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    The Final Hours of a Tastemaker’s Trove

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    The society fixture, decorator and philanthropist Mica Ertegun helped define the tastes of an era. Now her great collections are going on the block.On a steamy afternoon last week, a team of movers from Christie’s padded quietly about a townhouse on a side street on the Upper East Side of Manhattan, yanking strips of packing tape from spools as they began bundling up thousands of artworks and objects for auction. The ripping sound the tape made resembled, in a way, screams of protest.“Can’t we get them to stop?” asked Linda Wachner, an American businesswoman and friend of Mica Ertegun, the woman whose house, until her death in December at 97, this was. “At least for a while.”There was a time in the recent social history of New York City when there would have been no necessity to pose the question “Who is Mica Ertegun?” Readers of the tabloid gossip pages, and almost anyone from a certain social stratum, would have known the name of the woman whose New York Times obituary tidily characterized her as “a doyenne of interior design”; wife of a man, Ahmet Ertegun, whom The New Yorker once called “the Greatest Rock-and-Roll Mogul in the World”; a successful decorator named to Architectural Digest’s AD100 Hall of Fame; a celebrated hostess and designated leader of fashion whose dresses were acquired by the Metropolitan Museum of Art.This, of course, was an analogue era. We don’t live there anymore.We inhabit instead a world in which taste is less developed over a lifetime than acquired overnight through Pinterest boards; a time when the megarich buy trophy art as a form of asset class; when the oxymoron known as “quiet luxury” noisily announces itself in the form of branded clothing or else in houses appointed with arrangements of costly if blandly generic objects approved by arbiters at Goop.From the Reagans to Mick Jagger and Jann Wenner, Ahmet and Mica Ertegun knew seemingly everyone.Winnie Au for The New York TimesThousands of objects from the Erteguns’ collections will fall to the hammer in late fall.Winnie Au for The New York TimesOurs is a sphere galaxies away from the one Ms. Ertegun knew, and, to a certain degree, helped conjure into being. And so the opportunity was not to be missed when, for several hours, this reporter and a photographer were given relatively free rein to wander the paired townhouses the Erteguns inhabited for decades (one for the use of Ms. Ertegun’s successful decorating business, MAC II, founded in 1969 with her partner, Chessy Rayner). We were left to prowl among collections that by day’s end would be wrapped, bundled and carted away, never again to be arranged in that particular manner.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Art Institute of Chicago Receives $75 Million Gift

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      The donation from Aaron I. Fleischman and Lin Lougheed will support the museum’s new galleries.The Art Institute of Chicago on Tuesday announced a gift of $75 million that will support new galleries for its collection of late-19th-century, modern and contemporary art.The new building will bear the names of Aaron I. Fleischman and Lin Lougheed, the married couple whose donation is the largest individual naming gift in the museum’s history.“This converts what has been an aspiration into a reality,” said James Rondeau, the president and director of the Art Institute.“It is just about access to collections,” he continued. “Only about 16 percent of our modern and contemporary collection is on view.”The museum has yet to announce the total cost of the building project, the square footage or a completion date, Rondeau said. While the addition will increase the Art Institute’s $115 million annual operating budget, Rondeau said the museum had prepared for that by building its endowment by $200 million over the past five years.The new galleries are part of a project that began in 2019 to enhance existing spaces and explore how to make the most of the museum’s campus. The Art Institute is working with the architecture firm Barozzi Veiga.Fleischman, formerly a prominent lawyer in Washington, began collecting in the mid-1980s and has been a trustee of the Art Institute for nearly 15 years. Lougheed received a doctorate from Teachers College, Columbia University, and he has specialized in international education.“Touring the collections on view and in storage I came to believe that more of the museum’s extraordinary collection needed to be available to visitors and presented in world-class architecture,” Fleischman said in a statement, adding that he was excited “for the museum to tell a more complete story of modern and contemporary art.” More

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      A Bargain at the Opera: Philadelphia Offers All Seats for as Low as $11

