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    8 Podcasts to Help Make Sense of Post-Trump America

    In the wake of a most untraditional presidency, these shows will keep you up-to-date on what’s happening in Washington and our politically polarized country.A couple of years after Serial sped up podcasting’s move into the mainstream, Donald J. Trump’s election as president changed the game in a different way. It spawned a plethora of audio shows that promised to help Americans process an unexpected and unsettling time. And though Trump is now out of office, there’s still no shortage of political news to try and make sense of: the repercussions of the attack on the Capitol, the continued polarization of the electorate, and the new and ongoing challenges facing his successor, President Biden.These eight shows will keep you up-to-date on what’s happening in Washington, provide context for current events and (maybe) keep you sane along the way.‘Can He Do That?’This Washington Post show was one of the countless podcasts born in the early days of the Trump presidency, when civilians and political experts were regularly stunned by the audacity of the administration’s conduct. As its title suggests, the show’s original remit was digging into the legality of the 45th president’s actions while in office. But in the four years since its debut, the show has evolved into a broader exploration of the executive branch, and how its powers both shape, and are shaped by, the divided electorate of modern America. Since Trump left office, the host, Allison Michaels, and her guests have tackled specific topics like the latest stimulus bill, while also exploring bigger questions — for instance, whether gun reform is actually within the president’s power, or what responsibilities the president has during a national crisis.Starter episode: “The Duty of a President During Crisis”‘U.T.R.’ (Not Its Real Name)If you like your political commentary cynical but not embittered, this relatively new podcast may hit the spot. Beginning in the run-up to the 2020 election, “Unf*cking the Republic” delivers audio essays that are consistently compelling and educational, aiming to challenge conventional wisdom and upend the historical narratives that we’re taught in school. The host, a “quasi-anonymous political writer,” according to the podcast’s synopsis, approaches the show with a playful and often coarse tone that never undermines the rigorous, serious content of its episodes. A recent episode, titled “The American Holocaust,” offered an unflinching discussion of America’s sins against Indigenous nations, or “the most horrific acts the U.S. has ever perpetrated on a people — which is saying a lot.” If the show is sometimes uncomfortable listening, that’s the point.Starter episode: “Culture Cancel: The American Holocaust”‘Political Gabfest’A beloved mainstay for many podcast fans, Slate’s weekly conversational show is roughly the same age as the format itself, having been going strong since 2005. The hosts, Emily Bazelon, John Dickerson and David Plotz, break down the latest announcements, leaks and scandals from Washington in an approachable style that feels less like a news report and more like eavesdropping on a smart conversation between friends (all of whom happen to be veteran D.C. reporters). The show’s format has barely changed over its 16-year run, and that comforting consistency has made it an anchor through especially turbulent times.Starter episode: “Midnight Train From Georgia”‘Pantsuit Politics’It’s become common to lament how polarized our political climate has become, and despite President Biden’s professed desire for bipartisanship, the divisions seem as deep as ever in 2021. They’re so deep that any attempt to reach across the aisle is often derided as either naïve or disingenuous, but the hosts of “Pantsuit Politics” are determined to prove that genuine conversations between the left and the right are still possible. Sarah Stewart Holland (on the left) and Beth Silvers (on the right) are Kentucky-based friends who hail from opposite ends of the political spectrum, co-wrote a book entitled “I Think You’re Wrong (But I’m Listening),” and now share down-to-earth conversations on this twice-a-week podcast. Though the hosts’ views are often more similar than this premise suggests, it’s compelling and thoughtful listening.Starter episode: “We’re All Strange Combinations of Things”‘The Weeds’Playfully inverting a well-worn adage (“don’t get lost in the weeds”), this Vox staple thrives on delving into the nitty-gritty of policy and the processes through which it’s created. Hosted by Matthew Yglesias and Dara Lind, alongside a revolving cast of other Vox staffers, “The Weeds” offers a twice-a-week examination of what’s happening in the corridors of power. The main feed sometimes includes limited spinoffs, like “The Next Four Years,” a three-month primer on the new administration’s cabinet appointments and policy plans. More recently, the show has offered detailed but accessible explainers on what the Biden era means for housing, voting rights and immigration policy.Starter episode: “It’s Time for Class Warfare”‘The Skepticrat’Though its scathing tone might sound like a product of the Trump years, this salty-mouthed political comedy has actually been running since 2015. Its hosts — Noah Lugeons, Heath Enwright, and Eli Bosnick — are perhaps better known for their long-running podcast “The Scathing Atheist,” an unapologetically savage and derisive discussion about religion. Here they take a similarly irreverent approach to politics, spotlighting hypocrisy, corruption and incompetence in government while also taking joy in purely ludicrous moments like Rudy Giuliani’s melting face.Starter episode: “Jewish Space Laser Edition”‘Pod Save America’Perhaps the podcast that best defines Trump-era resistance podcasting, “Pod Save America” is the flagship show of Crooked Media, a left-wing podcast empire founded in 2017 by four former Obama staffers, Jon Favreau, Jon Lovett, Tommy Vietor and Dan Pfeiffer. In twice-weekly episodes, the hosts riff on the latest political news and offer anecdotes and insights from their own time in Washington. Throughout the Trump years, the show was a mix of righteous anger and gallows humor, while also becoming a powerhouse for grass roots activism and fund-raising. The show also features plenty of big-fish guests, like Joe Biden, Alexandria Ocasio-Cortez and Barack Obama, who memorably recorded an interview on the eve of Trump’s inauguration.Starter episode: “Are We Infrastructure?”‘Left, Right & Center’Finding a truly centrist political podcast is hard, and this polarization makes it easy for listeners to stay in their echo chambers. Though it’s been on the air since 1996, KCRW’s “Left, Right & Center” is a timely antidote to this dilemma. Each episode of the show spotlights a “civilized yet provocative” conversation about current events between liberal and conservative commentators. The host, Josh Barro, affably represents the center, alongside a cast of regular panelists that include senators, policy experts and journalists (recently including The New York Times’s Jamelle Bouie). Depending on the rapport between guests, the show can err on the dry side, but it’s a reliable balm in a polarized age.Starter episode: “Carrots Over Sticks” More

