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    The Improvement Association, Chapter Two: ‘Where Is Your Choice?’

    Listen and follow The Improvement Association.Apple Podcasts | Spotify | StitcherFrom the makers of Serial: The Improvement Association. In this five-part audio series, join the reporter Zoe Chace as she travels to Bladen County, N.C., to investigate the power of election fraud allegations — even when they’re not substantiated.In this episode: Zoe talks to people in North Carolina who believe the Bladen Improvement PAC has been cheating for years. She tries to get beyond the rumors and into specifics; in the process, she comes face to face with the intense suspicion and scrutiny leveled against the organization. In the middle of another election, Zoe follows members of the PAC to watch how they operate and tries to make sense of all these allegations against them.In this series, the reporter Zoe Chace describes Bladen County’s notorious case of election fraud from 2018 as “individual people, in a tight-knit place, using their relationships to either make money or take revenge. Or both.”Jeremy M. Lange for The New York TimesBehind this series:Zoe Chace, the reporter for this series, has been a producer at This American Life since 2015. Before that, she was a reporter for NPR’s Planet Money team, as well as an NPR producer.Nancy Updike, the producer for this series, is a senior editor at This American Life and one of the founding producers of the show.Transcripts of each episode of The Improvement Association will be available by the next workday after an episode publishes.The Improvement Association was reported by Zoe Chace; produced by Nancy Updike, with help from Amy Pedulla; edited by Julie Snyder, Sarah Koenig, Neil Drumming and Ira Glass; editorial consulting by R.L. Nave and Tim Tyson; fact-checking and research by Ben Phelan; and sound design and mix by Phoebe Wang.The original score for The Improvement Association was written and performed by Kwame Brandt-Pierce.Special thanks to Sam Dolnick, Julie Whitaker, Seth Lind, Julia Simon, Nora Keller, Emanuele Berry, Ndeye Thioubou, Alena Cerro and Lauren Jackson. More

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    The Improvement Association, Chapter One: ‘The Big Shadoo’

    Listen and follow The Improvement Association.Apple Podcasts | Spotify | Stitcher From the makers of Serial: The Improvement Association. In this five-part audio series, join the reporter Zoe Chace as she travels to Bladen County, N.C., to investigate the power of election fraud allegations — even when they’re not substantiated.A few years ago, Bladen County was at the center of a major news story — the only time in recent history a congressional election was thrown out for fraud. In a hearing that followed, a Black political advocacy group was mentioned and dragged into the scandal. The group was the Bladen County Improvement Association PAC, and after the hearing, Horace Munn, one of the group’s leaders, reached out to Zoe with an invitation to come to the county.In chapter one, Zoe goes to North Carolina to hear what’s behind all these cheating allegations.A tree in the water at Jones Lake State Park in Bladen County, N.C.Jeremy M. Lange for The New York TimesBehind this series:Zoe Chace, the reporter for this series, has been a producer at This American Life since 2015. Before that, she was a reporter for NPR’s Planet Money team, as well as an NPR producer.Nancy Updike, the producer for this series, is a senior editor at This American Life and one of the founding producers of the show.Transcripts of each episode of The Improvement Association will be available by the next workday after an episode publishes.The Improvement Association was reported by Zoe Chace; produced by Nancy Updike, with help from Amy Pedulla; edited by Julie Snyder, Sarah Koenig, Neil Drumming and Ira Glass; editorial consulting by R.L. Nave and Tim Tyson; fact-checking and research by Ben Phelan; and sound design and mix by Phoebe Wang.The original score for The Improvement Association was written and performed by Kwame Brandt-Pierce.Special thanks to Sam Dolnick, Julie Whitaker, Seth Lind, Julia Simon, Nora Keller, Emanuele Berry, Ndeye Thioubou, Alena Cerro and Lauren Jackson. More

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    From Serial: The Improvement Association

