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    Reporter Covering LA Protests Hit by Rubber Bullet During Live TV Broadcast

    In one episode in downtown Los Angeles, an Australian television journalist was struck when an officer fired a nonlethal projectile while she was on the air.Several journalists have been injured while covering the protests in Los Angeles, including a television reporter who was struck when a law enforcement officer fired a nonlethal projectile while she was on the air.The reporter, Lauren Tomasi of 9News Australia, a CNN affiliate, was conducting a live broadcast from the scene of a protest on Sunday afternoon when she was hit.Video of the broadcast shows Ms. Tomasi standing off to the side of an intersection in downtown Los Angeles. Armed police officers, some on horseback, are seen behind her, squaring off against protesters as booms are heard in the background.“The situation has now rapidly deteriorated, the L.A.P.D. moving in on horseback, firing rubber bullets,” Ms. Tomasi says in the report, referring to officers from the Los Angeles Police Department.Then, the video shows a law enforcement officer pointing a weapon toward Ms. Tomasi and firing it. She shrieks and limps away. According to the broadcaster, Ms. Tomasi was hit with a projectile and left sore but not seriously hurt.According to CNN, Australia’s Department of Foreign Affairs and Trade issued a statement in support of Ms. Tomasi, saying “all journalists should be able to do their work safely.”It was not immediately clear whether the officer had been aiming at Ms. Tomasi, or what law enforcement agency the officer belonged to. The L.A.P.D., the California Highway Patrol and the Department of Homeland Security are among the agencies whose officers were responding to the protests. The L.A.P.D. said it did not have “any comment or statement on any specific incident pertaining to the protests.”Lauren Tomasi, a journalist at Nine News Australia, was struck by what appeared to be a nonlethal projectile while she was reporting live on air.Nine NetworkFoam rounds and projectiles are billed as nonlethal alternatives to live ammunition, but they can cause serious injuries, prompting growing calls to ban their use. Such rounds are regularly used by police departments for crowd control during protests or crowd unrest, and were used during the nationwide protests over the death of George Floyd, in 2020.In another episode, Nick Stern, a British photojournalist based in Southern California, told The Guardian that he had been seriously injured by what appeared to be a nonlethal projectile fired at him while covering a protest on Saturday in Paramount, a city in Los Angeles County. He was left with a wound in his leg and taken in for surgery, according to news media reports.A New York Times reporter was struck with a nonlethal round by officers late Sunday in downtown Los Angeles. The reporter was treated at a hospital but not seriously injured. More

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    Trump Can Restrict A.P. Journalists’ Access, Appeals Court Rules

    By a 2-to-1 vote, a three-judge panel found that the president can bar the news outlet from small settings such as the Oval Office or Air Force One, reversing at least for now a lower court’s ruling.A federal appeals court on Friday paused a lower court’s ruling that had required the White House to allow journalists from The Associated Press to participate in covering President Trump’s daily events and travel alongside their peers from other major news outlets.By a 2-to-1 vote, a three-judge panel of the U.S. Court of Appeals for the District of Columbia Circuit found that many of the spaces in the White House complex or on Air Force One where members of the press have followed the president for decades are essentially invite-only, and not covered by First Amendment protections.“The White House therefore retains discretion to determine, including on the basis of viewpoint, which journalists will be admitted,” wrote Judge Neomi Rao, a Trump appointee. She was joined by Judge Gregory G. Katsas, who was also appointed by Mr. Trump.The ruling temporarily lifted the requirement that the White House give A.P. journalists the same access as other news media professionals while the appeal continues. But it was clouded by the fact that the situation facing The Associated Press has shifted considerably since the legal standoff began in February.The lawsuit was born of a dispute between The Associated Press and the White House over the outlet’s refusal to adopt language favored by Mr. Trump and refer to the Gulf of Mexico as the Gulf of America.When The Associated Press refused to change its newsroom style and take up the new name, the White House began openly excluding the outlet’s journalists from covering Mr. Trump as part of a daily rotation system that news media companies have long used to deal with the limited space in some areas and share the cost and commitment of covering the president.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jury in El Salvador Convicts 3 Ex-Officers in 1982 Killings of Dutch Journalists