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    The Improvement Association, Chapter Three: The Ballad of the Nursing Home Ballots

    Listen and follow The Improvement Association.Apple Podcasts | Spotify | StitcherFrom the makers of Serial: The Improvement Association. In this five-part audio series, join the reporter Zoe Chace as she travels to Bladen County, N.C., to investigate the power of election fraud allegations — even when they’re not substantiated.In this episode, Zoe delves into one of the most serious allegations against the Bladen Improvement PAC: an accusation about stealing votes from vulnerable people that goes back 10 years. In trying to figure out if there is any truth in this particularly persistent rumor, Zoe comes to understand how and why election cheating allegations are so sticky.Camp Clearwater Campground in Bladen County.Jeremy M. Lange for The New York TimesBehind this series:Zoe Chace, the reporter for this series, has been a producer at This American Life since 2015. Before that, she was a reporter for NPR’s Planet Money team, as well as an NPR producer.Nancy Updike, the producer for this series, is a senior editor at This American Life and one of the founding producers of the show.Transcripts of each episode of The Improvement Association will be available by the next workday after an episode publishes.The Improvement Association was reported by Zoe Chace; produced by Nancy Updike, with help from Amy Pedulla; edited by Julie Snyder, Sarah Koenig, Neil Drumming and Ira Glass; editorial consulting by R.L. Nave and Tim Tyson; fact-checking and research by Ben Phelan; and sound design and mix by Phoebe Wang.The original score for The Improvement Association was written and performed by Kwame Brandt-Pierce.Special thanks to Sam Dolnick, Julie Whitaker, Seth Lind, Julia Simon, Nora Keller, Emanuele Berry, Ndeye Thioubou, Alena Cerro and Lauren Jackson. More

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    The Improvement Association, Chapter Two: ‘Where Is Your Choice?’

    Listen and follow The Improvement Association.Apple Podcasts | Spotify | StitcherFrom the makers of Serial: The Improvement Association. In this five-part audio series, join the reporter Zoe Chace as she travels to Bladen County, N.C., to investigate the power of election fraud allegations — even when they’re not substantiated.In this episode: Zoe talks to people in North Carolina who believe the Bladen Improvement PAC has been cheating for years. She tries to get beyond the rumors and into specifics; in the process, she comes face to face with the intense suspicion and scrutiny leveled against the organization. In the middle of another election, Zoe follows members of the PAC to watch how they operate and tries to make sense of all these allegations against them.In this series, the reporter Zoe Chace describes Bladen County’s notorious case of election fraud from 2018 as “individual people, in a tight-knit place, using their relationships to either make money or take revenge. Or both.”Jeremy M. Lange for The New York TimesBehind this series:Zoe Chace, the reporter for this series, has been a producer at This American Life since 2015. Before that, she was a reporter for NPR’s Planet Money team, as well as an NPR producer.Nancy Updike, the producer for this series, is a senior editor at This American Life and one of the founding producers of the show.Transcripts of each episode of The Improvement Association will be available by the next workday after an episode publishes.The Improvement Association was reported by Zoe Chace; produced by Nancy Updike, with help from Amy Pedulla; edited by Julie Snyder, Sarah Koenig, Neil Drumming and Ira Glass; editorial consulting by R.L. Nave and Tim Tyson; fact-checking and research by Ben Phelan; and sound design and mix by Phoebe Wang.The original score for The Improvement Association was written and performed by Kwame Brandt-Pierce.Special thanks to Sam Dolnick, Julie Whitaker, Seth Lind, Julia Simon, Nora Keller, Emanuele Berry, Ndeye Thioubou, Alena Cerro and Lauren Jackson. More