    Listen and follow The Improvement AssociationApple Podcasts | Spotify | StitcherFrom the makers of Serial: The Improvement Association. In this five-part audio series, join the reporter Zoe Chace as she travels to Bladen County, N.C., to investigate the power of election fraud allegations — even when they’re not substantiated.A few years ago, Bladen County, N.C., made national headlines. In 2018, Mark Harris, a Republican, beat out his Democratic opponent for a congressional seat, but the election was later thrown out and a new election was called after his campaign was investigated over suspicions of absentee-ballot fraud.But according to some local residents, the authorities got it all wrong. They say there’s a powerful group still at work in the county, tampering with elections, bullying voters and stealing votes — a Black advocacy group, the Bladen County Improvement Association. These accusations have never been substantiated, but they persist.Join Zoe Chace as she travels to Bladen County to find out what’s behind all this suspicion. Who exactly is making the accusations? And in small-town politics, where rumors and allegations abound, how can you be sure who is telling the truth?Behind this series:From left, Nancy Updike, producer on this series, and Zoe Chace, reporter on this series. Sandy HonigZoe Chace, the reporter for this series, has been a producer at This American Life since 2015. Before that, she was a reporter for NPR. She loves telling stories about people and politics and people in politics.Nancy Updike, the producer for this series, is a Senior Editor at This American Life and one of the founding producers of the show.Transcripts of each episode of The Improvement Association will be available by the next workday after an episode publishes.The Improvement Association was reported by Zoe Chace; produced by Nancy Updike, with help from Amy Pedulla; edited by Julie Snyder, Sarah Koenig, Neil Drumming and Ira Glass; editorial consulting by R.L. Nave and Tim Tyson; fact-checking and research by Ben Phelan; and sound design and mix by Phoebe Wang.The original score for “The Improvement Association” was written and performed by Kwame Brandt-Pierce.Special thanks to Sam Dolnick, Julie Whitaker, Seth Lind, Julia Simon, Nora Keller and Lauren Jackson. More

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    New York Times fires editor targeted by rightwing critics over Biden tweet

    A row has broken out over accusations that a New York Times journalist was fired after being targeted by rightwing critics for tweeting she had “chills” at seeing Joe Biden’s plane land at Joint Base Andrews.Lauren Wolfe, who had been working as an editor at the Times, posted the message on 19 January, as Biden arrived ahead of his inauguration as president the next day.Two days later, Wolfe was let go by the Times, after her tweet was picked up by rightwing social media users and news outlets, who used Wolfe’s tweet to allege claims of media bias.Wolfe, a seasoned journalist who has written for the Guardian, said she has since been subjected to a torrent of abuse in the wake of the incident, including being followed by a photographer as she walked her dog.The New York Times responded to criticism on Sunday, after many members of the media rallied to Wolfe’s defense.“There’s a lot of inaccurate information circulating on Twitter,” Danielle Rhoades Ha, a spokeswoman for the Times, told the Washington Post.“For privacy reasons we don’t get into the details of personnel matters, but we can say that we didn’t end someone’s employment over a single tweet. Out of respect for the individuals involved, we don’t plan to comment further.”The Times added that Wolfe was not a full-time employee but was instead working on a contract basis. On Sunday, The Times workers’ union, however, said it was “investigating the situation”.“We believe all our members deserve due process and just cause protections, the very rights that are fundamental to independent, objective journalism,” the TimesGuild said.CNN host Jake Tapper was among those to share details of Wolfe’s situation, while journalists Kirsten Powers and Jeremy Scahill also criticized the Times.Late to this–I can’t believe the @nyt FIRED @Wolfe321 for a few tweets! This is not a proportionate response. There’s a middle ground that doesn’t involve revoking someone’s employment. To all those who worked to get her fired: don’t ever complain about ‘cancel culture’ again.— Kirsten Powers (@KirstenPowers) January 24, 2021
    I think it’s absurd and wrong that the NYT fired Lauren Wolfe. Also, does anyone remember how MSNBC’s Chris Matthews literally cried over an Obama speech, compared him to Jesus and said he “felt this thrill going up my leg” when Obama spoke? https://t.co/ZA6iZ6892t— jeremy scahill (@jeremyscahill) January 24, 2021
    The attention from the right did not stop once it emerged Wolfe was no longer working at the Times. Wolfe shared some of the abusive messages she had been sent, one of which called for her to develop cancer, while the conservative New York Post ran a series of paparazzi-style photos of Wolfe walking her dog in New York City,The Daily Mail, a rightwing British newspaper with a popular website, extrapolated from Wolfe’s tweet that there had been a “huge amount of gushing” towards Biden in the media, something the Mail said will “do nothing to restore any kind of trust in the media”.Many of Wolfe’s defenders noted that the Times did not fire reporter Glenn Thrush after multiple women accused him of sexually inappropriate behavior in 2017. The Times suspended Thrush for two months, and executive editor Dean Baquet said the journalist had “behaved in ways that we do not condone”, but Thrush kept his job. More

