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      St. Lucia and Dominica Win First-Ever Olympic Medals

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      If it feels like the same countries are winning most of the Olympic medals every two years, that’s because it’s largely true.Even though more than 150 countries and territories have claimed a medal since the modern Games began in 1896, the list of winners is top-heavy. Entering the Paris Summer Games, the United States has the most, by far, with 2,975 medals, according to the International Olympic Committee’s research wing. A group of usual suspects follow: the former Soviet Union (1,204), Germany (1,058), Great Britain (955), France (898).Nearly 70 countries and territories, though — roughly a third of the parade of nations — cannot boast an Olympic medalist in any discipline, summer or winter. Some, like South Sudan, which sent its first team to the Olympics in 2016, have only just begun trying. Others, like Monaco, have been at it for more than a century.“It’s frustrating, definitely,” said Marco Luque, a member of the Bolivian Olympic Committee’s board and the president of his country’s track and field federation. “And you feel impotence, of not being able to do better.”Every once in a while, though, a nation breaks its maiden. On Saturday night at the Stade de France, Thea LaFond-Gadson, 30, of the Caribbean island of Dominica, won the gold medal in women’s triple jump. And soon after, Julien Alfred, 23, of St. Lucia, also in the Caribbean, won the gold medal in the women’s 100-meter sprint.“It means a lot to the small islands,” she said. “And seeing how we can come from a small place but also be on the biggest stage of our career.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      St. Lucia gets its first gold medal, thanks to the world’s fastest woman.

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      Ben ShpigelTalya MinsbergChang W. LeeGabriela Bhaskar and Julien Alfred, the fastest woman in the Caribbean nation of Saint Lucia, blitzed the field in the 100-meter dash Saturday night at the Paris Games to earn a far more awesome title — the fastest woman in the world.Gabriela Bhaskar for The New York TimesShe swiped the distinction from Sha’Carri Richardson of the United States, who claimed it at the world championships last year but could not retain it at these Olympics. In a driving rain in Saint-Denis, France, Alfred finished in 10.72 seconds, 0.15 clear of Richardson, who was slow off the starting block and never seriously threatened.Chang W. Lee/The New York TimesGabriela Bhaskar for The New York TimesWhen the results were shown at the Stade de France, Alfred jumped for joy and jogged to the bell set up on the edge of the track for gold medalists to ring. After winning Saint Lucia’s first Olympic medal ever, Alfred wrapped herself in her nation’s flag, sobbing as she fell to her knees before being embraced by Richardson and Melissa Jefferson of the United States, who won the bronze.Chang W. Lee/The New York TimesChang W. Lee/The New York TimesBidding to become the first American since Gail Devers in 1996 to win the 100 at the Games, Richardson, 24, could not claim the gold in the race she thought she would do so in three years ago at the Tokyo Games, when she was suspended after testing positive for marijuana.Daniel Berehulak/The New York TimesDaniel Berehulak/The New York TimesRichardson arrived in France as the 100-meter world champion. She will leave it as the fastest woman in the United States — but the second-fastest in the world. More

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      Olympics Opening Ceremony Singer Redefines What It Means to Be French

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      Aya Nakamura, the French Malian singer, did more than open the Games. She redefined what it means to be French.A new France was consecrated Friday evening during the opening ceremony of the Olympic Games. When Aya Nakamura, a French Malian singer, came sashaying in a short fringed golden dress out of the august Académie Française, she redefined Frenchness.Adieu the stern edicts of the Académie, whose role has been to protect the French language from what one of its members once called “brainless Globish.” Bonjour to a France whose language is increasingly infused with expressions from its former African colonies that form the lyrical texture of Ms. Nakamura’s many blockbuster hits.France’s most popular singer at home and abroad gyrated as she strode forth over the Pont des Arts in her laced golden gladiator sandals. A Republican Guard band accompanied her slang-spiced lyrics. Her confidence bordered on insolence, as if to say, “This, too, is France.”Marine Le Pen, the far-right leader, had said that Ms. Nakamura sings in “who knows what” language. But her denunciation of the performance on the grounds that it would “humiliate” the French people failed to stop it.The backdrop to the ceremony was a political and cultural crisis in France broadly pitting tradition against modernity and an open view of society against a closed one. The country is politically deadlocked and culturally fractured, unable to form a new government or agree on what precisely Frenchness should be.In this context, the thrust of the ceremony, as conceived by its artistic director, Thomas Jolly, was to push the boundaries of what it means to be French in an attempt to bolster a more inclusive France and a less divided world. It was a political act wrapped in a pulsating show.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      An Olympics Scene Draws Scorn. Was It Really Referencing ‘The Last Supper’?