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    The Improvement Association, Chapter One: ‘The Big Shadoo’

    Listen and follow The Improvement Association.Apple Podcasts | Spotify | Stitcher From the makers of Serial: The Improvement Association. In this five-part audio series, join the reporter Zoe Chace as she travels to Bladen County, N.C., to investigate the power of election fraud allegations — even when they’re not substantiated.A few years ago, Bladen County was at the center of a major news story — the only time in recent history a congressional election was thrown out for fraud. In a hearing that followed, a Black political advocacy group was mentioned and dragged into the scandal. The group was the Bladen County Improvement Association PAC, and after the hearing, Horace Munn, one of the group’s leaders, reached out to Zoe with an invitation to come to the county.In chapter one, Zoe goes to North Carolina to hear what’s behind all these cheating allegations.A tree in the water at Jones Lake State Park in Bladen County, N.C.Jeremy M. Lange for The New York TimesBehind this series:Zoe Chace, the reporter for this series, has been a producer at This American Life since 2015. Before that, she was a reporter for NPR’s Planet Money team, as well as an NPR producer.Nancy Updike, the producer for this series, is a senior editor at This American Life and one of the founding producers of the show.Transcripts of each episode of The Improvement Association will be available by the next workday after an episode publishes.The Improvement Association was reported by Zoe Chace; produced by Nancy Updike, with help from Amy Pedulla; edited by Julie Snyder, Sarah Koenig, Neil Drumming and Ira Glass; editorial consulting by R.L. Nave and Tim Tyson; fact-checking and research by Ben Phelan; and sound design and mix by Phoebe Wang.The original score for The Improvement Association was written and performed by Kwame Brandt-Pierce.Special thanks to Sam Dolnick, Julie Whitaker, Seth Lind, Julia Simon, Nora Keller, Emanuele Berry, Ndeye Thioubou, Alena Cerro and Lauren Jackson. More

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    The Republican podcast taking a shot at making conservatism cool

