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    Getting back together: Swifties mobilize to support Kamala Harris

    When Emerald Medrano learned Joe Biden was dropping out of the 2024 presidential election and endorsing Kamala Harris as the Democratic nominee, Medrano knew he had to speak now – as his favorite artist, Taylor Swift, would say.“I feel like us US Swifties should mass organize and help campaign for Kamala Harris and spread how horrendous Project 2025 would be to help get people’s butts down to the polls in November,” the 22-year-old posted to his 70,000 followers. He added a sobbing emoji. “Like if we don’t want democracy to end we really need to move and push blue votes.”Fourteen thousand likes later, the coalition Swifties4Kamala was born. Dozens of people signed up to help and run accounts on X, Instagram and TikTok, as well as strategize activities and communications. Within three weeks, Swifties4Kamala amassed more than 180,000 followers across its social media platforms.Twenty-four hours after Swifties4Kamala announced its kick-off Zoom call, scheduled for 27 August, more than 5,000 people had signed up to join, according to April Glick Pulito, the coalition’s political director.With organizing collectives built around identities like Win With Black Women and White Dudes for Harris drawing record-breaking numbers to Zoom calls, Swifties4Kamala is built around a different kind of identity: fandom. Long dismissed as unserious, in part because it has long been thought of as the domain of women and young people, fandom is now a potent political force in the 2024 elections – an election in which young women and LGBTQ+ people are expected to vote, rally and otherwise participate in politics at historic levels.On its social media accounts, Swifties4Kamala posts Swift-themed video edits and memes involving Harris and her running mate, Tim Walz, as well as suggested action items, such as specific organizing calls or rallies that Swifties can join. The coalition’s most recent Substack includes volunteer opportunities for phone banking and working at the polls, explanations of the proposals found in the conservative policy wishlist Project 2025, and information about down-ballot races. Naturally, each section is a reference to a different Swift lyric.The goal is in effect twofold. First, Swifties4Kamala wants to use the decades-old Swiftie community to energize people in support of Harris. Second, they want to infuse politics with fun.View image in fullscreen“We’re talking about throwing bracelet-making parties and talking to people there about making sure they’re registered to vote, making sure they know how to vote,” said Glick Pulito, a 36-year-old who works in political communications and worked on Biden’s 2020 campaign. “These individual identity groups that are popping up –everyone feels so excited to connect with their own communities, and the Swiftie community is so big and so powerful.”Swifties4Kamala’s explosive growth is not only a reflection of the sheer scope of Swift’s fanbase – even before her planet-conquering Eras tour, 16% of Americans identified as “avid fans” of the singer – but also of the burgeoning political power of fandom itself. K-pop fans first proved back in 2020 that the social media skills that fuel modern fandoms, such as coordinating fundraising and ticket-scoring campaigns, could be turned towards political aims, when they claimed credit for sinking a Donald Trump rally.Four years later, fandom has already shaped the course of the 2024 election.Memorably, the first fandom to seize on Harris’s candidacy was not the Swifties, but the Angels, fans of the singer Charli xcx. Hours after Biden dropped out and endorsed Harris, Charli xcx tweeted: “kamala IS brat,” a reference to her album Brat and its brash party-girl aesthetic. The internet was immediately awash with green-tinted supercuts of Harris – the Brat album’s signature color – while CNN reporters tried to decode the meaning of “brat” for less online audiences at home. (“So is the idea that we’re all kind of brat and Vice-President Harris is brat?” Jake Tapper asked.) Harris’s official campaign account even changed its banner on X to brat green.Swift’s political cachet, though, far outstrips that of Charli xcx and the Angels. In 2022, after Swift urged her millions of Instagram followers to vote, Vote.org recorded more than 35,000 voter registrations. Ticketmaster’s botched rollout of the Eras tour led to a 2023 Senate hearing. Swift’s endorsement is one of the coveted prizes in the 2024 election; although she has not said anything about this year, the odds are not looking good for Donald Trump and JD Vance. Not only did Swift endorse Democrats in 2018 and 2020, but she is also probably the world’s most famous “childless cat lady”.skip past newsletter promotionafter newsletter promotionExperts told the Guardian earlier this year that Swift’s endorsement could compel people who might otherwise sit out the election to vote. Most Swifties identify as Democrats, a Morning Consult poll found last year.Irene Kim, co-founder and senior communications director of Swifties4Kamala, expects that Swift will ultimately endorse Harris. But Kim isn’t waiting on the singer.“I also personally resent this idea that floats around a lot, that Taylor needs to issue an order to activate the Swifties. We are a diverse group of very intelligent, very different people. We’re not mindless drones,” said Kim, 29. “These are our friends, so of course, I’m going to care if their rights are being taken away. They’re going to care if my rights are being taken away.”“I knew I was gay from a younger age, so my life is turned into politics. I’m forced to keep up with it,” said Rohan Reagan, a 21-year-old first-time voter. “I’ve attended rallies, protests, donated – but it’s never been something where I’m helping coordinate anything. It’s always like showing up in support instead of me trying to help be part of leading people.”Now, Reagan, who has 60,000 followers on his Swift-focused Instagram account, leads Swifties4Kamala’s Instagram presence. (He’s particularly proud of his “You Need to Kamala Down” video edit.) He’s more engaged in politics than he’s ever been.“I don’t want to go back to what it was like when Trump was president,” he said. “To me, that is just not really an option.” More