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      Some church leaders and politicians have condemned the performance from the opening ceremony for mocking Christianity. Art historians are divided.A performance during the Paris Olympics’ opening ceremony on Friday has drawn criticism from church leaders and conservative politicians for a perceived likeness to Leonardo da Vinci’s depiction of a biblical scene in “The Last Supper,” with some calling it a “mockery” of Christianity.The event’s planners and organizers have denied that the sequence was intended to mock or offend, and have remained largely vague about the references associated with the images.In the performance broadcast during the ceremony, a woman wearing a silver, halo-like headdress stood at the center of a long table, with drag queens posing on either side of her. Later, at the same table, a giant cloche lifted, revealing a man, nearly naked and painted blue, on a dinner plate surrounded by fruit. He broke into a song as, behind him, the drag queens danced.The tableaux drew condemnation among people who saw the images as a parody of “The Last Supper,” the New Testament scene depicted in da Vinci’s painting by the same name. The French Bishops’ Conference, which represents the country’s Catholic bishops, said in a statement that the opening ceremony included “scenes of mockery and derision of Christianity,” and Robert Barron, an influential bishop in Minnesota, called it a “gross mockery.”The performance at the opening ceremony, which took place on and along the Seine on Friday, also prompted a Mississippi-based telecommunications provider, C Spire, to announce that it would pull its advertisements from Olympics broadcasts. Speaker Mike Johnson described the scene as “shocking and insulting to Christian people.”The opening ceremony’s artistic director, Thomas Jolly, said at the Games’ daily news conference on Saturday that the event was not meant to “be subversive, or shock people, or mock people.” Speaking broadly about the ceremony, he said, “The idea was to send a message of love and of inclusion.” On Sunday, Anne Descamps, the Paris 2024 spokeswoman, said at the daily news conference, “If people have taken any offense, we are, of course, really, really sorry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Know About Suni Lee’s New Uneven Bars Move

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      Sunisa Lee, the defending Olympic all-around gold medalist and uneven bars bronze medalist, may attempt a new skill at the 2024 Paris Games. The new element in her uneven bars routine is a release move in which a gymnast does a front flip and a full twist in the layout position. Lee is seeking to […] More

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      Your Guide to Olympic Gymnastics: Floor Exercise

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      Want to follow the women’s gymnastics competition in Paris, but don’t understand the skills or how they’re scored? Here’s a guide.For two weeks every four years, women’s gymnastics is one of the biggest sports in the world. The rest of the time, those of us watching are kind of a niche group.That can make it hard to fully appreciate what you’re seeing when the athletes take the Olympic stage. If you want to know what’s required on each apparatus or how to distinguish good routines from great ones, we’re here to help.Here, we’ll look at the floor exercise, starting with a broad overview and then moving into technical details. We also have guides to the vault, uneven bars and balance beam.The basicsThe square floor mat is about 40 feet on each side, which makes the diagonal paths along which gymnasts tumble about 56 feet. A carpeted surface covers a layer of foam, over wood, over springs. The slight bounce of those springs allows gymnasts to do more difficult skills.Every floor routine must include:A flip with a twist of at least 360 degreesA double back flip, with or without twistsBackward and forward tumblingTwo leaps or hops in succession, either directly connected or with running steps in between. One must involve a 180-degree split.Floor routines, set to music of the gymnast’s choice — no lyrics allowed — last about 90 seconds and include three or four tumbling passes. Gymnasts generally do their most difficult passes first. They receive one score for difficulty and one for execution, and the two are added.Unlike the vault, which showcases pure power, the floor exercise combines power with artistry. In practice, though, some gymnasts don’t put as much effort into their choreography. But when a gymnast really puts on a performance, you can tell.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Brittney Griner Announces Birth of Son

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      Less than two years after her release from a Russian penal colony, the W.N.B.A. center and two-time Olympic gold medal winner said that her son was born on July 8.Brittney Griner, the W.N.B.A. center and two-time Olympic gold medal winner, announced on Friday that she and her wife, Cherelle Griner, have welcomed their first child, less than two years after the basketball star was released from a penal colony in Russia and made her return to the sport for the Phoenix Mercury.Griner, 33, discussed the birth of her son during an interview on “We Need To Talk,” a CBS Sports show, saying that he was born on July 8, weighing 7 pounds, 8 ounces. Earlier this year, the couple said that they planned to name their son Bash.On social media, Griner and her wife had posted about their excitement about the pregnancy. After the “We Need To Talk” host asked what Griner was looking forward to about parenting, she revealed that her son had already arrived.“They say as soon as you see him, everything that you thought mattered just goes out the window,” Griner said. “And that’s literally what happens.”Griner will head to Paris for the 2024 Olympics to play for the U.S. women’s basketball team, with the first game scheduled for July 29 against Japan. She said that she was disappointed that she had to leave her newborn but that “he’ll understand.”Last month, Griner wrote on social media that she and Cherelle were celebrating their sixth anniversary.The birth announcement comes two months after the release of Griner’s memoir, “Coming Home,” which details the 10 months she spent in a Russian penal colony after being detained in an airport for possession of 0.7 grams of medicinal marijuana oil she had forgotten to take out of her luggage.At the prison, she sewed uniforms for the Russian military and survived on spoiled food.Griner was released in a December 2022 prisoner swap negotiated by the Biden administration. She had been sentenced to nine years in the penal colony.“My life became a blur of sweeping and dusting, cleaning and praying, hoping I could somehow get home,” Griner wrote in her memoir.In her first game back in the W.N.B.A. in 2023, Griner scored a team high of 18 points. This year, she returns to the United States women’s national roster. Griner won Olympic gold medals with the team in 2016 and 2021. More

