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    U.T. Austin Acquires Archives That Give Insight Into the 1960s

    Doris Kearns was an assistant professor of history at Harvard University in 1972, teaching a class on the American presidency and starting the book that would mark the start of her extraordinary career as a popular historian, “Lyndon Johnson and the American Dream,” when Richard N. Goodwin walked into her office.A legendary speechwriter for presidents John F. Kennedy, Lyndon Johnson, Eugene McCarthy and Robert F. Kennedy, Goodwin flopped himself down, she recalled, and asked, “Hi, are you a graduate student?”“So I earnestly told him all about the presidency class I was teaching, and then quickly realized he was just teasing me,” she said. “We had dinner that night and engaged in conversation about L.B.J., J.F.K., the Red Sox and the ’60s. And I floated home that evening and told two close friends that I had met the man I wanted to marry.”Doris Kearns married Goodwin on Dec. 14, 1975. Among those who attended were Boston Mayor Kevin H. White, Sen. Edward M. Kennedy, Norman Mailer, Arthur Schlesinger Jr., and Hunter Thompson.Photo by Marc Peloquin. Courtesy of Doris Kearns GoodwinDick-and-Doris, as they were colloquially known, as if a single entity, married in 1975, raised three boys and dedicated themselves to work that made them luminaries in their fields. He wrote about politics and society; she became the United States’ premier presidential historian on the strength of the Pulitzer Prize-winning “No Ordinary Time,” (1994) about Franklin and Eleanor Roosevelt, and six other best sellers.For decades, the couple kept their archives, including more than 300 boxes of diaries, letters, scrapbooks, memos and speech drafts that Goodwin had saved, especially from his White House days in the 1960s, stored in the two-story barn on their Concord, Mass., property.When he died in 2018, Kearns Goodwin sought an appropriate home for his papers: Spanning 1950 to 2014, they offer unique insight into 1960s policies and debates, and are a comprehensive record of Goodwin’s professional career. On Thursday, the Dolph Briscoe Center for American History at the University of Texas in Austin announced the acquisition of the Goodwin papers for $5 million, with Kearns Goodwin’s own archive donated to live alongside her husband’s.Secret Letters Throughout HistoryFor centuries, people have exchanged information in writing. Science is now casting new light on what was once meant to be private.Cracking the Case: A letter Charles Dickens wrote in a mystifying shorthand style went unread for over a century. Computer programmers recently decoded it.Uncensored: Using an X-ray technique, scientists have revealed the content of redacted letters between Marie Antoinette and Count von Fersen, her rumored lover.Original Encryption: To safeguard their missives against snoops, writers through the ages have employed a complicated means of security: letterlocking.Breaking the Seal: To read the “locked” letters without tearing them apart, researchers have turned to virtual reality.“When I saw how Dick saved everything from his lengthy and notable career, I was blown away,” said Don Carleton, the executive director of the Briscoe Center. “But I also told Doris that it should be a package deal. Doris is a hugely important cultural figure. Her own archive is valuable for scholars studying Lincoln, the Roosevelts, J.F.K., L.B.J. and so much more. I thought they belonged together, in the same building.”What impressed Kearns Goodwin, in turn, was that the Briscoe Center sponsors and facilitates original research projects based on its archival holdings. “I was gratified that Dick’s papers wouldn’t lie dormant at Briscoe in a vault,” she said.The first page of Goodwin’s draft of President Johnson’s “Great Society” speech, delivered on May 22, 1964, at Ann Arbor, Michigan.Briscoe Center for American History, University of Texas at AustinShe also agreed to serve as an ambassador and adviser for the Briscoe Center, and to lecture periodically at the university. After working for Johnson as a White House Fellow, Kearns Goodwin accompanied him to Texas to work on his memoir; she said she was thrilled to return to Texas Hill Country, where Johnson’s ranch is now a National Park Service unit.Goodwin’s archive encompasses his public service as a clerk for Supreme Court Justice Felix Frankfurter, his work as a House subcommittee investigator into the rigged game show “Twenty-One” (a story adapted into the 1994 film “Quiz Show”), as well as notes and memos that show how he helped shape national and international policies during the Kennedy and Johnson administrations. His archive illuminates critical issues in 1960s history, including