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    Liz Moore on ‘Long Bright River’ and the Slow Burn of Success

    Suddenly Liz Moore blazed, comet-like, onto small screens and best-seller lists. But her writing career has been a slow burn.No matter how you slice it, Liz Moore has arrived.This month, an adaptation of her blockbuster novel “Long Bright River” started streaming on Peacock. And her next book, “The God of the Woods,” now on the best-seller list for 36 weeks (and counting), will soon hit the million mark in sales — a distinction normally reserved for celebrities and novelists recognizable by last name alone.Moore isn’t one of those authors. But, over the past two decades, she’s proved to be “a writer who can do anything,” as her editor Sarah McGrath put it.Moore taps into an elusive sweet spot between literary and commercial fiction, populating vividly drawn settings with characters who seem to live, breathe and make terrible mistakes along with the rest of us. Her novels can be enjoyed by, say, a teenage girl and her 50-something father, defying genre and categorization to such an extent that, from one to the next, a reader might not register that they’re written by the same person.“I get messages saying, I loved your new book. Do you have any others?” Moore, 41, said during an interview at a cafe in Philadelphia. “Or they’ll call ‘The God of the Woods’ my second book because ‘Long Bright River’ was my first that broke out.”In fact, “The God of the Woods,” a mystery about siblings who disappear 14 years apart, is Moore’s fifth book. She wrote her first, “The Words of Every Song,” while she was a student at Barnard College. Shortly after she graduated in 2005, she signed on with an agent who’d come to campus for a panel on the publishing industry.“I reached out and said, ‘I have this manuscript of interconnected stories about the music industry. Would you be interested in looking at it?’ She said yes,” Moore recalled. “Only in retrospect do I realize what a lucky break that was.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Comcast Explores Spin-Out of Cable Business

    The company’s president, Mike Cavanagh, said the company was also considering finding a partner for its Peacock streaming service.Comcast, one of the nation’s biggest television companies, said on Thursday that it was weighing whether to cleave its cable networks from the rest of the company, a move that could put it in position to shake up the struggling cable industry.Mike Cavanagh, the company’s president, said on an earnings call that the company could put the cable networks owned by its NBCUniversal division — which include Syfy, Bravo and USA — into a new company.As Americans continue to drop their cable TV subscriptions, cable networks are generally considered the most problematic part of traditional media businesses like NBCUniversal.“Like many of our peers in media, we are experiencing the effects of the transition in our video businesses, and we have been studying the best path forward for these assets,” Mr. Cavanagh said.Mr. Cavanagh said that the new company would be owned by Comcast shareholders and that it would be “well capitalized” — implying that it would not be loaded up with debt from its parent company, a common tactic for corporate spinoffs. NBC — a broadcast network owned by Comcast — would probably not fit into the new company.His comments came after Comcast reported a 3.3 percent decrease in net income last quarter, even as revenue increased by 6.5 percent, to $32 billion. The company reported losses of 87,000 U.S. customers for its broadband services compared with the same period last year, and cable TV subscribers continued to decrease. The company’s share price was up nearly 3 percent in midmorning trading.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More