Parties (Social)

Subterms

    Latest story

    150 Shares19 Views

    Stars Hit the 2025 Met Gala After-Parties, From Jenna Ortega to Lisa

    by

    This year, the Metropolitan Museum of Art’s signature gala welcomed a host of top hats, pinstripes and impeccable suiting (and a fashionably late, pregnant Rihanna) in celebration of the Costume Institute’s new exhibition about the history of Black dandy fashion.But it’s the after-parties where politicians, athletes, celebrities and influencers, many of whom did not appear on the blue carpet, let loose.On Monday night, as it continued to rain, celebrities dispersed across the city to toast martinis and mull over the moment. Here’s a sampling of who was out and what they wore.Casa CiprianiA Mayoral Rendezvous at the SeaportTylaAmir Hamja for The New York TimesMayor Eric Adams arrived at Casa Cipriani, a private club in Lower Manhattan, for the nightlife impresario Richie Akiva’s annual Met Gala after-party, just before 1 a.m.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    More stories

    • 138 Shares14 Views

      in Elections

      This Year’s Met Gala Raises the Most Money in Its History

      by

      The Met’s annual fashion party has become a fund-raising juggernaut, but the lavish event comes with a price tag of its own. How much bang does it get for its buck?The Met Gala has outdone itself, even before it’s begun.The annual gala at the Metropolitan Museum of Art — the flashy fashion extravaganza that highlights the city’s social scene every May — raised a record $31 million this year, museum officials announced on Monday, the biggest gross in the event’s 77-year history.The money haul — and the avid interest the gala inspires — further cements its place as the pre-eminent benefit among the city’s cultural institutions, and one the world’s most sought-after tickets. The Met’s take dwarfs events like a September gala for the New York Philharmonic (which brought in nearly $4 million) and the 2024 event for the Whitney Museum of American Art, which raised some $5.2 million.The $31 million figure does not reflect the seven-figure cost of staging the gala, which will kick off on Monday evening with the procession of pop stars, fashion icons and sporting-world superstars striding the red carpet, enduring countless flashbulbs, and surrounded by a swarm of publicity and eager onlookers.The gala will act, as always, as the opening of a Costume Institute exhibition: This year’s is entitled “Superfine: Tailoring Black Style,” examining 300 years of Black fashion and the vibrant history of Black dandyism.That emphasis is a significant departure from the department’s largely monochromatic past: This is the Met’s first fashion exhibition devoted entirely to designers of color, and is being seen as part of a larger effort to diversify the collection. It is also a rarity for its focus on men’s wear.As such, it drew an array of Black celebrities to help host the event — including Colman Domingo, Lewis Hamilton, ASAP Rocky and Pharrell Williams. LeBron James, whose Los Angeles Lakers were bounced from the N.B.A. playoffs last week, is the honorary chair.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares189 Views

      in Elections

      Reinaldo Herrera, Arbiter of Style for Vanity Fair, Dies at 91

      by

      Both old school and Old World and married to a celebrated fashion designer, he helped define Manhattan’s high life for many years.Reinaldo Herrera, a dapper Venezuelan aristocrat, married to the fashion designer Carolina Herrera, whose social connections made him an indispensable story wrangler and all-around fixer for Vanity Fair magazine, where he served as a contributing editor for more than three decades, died on March 18 in Manhattan. He was 91.His daughter Patricia Lansing confirmed the death.Mr. Herrera was born into South American nobility and grew up between Caracas, Paris and New York. After attending Harvard and Georgetown Universities and working as a television presenter for a morning show in Venezuela, he joined Europe’s emerging jet set, mingling with Rothchilds and Agnellis, Italian nobles and British royals.Princess Margaret, Queen Elizabeth II’s sister, was a pal. He dated Ava Gardner and Tina Onassis, the first wife of the Greek shipping magnate Aristotle, and in 1968 he married his younger sister’s best friend, Maria Carolina Josefina Pacanins.He was old school and Old World. He wore bespoke suits with immaculate pocket squares; his jeans were always crisply pressed. His manners were impeccable. He spoke classical French without an accent. Graydon Carter, a former editor of Vanity Fair, described his voice as a combination of Charles Boyer, the suave French actor, and Count von Count, the numbers-obsessed Muppet.Mr. Herrera with his wife, the fashion designer Carolina Herrera, in 1983.Cathy Blaivas/WWD — Penske Media, via Getty ImagesBy the late 1970s, the Herreras were part of the frothy mix that defined Manhattan society at the time — the socialites, financiers, walkers and rock stars, along with a smattering of politicians, authors and artists, who dined on and off Park Avenue and danced at Studio 54. (Steve Rubell, the club’s rambunctious co-owner, used to slip quaaludes into Mr. Herrera’s jacket pockets; Mr. Herrera, who loved a party but not those disco enhancements, would throw them out when he got home.) Robert Mapplethorpe photographed the couple for Interview magazine, Andy Warhol’s monthly chronicle of that world.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares119 Views

