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      Guy Wildenstein, Art Family Patriarch, Found Guilty in Tax Trial

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      Mr. Wildenstein hid a prized art collection and other assets from French authorities to avoid paying millions in inheritance taxes, a Paris court ruled.Guy Wildenstein, the international art dealer, was found guilty in France on Tuesday of massive tax fraud, the latest twist after years of legal entanglements that have unraveled the secrecy that once surrounded his powerful family dynasty.Mr. Wildenstein, 78, the Franco-American patriarch of the family and president of Wildenstein & Co. in New York, was sentenced by the Paris Appeals Court to a four-year prison sentence, with half of it suspended, and the other half to be served under house arrest with an electronic bracelet. The court also sentenced him to pay a one million euro fine, or about $1.08 million.He stood accused of hiding significant chunks of his family’s art collection and other assets in a maze of trusts and shell companies when his father, Daniel, died in 2001, and after his brother, Alec, died in 2008.Prosecutors had said that he was trying to dodge hundreds of millions of euros in inheritance taxes. At the trial, which was held in the fall, they had requested a slightly more lenient prison sentence for Mr. Wildenstein, but they had also requested a much larger €250 million fine, or about $270 million.The Wildensteins, a family of French art dealers spanning five generations, were historically secretive about the exact details of their collection, which has included works by Caravaggio, Fragonard and many other blue-chip artists.Prosecutors said that the family was responsible for “the longest and most sophisticated tax fraud” in modern French history, by concealing art and other assets under complex foreign trusts and by shielding artworks worth millions of dollars in tax havens. By doing this, prosecutors said, the family grossly underestimated its enormous wealth when the time came to pay inheritance taxes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Netanyahu Issues First Plan for Postwar Gaza

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      The proposal, which calls for indefinite Israeli military control and buffer zones in the territory, rankled Arab nations and was rejected by Palestinians. Prime Minister Benjamin Netanyahu of Israel released on Friday his most detailed proposal yet for a postwar Gaza, pledging to retain indefinite military control over the enclave, while ceding the administration of civilian life to Gazans without links to Hamas.The plan, if realized, would make it almost impossible to establish a Palestinian state including Gaza and the Israeli-occupied West Bank, at least in the short term. That would likely accelerate a clash between Israel and a growing number of its foreign partners, including the United States, that are pushing for Palestinian sovereignty after the war ends. The blueprint for Gaza comes after nearly 20 weeks of war in the territory and a death toll approaching 30,000 people, at least half of them women and children, according to Gazan authorities.Mr. Netanyahu’s proposal for postwar Gaza was circulated to cabinet ministers and journalists early on Friday. He has laid out most of the terms of the proposal in previous public statements, but this was the first time they had been collected in a single document. The proposal also calls for the dismantling of UNRWA, the U.N. agency charged with delivering the bulk of the life-sustaining aid to the besieged territory. And it calls for an overhaul of the Gazan education and welfare systems, as well as buffer zones along Gaza’s borders with Israel and Egypt.The plan was circulated on the same day that American, Israeli, Qatari and Egyptian officials began negotiations in Paris over the release of hostages and a possible cease-fire. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Eiffel Tower Closed by Strike for 4th Day

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      Unions accuse the company that manages the monument of pursuing financial policies that risk its well-being and worry that a fee paid to the city of Paris could cut into the repair budget.Anthony Aranda, a 23-year-old tourist from Peru, had only two days to visit Paris with his cousin, so getting to the top of the Eiffel Tower featured prominently on his to-do list. But on Thursday, he had to cross it off that list without stepping foot on France’s famed Iron Lady.A labor strike, now in its fourth day, was keeping the tower closed.“We are traveling to London next, so this was our last chance,” Mr. Aranda said in the drizzling rain as he looked up at the wrought-iron monument. “That was the idea, at least.”Mr. Aranda, who is studying electronic engineering in Spain, said he would get over the disappointment — adding, as striking workers banged drums nearby, that “they are just fighting for their rights.”But in Paris, just months before the city is to host the Summer Olympics and Paralympics, there are worries that the fight could turn into a protracted and highly visible labor dispute at one of the French capital’s most visited monuments. The site is so symbolic, in fact, that medals created for the Games will be encrusted with iron from the tower itself.“It’s the image of France,” Olivia Grégoire, France’s minister in charge of tourism, told Sud Radio, adding that she understood the concerns of the Eiffel Tower workers.The main allegation by unions representing the strikers is that financial mismanagement at the Société d’Exploitation de la Tour Eiffel, which operates the monument, is jeopardizing essential renovation work. The unionized workers have threatened to continue their walkout as long as necessary.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Hors Pistes’ Is an Arts Festival About Sports, for People Who Don’t Like Sports

