Paris (France)

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      Paris Waiters Race as Storied Contest Returns Before Olympics

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      Contestants rushed through the streets with croissant-laden trays in a moment for the French capital to showcase its cafe culture ahead of the Summer Olympics.The contestants warmed up with stretches and squats in front of City Hall, carefully repositioned croissants and glasses on their trays and tightened their aprons as pop music blared from loudspeakers.Then, they were off.On Sunday, for the first time in over a decade, Paris revived a tradition: an annual race of cafe and restaurant waiters. About 200 men and women swerved, jostled and jogged 1.2 miles through the city streets, which were lined with cheering crowds. The rules were simple: No running, and reach the finish line with laden trays intact with a croissant, a glass of tap water and a small coffee cup.The race, which was first held in the early 20th century, had been on hiatus since 2012 because of a lack of funding. But Paris officials saw an opportunity for the city to shine before hosting the Summer Olympics, which kick off in July. It was also a moment to illustrate that sipping coffee at a cafe or wine in a bistro was as integral to the capital’s cultural heritage as its most famous landmarks.“When foreigners come to Paris, they don’t just come for the Louvre and the Eiffel Tower,” said Nicolas Bonnet-Oulaldj, the deputy mayor in charge of commerce. “They also come to eat in our cafes, at the Bouillon Chartier, the Brasserie Lipp or the Procope.”André Duval, center, said he remembered the days when waiters ferried wine — not water — across the finish line. Dimitar Dilkoff/Agence France-Presse — Getty ImagesParis was home to more than 15,000 bars, cafes and restaurants last year, according to city statistics.Miguel Medina/Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In Paris, the Olympics Clean Up Their Act

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      How do you produce a global sporting event, with millions of people swooping down on one city, in the age of global warming?That is the test for the Paris Olympics this summer.The organizers say they’re putting the games on a climate diet. These Olympics, they say, will generate no more than half the greenhouse gas emissions of recent Olympics. That means tightening the belt on everything that produces planet-warming emissions: electricity, food, buildings, and transportation, including the jet fuel that athletes and fans burn traveling the world to get there.An event that attracts 10,500 athletes and an estimated 15 million spectators is, by definition, going to have an environmental toll. And that has led those who love the games but hate the pollution to suggest that the Olympics should be scattered around the world, in existing facilities, to eliminate the need for so much new construction and air travel. That’s why Paris is being watched so closely.It is making more space for bikes and less for cars. It’s doing away with huge, diesel-powered generators, a fixture of big sporting events. It’s planning guest menus that are less polluting to grow and cook than typical French fare: more plants, less steak au poivre. Solar panels will float, temporarily, on the Seine.But the organizers’ most significant act may be what they are not doing: They aren’t building. At least, not as much.Construction of bike lanes at Boulevard Haussman.Yulia Grigoryants for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Top French University Faces Yet Another Crisis as Leader Resigns

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      Mathias Vicherat, the director of Sciences Po, and his former partner are expected to face trial over mutual accusations of violence. His resignation prolongs years of tumult in the school’s highest ranks.One of France’s most elite universities found itself without a leader for the second time in just three years on Wednesday after its director, Mathias Vicherat, resigned to face a court case over accusations of domestic violence.The university, Sciences Po in Paris, has produced five of France’s last eight presidents and over a dozen prime ministers, as well as top business leaders, well-known journalists and scores of high-ranking civil servants. It has been striving to grow even stronger by diversifying its student body and competing internationally for students.But the resignation of Mr. Vicherat, 45, who denied any wrongdoing and said he was stepping down to protect Sciences Po’s standing, was the latest in a series of episodes of internal turmoil that have tarnished the school’s reputation.Mr. Vicherat’s predecessor, Frédéric Mion, stepped down in 2021 after admitting that he had not taken action against a longtime professor and board member despite knowing of incest allegations against him; an investigation into the professor by prosecutors was later dropped because the statute of limitations had expired. The school’s previous director, Richard Descoings, was found dead in a Manhattan hotel room in 2012 — a death that was followed by an embarrassing government audit over the school’s use of public funds.Sciences Po said in a statement on Wednesday that it had “taken note” of Mr. Vicherat’s resignation “to safeguard the institution,” but did not comment on the unrest surrounding his departure.Laurence Bertrand Dorléac, who heads the National Foundation of Political Sciences, a private entity that oversees the university’s budget and governing strategy, said in a message to faculty members and students that a provisional administration would be appointed in the coming days.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Guy Wildenstein, Art Family Patriarch, Found Guilty in Tax Trial