    An increasingly prominent Republican podcast is emerging as a conservative alternative to the type of political media progressives have had a monopoly on for years: the partisan, edgy-oftentimes-irreverent entertainment show that nevertheless attracts powerful newsmakers.The podcast, called Ruthless, is hosted by Josh Holmes, a former chief of staff to Senator Mitch McConnell of Kentucky, Michael Duncan, one of Holmes’s colleagues at the consulting firm they work for, and the lawyer pseudonymously known by his Twitter handle Comfortably Smug.The podcast started shortly before the 2020 presidential elections and the hosts from the beginning have hoped to offer right-leaning listeners an alternative to wildly popular leftwing podcasts like Chapo Trap House or Pod Save America.Ruthless is nowhere near as prominent as either podcast but in the seven months since the first episode the show has hosted eight senators, three members of the House of Representatives, one governor and a handful of prominent Republican operatives. Four prospective Republican presidential candidates have joined the show at timely moments – Ted Cruz came on around the time he was embroiled in a scandal over a trip to Cancún while Texas suffered a power crisis.Many of the host interviews have broken news which resulted in Ruthless being cited by the Washington Post, the Hill, CNN, the Wall Street Journal and Politico. They have lined up a queue of more guests, including likely 2024 presidential candidates in the coming weeks.This is not a podcast for liberals Democrats looking for comfort. Nor is it a venue for anti-Trump Republicans or media types looking for praise.The hosts love to ding establishment media outlets and prominent reporters and they revel in bashing leaders of the anti-Trump Lincoln Project and energetically cheer when Democratic officials suffer misfortune.There are other more widely listened to conservative podcasts but Ruthless is the only one whose emergence so closely resembles the ones at the left that young activists and voters love.Ruthless’s emergence comes at a time when Republicans are back in the political wilderness having lost control of the White House, the Senate and the House of Representatives. There’s an ongoing question of what exactly the Republican party stands for and who its actual leaders are. Longtime Republican media figures are gone as well – Rush Limbaugh is dead and the more reliable broadcast journalists like Shepard Smith have left Fox News.Enter two Republican consultants and a popular antagonistic Twitter user.They saw an opening for a podcast that wasn’t hosted by bowtie-wearing thinktank conservatives who want to recite the Federalist Papers or pontificate on Edmund Burke and William F Buckley. The 51st episode of the show on 1 April started out with Smug reading the papers and then joining the two other hosts saying April fools.“You get a yelling Federalist Papers brief on the conservative side or a rant about what’s happening at the border, but you don’t get a lot of attention to things that actually matter now. HR 1 is not something you can find on Fox prime time,” Holmes said, referring to Democrats’ voting rights bill. Ruthless wants to host a range of Republicans within the party, even when they don’t necessarily see eye to eye.“The party’s still a really big tent. And there are people that resonate with whole different segments,” Holmes said in an interview. “At least me personally I don’t think it makes any sense to get pigeonholed into one sect of the party. I think it makes a ton of sense to have a range of voices come in to make their pitch. Because ultimately what those interviews are all about are not litmus test questions about where you stand and the five things that voters care about, it’s your personality. That’s the only thing we aim to get out of it. It’s your personality.”Years ago Holmes and Cruz were on opposite sides of a vicious intra-party Republican civil war. In 2021 they found themselves in a Republican-friendly podcast.“If we were to jump into say a hot tub time machine and go back to 2013 and you were to tell the 2013 Josh Holmes ‘you’re going to be asking Ted Cruz to go on your podcast’ what would you say to that?” Cruz asked in one episode.“I would’ve strangled him to death,” Holmes said, chuckling.They say an ardently anti-Trump Republican politician is welcome on the program as well as ones who have defended him – like Senator Rand Paul of Kentucky.For Republicans, Ruthless is trying to offer the same partisan content that popular political podcasts or comedic TV shows have done for independents and Democrats for years – something the right always struggled to offer. For everyone else, the show is a window into part of the pugnacious base – not the fringe right or the anti-Trump sects. They aren’t always defending Donald Trump but they aren’t regular critics of him or his supporters either.The controversial Georgia voting law has been a popular subject recently and the Ruthless hosts have been outspoken defenders of it, arguing that it actually expands secure voting rather than limiting it or that it is intended to hinder voting among Black voters. They have warned about the consequences of passing the John Lewis Voting Rights Act – and usually refer to it by its more opaque legislative moniker “SR1” or “HR1”. They say Washington DC statehood is a nefarious attempt by Democrats to cheat the system to gain more Senate seats.They are particularly proud of a special episode in which they did a dramatic reading of an Axios story on one of the most unusual and heated meetings of the Trump presidency.The Ruthless hosts are not sympathetic to the QAnon conspiracy movement or Trump amping up his supporters to storm the Capitol. The episode before the 6 January mob riot, was titled A Serious Talk and a big chunk of it was devoted to how Trump did indeed lose the election. Two days after the attack on the Capitol the hosts produced an episode titled Nobody’s Happy.“We don’t have a difference of opinion about what happened with the storming of the Capitol yesterday. I’m just going to say flat out from my standpoint it was terrible,” Holmes said in that episode. “It’s unhelpful. It was embarrassing to conservatives, to Republicans, to the country, to basically everything. I felt like it was a really serious moment.”Again, though, these are not the Republicans who want a massive overhaul of the party. They are the ones who see the Lincoln Project Republicans as equally fair game as Democrats.“I know we give the Lincoln Project people a lot of shit on this podcast, but the oldest grift in politics is a Republican who hates on other Republicans on cable news,” Duncan said in one episode. “I mean, it’s permanent employment.” More

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    'Lynching was treated as a celebratory event': Adrian Younge on the history of US racism