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      A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.When it comes to the biggest sports show on earth, many Parisians have reached the stage of begrudging acceptance. The level of disruption — and metro price hikes — to get the city ready for this summer’s Olympic Games hasn’t exactly endeared the event to locals, especially those who favor culture over sports.“The Olympics are coming — whether we like it or not,” a curator from the Pompidou Center, Linus Gratte, said as he introduced a performance there this past weekend as part of the “Hors Pistes” festival. The audience chuckled.“Hors Pistes” (meaning “Off-Piste”), a festival the Pompidou Center says is devoted to “moving images,” came with an Olympic-ready theme this year: “The Rules of Sport.” It is part of the Cultural Olympiad, the program of arts events that is now a part of the Olympic experience in every host city.For the Paris Cultural Olympiad — spearheaded by Dominique Hervieu, an experienced performing arts curator — the city has opted to go big. Any cultural institution could apply for the “Olympiad” label, leading to a sprawling lineup of sports-related exhibitions and performances, which started back in 2022. This has led to a degree of confusion over what, exactly, the Olympiad stands for: Its official website currently lists no fewer than 984 upcoming events.And quite a few of them end up exploring a paradox, because art and sports rarely mix in France. As a rule, the country’s artistic output leans toward intellectualism rather than the virtuosity embodied by high-level athletes. The Pompidou Center, a flagship venue for contemporary art, telegraphs as much in its “Hors Pistes” publicity material, which says the festival’s goal is “to question and subvert the rules of sport, and to imagine new interpretations of them.”While the Pompidou is primarily an art museum, and “Hors Pistes” comes with a small exhibition, the festival features a significant number of performances, onstage in the center’s theater, or in its galleries. Some of these struggled to find coherent common ground with sports, however, like Anna Chirescu and Grégoire Schaller’s “Dirty Dancers,” an hourlong dance performance staged in the exhibition space, with sports-style bleachers for the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Passport’ Review: A Master of Comedy in a Migrant Camp

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      The new show by Alexis Michalik, a star of commercial theater, wades into political battles in France, where immigration restrictions have been at the forefront of the government’s agenda.Badly injured from a fight, a man wakes up in the Calais Jungle, a ramshackle camp for migrants in northern France. His memory is gone, and all he has on him is an Eritrean passport with the name “Issa.”That’s the premise of Alexis Michalik’s brisk, effective new play “Passport,” which was greeted with a standing ovation last weekend in Paris. Until it was demolished in 2016, the overcrowded Jungle encampment stood as a symbol of Europe’s refugee crisis, which hasn’t entirely subsided. While the site itself is gone, migrants still regularly attempt to cross the English Channel from the Calais area and reach Britain.Many in the French theater world publicly supported the people living in the Jungle, and a handful of small-scale productions in France took the camp as inspiration. Still, the first major play about it came from Britain, in 2017: Joe Murphy and Joe Robertson’s immersive “The Jungle” was inspired by the directors’ time in Calais, where they set up a theater with migrants. It went on to become a trans-Atlantic hit, and was revived last year at St. Ann’s Warehouse in Brooklyn.In some ways, Michalik was an unlikely name to follow suit. A star of the commercial theater sector in France, he has built his reputation on accessible, fast-paced comedy dramas like “Edmond,” a “Shakespeare in Love”-style spin on the life of the French playwright Edmond Rostand. His last stage endeavor was a French-language adaptation of the Mel Brooks musical “The Producers.”Yet Michalik has tiptoed into heavier subject matters in recent years — first with “Intra Muros,” a play set in a maximum-security prison, then with “A Love Story,” which centered on a lesbian couple’s I.V.F. journey.“Passport,” which is playing at the Théâtre de la Renaissance through June 30, wades even more openly into current political battles in France, where immigration restrictions have been at the forefront of President Emmanuel Macron’s agenda. In response, Michalik, who wrote and directed the play, invokes the audience’s empathy. “Imagine if a war started here, in your country,” one actor tells us near the beginning. “Your life is threatened, so logically, you decide to leave.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Farmers Block Traffic Near Paris With Tractors Before Macron’s Speech