Kennedy’s New Frontier, Johnson’s Great Society, the civil rights movement, the Vietnam War and the antiwar movement.From a historian’s perspective, Goodwin’s speech drafts from 1960 to 1968 are a revelation. His command of history and literature became the cornerstone of Kennedy’s 1960 campaign speeches. It was Goodwin who invented the phrase “Alliance for Progress” to describe Kennedy’s Latin American policy. One draft of a long-forgotten speech in Alaska ended with Goodwin’s line: “It is not what I promise I will do, it is what I ask you to join me in doing.” Years later, material included in the collection shows, Jacqueline Kennedy wrote Goodwin to say that it was this wordplay that her husband recycled in his famous “Ask Not” inaugural address.Goodwin with Jacqueline Kennedy and her lawyer, Simon H. Rifkind, rear, in Manhattan in 1966. Goodwin was for years identified with the Kennedy clan.Jack Manning/The New York TimesThe documents reveal the wide berth Kennedy gave Goodwin. When the president noticed that there wasn’t a single Black recruit in the U.S. Coast Guard contingent during his inaugural parade, he tasked Goodwin with investigating. The resulting memorandum, included in the collection, led to the racial integration of the Coast Guard in 1962.After Goodwin secretly met in Uruguay with Che Guevara, Fidel Castro’s closest confidant, he drafted a long psychological profile of the Marxist revolutionary for the president. “Behind the beard,” it begins, “his features are quite soft, almost feminine, and his manner is intense.” Among Goodwin’s memorabilia acquired by the University of Texas is a wooden cigar box from Guevara.Che Guevara gave Goodwin this cigar box when they met, in August 1961.Briscoe Center for American History, University of Texas at AustinGoodwin’s diaries of Kennedy’s assassination brim with ticktock detail. He was among a small group in the White House when the president’s body arrived from Texas. His diary grapples with whether the coffin should be open or closed, the search for historical information about President Abraham Lincoln lying in state in the East Room, and where the 35th president should be buried. Working directly with Jacqueline Kennedy, Goodwin helped to bring to the grave site an eternal flame modeled after the Tomb of the Unknown Soldier in Paris.In January 1964, Goodwin kept extensive notes during travels with the Peace Corps in East Africa, Iran, and Afghanistan. Then, in March, he was called to recast a speech on poverty for Johnson. Five drafts, all part of the collection, evolved into the special message to Congress on March 19, in which the phrase “war on poverty” struck a responsive chord. Goodwin now had a hot hand, and Johnson sought to bring him to the White House as his domestic affairs speechwriter.Goodwin consulted his friend Robert F. Kennedy about whether he should take the job and recounted the attorney general’s advice in his diary, now at the Briscoe Center. “From a selfish point of view — you can think selfishly once in a while — I wish you wouldn’t, but I guess you have to,” Kennedy said to Goodwin. Although anything that makes Johnson “look bad, makes Jack look better, I suppose. But I guess you should do it. If you do, you have to do the best job you can, and loyally, there’s no other way.”Goodwin, Bill Moyers, and President Lyndon B. Johnson in the Oval Office, ca. 1965.LBJ Presidential LibraryThe archival material allows students of politics to follow the paper trail from a Goodwin draft to a Johnson speech, then to a Congressional bill, and finally to federal law. Goodwin had become Johnson’s indispensable White House wordsmith. “I want to put him in a hide-a-way over here,” Johnson told Secretary of State Dean Rusk, according to a March 21, 1964, taped White House conversation. “I’d just work him day and night.” So began an extraordinary partnership during the height of the Great Society — a time when the president summoned the Congress to pass one historic piece of legislation after another, legislation that would change the face of the country.Goodwin resigned in late 1965, believing that the energy and focus for the Great Society was being siphoned to the escalating war in Vietnam, as he wrote in his memoir, “Remembering America.” In the months that followed, his friendship with Robert Kennedy deepened. When Kennedy went to South Africa in June 1966, Goodwin helped craft his “Ripple of Hope” speech. (Words from that shimmering human rights appeal are carved on Kennedy’s gravestone at Arlington National Cemetery.) Goodwin joined Kennedy’s campaign for president and was with him in the Los Angeles hospital room when he died.After the assassination, Goodwin retreated to Maine, shattered by Kennedy’s death. Four years later, he met