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      Mr. Wildenstein hid a prized art collection and other assets from French authorities to avoid paying millions in inheritance taxes, a Paris court ruled.Guy Wildenstein, the international art dealer, was found guilty in France on Tuesday of massive tax fraud, the latest twist after years of legal entanglements that have unraveled the secrecy that once surrounded his powerful family dynasty.Mr. Wildenstein, 78, the Franco-American patriarch of the family and president of Wildenstein & Co. in New York, was sentenced by the Paris Appeals Court to a four-year prison sentence, with half of it suspended, and the other half to be served under house arrest with an electronic bracelet. The court also sentenced him to pay a one million euro fine, or about $1.08 million.He stood accused of hiding significant chunks of his family’s art collection and other assets in a maze of trusts and shell companies when his father, Daniel, died in 2001, and after his brother, Alec, died in 2008.Prosecutors had said that he was trying to dodge hundreds of millions of euros in inheritance taxes. At the trial, which was held in the fall, they had requested a slightly more lenient prison sentence for Mr. Wildenstein, but they had also requested a much larger €250 million fine, or about $270 million.The Wildensteins, a family of French art dealers spanning five generations, were historically secretive about the exact details of their collection, which has included works by Caravaggio, Fragonard and many other blue-chip artists.Prosecutors said that the family was responsible for “the longest and most sophisticated tax fraud” in modern French history, by concealing art and other assets under complex foreign trusts and by shielding artworks worth millions of dollars in tax havens. By doing this, prosecutors said, the family grossly underestimated its enormous wealth when the time came to pay inheritance taxes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Netanyahu Issues First Plan for Postwar Gaza

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      The proposal, which calls for indefinite Israeli military control and buffer zones in the territory, rankled Arab nations and was rejected by Palestinians. Prime Minister Benjamin Netanyahu of Israel released on Friday his most detailed proposal yet for a postwar Gaza, pledging to retain indefinite military control over the enclave, while ceding the administration of civilian life to Gazans without links to Hamas.The plan, if realized, would make it almost impossible to establish a Palestinian state including Gaza and the Israeli-occupied West Bank, at least in the short term. That would likely accelerate a clash between Israel and a growing number of its foreign partners, including the United States, that are pushing for Palestinian sovereignty after the war ends. The blueprint for Gaza comes after nearly 20 weeks of war in the territory and a death toll approaching 30,000 people, at least half of them women and children, according to Gazan authorities.Mr. Netanyahu’s proposal for postwar Gaza was circulated to cabinet ministers and journalists early on Friday. He has laid out most of the terms of the proposal in previous public statements, but this was the first time they had been collected in a single document. The proposal also calls for the dismantling of UNRWA, the U.N. agency charged with delivering the bulk of the life-sustaining aid to the besieged territory. And it calls for an overhaul of the Gazan education and welfare systems, as well as buffer zones along Gaza’s borders with Israel and Egypt.The plan was circulated on the same day that American, Israeli, Qatari and Egyptian officials began negotiations in Paris over the release of hostages and a possible cease-fire. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Eiffel Tower Closed by Strike for 4th Day

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      Unions accuse the company that manages the monument of pursuing financial policies that risk its well-being and worry that a fee paid to the city of Paris could cut into the repair budget.Anthony Aranda, a 23-year-old tourist from Peru, had only two days to visit Paris with his cousin, so getting to the top of the Eiffel Tower featured prominently on his to-do list. But on Thursday, he had to cross it off that list without stepping foot on France’s famed Iron Lady.A labor strike, now in its fourth day, was keeping the tower closed.“We are traveling to London next, so this was our last chance,” Mr. Aranda said in the drizzling rain as he looked up at the wrought-iron monument. “That was the idea, at least.”Mr. Aranda, who is studying electronic engineering in Spain, said he would get over the disappointment — adding, as striking workers banged drums nearby, that “they are just fighting for their rights.”But in Paris, just months before the city is to host the Summer Olympics and Paralympics, there are worries that the fight could turn into a protracted and highly visible labor dispute at one of the French capital’s most visited monuments. The site is so symbolic, in fact, that medals created for the Games will be encrusted with iron from the tower itself.“It’s the image of France,” Olivia Grégoire, France’s minister in charge of tourism, told Sud Radio, adding that she understood the concerns of the Eiffel Tower workers.The main allegation by unions representing the strikers is that financial mismanagement at the Société d’Exploitation de la Tour Eiffel, which operates the monument, is jeopardizing essential renovation work. The unionized workers have threatened to continue their walkout as long as necessary.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Hors Pistes’ Is an Arts Festival About Sports, for People Who Don’t Like Sports