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    ‘And really, that song?’: Celine Dion rebukes Trump for unauthorized use of Titanic tune

    Celine Dion, the Canadian pop icon, has rebuked and mocked the Donald Trump campaign for unauthorized use of her hit song about the sinking Titanic as a musical interlude during a recent rally.Dion, beloved by millions of people for her tear-jerking ballads, issued a strong and somewhat tongue-in-cheek statement on Saturday, a day after Trump played a video clip of My Heart Will Go On from the film Titanic at a campaign event in Bozeman, Montana.A statement published on X and on Dion’s Instagram account, which has more than 8m followers, said: “Celine Dion’s management team and her record label, Sony Music Entertainment Canada Inc, became aware of the unauthorized usage of the video, recording, musical performance, and likeness of Celine Dion singing My Heart Will Go On at a Donald Trump/JD Vance campaign rally in Montana.“In no way is this use authorized, and Celine Dion does not endorse this or any similar use.“… And really, THAT song?”The song is featured in the 1997 Oscar-winning film about the 1912 shipwreck, though is more about love, loss and resilience than a large ship crashing into an iceberg.The response on social media was mostly mocking.“Perfect – because when your campaign’s headed for an iceberg, you might as well set it to music,” said a user named Marc Broklawski on X.“Is Trump’s campaign being trolled from within?” wrote NBC Universal executive Mike Sington.“For me it’s perfect for the Tumptanic!” said Antonio Cusano on Instagram.Others were disappointed in Dion, who previously refused to perform at Trump’s inauguration after he was elected president in 2016.“Too bad for her – it would be a positive thing. Sadly she doesn’t see it that way. I have been her fan for 30 years but I will have to respectfully disagree with her political beliefs,” wrote Heidi Joy on Instagram.This isn’t even the first time a singer has pushed back on Trump using their music. In May 2023, Village People sent a cease-and-desist letter and threatened legal action after Trump used their song Macho Man and other hit songs without their permission.In the letter, Karen Willis, the wife of Village People’s lead singer Victor Willis, wrote: “Since that time we have been inundated with social media posts about the imitation performance [which] many fans, and the general public as well, mistakenly believe to be that of the actual VILLAGE PEOPLE in violation of the Lanham Act.“Therefore, the performance has, and continues to cause public confusion as to why Village People would even engage in such a performance. We did not.”Many Trump supporters and observers have likely heard Trump’s use of the band’s song YMCA over the years, which Willis noted in the letter was previously “tolerated” by her husband and the band. However, as of May 2023, she said “we cannot allow such use by him to cause public confusion as to endorsement”. More

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    Lin-Manuel Miranda’s Next Project: A ‘Warriors’ Album With Eisa Davis