Kearns Goodwin at Harvard, and they went on to become a team of writers, each editing the other’s work.Goodwin in 1968. He called himself a voice of the 1960s — with justification.George Tames/The New York TimesWhen Vice President Al Gore wanted help drafting his presidential concession speech in 2000, after the Supreme Court stopped the Florida recount, he turned to Goodwin, still known as one of the most gifted speechwriters in the Democratic orbit.While Goodwin’s papers are a window into the inner workings of important presidencies, the Kearns Goodwin boxes are riveting to scholars with an interest in American history and the writing of it. Her well-organized trove of primary source material for all of her books, including “Team of Rivals” (2005) and “The Bully Pulpit” (2013) are eminently accessible. She saved “all the research and primary sources related to every book I had written,” she said, “from the original idea for how to tell the story, to the interviews, to the early outlines, the primary sources, copies of handwritten letters.”“Oh, how I love old handwritten letters and diaries,” she enthused. “I feel as if I’m looking over the shoulder of the writer. History comes alive!”Douglas Brinkley is the Katherine Tsanoff Brown Chair in Humanities and Professor of History at Rice University and the author of the forthcoming “Silent Spring Revolution: John F. Kennedy, Rachel Carson, Lyndon Johnson, and the Great Environmental Awakening.” More

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    Older Americans Fight to Make America Better

    Neil Young and Joni Mitchell did more than go after Spotify for spreading Covid disinformation last week. They also, inadvertently, signaled what could turn out to be an extraordinarily important revival: of an older generation fully rejoining the fight for a working future.You could call it (with a wink!) codger power.We’ve seen this close up: over the last few months we’ve worked with others of our generation to start the group Third Act, which organizes people over the age of 60 for progressive change. That’s no easy task. The baby boomers and the Silent Generation before them make up a huge share of the population — more nearly 75 million people, a larger population than France. And conventional wisdom (and a certain amount of data) holds that people become more conservative as they age, perhaps because they have more to protect.But as those musicians reminded us, these are no “normal” generations. We’re both in our 60s; in the 1960s and ’70s, our generation either bore witness to or participated in truly profound cultural, social and political transformations. Think of Neil Young singing “four dead in O-hi-o” in the weeks after Kent State, or Joni Mitchell singing “they paved paradise” after the first Earth Day. Perhaps we thought we’d won those fights. But now we emerge into older age with skills, resources, grandchildren — and a growing fear that we’re about to leave the world a worse place than we found it. So some of us are more than ready to turn things around.It’s not that there aren’t plenty of older Americans involved in the business of politics: We’ve perhaps never had more aged people in positions of power, with most of the highest offices in the nation occupied by septuagenarians and up, yet even with all their skills they can’t get anything done because of the country’s political divisions.But the daily business of politics — the inside game — is very different from the sort of political movements that helped change the world in the ’60s. Those we traditionally leave to the young, and indeed at the moment it’s young people who are making most of the difference, from the new civil rights movement exemplified by Black Lives Matter to the teenage ranks of the climate strikers. But we can’t assign tasks this large to high school students as extra homework; that’s neither fair nor practical.Instead, we need older people returning to the movement politics they helped invent. It’s true that the effort to embarrass Spotify over its contributions to the stupidification of our body politic hasn’t managed yet to make it change its policies yet. But the users of that streaming service skew young: slightly more than half are below the age of 35, and just under a fifth are 55 or older.Other important pressure points may play out differently. One of Third Act’s first campaigns, for instance, aims to take on the biggest banks in America for their continued funding of the fossil fuel industry even as the global temperature keeps climbing. Chase, Citi, Bank of America and Wells Fargo might want to take note, because (fairly or not) 70 percent of the country’s financial assets are in the hands of boomers and the Silent Generation, compared with just about 5 percent for millennials. More