      in Elections

      Trump Marks Black History Month, Even as He Slams the Value of Diversity

      by

      The Black History Month reception held at the White House on Thursday had all of the pomp of celebrations past. Guests sipped champagne and snacked on lamb chops and collard greens. The crowd delighted in their invitations, snapping selfies. And when President Trump walked out alongside one of the greatest Black athletes in the world, Tiger Woods, the crowd roared with their phones in the air.But the dissonance in the East Room was jarring.Mr. Trump may have praised the contributions of Black Americans on Thursday, but he has spent the weeks since his inauguration eviscerating federal programs aimed at combating inequality in America. He has suggested that efforts spurred by the civil rights movement had made victims out of white people. He blamed a deadly plane crash over the Potomac River on diversity programs in the Federal Aviation Administration.On Thursday, Mr. Trump tried to show appreciation to the Black community by extolling those he sees as representative of Black American progress.“Let me ask you,” Mr. Trump said as he began his remarks, “is there anybody like our Tiger?”Mr. Trump and Mr. Woods are actively engaged in negotiations in search of a lucrative golf merger deal, and the president referred to Mr. Woods repeatedly during his roughly 20-minute address a crowd of several hundred guests. Mr. Woods wasn’t the only Black athlete to get a shout-out; Mr. Trump also heralded Muhammad Ali and Kobe Bryant.During his remarks, Mr. Trump made little reference to issues that have historically plagued the Black community, such as elevated poverty rates, the wage and wealth gap between Black and white Americans, and gun violence. He promised to put statues of Black Americans in a new “National Garden of American Heroes.”Among those to be honored was Prince Estabrook, an enslaved man and the first Black American to spill blood in the Revolutionary War, along with Harriet Tubman, Rosa Parks, Billie Holiday and Aretha Franklin — and maybe Mr. Woods one day, Mr. Trump said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares129 Views

      in Elections

      LACMA Gala Photos: Charli XCX, Blake Lively and More Celebrities Turn Out

      by

      Blake Lively, Kaia Gerber and Kim Kardashian took pictures under the lights, posing against a backdrop of more than 200 restored street lamps from “Urban Light,” an installation by the artist Chris Burden that served as a stand-in for a red carpet.It was the 13th annual Art+Film gala, held Saturday night, which raised more than $6.4 million for the Los Angeles County Museum of Art, the largest art museum in the Western United States.On one side, a sage green carpet contrasted with striking red and glass galleries designed by the Italian architect Renzo Piano. On the other, there was a concrete wall of the much-anticipated new LACMA building by the architect Peter Zumthor.And the guest list for the gala, sponsored by Gucci, felt as eclectic as the museum it benefited, as Hollywood fixtures rubbed shoulders with luminaries from the art world, who gathered to honor the filmmaker Baz Luhrmann and the artist Simone Leigh. (LACMA is currently co-presenting an exhibit of Ms. Leigh’s work with the California African American Museum.)This starry mix of creative worlds aligns with the museum director Michael Govan’s vision for LACMA. “The idea was to design it as a place of inspiration for creative people,” Mr. Govan said.The filmmaker Baz Luhrmann.Michelle Groskopf for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares199 Views