    The recording, inspired by Walter Hill’s 1979 film about a gang making a perilous trek through New York City, will be available on Oct. 18.In the nine years since “Hamilton” opened on Broadway, Lin-Manuel Miranda has acted (in the film “Mary Poppins Returns” and the HBO series “His Dark Materials,” among others), composed (songs for “Encanto” and “Moana,” for example) and even tried his hand at movie directing (“Tick, Tick … Boom!”).Now he’s returning to his roots, sort of. Miranda, who rose to fame as a musical theater savant, has been working with the playwright Eisa Davis on a concept album inspired by a cult 1979 action film, “The Warriors.” And on Thursday, Miranda and Davis announced that Atlantic Records will release the album on Oct. 18.The album’s executive producer is the rapper Nas; the producer is Mike Elizondo. The album will have 26 songs; the names of the singers have not yet been announced.The album has been in the works for three years. It is unclear if it will lead to a stage production, but “Hamilton” was initially conceived as a concept album, and there is a history of concept albums evolving into stage productions, from “Jesus Christ Superstar” to “Hadestown.”“The Warriors,” based on a 1965 novel that in turn was based on an ancient Greek work, tells the story of a street gang facing a variety of challenges as it retreats from the Bronx to its home base on Coney Island. The novel, also called “The Warriors,” was written by Sol Yurick, and the ancient Greek text, “Anabasis,” by Xenophon; the film was directed by Walter Hill.Miranda, 44, is one of the few musical theater composers to become a celebrity based on his stage work. But “Hamilton,” about the nation’s first Treasury secretary, was a rare accomplishment, winning the Pulitzer Prize as well as 11 Tony Awards, including for best musical and Miranda’s book and score.His other best-known musical is “In the Heights,” for which he wrote the score and Quiara Alegría Hudes wrote the book. Since “Hamilton,” he contributed lyrics to the short-lived musical “New York, New York,” but has not written a new stage production.Davis, 53, is a longtime friend of Miranda and has worked as an actress, a playwright, a singer and a screenwriter. She performed on Broadway in “Passing Strange,” and has numerous credits as a performer Off Broadway and on television and film. Among her plays is “Bulrusher.” More

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    Olympics Opening Ceremony Singer Redefines What It Means to Be French

    Aya Nakamura, the French Malian singer, did more than open the Games. She redefined what it means to be French.A new France was consecrated Friday evening during the opening ceremony of the Olympic Games. When Aya Nakamura, a French Malian singer, came sashaying in a short fringed golden dress out of the august Académie Française, she redefined Frenchness.Adieu the stern edicts of the Académie, whose role has been to protect the French language from what one of its members once called “brainless Globish.” Bonjour to a France whose language is increasingly infused with expressions from its former African colonies that form the lyrical texture of Ms. Nakamura’s many blockbuster hits.France’s most popular singer at home and abroad gyrated as she strode forth over the Pont des Arts in her laced golden gladiator sandals. A Republican Guard band accompanied her slang-spiced lyrics. Her confidence bordered on insolence, as if to say, “This, too, is France.”Marine Le Pen, the far-right leader, had said that Ms. Nakamura sings in “who knows what” language. But her denunciation of the performance on the grounds that it would “humiliate” the French people failed to stop it.The backdrop to the ceremony was a political and cultural crisis in France broadly pitting tradition against modernity and an open view of society against a closed one. The country is politically deadlocked and culturally fractured, unable to form a new government or agree on what precisely Frenchness should be.In this context, the thrust of the ceremony, as conceived by its artistic director, Thomas Jolly, was to push the boundaries of what it means to be French in an attempt to bolster a more inclusive France and a less divided world. It was a political act wrapped in a pulsating show.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    For Billy Joel Fans, a New York Night to Remember

    Thousands of people piled into Madison Square Garden on Thursday to hear Billy Joel glide from rock song to soulful blues in the final show of his long residency at the arena.Lori Umbrino saw her first Billy Joel concert at Shea Stadium in Queens in 1990. More than three decades later, she stood with her two children outside Madison Square Garden on Thursday evening, each wearing a T-shirt from the singer’s concerts across the years.“We’ve been there with him along the journey,” said Ms. Umbrino, 51, whose shirt was from Mr. Joel’s 100th concert at Madison Square Garden on July 18, 2018, designated Billy Joel Day in New York State.That journey has led them back to Madison Square Garden, where Mr. Joel was performing the 150th and final show of his 10-year residency there.The milestone — and, for some, the devastating misunderstanding that Mr. Joel was retiring — drew veterans of his shows, first-timers, families and singles from around the city and the country. Thousands of people piled into the Garden to hear Mr. Joel glide from rock song to soulful blues.Stuart Stephenson sat outside the arena at 34th Street and Eighth Avenue, blowing into his melodica, fingering the keys to play “New York State of Mind” and “Uptown Girl.” Fans and commuters streamed by, hawkers sold T-concert shirts, and drivers planted their hands on their horns.Mr. Stephenson saw a news segment on Thursday morning about Mr. Joel’s concert, and thinking the Piano Man was closing his Steinway for good, he rushed into Midtown.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    John Hinckley Jr. and the Madness of American Political Violence