    A jury convicted the former military officers for the murder of four Dutch television journalists who were covering the Salvadoran civil war.A jury in El Salvador convicted three former senior military officers of murder in the 1982 killings of four Dutch journalists on Tuesday, according to the Comunicándonos Foundation, a nonprofit group that has long pursued justice in the case.The three officers — Gen. José Guillermo García, 91, a former defense minister; Col. Francisco Morán, 93, a former police director; and Col. Mario Adalberto Reyes Mena, 85 — each received 15-year prison sentences after a trial that took about 10 hours.The jury also condemned the government of El Salvador for delaying a resolution of the case for more than four decades. General García and Colonel Morán are in detention in El Salvador after being arrested in 2022, and Colonel Reyes Mena is in Virginia awaiting extradition, according to the Dutch government.The four young Dutch journalists — Koos Koster, Jan Kuiper, Joop Willemsen and Hans ter Laag — were working for a now-defunct Dutch broadcaster, covering a brutal civil war that killed tens of thousands of people.In Chalatenango, El Salvador, on March 17, 1982, they were traveling behind rebel lines with three guerrilla fighters. Soldiers from the Salvadoran army were waiting to ambush them and shot and killed the men, according to the Dutch government.The Dutch ambassador to Costa Rica and El Salvador, Arjen van den Berg, center, at the Judicial Center in Chalatenango, El Salvador, after the sentencing of three former military commanders on Tuesday.Marvin Recinos/Agence France-Presse — Getty ImagesAt the time, the Salvadoran army told the news media that the four journalists had died when guerrillas accompanying them opened fire on an army patrol. But a 1993 report by the United Nations Truth Commission for El Salvador concluded that the army had set up the ambush. The report also found that the killings were ordered by Colonel Reyes Mena, who had since moved to the United States.“Reporters who went to the scene in Chalatenango Province north of the capital found bloody clothing and 30 spent M16 shells near the spot where associates of the four men said they had been dropped off at 5 p.m.,” The New York Times reported in 1982, adding that residents of nearby villages had said they heard 20 minutes of gunfire.The Dutch journalists had been shot repeatedly at short range, the Times report said.The killings were a major story in the Netherlands, fueling widespread outrage. In the decades since, the Dutch government and organizations in El Salvador have continued to push for justice in the case.In a blog post before the trial on a Dutch government website, Arjen van den Berg, the country’s ambassador to Costa Rica and El Salvador, said he remembered the atmosphere in the Netherlands at the time. People were angry, he said, “partly because these men were just doing their jobs, but partly also because it was unimaginable for Dutch people that a government would kill journalists in cold blood.”Dutch officials expressed relief and gratitude for the sentence. “This is an important moment in the fight against impunity and in the pursuit of justice for the four Dutch journalists and their next of kin,” Caspar Veldkamp, the outgoing Dutch minister of foreign affairs, wrote on social media. More

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    Trump Asks Congress to Claw Back $9 Billion for Foreign Aid, NPR and PBS

    The request seeks to codify spending cuts advanced by Elon Musk’s Department of Government Efficiency.The White House formally asked Congress on Tuesday to claw back more than $9 billion in federal funds that lawmakers had already approved for foreign aid and public broadcasting, seeking to codify spending cuts put forward by Elon Musk’s Department of Government Efficiency. In a package compiled by the Office of Management and Budget, officials outlined 22 programs targeted by President Trump in executive orders and by DOGE. The bulk of the rollbacks — $8.3 billion — are aimed at foreign aid spending. The rest — $1.1 billion — would rescind funding for the Corporation for Public Broadcasting, which funds NPR and PBS. The proposal comes as the White House has aggressively challenged Congress’s power of the purse and made clear it is willing to steer around the legislative branch to unilaterally control federal spending.In this case, though, the administration is going through normal channels and asking Congress to go along with its efforts to redirect federal money. Lawmakers can approve such a measure by a simple majority vote in both chambers. Republican lawmakers have argued that it is important for Congress to codify spending cuts that were already enacted by the Trump administration by executive order. “This rescissions package reflects many of DOGE’s findings and is one of the many legislative tools Republicans are using to restore fiscal sanity,” Speaker Mike Johnson said on Tuesday. “Congress will continue working closely with the White House to codify these recommendations, and the House will bring the package to the floor as quickly as possible.”The last time the Trump administration asked lawmakers to pull back federal funds they had already approved, during Mr. Trump’s first term, the effort failed after two Republican senators joined Democrats to defeat what had been a largely symbolic effort.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    E.U. Offers Emergency Funding for Radio Free Europe After Trump Cuts

    The European Union said it would provide short-term financing for Radio Free Europe, but the amount falls short of what the news outlet says it needs to stay afloat.The European Union said Tuesday that it was stepping in to provide emergency funding to Radio Free Europe, though the promised amount fell far short of what the news organization said it needed to stay afloat after the Trump administration froze federal support.Kaja Kallas, the European Union’s top diplomat, announced that the bloc would provide 5.5 million euros ($6.2 million) to support Radio Free Europe, which provides independent reporting in countries with limited press freedoms.“In a time of growing, unfiltered content, independent journalism is more important than ever,” Ms. Kallas said. But she added that the funding would be for the short term and that the European Union could not make up the news outlet’s entire shortfall.Since taking office in January, President Trump has ordered the dismantling of Radio Free Europe’s parent organization, the U.S. Agency for Global Media, which provides the broadcaster with $12 million in congressional funding each month. A U.S. District Court judge initially paused Mr. Trump’s termination of the congressional grants, but this month a federal appeals court ruled that the Trump administration could continue to withhold the funds.Stephen Capus, the president of Radio Free Europe/Radio Liberty, said on Tuesday that he was grateful for the emergency E.U. funding to keep the operation running “for a short while longer.” He said that the news organization was continuing to fight in court for the release of congressionally appropriated funds.“RFE/RL’s survival remains at risk as long as those funds are withheld,” he said in a statement.The news organization on Tuesday filed an emergency petition in U.S. District Court for the District of Columbia seeking its May funding. Radio Free Europe said last week that it had received its April funding from Congress, though it came six weeks later than scheduled, forcing the news organization to reduce programming and staff.Radio Free Europe/Radio Liberty, which has been funded by Congress since it began broadcasting during the Cold War, reports on human rights and corruption in several countries run by authoritarian governments. In the 1980s, it reported on the aftermath of the Chernobyl nuclear accident, details of which the Soviet authorities had obscured.Today, it broadcasts in 23 countries, including Russia, Ukraine, Iran, Afghanistan and Pakistan, as well as nations in Central Asia and the Caucasus. More