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      A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.When it comes to the biggest sports show on earth, many Parisians have reached the stage of begrudging acceptance. The level of disruption — and metro price hikes — to get the city ready for this summer’s Olympic Games hasn’t exactly endeared the event to locals, especially those who favor culture over sports.“The Olympics are coming — whether we like it or not,” a curator from the Pompidou Center, Linus Gratte, said as he introduced a performance there this past weekend as part of the “Hors Pistes” festival. The audience chuckled.“Hors Pistes” (meaning “Off-Piste”), a festival the Pompidou Center says is devoted to “moving images,” came with an Olympic-ready theme this year: “The Rules of Sport.” It is part of the Cultural Olympiad, the program of arts events that is now a part of the Olympic experience in every host city.For the Paris Cultural Olympiad — spearheaded by Dominique Hervieu, an experienced performing arts curator — the city has opted to go big. Any cultural institution could apply for the “Olympiad” label, leading to a sprawling lineup of sports-related exhibitions and performances, which started back in 2022. This has led to a degree of confusion over what, exactly, the Olympiad stands for: Its official website currently lists no fewer than 984 upcoming events.And quite a few of them end up exploring a paradox, because art and sports rarely mix in France. As a rule, the country’s artistic output leans toward intellectualism rather than the virtuosity embodied by high-level athletes. The Pompidou Center, a flagship venue for contemporary art, telegraphs as much in its “Hors Pistes” publicity material, which says the festival’s goal is “to question and subvert the rules of sport, and to imagine new interpretations of them.”While the Pompidou is primarily an art museum, and “Hors Pistes” comes with a small exhibition, the festival features a significant number of performances, onstage in the center’s theater, or in its galleries. Some of these struggled to find coherent common ground with sports, however, like Anna Chirescu and Grégoire Schaller’s “Dirty Dancers,” an hourlong dance performance staged in the exhibition space, with sports-style bleachers for the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Passport’ Review: A Master of Comedy in a Migrant Camp

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      The new show by Alexis Michalik, a star of commercial theater, wades into political battles in France, where immigration restrictions have been at the forefront of the government’s agenda.Badly injured from a fight, a man wakes up in the Calais Jungle, a ramshackle camp for migrants in northern France. His memory is gone, and all he has on him is an Eritrean passport with the name “Issa.”That’s the premise of Alexis Michalik’s brisk, effective new play “Passport,” which was greeted with a standing ovation last weekend in Paris. Until it was demolished in 2016, the overcrowded Jungle encampment stood as a symbol of Europe’s refugee crisis, which hasn’t entirely subsided. While the site itself is gone, migrants still regularly attempt to cross the English Channel from the Calais area and reach Britain.Many in the French theater world publicly supported the people living in the Jungle, and a handful of small-scale productions in France took the camp as inspiration. Still, the first major play about it came from Britain, in 2017: Joe Murphy and Joe Robertson’s immersive “The Jungle” was inspired by the directors’ time in Calais, where they set up a theater with migrants. It went on to become a trans-Atlantic hit, and was revived last year at St. Ann’s Warehouse in Brooklyn.In some ways, Michalik was an unlikely name to follow suit. A star of the commercial theater sector in France, he has built his reputation on accessible, fast-paced comedy dramas like “Edmond,” a “Shakespeare in Love”-style spin on the life of the French playwright Edmond Rostand. His last stage endeavor was a French-language adaptation of the Mel Brooks musical “The Producers.”Yet Michalik has tiptoed into heavier subject matters in recent years — first with “Intra Muros,” a play set in a maximum-security prison, then with “A Love Story,” which centered on a lesbian couple’s I.V.F. journey.“Passport,” which is playing at the Théâtre de la Renaissance through June 30, wades even more openly into current political battles in France, where immigration restrictions have been at the forefront of President Emmanuel Macron’s agenda. In response, Michalik, who wrote and directed the play, invokes the audience’s empathy. “Imagine if a war started here, in your country,” one actor tells us near the beginning. “Your life is threatened, so logically, you decide to leave.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More