      in Elections

      Paris Olympics Party Features Zendaya, LeBron James, Snoop Dogg and More Stars

      by

      Athletes, actors and fashion designers celebrated before the opening of the Games in Paris at a bash hosted by LVMH, the French luxury goods conglomerate.The French luxury conglomerate LVMH, which has spent about $163 million inserting itself into seemingly every nonsport aspect of the Olympics, held an opening ceremony of its own on Thursday night. Serena Williams, Jeremy Allen White, Charlize Theron, Mick Jagger, the French actor Omar Sy and Snoop Dogg were among the many starry guests who attended LVMH’s pre-party, grandly called the Prelude to the Olympics.As is so often the case when fashion meets branding meets a glitzy event, Anna Wintour was one of the evening’s co-hosts, sweeping serenely down the red carpet (actually more like a green running track) with the Australian director Baz Luhrmann on her arm. She wore a long glittery gown that Nicolas Ghesquière, the women’s creative designer for Louis Vuitton, “very kindly designed for me for tonight,” she said. Mr. Luhrmann wore denim pants and a denim shirt.Though a number of stars — Zendaya, LeBron James, Zac Efron, Elizabeth Banks — made it into the party at the Louis Vuitton Foundation without stopping, others gamely opined about fashion, sports and how the Olympics brings people together. Wearing a beautifully tailored non-LVMH suit and a pair of sneakers, the tennis star Novak Djokovic undercut his surly reputation with charming anecdotes in both French and English. (He said he had to take it easy — he was scheduled to play his first match, against Matthew Ebden of Australia, on Saturday.)Mr. Luhrmann said that the party represented the dissolving of boundaries among different kinds of celebrity. “We’re living in a world where, whether you come from popular music, fashion, sports — there’s no silo,” he said. “It’s all one great piece of theater.”“Sports stars are the new superstars,” Ms. Wintour said.It’s hard to overstate how deeply entwined the 2024 games are with LVMH, the massive company whose brands include Louis Vuitton, Moët & Chandon, Tiffany and Sephora. LVMH’s jewelry workshop Chaumet designed the medals the athletes will receive. Louis Vuitton created the trunks the medals will be carried on, and the trays on which they will be presented.The outfits worn by the French athletes in the opening ceremony, including sleeveless jackets for women, were designed by the LVMH company Berluti, together with the French fashion editor Carine Roitfeld. Sephora, the LVMH cosmetics company, is sponsoring the Olympic torch relay, which will end when the games begin on Friday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares179 Views

      in Elections

      How a Death Doula Throws a Dinner Party

      by

      At the Baroque guesthouse she runs in Portugal, Rebecca Illing hosted old friends for a meal suffused with nostalgia.As a child, Rebecca Illing would spend vacations with her parents and brother, Alex, at Paço da Glória, a gothic mansion turned guesthouse in Portugal’s lush Minho region. A 40-minute drive north of Porto, then the family’s hometown, the property is surrounded by dense cork oak woodland, and Illing loved getting lost on its grounds and exploring its winding corridors. Parts of the house date to the 14th century, and it grew haphazardly from there: An imposing dark gray stone facade topped with medieval-style merlons was added in the 1700s; later, the English peer Lord Peter Pitt Millward reimagined the home in the style of a Baroque palace. In the 1970s, it became a guesthouse under the stewardship of another Briton, Colin Clark, the filmmaker and author of the 2020 memoir “My Week with Marilyn.”For the past 21 years, the 10-acre estate — with its bright green lawns and grand granite swimming pool — has been owned by Illing’s family. (Her mother, who met Illing’s father in Porto, had always dreamed of buying the place.) And since 2022, following renovations of the nine guest rooms and the installation of a yoga deck and indoor pool, the property has been run exclusively by Illing herself as a guesthouse of a different sort: one that is, to use her phrase, “grief literate.”A view of the garden beyond the archway that connects the home and its adjacent chapel.Matilde ViegasThe group, including Illing (center), gathered on the lawn for drinks.Matilde ViegasThe walls of the main hall are lined with busts of celebrated Frenchmen, statues reportedly put in place by the British aristocrat Lord Peter Pitt Millward, who bought the property at auction in 1932.Matilde ViegasWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares169 Views