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    Three Banner Headlines

    #masthead-section-label, #masthead-bar-one { display: none }The Biden AdministrationliveLatest UpdatesBiden Takes OfficePandemic Response17 Executive Orders SignedAdvertisementContinue reading the main storySupported byContinue reading the main storyTimes InsiderLetters Close Enough to TouchThree historic banner headlines on New York Times front pages contained an unusual typographic feature: a set of joined letters known as a ligature.Jan. 21, 2021Times Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.I-M-P-E-A-C-H-E-D.The banner headline on the Jan. 14 front page summed up President Donald J. Trump’s second impeachment in just nine letters.Or was it eight?Credit…The New York TimesSome readers may have spied an unusual letterform in the historic headline: an “E” and “A” joined at the baseline and combined into a single character, known as a ligature.Ligatures are used to improve the appearance and letterspacing of characters that would otherwise awkwardly pair. But the advantages of joined letters are not purely cosmetic. More evenly spaced letters can improve the readability of text, especially in a single word printed large.The “EA” ligature dates back to December 2019, when the House was preparing to vote on the first impeachment of Mr. Trump. The Times, too, was drawing up its own coverage, including a big, bold headline for the top of Page One: “TRUMP IMPEACHED.”But there was a modest typographical speed bump. Tom Bodkin, the chief creative officer of The Times, who is responsible for the design of the front page, and Wayne Kamidoi, an art director, were wrestling with an awkward gap in the middle of “IMPEACHED.”“The first three characters and the last three characters set up naturally pretty tightly. The middle three characters, just by the nature of their forms, set up loosely,” Mr. Bodkin said.Credit…The New York TimesEven as the stem of the “A” slopes away from the “E,” the long bar of the “E” prevents the two characters from coming closer. This leaves a noticeable gap between the letters, even as the rest of the word is tightly spaced.“It looks like two words because of the space between the ‘E’ and the ‘A.’ That’s not good for legibility, and it’s not attractive,” Mr. Bodkin said. “We needed to overlap those two characters in some form.”So Mr. Bodkin turned to Jason Fujikuni, an art director on the brand identity team, to draw the new combined character. “I just thought it would live that one day, but it was fun to see it for a couple other big pages,” Mr. Fujikuni said.Indeed, the ligature had a life beyond Mr. Trump’s first impeachment. It appeared in a November banner headline, “BIDEN BEATS TRUMP,” to announce the results of the presidential election. And, of course, it ran once more when Mr. Trump was impeached for the second time.Credit…The New York TimesAndrew Sondern is an art director for print.AdvertisementContinue reading the main story More

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    'I figured I'd give it a year': Arthur Sulzberger Jr on how the New York Times turned around

