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      Travis Scott Is Accused of Assaulting a Security Guard in Paris

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      The rapper, who was in France for the Olympics, was taken into police custody at the George V hotel, the Paris prosecutor’s office said.The star rapper Travis Scott was detained on Friday in Paris, where he was visiting for the Summer Olympics, after a conflict with a security guard at a luxury hotel, the Paris prosecutor’s office said.The prosecutor’s office said Mr. Scott, 33, whose real name is Jacques Bermon Webster II, had assaulted a security guard at the George V hotel, in the city’s Eighth Arrondissement.“The security guard had intervened to separate the rapper from his bodyguard,” the office said in a statement.There are no known charges against Mr. Scott. It was unclear later Friday whether he was still in custody. The Paris prosecutor’s office said it had referred the case to the judicial police.Representatives for Mr. Scott said in a statement, “We are in direct communication with the local Parisian authorities to swiftly resolve this matter and will provide updates when appropriate.”Mr. Scott, a multiplatinum artist in the United States with a string of No. 1 albums, was arrested this summer in Miami Beach, Fla., after what the police called a disturbance on a yacht. He was charged with trespassing and disorderly intoxication. His lawyer said at the time that he had been “briefly detained due to a misunderstanding.”On Thursday night, Mr. Scott had posted on Instagram from the crowd of the men’s basketball game between the United States and Serbia, snapping photos of the American stars LeBron James and Stephen Curry.In 2021, 10 fans died as a result of a crowd crush at Mr. Scott’s Astroworld festival in Houston, his hometown. A grand jury declined to indict Mr. Scott and others who oversaw the festival, and settlements have been reached in the lawsuits over the deaths.Aurelien Breeden More

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      Doug Emhoff Stresses a Personal Push Against Antisemitism

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      At an event in Paris to commemorate a 1982 attack on a Jewish deli there, Kamala Harris’s husband said, “Part of fighting hate is living openly and proudly as a Jew.”When Vice President Kamala Harris’s husband, Doug Emhoff, landed in Paris this week, the Summer Olympics were naturally on the schedule. He met with the champion sprinter Noah Lyles, watched the U.S. men’s basketball team rally against Serbia and is to lead the American presidential delegation at the closing ceremony on Sunday.But Mr. Emhoff, the first Jewish spouse of an American vice president or president, also used his trip to focus on an issue that is far more sobering and also deeply personal: a surge of antisemitism in the United States and around the world since the war between Israel and Hamas erupted in October.“It is a poison coursing through the veins of democracy and democratic ideals,” Mr. Emhoff said on Friday at a commemoration of a deadly 1982 attack on a storied Jewish deli in Paris. Six people were killed in that attack, including two Americans, and 22 were wounded.“Part of fighting hate is living openly and proudly as a Jew and celebrating our faith and our culture,” Mr. Emhoff said as helicopters buzzed overhead, a reminder of the tight security that France has imposed during the Olympics. “I love being Jewish, and I love the joy that comes with being Jewish. And I’m not going to let anyone tell me how to be Jewish.”Mr. Emhoff has emerged as the Biden administration’s most visible face in the struggle against antisemitism. He has convened Jewish leaders at the White House, called former President Donald J. Trump “a known antisemite,” and drawn on his faith to offer comfort to Jewish Americans anguished by the Oct. 7 Hamas-led attack on Israel.He is also, of course, the spouse of a presidential candidate. And to that end, he attended a private fund-raiser in Paris for Ms. Harris’s campaign, though he made no direct mention of her presidential bid in his public statements — even to the scores of journalists who watched him grab lunch at L’As du Falafel, a celebrated falafel spot, on Friday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Paris Bridge of Olympic Joy and Its Violent Past