    In September 2016, three and a half decades after he shot President Ronald Reagan in a deranged bid to impress the actress Jodie Foster — a crime for which he was found not guilty by reason of insanity — John W. Hinckley Jr. was released from St. Elizabeths psychiatric hospital in Washington, D.C. From there, he moved to Williamsburg, Va., where he lived for some years with his elderly mother, Jo Ann, in a large house overlooking the 13th hole of a golf course. The federal court that granted his release did so on certain conditions. One of these was that he must not speak to the media. Another was that Hinckley, who was a songwriter for some years before the failed assassination attempt, and who continued to play music as part of his psychiatric treatment, must not release for public consumption, even anonymously, any of his work, without the specific approval of the treatment team entrusted with his care.After his arrest, Hinckley was diagnosed with, among other conditions, atypical psychosis and severe narcissistic personality disorder; his extravagantly strange and violent actions had been bound up in a toxic fascination with celebrity and an egomaniacal glee at the fame those actions brought him. Although Hinckley’s treatment was successful, and the judge was satisfied that he presented a very low risk of reoffending, the restrictions were intended to ensure that he neither courted nor was courted by the media and that his mental stability would not be threatened in the immediate aftermath of his release by widespread attention.In 2022, not long after his mother died, the last of those restrictions were lifted. More than four decades after shooting Ronald Reagan — along with a Secret Service agent named Timothy McCarthy, a police officer named Thomas Delahanty and Reagan’s press secretary, James Brady, who was left permanently disabled — he was, at 67 years of age, truly free. Hinckley had by then opened a Twitter account and amassed thousands of followers. On June 15, 2022, the day the restrictions were lifted, he posted the following: “After 41 years 2 months and 15 days, FREEDOM AT LAST!!!” His following grew, and he quickly began to use his platform to release music and promote upcoming gigs. He announced a total of a dozen performances. Unsurprisingly, these shows got a lot of attention and began to sell out. But every single one of them was canceled before he could play, as a result of backlash, including anonymous threatening emails, received by the venues.This made Hinckley a figure of prurient interest on social media. When he posted about his excitement for an upcoming show, for instance, along with a selfie in which he stared directly at the camera with a glazed and entirely affectless expression, the replies were a chorus of ironic quips and jokes. Someone replied with a GIF of Travis Bickle clapping — a reference to Hinckley’s infamous inspiration for his crime, an obsession with “Taxi Driver” and with Jodie Foster, who played the teenage prostitute Iris in the film. “Haven’t heard his new stuff but I like his earlier work,” read another. (Jokes about Hinckley’s “early work” follow him everywhere online.) For a majority of people who encountered his internet presence, Hinckley was an absurd and quintessentially American aberration: a guy who shot, and very nearly killed, the president and was somehow still alive to sing his songs about peace and love and redemption.Hinckley at his office in Williamsburg, Va., in June.Stefan Ruiz for The New York TimesThen, 43 years after that near assassination, in Butler, Pa., a 20-year-old loner named Thomas Matthew Crooks took several shots at Donald Trump with a semiautomatic rifle, wounding the former president’s right ear and plunging an already dark and chaotic world even deeper into darkness and chaos. Hinckley now became the focus of a different kind of interest. After the shooting, he posted the following message on the platform now known as X: “Violence is not the way to go. Give peace a chance.” He was quoting his old hero John Lennon, who was himself murdered by a strange and sick and lonely young man with a gun. The tweet provoked a by-now predictable response. There were GIFs of Jodie Foster looking haunted (“Hope she sees this bro”) and of Travis Bickle talking to himself in the mirror. There was an article in The Guardian headlined “Man Who Tried to Assassinate Reagan Says ‘Violence Is Not the Way to Go.’ ” Mostly, people seemed to be able to respond to the message only as evidence of the further derangement of things.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Mingus, Blige, Beyoncé: Black Twitter celebrates Kamala Harris’s pop-culture cred