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    When the ‘Silent Majority’ Isn’t White

    In her 1990 book “Fear of Falling,” Barbara Ehrenreich detailed how the widely broadcast violence at the 1968 Democratic National Convention in Chicago led to an immediate, dramatic paradigm shift in media coverage. In the month before the event, Mayor Richard Daley had denounced the various anti-Vietnam War protest groups who were planning to converge outside the city’s International Amphitheater. When those protesters arrived, Daley fought back with his police force who, on Aug. 28, attacked protesters in Grant Park.In scenes that would be echoed a half-century later during the George Floyd protests, the police beat, detained and intimidated everyone from the Yippies to the Young Lords to Dan Rather. In both 1968 and 2020, the press heightened its critique against the police and the mayor once they saw their own being attacked in the streets.Then came the reckoning. Ehrenreich writes:Polls taken immediately after the convention showed that the majority of Americans — 56 percent — sympathized with the police, not with the bloodied demonstrators or the press. Indeed, what one could see of the action on television did not resemble dignified protest but the anarchic breakdown of a great city (if only because, once the police began to rampage, dignity was out of the question). Overnight the press abandoned its protest. The collapse was abrupt and craven. As bumper stickers began to appear saying “We support Mayor Daley and his Chicago police,” the national media awoke to the disturbing possibility that they had grown estranged from a sizable segment of the public.Media leaders moved quickly to correct what they now came to see as their “bias.” They now felt they had been too sympathetic to militant minorities (a judgment the minorities might well have contested). Henceforth they would focus on the enigmatic — and in Richard Nixon’s famous phrase — silent majority.The following months would provide even more evidence that the media had misjudged the moment. A New York Times poll conducted a day after showed an “overwhelming” majority supported the police in Chicago. CBS reported that 10 times as many people had written to them disapproving of their coverage of the events as had written in approval.In response, the media class spent the next few years, in Ehrenreich’s words, examining “fearfully and almost reverently, that curious segment of America: the majority.” The problem, of course, was that the same people who had just believed the world ended at the Hudson were the same people who now would be tasked with discovering everything beyond its banks. As a result, the media’s coverage of “the silent majority” was abstract and almost mythic, which allowed it to be shaped into whatever was most convenient.There are a couple of obvious questions here: A year after the nationwide George Floyd protests, has mass media, which I’ll define here as the major news outlets and TV networks, undergone a similar paradigm shift? And if there is a new “silent majority” whose voices must be heard, who, exactly, is it?Are we seeing a media backlash to the summer of 2020?A quick caveat before we go much further into this: I am generally skeptical of the types of historical matching games that have become popular these days, especially on social media, where false symmetries can be expressed through heavily excerpted screenshots or video. Just because something looks vaguely like something that happened in the past doesn’t mean that the two events are actually analogous. More important, I do not see the need to take every current injustice by the hand and shop it around to a line of older suitors — if nothing else, the act of constant comparison can take away from the immediacy of today’s problem.But regardless of whether the comparison between 1968 and 2020 is apt, plenty of people made it. Most notably, Representative Jim Clyburn of South Carolina, who, after what was seen as a disappointing result in a handful of House races, compared the slogan “defund the police” to “burn, baby, burn” from the 1965 Watts riots and said such talk was “cutting the throats of the party.” Omar Wasow’s work on voting patterns during the civil rights movement and how the public and media responded to different images of violence also became a central part of opinion discourse.As was true in 1968, we’ve also seen a shift in public opinion polls, perhaps confirming Wasow’s claim that while images of law enforcement committing violence against protesters will generate a significant upsurge in sympathy, images of looting and rioting will have the opposite effect. A Washington Post-Shar School poll conducted in