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      Digested week: the nice blond lady from England delivers | Emma Brockes

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      MondayTo the Republican national convention (RNC) in Milwaukee, where a longstanding tradition of British journalists interviewing Americans in a style euphemistically known as “irreverent” continues to deliver results.A recent hit in this particular genre: Andrew Neil interviewing Ben Shapiro, the rightwing American commentator, by repeatedly barking: “What’s your answer?”, giving him withering looks over his specs, and parrying Shapiro’s incredulous meltdown – “I frankly don’t give a damn what you think of me given I’ve never heard of you” – with the cheerful retort: “I’d never heard of you!”The latest addition to the canon comes this week from the RNC in Wisconsin courtesy of Kari Lake, a former TV anchor and Republican candidate for senator in Arizona, who sat down with Emily Maitlis with the innocence of a babysitter in the opening scenes of a horror movie. Lake, who has previously identified as a Democrat and an independent and now supports Trump, starts to twig something is wrong at around the 40-second mark, and truly, it’s a beautiful thing to see.“The tone [of political discourse] is really disturbing when the media is calling a man like Donald Trump ‘Hitler’,” says Lake, deftly deflecting a softball opener from Maitlis and seemingly unaware of the house about to fall on her head.“Like JD Vance did, you mean,” says Maitlis, leaning slightly forward and wearing her guileless-as-a-fawn face, at which British viewers jump behind the sofa and Lake looks momentarily confused. It’s all downhill from there as the slow, terrible realisation dawns on Lake that this nice blond lady from England, despite all her encouraging nods and “yeps”, is in fact her worst nightmare.By the end of the interview, Maitlis is asking: “Do Republicans need to lie … because you don’t believe you can win at the ballot box?” and Lake has been transported to a place of such incandescent rage she can only respond: “You’re just a sad case of a human being and I feel sorry for you,” and: “I actually think you need your head examined.” To which, smooth as oil and in the best Paxonian tradition, Maitlis replies: “Kari Lake: thank you very much.”View image in fullscreenTuesdayNot enough sympathy has been extended to the real victim of JD Vance’s ascent to public life, Amy Adams, whose career took a meteor-sized hit in 2020 thanks to her appearance in Ron Howard’s Hillbilly Elegy, the movie adaptation of Vance’s bestselling memoir of 2016.As Vance’s voice rings across the US this week after becoming Trump’s pick to be vice-president, spare a thought for Adams, who can never shake off the visual memory many of us have of her as Bev, Vance’s rackety mother, chain-smoking in dungarees while Glenn Close staggers about in the background like a cross between Catherine Tate’s Nan and an Appalachian Deirdre Barlow.Hillbilly Elegy, and Vance himself, unpacking his backstory at the RNC this week, tell the heartwarming tale of a boy’s rise from poverty and despair to the world of Yale law school, a job in venture capital, and eventually the sunny uplands of radicalised ultra-right opinion, including the one Vance shared in 2021 – that staying in a violent marriage is a better option than divorce. That we must suffer Vance daily in the news is bad enough. That America’s sweetheart has somehow been dragged into all this is, on top of everything else, frankly intolerable.WednesdayA politician who puts her money where her mouth is: Anne Hidalgo, the mayor of Paris, who alongside the president of the Paris Olympic committee and several unhappy-looking political aides who’ve been vacuum-packed into wetsuits, jumped in the Seine this week to prove to dithering Olympians that it’s not full of poo.Observing the scene from the river bank, ranks of Parisiens milled about using various Gallic expressions to communicate scepticism. “I don’t like the colour of the water,” remarked one woman to the New York Times, triggering a response in the mayor’s office that can only be guessed at. Helpfully, she added: “I hope she doesn’t get spots tomorrow.”Nine days before the Olympics opens, Hidalgo’s press stunt was an effort to calm fears among international athletes that the river is too polluted for use during outdoor swimming events and, to that end, she laughed and joked, open-mouthed, in the water. Although, notably, I see she took care to get in rather carefully feet first.ThursdayBillie Eilish is rapidly losing goodwill among young fans by sticking exorbitant ticket prices on her six-night gig at the O2 in London. According to the Daily Mail this week, sales of seats starting at £250, or £145 for standing, have been so sluggish that much of the arena’s 20,000 capacity remains empty.This is, surely, the inflationary ripple effect of Taylor Swift and Madonna’s recent world tours, for which tickets exchanged hands for thousands of dollars and fans flew around the world to attend multiple dates. Earlier this year, in an apparent reference to the Swift’s Eras tour, Eilish referred to the notion of doing a three-hour show as “literally psychotic” and now faces the experience of playing to a semi-full stadium.View image in fullscreenFridayIn a straight contest between the summer heat of New York and the (usual) summer rain of the UK, there are years when I’d have taken the heat every time. This year is different. After weeks of temperatures feeling as though they are pushing up towards 100F (37.7C), a cold summer sounds like heaven. At 7.45am, I left my house to run a 10-minute errand and by the time I got back, I looked as if I’d been through a car wash. Shivering around the barbecue has never sounded so good. More