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      Seeking new audiences, Opera Philadelphia is putting in place a pay-what-you-can model, one of the first of its kind by a major opera company.In Philadelphia, a night at the opera may now be cheaper than going to the movies.Opera Philadelphia, a company with a reputation for innovation and ambition, announced on Tuesday that it was putting in place a pay-what-you-can model for the 2024-25 season, with all tickets for all performances starting at $11. The initiative, which the company calls Pick Your Price, is aimed at attracting new audiences.“People want to go to the opera, but it’s expensive,” said Anthony Roth Costanzo, the celebrated American countertenor who became the company’s general director and president in June. “Our goal is to bring opera to more people and bring more people to the opera.”It immediately proved popular. On Tuesday, the day the initiative was announced, Opera Philadelphia said it sold more than 2,200 tickets for the coming season, compared with about 20 the day before. The tickets were originally priced at $26 to $300.High ticket prices have long been a barrier to audiences, and especially to newcomers. In recent years a number of performing arts groups, including Lincoln Center, the Chicago Sinfonietta and Ars Nova, the Off Broadway incubator, have experimented with pay-what-you-can approaches. Other opera companies have experimented with discounts, including rush tickets and deals offered to young people. But Opera Philadelphia’s approach was one of the boldest yet.Its website explains that all tickets start at $11 but that people will be given the option of choosing to pay much more, including the standard price.Like many nonprofit performing arts organizations, Opera Philadelphia gets much more of its revenue from philanthropy than through ticket sales. Radically lowering the prices could encourage more donations, which will no longer risk being seen as subsidizing an expensive art form that is out of reach for many people. And Costanzo said that the new model would allow the company to concentrate more on staging interesting works, and less on worrying about ticket sales.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      President of Florida A&M Resigns Amid Donation Controversy

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      Larry Robinson took responsibility for accepting a $237 million gift that is now on hold and under investigation.The president of Florida Agricultural and Mechanical University is stepping down from the top post two months after he acknowledged that he had mishandled a large donation that a donor had promised to the university but has since been put on hold.During commencement festivities in early May, Florida A&M, a historically Black public university in Tallahassee, announced that a business executive was making a donation worth more than $237 million. Questions soon arose over whether the source of the donation had been properly vetted, The Tallahassee Democrat reported.President Larry Robinson did not give a reason for his resignation in his open letter announcing his resignation or in a news release on July 12. But two months earlier, at a board of trustees meeting on May 15, Mr. Robinson took responsibility for “mishandling” the proposed donation and decided to “cease the engagement agreement” with the donor, according to the meeting’s minutes log.“He apologized to all parties involved and acknowledged the missteps in the University’s approach,” the log said.The gift had been promised by a business executive named Gregory Gerami and a family trust. Mr. Gerami was invited to speak in May at commencement, during which the donation was promoted. Photographs show Mr. Gerami, Mr. Robinson and others posing behind a large, ceremonial check for the amount of $237,750,000.But just four days later, Mr. Robinson told the university’s board that he had “received information suggesting the gift was not as it appeared,” according to minutes from the May 15 meeting. Mr. Robinson and Shawnta Friday-Stroud, who at the time was the school’s vice president, then “contacted the donor to cease the engagement agreement.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ford and Mellon Foundations Name 2024 Disability Futures Fellows