early June of 2020 found that 74 percent of respondents supported the protests, including 53 percent of Republicans­­ — stunning results that suggested a radical shift in public opinion had taken place — and the media followed suit with an enormous amount of coverage.Writing in The Washington Post, Michael Heaney, a University of Glasgow lecturer, wrote, “Not since the Kent State killings, in which National Guard troops shot and killed four student protesters in May 1970, has there been so much media attention to protest.” Heaney also pointed out that the coverage had been “generally favorable.” But as of this summer, polling of white Americans on support for Black Lives Matter and policing reform had reverted to pre-2020 levels. Has media coverage followed suit?We might look at coverage of the recent New York City mayoral race as a kind of case study. The campaign of Eric Adams, a former N.Y.P.D. officer who largely positioned himself against his more progressive opponents on public safety and school issues, was cast as a referendum on last summer. The media attributed Adams’s victory in the Democratic primary almost entirely to his pro-police platform. In June, a Reuters headline read, “Defying ‘Defund Police’ Calls, Democrat Adams Leads NYC Mayor’s Race.” In July, The Associated Press wrote that Adams’s win was part of a “surge for moderate Democrats” and said the centerpiece of his campaign was a rejection of activists’ calls to defund the police.This echoed the coverage of Clyburn’s declarations after the election and fell in with a spate of media coverage about the shift in opinions on policing. So, some regression of media sympathy toward the summer of 2020 does seem underway — although we shouldn’t believe the media underwent some fundamental change during the summer of 2020, or, for that matter, in the months leading up to the 1968 Democratic National Convention. Those moments should be seen, instead, as flare-ups that subsequently shamed the media into seeking out “the real America” or whatever.Who is the silent majority in 2021?In 1968, the turn in opinion came mostly at the expense of Black radicals and young protesters in favor of what was largely then assumed to be white working-class voters.Today’s silent majority certainly does include white voters, but this time, recent coverage suggests that the media is reproaching itself for a somewhat different failing: neglecting the perspective of more-moderate voters of color.The post-mortem of the 2020 election — in which more immigrants than anticipated, whether Latinos in Florida and Texas or Asian Americans in California, voted for Donald Trump — coincided with the need to make some sense of what had happened to public opinion after last summer. Connections were made. By the time Adams gave his victory speech, a narrative about the diverse silent majority had taken hold: People of color supported the police, hated rioting and wanted more funding for law enforcement. They did not agree with the radical demands of the Floyd protests — in fact, such talk turned them off.There’s a lot of truth to the concerns about how much the mass media actually knows about minority voters. When the Latino vote swings from Texas and Florida came to light on election night, Chuck Rocha, a political strategist who specializes in Latino engagement, went on a media tour and placed the blame on “woke white consultants” who believed that a broad message of antiracism would work for “people of color.” As I wrote in a guest essay, a similar pattern held in Asian American communities — it turns out that Vietnamese refugees who reside in Orange County, Calif., might have different opinions on Black Lives Matter, capitalism or abortion rights than, say, second-generation Indian Americans at elite universities.These mistakes came from a grouping error: Liberal white Americans in power, including members of the media, tended to think of immigrants as huddled masses who all shook under the xenophobic rhetoric of the Republican Party and prayed for any deliverance from Donald Trump. They did not see them as distinct populations who have their own set of political priorities, mostly because they took their votes for granted.So, if the media is actually overlooking an entire population and sometimes misrepresenting them, what’s the big deal if it’s now correcting for this?A few things can be true at once: Yes, the media overwhelmingly misconstrued the actual beliefs of minority voters, particularly in Latino and Asian American communities. Yes, those voters tend to have more moderate view on policing.The problem isn’t one of description, but rather of translation. The media took a normal regression in polling numbers, mixed it with some common sense about how minority populations