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      If the Olympic Games have made of Paris a midsummer night’s dream, perhaps the Pont du Carrousel has been its heart, a dimly lit bridge over glittering water, a merry-go-round of incarnations as the weeks have passed.The broad bridge spans the center of Paris, leading from the Quai Voltaire on the Left Bank of the Seine River to three vaulted openings into the Louvre courtyard on the Right Bank. It has always been a place for lovers to linger, joggers to pause, selfie seekers to snap and Paris wanderers to succumb to wonderment.There are few better places to drink in the city. The Grand Palais and Eiffel Tower rise to the west. To the east loom the domed Académie Française and, in the distance, the Notre-Dame Cathedral, now almost restored after the 2019 fire. The cleaned-up river is ever-changing, now churning after a downpour, now glassy still.France was in a somber mood through much of the summer. Then the Paris Olympics began two weeks ago, replacing social fracture with patriotic rapture, dissolving fences of division into bridges of understanding, none more unifying than the Pont du Carrousel, at least for now.Walking and cycling at the entrance to the Pont du Carrousel in Paris on Thursday.Dmitry Kostyukov for The New York TimesThe bridge spans the Seine from Quai Voltaire on the Left Bank to a grand entrance into the Louvre courtyard on the Right Bank.Dmitry Kostyukov for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dance Leads the Way as Art Meets Sport at the Cultural Olympiad

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      A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.In dance and in sports, there is a common ritual: warming up. As much an art as an activity, it energizes not just the body, but also the mind, speaking less to effort than to surrender. What does it take to get into the zone, that place where the body and mind show up as equals?Since 2022 France has been warming up — on a grand scale. Culture, along with sport and education, is a pillar of Olympism, and France has taken that seriously with its Cultural Olympiad, a program of multidisciplinary arts events directed by Dominique Hervieu, a choreographer, an experienced leader in the arts and a former dancer as well.The thread running through this Olympiad is the connection between sports and art. When do they find symbiosis? When do they diverge? As Hervieu sees it, what binds the Olympic Games is culture, and there, the dance values she embraces play a role: “It’s a way to think with your body,” she said in an interview in Paris. “To think about society, to think about individuality, to think about space.”In other words, to be aware of yourself in the larger world. The contemporary mandate for including a cultural component with the Games began in 1992 in Barcelona, Hervieu said. But how to integrate it is a choice made by the host city, and Hervieu decided on the sports-art connection.Dominique Hervieu is the director of the Cultural Olympiad, a vast program of arts events that began in 2022. “We have 2,500 projects, and it’s incredible,” she said. “It could have been only 500. And everybody would be happy with 500. Me too!”Benjamin BoccasThere are obvious similarities between the two — the idea of excellence and surpassing oneself — but Hervieu also wanted to “show that art is not sport and vice versa,” she said. “The dimension of physical performance, which is the goal of sport with a view to winning, is not the goal of art. This difference is fundamental, because virtuosity in art is always a means of creating a space for meaning or poetry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hong Kong Taunts Italy With Pineapple Pizza After Olympics Fencing Win

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      After a fencer from Hong Kong beat an Italian for a gold medal, Pizza Hut’s offer of free pineapple toppings in Hong Kong was the city’s second jab at Italy.Losing an Olympic fencing title bout to the champion from Hong Kong was difficult enough for the Italian. Then came the pizza slander.Cheung Ka Long’s triumph over Filippo Macchi of Italy in the gold medal bout in men’s foil on Monday has led to a sour fallout that has spilled off the fencing strip: Pizza Hut’s Hong Kong and Macao branch has offered free pineapple toppings on its pies as fans on social media praised the combination widely shunned by the losing side.“All Hong Kong people are very happy and excited today!” the branch said in a Facebook post on Tuesday announcing the offer, adding it was also celebrating a bronze medal the Chinese territory had won on Monday, in the women’s 200-meter freestyle.Pizza Hut Hong Kong and MacauFor Hong Kong, which has already doubled its total historical gold medal count, to four, this week, the Paris Olympics have been an occasion for major celebration. After winning one in 1996 and another in 2021, it has won two golds this year, both in fencing. Vivian Kong clinched a title in the women’s épée individual competition.People in Italy, which has the most Olympic fencing medals of any nation, were disgruntled after referees ruled in favor of Hong Kong in what was a tightly fought men’s foil match. Controversy surrounded the final point, awarded after referees replayed footage on three separate occasions while both players were convinced they had won.Cheung eventually came out on top, with a 15-14 victory. He became the first athlete from Hong Kong to win two Olympic gold medals, and the third man to defend his title in the event.“It’s insane for me because I try hard every day to fight, to come to Paris, to France, to qualify for the Olympics,” he said after his win. “Now, another dream has come true.”The Italian Fencing Federation said in a statement on Monday that it would file a formal complaint over what it called “unacceptable refereeing.”“Filippo Macchi is the real winner,” Paolo Azzi, the federation’s president, wrote on social media. “He was denied the gold he deserved.”In response, Hong Kong fans launched a full-scale assault on Italian cuisine. “I like pineapple pizza and pasta with soy sauce,” one user wrote on Cheung’s Instagram page. The comment was followed by others celebrating the scandalous faux pas in Italian cooking.Advertisements for Pizza Hut and KFC in Hong Kong, in 2022.Budrul Chukrut/SOPA Images, via Getty ImagesMacchi, who was competing in his first Olympics, said on social media that he did not want to blame the referees.“A long time ago, a person dear to me, as well as a great champion, told me: ‘You always celebrate a medal!’” he wrote. “And indeed this medal deserves joy and happiness.” More