    Where does the New York Times reside in the subconscious of news hounds across America? Paul Rudnick wrote this answer for a New York City mother played by Bette Middler in Coastal Elites on HBO this year:
    I love the Times. I feel like it’s my child, or my parent. Do you know what the Times means to a liberal Jewish woman like me? On the census, when it asks for religion, I don’t put Jewish. I put the New York Times. Which I have delivered. The real Times. The newsprint Times. I know I’m old-fashioned, but reading the Times online is like having sex with a robot. I mean, it’s cleaner and it’s faster but you can tell the difference. OK, I’ll just say it. The New York Times online is the New York Times for the gentiles.
    The former New Yorker editor Robert Gottlieb put it slightly differently to me, long ago: “The Times is in the same position as the Jews: it’s expected to behave better than everybody else.”For a hundred years, for better or worse, no institution has played a larger role in American culture and politics. And no corporation with comparable clout has been continuously controlled by a single family since 1896.This month, at 69, Arthur Sulzberger Jr will retire as company chairman, after decades of speculation that he would be the last Sulzberger to run the business.In 2005, a vicious profile in the New Yorker asked: “Can Arthur Sulzberger Jr save the Times – and himself?” A couple of years later, Vanity Fair declared that he had “steered his inheritance into a ditch”.As the New Yorker editor, David Remnick, put it to the Guardian this week: “As recently as five years ago, the biggest question was: “Is [Mike] Bloomberg going to own the Times or [Mexican billionaire] Carlos Slim?”And yet, 11 days from now, Sulzberger will defy almost every expectation except his own and hand over a healthy, thriving enterprise to his son AG Sulzberger, giving the fifth generation of the Ochs-Sulzbergers the rudder of the enterprise.“It’s a rare thing and a wonderful thing to see someone exit the stage on a note of real triumph,” Remnick observed.‘I realized change needed to happen’I’ve been a student of the Times ever since I wrote my first story as a 20-year-old student at Columbia, working as the paper’s college correspondent, a part-time post that launched the careers of many Times editors. I only wrote for the paper for eight years, five as a reporter on the metro staff. But the Times tends to enter the bones of everyone who works there, and a preoccupation with its peculiarities has been my hobby ever since.The first time I met Arthur Sulzberger Jr was at a party of budding journalists in Washington at the end of 1980. I can still see him striding into the room with a swagger, a huge smile and his infant son, AG, on his shoulders. Back then, the father was just a young reporter in the Times Washington bureau. But like almost everyone else, I assumed I was watching the next publisher – and the publisher after that.In a series of conversations this month, father and son offered plenty of evidence that a love for journalism can indeed be passed down through DNA. But they also insisted that what looks like old-fashioned primogeniture is actually a bit more complicated. Each told me he had never felt the slightest pressure to follow in his father’s footsteps – and neither decided he wanted to become the boss until he was a young adult.For Sulzberger Jr, the lightbulb came on when he went to work in the advertising department.“I figured I’d give it a year, I’d hate it, and I’d go back to the newsroom,” he said. But then he made his first big ad sale and “realized that I had just covered Johnny Apple’s liquor bill for a year!” (RW Apple Jr, a fabled political correspondent and London bureau chief, had the traditional journalist’s goal: to always submit the largest possible expense account.)“Suddenly it came to me that this was supporting the enterprise. This was the critical part. It was a real eye-opener for me.”“And your father was completely silent about whether he wanted you to succeed him?” I asked.“Oh yes, very much so. You don’t want to pressure somebody to do something they don’t want. Because in the end, if they get it and they don’t want it, that doesn’t help the institution or the individual. Right?”So Sulzberger Jr adopted the same strategy with his own son.“He did not ever push me to be his successor,” AG Sulzberger said. “He was always really consistent about me following my passions. But I made the mistake of having my first job out of college being a reporting gig.” It was at the Providence Journal, and he fell in love with it.“I would have been very happy to spend my career as a reporter or editor,” he continued. But when he was 33, Jill Abramson, then executive editor of the Times, asked him to write an innovation report about the newspaper’s future.