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      The 20 recipients, including a Broadway composer, a Marvel video game voice actress and a three-time Pushcart Prize-nominated poet, are the initiative’s final cohort.The Ford and Andrew W. Mellon Foundations on Wednesday named the 2024 Disability Futures Fellows — the latest class of disabled writers, filmmakers, musicians and other creative artists who will receive unrestricted $50,000 awards.This year’s recipients include Gaelynn Lea, a folk artist and disability rights activist; Natasha Ofili, an actress and writer who in 2020 became one of the first Black deaf actors to portray a video game character — Hailey Cooper — in Marvel’s Spider-Man: Miles Morales; Warren Snipe, a.k.a. Wawa, a deaf rapper and actor who performed in sign language at the 2022 Super Bowl; and Kay Ulanday Barrett, a three-time Pushcart Prize-nominated poet and essayist whose work focuses on queer, transgender people of color.Lea said she almost missed an email telling her she got the award. “Because the email said, ‘We’re excited to offer you $50,000,’ it went to my spam,” Lea, 40, said in an interview. (She later received a follow-up email.)“It’s very validating that I’m doing this stuff I really care about, and now it’s being recognized,” added Lea, who won NPR Music’s Tiny Desk Contest in 2016, and composed and performed original music for a Broadway production of “Macbeth” starring Daniel Craig and Ruth Negga. Lea plans to use the award to fund the writing of a memoir to be published next year.The initiative, which is administered by United States Artists, named its inaugural class of fellows in 2020, with the goal of increasing the visibility of disabled artists and elevating their voices. (About one in four adults in the United States has a disability, according to the Centers for Disease Control and Prevention.) The second class was announced in 2022, and this is the last cohort in the program. The fellowship supports people at all stages of their careers.Elizabeth Alexander, the president of the Mellon Foundation, said in a statement that the program reflected the foundation’s support of the “work, experiences and visions of disabled artists — both in their individual practices and in the collective power they wield in the arts at large.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      $1 Billion Bloomberg Gift to Hopkins Makes Tuition Free for Most Medical Students

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      The gift, made by Michael R. Bloomberg’s philanthropic organization, will also cover living expenses for some Johns Hopkins University students.A $1 billion gift from Michael Bloomberg to Johns Hopkins University, announced on Monday, will allow most students at the university’s medical school to attend free of cost and will also increase financial aid for other students in the university’s schools of nursing and public health and other graduate programs.Bloomberg Philanthropies, which oversees Mr. Bloomberg’s charitable efforts, said in a statement that the gift would ensure that “the most talented aspiring doctors representing the broadest range of socio-economic backgrounds will have the opportunity to graduate debt-free” from the university.Starting with the fall semester, Johns Hopkins will offer free tuition for medical students from families that earn less than $300,000 annually, Bloomberg Philanthropies said. The university will also pay for living expenses and other fees for students from families earning up to $175,000.Mr. Bloomberg, a former mayor of New York City and a graduate of Johns Hopkins, said in a statement that the high cost of medical school and graduate school “too often bars students from enrolling” at a crucial time when the United States faces a shortage of medical professionals.“By reducing the financial barriers to these essential fields, we can free more students to pursue careers they’re passionate about and enable them to serve more of the families and communities who need them the most,” Mr. Bloomberg said.Other universities have also been able to waive tuition for medical students in recent years. Albert Einstein College of Medicine in the Bronx did so after Ruth Gottesman, a longtime professor there, made a $1 billion donation earlier this year. In 2023, Kenneth G. Langone, a billionaire financier and a founder of Home Depot, and his wife, Elaine Langone, made a $200 million donation to the N.Y.U. Long Island School of Medicine, making tuition free for medical students.This is not the first large contribution to Johns Hopkins from Mr. Bloomberg, who routinely makes donations toward the arts, education, the environment and public health. Bloomberg Philanthropies made a $1.8 billion donation to the university in 2018 as part of an effort to ensure that undergraduate students would be accepted by the university regardless of their family’s income.Ron Daniels, the president of Johns Hopkins University, said in a statement on Monday that “removing financial barriers to individual opportunity fuels excellence, innovation and discoveries that redound to the benefit of society.”The new gift from Mr. Bloomberg will mean that nearly two-thirds of medical students who currently attend Johns Hopkins or who will enter programs at the university soon will be eligible for free tuition or both free tuition and living expenses, according to the university. Those who are eligible will soon receive updated financial aid packages.José Luis Castro, the president and chief executive of Vital Strategies, a nonprofit public health organization, said on social media that the gift to Johns Hopkins was “transformational and inspiring” and that it would “help meet the growing need for doctors and public health professionals.” More

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      Ann Lurie, Nurse Who Became a Prominent Philanthropist, Is Dead at 79