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      The protesters are angry about subsidies, environmental regulations and foreign competition, with demonstrations now into a second day. So far, government attempts to ease the tensions have failed.Barricades of tractors and bales of hay snarled traffic around Paris on Tuesday for a second day as hundreds of angry farmers blocked roads in and out of the French capital before a major policy speech by France’s prime minister.The authorities closed off whole sections of at least seven major highways around Paris because of the protests, sometimes for several miles, as farmers demanded solutions to their varied list of demands on farming subsidies, environmental regulations and foreign competition.About 1,000 protesters with more than 500 tractors formed the road barricades around Paris, according to estimates by the French authorities reported in the news media.The traffic bottlenecks, while bad, did not encircle the city and were not crippling, and broader disruptions to the French capital, such as delayed deliveries of food and other products, were so far limited.Protesting farmers also blocked roads in other areas of France. In the southwestern region, where the protests started and where they have been particularly acute, farmers tried to block access to the main airport serving Toulouse by setting bales of hay on fire. The French prime minister, Gabriel Attal, was expected on Tuesday to give his first major policy speech since his appointment to the position by President Emmanuel Macron this month.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Protesters at the Louvre Hurl Soup at the Mona Lisa

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      Two women from an environmental group threw pumpkin-colored soup at the artwork, which is behind bulletproof glass at the Louvre and did not appear to sustain damage.Two protesters from an environmental group hurled pumpkin-colored soup on the Mona Lisa at the Louvre museum in Paris on Sunday, splashing the bulletproof glass that protects the most famous painting in the world, but not apparently damaging the work itself.As the customary crowd around the 16th-century painting by Leonardo da Vinci gasped in shock, the protesters, two young women, followed up their attack by passing under a barrier and standing on either side of the artwork, hands raised in an apparent salute.“What is more important? Art or the right to have a healthy and sustainable food system?” the activists said, speaking in French. “Our agricultural system is sick.” They were led away by Louvre security guards.It was not immediately clear how the women got the soup through the elaborate security system at the museum, which borders the Seine and contains a vast art and archaeological collection spanning civilizations and centuries.One of the women removed her jacket to reveal the words Riposte Alimentaire, or Food Response, on a white T-shirt. Riposte Alimentaire is part of a coalition of protest groups known as the A22 movement. They include Extinction Rebellion and Just Stop Oil, the group that poured tomato soup over Vincent Van Gogh’s Sunflowers at the National Gallery in London in 2022.The attack on the Mona Lisa came as French farmers have blocked roads, including approaches to Paris, in recent days to protest low wages and what they see as excessive regulation. Many new regulations in France reflect the attempt to forge a green, carbon-free European economy, an objective that the farmers consider too expensive and burdensome in the near term.The protests by the two young women and the farmers appeared to reflect two starkly different views of agriculture and the appropriate priorities for European society.Staff at the Louvre on Sunday tried to erect cloth screens to conceal the soup-splashed Mona Lisa, but the screens were not effective. Images of the attack quickly went viral on social media.The Mona Lisa has been behind glass since the 1950s, when a visitor poured acid on it. In 2019, the museum installed glass of what it said was superior transparency. Three years later, another environmental activist threw cake and cream at the painting. It was undamaged.The latest attack will heighten security concerns ahead of the Paris Olympics.The opening ceremony is just six months away and will take place on the Seine. A flotilla of boats will carry about 10,000 athletes to the foot of the Eiffel Tower, as nearly a half-million spectators, including many heads of state, line the four-mile route. The boats will sail past the Louvre as part of a ceremony conceived to showcase the beauty of Paris, but which has raised serious security issues that are still under review. More

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      Jill Biden Takes the 2024 Campaign to Paris in Another Overseas Appeal