    Within moments of Joe Biden announcing his decision to hand his presidential campaign over to Kamala Harris, the greatest hits of her meme stardom re-entered circulation: the “We did it, Joe” call, the “Momala” interview with Drew Barrymore. Never mind callbacks to the vice-president quoting her Indian mother’s habit of asking, in frustration, “You think you just fell out of a coconut tree?”Black Twitter users, however, quickly recalled Harris’s august history as the Black girl nextdoor – starting with the 2019 Breakfast Club interview in which Harris defended herself against charges that she was not “African American” because her parents were immigrants. “Look, this is the same thing they did to Barack [Obama],” she said. “I was born Black. I will die Black, and I’m not going to make excuses for anybody because they don’t understand.”There will be countless stories about Harris’s record, voter support and her amorphous role as a headlining campaigner serving under a lame duck, one-term president unfolding through November. But what appears to be resonating most with many Black social media users in the wake of Harris’s surprise promotion is the cultural significance of it all. Here’s a woman who was Oakland-born and Berkeley-raised who has whiled away her share of Sundays in Baptist church.Earlier this week the hashtags #WinWithBlackWomen and #WinWithBlackMen began trending while their eponymous organizations hosted separate video calls gathering support for the vice-president. And in those strategy sessions, which drew tens of thousands of participants, presenters made proud and repeated shoutouts to their “soror” Harris, a product of Howard University and the Alpha Kappa Alpha sorority – both historically Black institutions. Over the course of two days, the groups raised nearly $3m in a matter of hours.Where the guest speakers on the women’s call tilted toward powerhouses of politics such as Jasmine Crockett and Donna Brazile, the celebrities on the men’s call – which was hosted by the media maven Roland Martin – ranged from the film super-producer Will Packer to the Academy Award nominee Don Cheadle. “I’ve been a friend and a fan of her journey,” the actor-comedian Bill Bellamy said. “She didn’t just come from anywhere.”Harris once traveled through the same Black Hollywood scene that defined fin-de-siècle Black culture. Longtime friends include the OJ Simpson expert Star Jones and 21 Jump Street lead Holly Robinson Peete, who visited the then senator at the California capitol in 2017 to discuss national legislation that would address the policing of Black teens with autism. (“We’re so lucky to have her as a friend and a fighter and a warrior,” Robinson Peete said on her reality show.)For a spell in 2001, Harris dated the chatshow host Montel Williams; not long after the bombshell news of Harris’s promotion landed, Williams retweeted an endorsement of the vice-president from the Maryland governor, Wes Moore – who was also on the #WinWithBlackMen call. “We’ve got 100 days to make sure we protect the future for our children, our families, our communities and neighborhoods by making sure we have a president of the United States who sees us, believes in us and honors us,” Moore said.View image in fullscreenIn Harris’s candidacy, there are unmistakable echoes of Obama, another immigrant’s son in whom Black voters readily saw themselves. This month, the two converged in Las Vegas to send off the USA basketball team before the Olympics, in clips that were widely shared. When Harris shook hands with Steph Curry, the Golden State Warriors star mentioned a letter the vice-president had sent following the birth of his fourth child in May. “I appreciate it,” Curry told her. The personal touch recalled another prominent hoops fan who worked in the White House.Even Obama’s and Harris’s music tastes overlap. Where Obama gets rightful credit as the country’s first hip-hop president, from brushing off his shoulders to actually hobnobbing with Jay-Z, Harris is poised to break ground as America’s first b-girl in chief. After the 2020 Democratic national convention, Harris strutted out for her nomination acceptance speech to Mary J Blige’s Work That. “I was so surprised,” Blige told Bravo TV of Harris’s choice – a deep cut, she added. “That made me go back and listen to the Growing Pains album where the song came from. The lyrics in that song are, like, oh my God; I see why she [chose it]. I forgot what I wrote!”Harris’s sharp ear was recognized again on social media again this week as streaming music patrons returned to her 2019 campaign playlist – a mix that includes A Tribe Called Quest, Jazmine Sullivan and Prince. But to hardcore crate-diggers, Harris’s coolest music moment remains her 2023 shopping trip to Black-owned HR Records in Washington DC that saw her come away with vinyl albums from Charles Mingus and Roy Ayers and the Porgy and Bess studio album by Ella Fitzgerald and Louis Armstrong. “She knows her music,” the store’s owner, Charvis Campbell, told DCist. “I tried to give her a softball and give her Coltrane. And she was like, ‘No, no, no. Where’s the Mingus?’”Not long after Harris replaced Biden as the Democratic presidential frontrunner, Beyoncé gave her permission to use her song Freedom – Harris had walked out to the 2016 track for her first appearance as a presidential candidate. On Instagram, the radio host DL Hughley posted a remixed video of Kendrick Lamar’s Not Like Us diss record that includes Harris highlights (her strolling with another Black sorority, her dancing with an umbrella in the rain) intercut with photos of Donald Trump with Jeffrey Epstein. “Who did this?” Hughley wrote. “Y’all quick!”In the coming months, there will be those who question Harris’s pop culture credentials. But to her supporters in the Black community, online and beyond, every time Harris reflects the culture, she leaves no doubt about who she is. More