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      Fencing Feud Highlights Ukrainian-Russian Animosity at Olympics

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      The war has torn apart old alliances and heightened the acrimony. A Ukrainian fencer is competing after her refusal to shake hands with a Russian rival got her barred from the world championships.Olha Kharlan of Ukraine shouted in celebration under the vaulted glass dome of the Grand Palais on Monday, after an early round victory in her pursuit of a fifth career Olympic medal in saber fencing.She had reached the semifinals by late afternoon. But just her mere presence confirmed that this niche sport, perhaps more than any other, illustrates the acrimony and caustic feuding that have resulted from Russia’s invasion of Ukraine.Kharlan, 33, was disqualified from the world fencing championships last summer for refusing to shake hands with her Russian opponent. But Thomas Bach, the president of the International Olympic Committee and himself a 1976 Olympic fencing champion, gave Kharlan an exemption to participate in the Paris Games, citing her “unique situation.”There she was on Monday, competing in the Olympics, while Russia was absent from the biggest international event in fencing, a sport in which it has long been a power athletically and administratively.Ohla Kharlan, right, competing against Shihomi Fukushima of Japan in the Grand Palais on Monday.Andrew Medichini/Associated PressWith Russia banned from these Games because of its invasion, only 15 of its athletes are competing in Paris, all designated as neutral, without the accompaniment of the country’s flag or national anthem. There are none in fencing, a huge blow to the country’s Olympic prestige given that Russia and the former Soviet Union rank behind only Italy, France and Hungary in fencing’s overall medal count.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      An Olympics Scene Draws Scorn. Was It Really Referencing ‘The Last Supper’?

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      Some church leaders and politicians have condemned the performance from the opening ceremony for mocking Christianity. Art historians are divided.A performance during the Paris Olympics’ opening ceremony on Friday has drawn criticism from church leaders and conservative politicians for a perceived likeness to Leonardo da Vinci’s depiction of a biblical scene in “The Last Supper,” with some calling it a “mockery” of Christianity.The event’s planners and organizers have denied that the sequence was intended to mock or offend, and have remained largely vague about the references associated with the images.In the performance broadcast during the ceremony, a woman wearing a silver, halo-like headdress stood at the center of a long table, with drag queens posing on either side of her. Later, at the same table, a giant cloche lifted, revealing a man, nearly naked and painted blue, on a dinner plate surrounded by fruit. He broke into a song as, behind him, the drag queens danced.The tableaux drew condemnation among people who saw the images as a parody of “The Last Supper,” the New Testament scene depicted in da Vinci’s painting by the same name. The French Bishops’ Conference, which represents the country’s Catholic bishops, said in a statement that the opening ceremony included “scenes of mockery and derision of Christianity,” and Robert Barron, an influential bishop in Minnesota, called it a “gross mockery.”The performance at the opening ceremony, which took place on and along the Seine on Friday, also prompted a Mississippi-based telecommunications provider, C Spire, to announce that it would pull its advertisements from Olympics broadcasts. Speaker Mike Johnson described the scene as “shocking and insulting to Christian people.”The opening ceremony’s artistic director, Thomas Jolly, said at the Games’ daily news conference on Saturday that the event was not meant to “be subversive, or shock people, or mock people.” Speaking broadly about the ceremony, he said, “The idea was to send a message of love and of inclusion.” On Sunday, Anne Descamps, the Paris 2024 spokeswoman, said at the daily news conference, “If people have taken any offense, we are, of course, really, really sorry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More