actually vote and created a new, diverse “silent majority.” This is a powerful tool. These unheard, moderate minorities carry an almost unassailable authority in liberal politics because of the very simple fact that liberals tend to frame their policies in terms of race. If those same objects of your concern turn around and tell you to please stop what you’re doing, what you’ve created is perhaps the most powerful rebuttal in liberal politics. Over the next few years, I imagine we will see an increasing number of moderate politicians and pundits hitch their own hobbyhorses to this diverse silent majority. The nice thing about a vaguely defined, still mysterious group is that you can turn it into anything you want it to be.Some version of this opinion engineering, I believe, is happening with the police and public safety. There’s not a lot of evidence that Latino and Asian voters care all that much either way about systemic racism or funding or defunding the police. (Black voters, on the other hand, listed racism and policing as their top two priorities leading up to the 2020 election.) Polls of Asian American voters, for example, show that they prioritize health care, education and the economy. Latino voters listed the economy, health care and the pandemic as their top three priorities. (“Violent crime” ranked about as high as Supreme Court appointments.) If asked, a large number of people in both of these groups might respond that they support the police, but that’s very different from saying they base their political identity on the rejection of, say, police abolition. If they’re purposefully voting against the left wing of the Democratic Party, it’s more likely they are responding to economic or education policy rather than policing.And so it may be correct to say that within the new, diverse “silent majority,” attitudes about the police and protest might be much less uniform than what many in the mass media led you to believe in the summer of 2020. It may also be worth pointing out that reporters, pundits and television networks should probably adjust their coverage to accurately assess these dynamics, just as I’m sure there were legitimate concerns with media bubbles in 1968. But it also seems worth separating that assessment from the conclusion that the media should now see the summer of 2020 as political kryptonite and cast the millions of people who protested in the streets as confused revolutionaries who had no real support.After 1968, the mass media’s turn away from the counterculture of the ’60s and its indifference to the dismantling of Black radical groups narrowed the scope of political action. This constriction would be aided over the next decade by lurid, violent events that all got thrown at the feet of anyone who looked like a radical. When Joan Didion wrote of the Manson murders, “Many people I know in Los Angeles believe that the Sixties ended abruptly on Aug. 9, 1969, at the exact moment when word of the murders on Cielo Drive traveled like brushfire through the community, and in a sense this is true. The tension broke that day. The paranoia was fulfilled,” she was saying that all the fears of the so-called silent majority had come to pass.We are living through some version of that today. But what seems particularly telling about this moment is that the retreat no longer requires Charles Manson, the fearmongering over Watts or the police riots at the 1968 Democratic National Convention. Those images hover above the public’s consciousness as evergreen cautionary tales; the paranoia they fulfilled will do just fine.The question at the outset of this post, then, has a split answer: Yes, we seem to be reliving a moment of media revanchism in the name of the (diverse) silent majority, but it is also a replay of a replay, akin to filming a television screen with your phone’s camera, with all of its inherent losses in resolution, clarity and immediacy.What I’m Reading and Watching“Everyone Knows Your Mother Is a Witch” by Rivka GalchenA beautifully written, hilarious novel set during a witch hunt in 17th-century Germany. The sentences, as in all of Galchen’s work, go beyond the sometimes dull, narcissistic boundaries of modern fiction and still manage to feel extremely relevant.“Louis Armstrong: Master of Modernism” by Thomas BrothersThe second of Brothers’s big books on Louis Armstrong and the early years of jazz. Like the first book, “Louis Armstrong’s New Orleans,” this isn’t so much a blow-by-blow retelling of Armstrong’s life, but an ethnography of how his music came to be.Have feedback? Send a note to kang-newsletter@nytimes.com.Jay Caspian Kang (@jaycaspiankang) writes for Opinion and The New York Times Magazine. He is the author of the forthcoming “The Loneliest Americans.” More