, before singing the national anthem at Obama’s second inauguration ceremony in 2013.She performed Formation at a rally for Democrat Hillary Clinton three days before the presidential election in 2016 and told the crowd: “I want my daughter to grow up seeing a woman leading the country. That’s why I’m with her.”Her backing of Harris is therefore no surprise and fed fevered speculation – and inaccurate reporting – that she would make a dramatic entrance at this summer’s Democratic national convention in Philadelphia.Beyoncé becomes the latest celebrity to bring star power to the Harris campaign. On Thursday, the Democrat is holding a rally in Atlanta, Georgia, with musician Bruce Springsteen, film director Spike Lee, actor Samuel L Jackson and actor and filmmaker Tyler Perry as well as Obama.Other musicians supporting the Democrat include Eminem, Cher, Billie Eilish, Barbra Streisand, Carole King, John Legend and Stevie Wonder. Trump has the backing of Jason Aldean, Lee Greenwood, Kanye West and Kid Rock, while the Republican national convention was shown a video featuring rapper Forgiato Blow and reality TV star Amber Rose. More

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      in Elections

      From Salzburg to Paris, Dancing Bach’s St. John Passion

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      From Salzburg to Dijon to Paris, a German choreographer adds striking dance to the sacred oratorio.The first thing we hear in Sasha Waltz’s production of the “St. John Passion” (“Johannes-Passion”) is not the mournful opening notes of the sacred oratorio, written by Johann Sebastian Bach in 1724, but rather the whir of sewing machines.Eleven dancers bend over a long table as they mechanically stitch together modest frocks. The chorus enters, with lacerating cries of “Herr, unser Herrscher” (“Lord, our Sovereign”), while the dancers slowly carry the billowy white garments that they have just made downstage, their naked bodies bathed in a golden glow. In a recent phone interview, Waltz referred to these frocks as “the shift of life, the cloth that represents, in a way, your own life, from birth to death.”Over the next two hours, the dancers repeatedly don these white gowns, slip into other, colorful garments, or perform in the nude as they bring Bach’s magisterial music to life, their movements enhanced by shimmering nocturnal lighting. For the most part, the set remains bare throughout the performance; the few props include wooden poles, blocks and planks, rope and mirrors.After springtime performances at the Salzburg Easter Festival in Austria and the Opéra de Dijon in France, the production is to arrive at the Théâtre des Champs-Élysées in Paris in early November. Waltz, 61, is perhaps Germany’s best-known living choreographer, and the latest director of many who have been drawn to Bach’s two surviving passions — grand musical settings of the crucifixion of Jesus.“I think it’s very, very theatrical,” Waltz said of the “St. John Passion.” “It’s maybe the oratorio where Bach comes the closest to opera, I would say. And I love the rhythmicality of the turba choirs,” she added, referring to the highly charged crowd scenes.She was speaking days after receiving this year’s German Dance Award. The jury statement praised her “artistically unique and disciplinary-bursting oeuvre,” which has ranged from works staged in museums to operas, such as Henry Purcell’s “Dido and Aeneas” and Wagner’s “Tannhäuser.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More