“I realized how much change needed to happen at the Times and how essential that change was for the institution to continue to thrive,” he said. Suddenly, it felt like his “highest purpose was trying to make that change happen”.His father agreed: “I think that was his sort of eye-opening moment.”One secret to the Sulzbergers’ success is that each time power has been given to a new generation, predecessors have not become second-guessers. This is what has made it possible for the paper to change with the times.In the case of Arthur Sulzberger Jr, the first and biggest beneficiaries of that tradition were the Times’ lesbian and gay employees. During the regime of his father, Arthur Ochs Sulzberger, Abe Rosenthal, the top editor from the late 60s to the mid-80s, made it clear that the career of any gay employee would end as soon as they came out of the closet.When Arthur Sulzberger Jr became an assistant metropolitan editor, in the early 80s, he figured out who every gay employee was. Then he took each of them out to lunch, told them he knew they were gay, and promised this would have no effect on their career once Rosenthal had departed.“Until you said so,” David W Dunlap, then a metropolitan reporter, wrote years later, “I couldn’t have imagined how to reconcile my soul with my professional calling. Now suddenly there was a Sulzberger … cheerfully reassuring me I had nothing to worry about.”Indeed, as soon as Rosenthal was succeeded by Max Frankel as executive editor, the Times was transformed from the most homophobic to the most gay-friendly major institution in America.Articles of faithA big reason there was so much skepticism that the latest Sulzberger handoff would ever take place was the fate of almost every other major American publishing family of the last 40 years. The Binghams got rid of the Louisville Courier-Journal in 1986. The Taylors unloaded the Boston Globe in 1993 – to the Sulzbergers. The Chandlers of the Los Angeles Times sold their presses in 2000. The Grahams of the Washington Post hung on longer, but even they took $250m from Jeff Bezos in 2013.Sulzberger Jr insists he “just refused to to consider that kind of stuff”. Instead, as the internet ate away at the print advertising that had fuelled the business for so long, he unloaded hundreds of millions of dollars in assets.In 2007, nine TV stations went for $575m. In 2011, it was $143m for 16 regional newspapers – there had once been 35. The WQXR radio station went in two stages, AM and FM. In between came the toughest decision of all for the family, which drew much of its income from shares. In 2009, the Times suspended all dividend payments to shareholders.The Sulzbergers never flinched. But even all of that wasn’t enough. In 2009, Sulzberger Jr had to borrow $250m from Slim – at 14% interest.Four years before that, the paper had made its first effort to make subscription money off of its online edition, by putting some of its columnists behind a paywall in a program called Times Select. But after two years the company decided the loss of online revenue was more important than the gain in subscriptions, and the paywall was abandoned.That made the decision to resume a paywall in 2011 all the more difficult – and it only happened after a fierce internal debate. In the end, Sulzberger Jr sided with the then chief executive, Janet Robinson. It turned out to be his most prescient announcement.“A few years ago it was almost an article of faith that people would not pay for the content they accessed via the web,” he said. But he predicted the paywall would allow the company “to develop new sources of revenue to support the continuation of our journalistic mission and digital innovation … This system is our latest, and best, demonstration of where we believe the future of valued content – be it news, music, games or more – is going.”He turned out to be right.Last month, the company said it had 6 million paying online readers, and for the first time more revenue from digital than print subscribers. The Times had $800m on hand, with $250m available through a revolving credit line. It no longer has any debt, and last year it paid off a loan that allowed it to buy back its Manhattan headquarters. ‘It got really tough’Sulzberger Jr’s close friend Steven Rattner, a former Times reporter turned investment banker, explained his success this way: “If you want just one quality, it would have to be determination. No matter how tough it got – and it got really tough – Arthur never gave up. He was among the first (if not the first) traditional newspaper guy to grasp the importance of the internet, focus on it and never get distracted from it.”Paul Goldberger, a longtime Times architecture critic and one of the paper’s wisest observers, said the most relevant description of Sulzberger Jr’s philosophy could be found in an Italian novel, The Leopard: “If we want things to stay as they are, things will have to change.”I repeated that to the departing Times chairman.“Yes,” he said. “Adapt or die.” More