      in Elections

      The L.A. Roller Rink Where the Years Glide By

      by

      A companion to T’s 212 series about New York institutions, the 213 column highlights beloved landmarks in and around Los Angeles.On a dark night in February, east of the 5 Freeway, south of the 134, down the street from the so-called Gentlemen’s Club, glows the blue neon sign: Moonlight Rollerway. These are the industrial hinterlands of Glendale, a tidy enclave in the rambling city-state that is Los Angeles, and here, among plumbing supply warehouses and an Amazon delivery van lot, sits a squat cinder-block building, an unexpected portal.Under the white overhang, signage abounds: “No In & Out Privileges,” “No Fast Wild or Reckless Skating,” “Be Neat & Clean.” A lengthy passage politely, firmly reminds visitors that risk of accident is inherent in the sport. “If you are not willing to assume that risk,” it reads, “please do not roller-skate here.”Like any Los Angeles icon, the rink has its share of screen credits, appearing in TV shows — “Euphoria,” “The Good Life,” “American Horror Story,” “Modern Family” and “GLOW” — and movies like “Beginners,” “Roller Boogie” and “Straight Outta Compton.”Abdi IbrahimRisk assumed, the 30-some customers ahead of me move steadily up the cement ramp to the box office and flash their tickets for the clerk behind the window. Those who’ve brought their own skates — about half the crowd — present them for inspection (no fiberglass wheels, no micro wheels; they can gouge the floor). Then a door slams behind us and we are somewhere else, in the land of motion.Nostalgia comes fast, from all directions — the black carpet patterned with fluorescent zigzags, the buzz and trill of a Ms. Pacman game, a whiff of some sugary confection being heated at the snack bar — but most of all from the rink, where, beneath two disco balls, skaters revolve, some gliding, some wobbling, one pressing herself against the red-carpeted wall while Donna Summers asks, “Could it be magic?”Built in 1942 to manufacture airplane parts during World War II, the 70,000-square-foot building on San Fernando Boulevard was converted to a roller rink in 1956.Abdi IbrahimWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares199 Views

      in Elections

      2024 Met Gala After-Parties: Usher, Serena Williams and Other Celebs

      by

      One reason the Met Gala after-parties are nearly as famous as the Met Gala itself has to do with an incident that took place 10 years ago at the Standard Hotel in the West Village of Manhattan.On that night, Beyoncé was a star of the red carpet at the Metropolitan Museum of Art, along with her husband, Jay-Z, and her sister Solange Knowles. Afterward, in an elevator car headed to the Boom Boom Room, the club on the top floor of the Standard, Solange attacked her brother-in-law while Beyoncé stood watching and a bodyguard tried to restore order. The security-cam footage leaked to TMZ and the internet, and a family fight became the stuff of New York social lore.Things were less dramatic this year and less star studded at the annual Standard after-party. Just past midnight, the most famous person at Boom was the designer Christian Siriano, who had arrived with his date for the evening, the model Coca Rocha. Connie Fleming, the hotel’s longtime doorwoman, reflected on the changes in the social atmosphere since the heady days of 2014.“I think the Met Gala has peaked in its base of being about real fashion and real fashion people,” said Ms. Fleming, who became one of the trans community’s first stars in the 1990s, when she walked runways for Thierry Mugler.Christian Siriano and Coco Rocha at the party at Boom. Nina Westervelt for The New York TimesLil Nas X and Camila Cabello at Boom.Nina Westervelt for The New York TimesPedro Oberto and Marc Bouwer.Nina Westervelt for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More