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    ‘Kamala IS brat’: Harris campaign goes lime-green to embrace the meme of the summer

    After Kamala Harris announced her bid for president, she reportedly raised a record-breaking $81m donations in just a day – but her most culturally powerful endorsement may have come from a single tweet.As nearly all Democrats rallied behind the vice-president offering support in tweets and TV interviews, a perhaps unlikely voice weighed in: the British pop singer Charli xcx, who tweeted, “kamala IS brat.”That’s high praise from the musician, who released her album, also titled Brat, last month. Brat is not just a name, but a lifestyle, one inspired by noughties excess and rave culture.The archetypical brat, Charli explained on TikTok, is “just like that girl who is a little messy and likes to party and maybe says some dumb things sometimes, who feels herself, but then also maybe has a breakdown, but kind of parties through it”.Brat summer essentials, again according to Charli, are “a pack of cigs, a Bic lighter, a strappy white top with no bra”.Perhaps most importantly, Charli chose a neon lime backdrop for her album cover, one that’s sickeningly sweet, representing both the highs of a long night out and the impending crash of a hangover.Canonical brats include the actor and model Julia Fox, who appeared in the music video for Charli’s 360 alongside a cast of fellow proclaimed it girls such as Chloë Sevigny, Hari Nef, and Emma Chamberlain. Now, Harris joins their ranks.Soon after receiving Charli’s apparent approval, the Harris campaign’s official Twitter page (@kamalahq) changed its backdrop to brat green. Charli’s song 365, an ode to “bumpin’ that” – meaning beats, and club drugs – soundtracks one of the team’s TikTok videos.Politicians have long used celebrities to court the youth vote, walking a fine line between speaking their language and grasping for relevancy. Millennials considered Hillary Clinton’s infamous “Pokémon go to the polls” line from 2016 peak cringe. Last year, Taylor Swift urged fans to vote in primaries – she didn’t say who for – driving a surge in voter registrations.Gevin Reynolds, a former speechwriter for Harris, said he believes it’s “extremely smart for her to lean into the meme”.“It shows a recognition of how critical young voters are to winning in November, and a commitment to meeting them where they are.”So far, there’s been little Brat back-lash, though pundits over the age of 35 seem confused by the topic. CNN’s Jake Tapper dedicated a roundtable to the topic, concluding that he “will aspire to be brat”. Stephen Colbert took up a Brat-themed TikTok dance during The Late Show.David Hogg, a survivor of the Marjory Stoneman Douglas High School shooting and gun control activist, wrote on X that “The amount [Charli’s] single tweet may have just done for the youth vote is not insignificant.” He later confirmed that “Nancy Pelosi has been informed of the meaning of Brat”.Memes alone do not win elections, but Charli’s tweet livened up a race that Harris’s bid had already revived. But there is more to be done. Kelley Heyer, the TikTok creator who choreographed a popular dance to Charli’s song Apple, said: “If Kamala wants to be brat, then she needs to promise to legalize and protect abortion at a federal level. And also wear apple green.” More