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      As the United States officially rejoined UNESCO, the first lady delivered what sounded like a campaign message, saying the president had rebuilt bonds that frayed under his predecessor.At first glance, Jill Biden’s work on her trips overseas appears to be rooted in the traditional duties of first ladies: She has cheered on American Olympians in Tokyo, made a secret trip to Ukraine to meet with the country’s first lady and attended the royal wedding of the crown prince of Jordan.But in a host of speeches delivered overseas, including in Namibia and France, she has also used her platform for more political purposes, including making her case that President Biden has promoted democracy and revitalized global relationships strained by former President Donald J. Trump.In Paris on Tuesday, the first lady’s presence was a reminder, as the 2024 presidential campaign heats up, that Americans may again be choosing between the two men. Dr. Biden was there to deliver remarks for the official return of the United States to UNESCO, several years after the Trump administration pulled the country — and its funding — from the group.She was also there to deliver a White House message that Mr. Biden had united allies against what she called “Putin’s unjust war” in Ukraine.“When my husband, President Biden, took office two and a half years ago, he made a promise to the American people,” Dr. Biden said, “that he would rebuild the systems that were broken and fortify our institutions, that he would work to bring divided communities back together, that he would put us on a path to a better, brighter future while restoring our leadership on the world stage. And he did.”She told a crowd of hundreds outdoors at the UNESCO headquarters in central Paris that her husband “understands that if we hope to create a better world, the United States can’t go it alone, but we must help lead the way.” The dark-gray sky above her looked ominous, and as she spoke, rain began to fall.During his time in office, Mr. Biden has cast the future as a stark battle between democratic and autocratic forces. But in practice, he has been more nuanced.Like Mr. Trump, he has embraced a working diplomatic relationship with Saudi Arabia despite his complaints about the country’s approach to human rights, and he has imposed tough restrictions on asylum seekers who cross the border the United States shares with Mexico.Still, his administration has worked to reposition the United States as a more collaborative partner than it was under Mr. Trump, who pulled out of several international accords and at one point threatened to pull the United States from NATO. For her part, Dr. Biden’s role has been to promote her husband, if not the details of his policies.Dr. Biden met with Ukrainian refugees at a school in Bucharest, Romania, last year. She has used her platform to underscore President Biden’s foreign policy message.Pool photo by Cristian Nistor“She brings a polish and a warmth and a compassion to the job unrivaled by any first lady I know of, particularly as it relates to Europe,” Mark Gitenstein, a longtime Biden ally and the ambassador to the European Union, said in an interview. Mr. Gitenstein, who has known the first lady since the 1970s, said Dr. Biden has evolved from a reluctant public figure to a first lady eager to validate her husband’s credentials.Mr. Biden has low approval ratings domestically, but recent polling has found support for his approach internationally: Views of the president and of U.S. leadership have remained stable or improved since Mr. Biden was elected, according to a survey of 23 countries published in June by the Pew Research Center.The Biden administration has rejoined several global organizations and pacts that Mr. Trump pulled out of, including the World Health Organization, the Paris climate agreement, the United Nations Human Rights Council and UNESCO. Audrey Azoulay, the director general of UNESCO, told Dr. Biden in a meeting on Tuesday that “it’s important to see the U.S. back at the table.”UNESCO, or the United Nations Educational, Scientific and Cultural Organization, is best known for designating World Heritage sites, more than 1,150 of them since 1972. They include Yosemite National Park in California, Angkor in Cambodia and the Stone Town of Zanzibar. The organization also keeps an “intangible cultural heritage” list of humanity’s most worthy creations — like the French baguette.The United States had also withdrawn from the agency in 1984, during the Cold War, because the Reagan administration deemed it too susceptible to Moscow’s influence and overly critical of Israel. President George W. Bush pledged in 2002 to rejoin the organization partly to show his willingness for international cooperation in the lead-up to the Iraq war. Citing bias against Israel, the Trump administration again pulled out in 2017.During her trip to Paris, Dr. Biden and her daughter, Ashley Biden, toured the Élysée Palace as the guests of Brigitte Macron, the French first lady. Mrs. Macron is expected to join Dr. Biden on a tour of northern France on Wednesday, according to Dr. Biden’s staff. The first lady is scheduled to visit Mont-Saint-Michel, a UNESCO World Heritage site and a Gothic-style Benedictine abbey on an island off the coast. Dr. Biden is also scheduled to visit the Brittany American Cemetery to honor soldiers who were killed during World War II.This year Dr. Biden has also traveled to Mexico, Kenya, Namibia, Canada, Japan, Jordan, Egypt and Morocco. Sometimes, she is alongside her husband for diplomatic summits, as she was in Mexico, Canada and Japan. But more often than not, she has been the person he chooses to represent him: In May, she traveled to Britain to attend the coronation of King Charles III.Greeting students in Namibia in February, one of Dr. Biden’s many international trips this year.Dirk Heinrich/Associated PressIn Paris, she spoke, as she often does, of her long career as an educator, and of the importance of lifting up women and girls, though Dr. Biden’s policy portfolio does not include ambitious plans for education access or elevating gender issues.“Pursuing legislation or pushing a legacy-defining initiative is not the kind of activist role of first lady she wants to play,” said Michael LaRosa, her former press secretary. “In many ways, she’s much more comfortable as a permanent campaign spouse because the objective of every speech, event or trip, whether it’s political or official, is in service of her husband’s agenda and lifting up his achievements.”Some of her trips have been at the behest of foreign leaders.At the Group of 7 summit in Cornwall, England, in 2021, Prime Minister Yoshihide Suga of Japan and his wife approached her as she was climbing out of a motorcade and appealed to her to attend the Olympic Games during the pandemic, according to Mr. LaRosa.Dr. Biden attended the Olympic Games in Tokyo in 2021 after an invitation from the Japanese prime minister.Doug Mills/The New York TimesMasked, she cheered on the athletes from the bleachers.When she is on a plane, she and her aides work on speeches, look over her news coverage and talk over glasses of wine. Dr. Biden also takes cat naps, according to Vanessa Valdivia, her press secretary.Aurelien Breeden More