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      A former hippie who chafed at wealth, she married a Chicago real estate titan and, after his death, donated hundreds of millions in her adopted city and beyond.Ann Lurie, a self-described hippie who went on to become one of Chicago’s most celebrated philanthropists, in one instance giving more than $100 million to a hospital where she had once worked as a pediatric nurse, died on Monday. She was 79.Her death was announced in a statement by Northwestern University, to which Ms. Lurie, a trustee, had donated more than $60 million. The statement did not say where she died or specify a cause.An only child raised in Miami by a single mother, Ms. Lurie protested the Vietnam War while in college and planned to join the Peace Corps after she graduated. In interviews, she said she chafed at the trappings of wealth even after marrying Robert H. Lurie.Mr. Lurie had built a real estate and investment empire as a partner in Equity Group Investments, teaming up with a former fraternity brother from the University of Michigan, Sam Zell, whose portfolio came to include The Chicago Tribune, The Los Angeles Times and the Chicago Cubs. Mr. Lurie held stakes in the Chicago Bulls and the Chicago White Sox.He died of colon cancer in 1990 at 48, leaving an estate worth $425 million. By 2007, Ms. Lurie had donated $277 million, according to The Chicago Sun-Times.In recognition of the care Mr. Lurie received at Northwestern University’s cancer center, the couple endowed the Robert H. Lurie Comprehensive Cancer Center of Northwestern University to expand its treatment and research capabilities.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Art and the Power to Heal

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      Artists and community organizations around the world are increasingly turning to art to create positive social change.Using her arms as a makeshift clapboard, a Sudanese woman in a black hijab and black-and-white caftan clapped her hands together, signaling the beginning of the rehearsal. The other amateur Thespians, wearing comic stick-on mustaches, moved to their marks, improvising a scene in a women’s beauty salon where one patron’s hair is accidentally dyed blue.As the scene ended, all the women were in hysterics, ribbing each other over how they could better play their parts next time. Scenes like this are common at the Kuluhenna Creative Workshop, which is held at a community clubhouse on the outskirts of this Yorkshire city. The workshop is open to all local women, but with a focus on immigrant communities, including refugees and asylum seekers.The 90-minute class, which the Mafwa Theater has held since 2019, is a happy space. Each week, some 15 women gather to tell stories, dance, act and gossip. They are provided with bus passes, a play area for their young children and an on-site health worker in case any of the women want to talk.Eman Elsayed, a mother of three originally from Egypt, said before she joined the workshop in 2020, she was “depressed, isolated and fed up” with her life in Leeds. But eventually, especially after joining Mafwa Theater’s associate artists program in 2021, she felt her life change.“Art, it’s a magic wand,” said Elsayed, who now has a paid job doing community outreach for the program. “But you need to believe, and you need to take the time to see what it will do.”Mafwa’s project is just one example of a larger trend — as more and more groups and individuals worldwide are using the arts to empower, unite and even help heal people who have suffered trauma, from war and natural disaster, or discrimination, poverty and displacement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Exploring the World Beyond Queens

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      Shariff Bukari, 25, gravitated toward math and science as a child. One of his dream careers was paleontology, which combined his love for dinosaurs with the hands-on work of combing through artifacts. His parents nurtured his curiosity, encouraging him to read books and newspapers. They yearned to give him more opportunities to explore his passions beyond their life in Queens.That wasn’t always easy when both parents worked late shifts. So when a neighbor told his parents about the Fresh Air Fund’s Career Awareness Program, in which children attend camp during the summer and participate in career training sessions during the school year, they filled out an application for him.Mr. Bukari’s parents treasured the time they spent outdoors growing up in Ghana and hoped that their children, who didn’t have the same access to natural escapes in New York City, could discover the joy of swimming in lakes, too.Mr. Bukari was 12 when he spent his first summer in upstate New York, at the Fresh Air Fund’s Camp Mariah. Leaving home for the first time made him feel more mature and aware of how big the world was. Being at camp “raised my eagerness to want to do more things on my own,” he says.He remembers the rush of trying each new summer camp activity: building campfires, jumping into the water, listening for the birds in the trees. But what left the most lasting impact was the career training part of the program, which gave him a new perspective on his ambitions and interests.One day, dancers arrived to talk about their training and the cultures they drew from in their choreography. The creativity and physical demands of the job impressed him, but Mr. Bukari wrestled with the idea of pursuing dance. Hearing people talk about the details of their careers, “you really get to understand and decide whether it’s something you can see yourself doing or not,” he explained. Ultimately, he set dance aside.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More