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    Who Took the ‘Napalm Girl’ Photo?

    Questions about the credit for a famous photograph from the Vietnam War have divided the photojournalism community for months.The photo is indelible, and its importance unmistakable: a Vietnamese girl burned by napalm, naked and screaming, her arms outstretched in despair. It drove home the consequences of the Vietnam War to readers in the United States, where it won a Pulitzer Prize.But who took the photo, widely known as Napalm Girl? That is the question dividing the photojournalism community 53 years after it was taken.The image, from a road in the village of Trang Bang, Vietnam, has been credited to Nick Ut, a photographer who worked for The Associated Press. In the decades since, Mr. Ut has repeatedly talked publicly, in interviews and elsewhere, about his role in capturing the photo and his later friendship with its subject, Kim Phuc Phan Thi.Yet a documentary that premiered early this year, “The Stringer,” set off investigations into the creator of the image. The film argues that a freelance photographer took the image, and that an Associated Press photo editor misattributed it to Mr. Ut.On Friday, the World Press Photo Foundation, a prominent international nonprofit, weighed in. It said a monthslong investigation had found that two other photojournalists “may have been better positioned to take the photograph than Nick Ut.”Mr. Ut’s lawyer, James Hornstein, has repeatedly disputed the film’s claims and called them “defamatory.” He said in a statement that the World Press Photo decision was “deplorable and unprofessional” and “reveals how low the organization has fallen.” Mr. Hornstein declined to make Mr. Ut available for an interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Trump Administration Fires Hundreds of Voice of America Employees

    The layoffs amounted to over a third of the media organization’s staff, and came as the Trump administration put up for sale the federal building in Washington that houses the network.The Trump administration on Thursday fired nearly 600 employees at Voice of America, a federally funded news network that provides independent reporting to countries with limited press freedoms.The layoffs targeted contractors, most of them journalists but also some administrative employees, and amounted to over a third of Voice of America’s staff. They signaled that the Trump administration planned to continue its efforts to dismantle the broadcaster despite a court ruling last month that ordered the federal government to maintain robust news programming at the network, which President Trump has called “the voice of radical America.”In another sign of the Trump administration’s hostility toward the broadcaster, the federal building in Washington that houses the media organization was put up for sale on Thursday.Michael Abramowitz, the director of Voice of America, said in an email to his staff on Thursday that the firings were “inexplicable.”“I am heartbroken,” he said. Mr. Abramowitz has sued to stop the Trump administration from closing the news organization.Kari Lake, a senior adviser at the U.S. Agency for Global Media, which oversees Voice of America, said that the Trump administration had acted within its legal authority.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Can C-SPAN Pull Off ‘Crossfire,’ but With Civility?

    “Ceasefire” will be the low-key public affairs channel’s first new weekly show in two decades. The question is whether Republicans and Democrats will show up.As a young producer at CNN in the 1990s, Sam Feist spent countless hours working on “Crossfire,” one of the first cable news shows to pit partisan pundits against one another. At lunch one day, the co-host Michael Kinsley mused about an alternative idea: “Ceasefire,” a program where Republicans and Democrats tried to find areas of agreement.“It sat with me for, gosh, 20-something years,” Mr. Feist recalled.Now Mr. Feist is the chief executive of C-SPAN, the low-key public affairs network beloved by political junkies. And “Ceasefire” is about to become a reality.Envisioned as a respectful conversation between lawmakers from opposite sides of the aisle, “Ceasefire,” which is expected to debut in the fall, will be C-SPAN’s first new weekly program in two decades. “No shouting, no fighting, no acrimony,” Mr. Feist said in an interview. “Just two American political leaders with a willingness to find common ground.”And where, pray tell, does he expect to find those?Mr. Feist, a fixture of the Washington press corps who led CNN’s elections coverage for many years, acknowledged with a laugh that bipartisan relations in the nation’s capital were at a low ebb. That, he explained, is why a show like “Ceasefire” is sorely needed.“I’m not sure this program would work on CNN or Fox News or MSNBC,” said Sam Feist, the chief executive of C-SPAN since September.Kevin Dietsch/Getty Images“The country rarely sees Republicans and Democrats engaged in a productive conversation,” he said. So for the past year, every time he has met with a member of Congress, Mr. Feist has pitched his idea for the show and asked the lawmaker who his or her best friend from the opposing party is.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More