    “I’m sacrificing myself to deliver a message,” says the composer, multi-instrumentalist and now podcast-maker Adrian Younge. “We aren’t aware enough of black history, nor of the integral role black people have played in building America. There is an educational sterilisation going on and it’s my duty to make people understand that history of racism – something America has pioneered.”With more than 400 years to cover since US slavery began, Younge’s project to educate the public is a vast and complex one. Yet, speaking on a video call surrounded by analogue recording equipment in his LA studio, it is a story Younge believes he has spent his life and career building up to. “This is my What’s Going On project, my record talking about why we are in the place that we are in,” he says. “It’s as if James Baldwin hooked up with Marvin Gaye to make a record produced by David Axelrod. It’s psychedelic soul but it is very professorial at the same time. There’s so many layers to it.”Indeed, there are. The resulting project comprises a 26-track album, written, played and recorded entirely by Younge, entitled The American Negro, a four-part podcast – Invisible Blackness – hosted by Younge – and a short film, again written and directed by Younge himself.Racism is a learned behaviour, one America developed through building its nation on the backs of slave labourSuch auteurship could seem somewhat egotistical but Younge – a 42-year-old musician who has made his name in collaboration with the likes of Ali Shaheed Muhammad and Kendrick Lamar – sees it as necessary. “Pre-Covid, I was travelling the world performing and I was shocked at how little people understood about racism and its history,” he says. “Racism is a learned behaviour and one America developed through building its nation on the backs of slave labour and those economic gains. America is a slavocracy: it is a nation founded on bigotry, and those principles continue today. People might think racism no longer exists because there is no longer a slave system, but they don’t realise the laws that enabled the slave system still put us in a position where we have to jump over insurmountable handicaps to just become equal.”It is an incendiary argument and one that has found an increasing foothold in historical scholarship. The writer Edward E Baptist recently argued that the expansion of slavery during the first decades of American independence was foundational in enabling the country’s modernisation, while film-makers such as Ava DuVernay have convincingly plotted the continual subjugation of African Americans through the legal and penal system.While Younge’s album puts luscious orchestral arrangements and spoken-word interludes to use in creatively unfurling the development of structural racism in the US, it is through the podcast Invisible Blackness that he most comprehensively lays out his thesis. With guests including Public Enemy’s Chuck D, the trumpeter Keyon Harrold – whose son was recently in the headlines after being falsely accused of stealing an iPhone – and Digable Planets rapper Ladybug Mecca, Younge explores how his guests’ creation of socially conscious hip-hop influenced his own understanding of inequality. He also uses his previous career as a professor of law to authoritatively detail the origins of this American “slavocracy”.“I use the phrase of the show’s title to illustrate that we all have invisible blackness, this sense of ‘otherness’ inside us, because we are all descended from the first human being in Africa,” Younge says. “It all means that we are radically equal. And I have black radicals on the podcast, like Chuck D, to find out what he had to go through to educate others about this. We’re all looking at the past to understand what’s happening now, to inform people so they can ultimately make their own opinions with all the knowledge at their disposal.”Lynching was a form of bigotry porn: it is the galvanising of a group by emotion, rather than thoughtIt is a measured approach, yet not one without moments of visceral, emotional charge. Most strikingly, the cover art for The American Negro album is a black-and-white image of Younge being lynched, in the fashion of a “lynching postcard”. “Lynching was a form of bigotry porn: it is the galvanising of a group by emotion, rather than thought, as it’s easier to act without thinking,” he says. “Lynching was a celebratory event, one where people would pay to take ‘souvenirs’ like a thumb or an eyeball and they would then send each other postcards to say: ‘I was here’. So when you look at the album cover, which represents one of these postcards, I want to highlight how we were seen as the symbols of evil in America. And viewing the image now, we symbolise the American problem of racism. I want people to have a personal experience when they see it; I want them to see me as any other person of colour that can be killed with no judicial reprisal. I want people to see that I am real and I want them to see themselves in me.”It is a powerful image, one that calls up the horrors of history while referencing its grim modern iteration: filmed police brutality against people of colour. In fact, the May 2020 police killing of Minnesotan George Floyd occurred while Younge was at the beginning of recording his album. “George Floyd’s death didn’t affect the progression of the record at all and that’s what’s sad, right?” Younge says. “It’s the same thing; before that you had Eric Garner and before that, you had so many black people dying without judicial reprisal. That is what makes the world complacent towards the treatment of black people, because it’s so commonplace.”However, the global Black Lives Matter protests sparked by Floyd’s death did augur something different. “Part of me is happy that Trump was president because, while he has inspired more bigots, his lack of reaction to these police killings and white supremacy has also launched the greatest global protest that we’ve seen regarding race. He’s removed complacency,” says Younge. “I have two daughters and I see how young people are so much more woke than they were before now. There’s 12-year-olds on TikTok explaining racism because of him.”Despite the centuries of ingrained inequality laid out in Younge’s project, is it still possible to hope for a future change? “We’re in a better place now than we have been for decades,” he says. “America has been forced to acknowledge there is a problem but there is a deferred commitment to solving it. Our governments have the power to make those changes and so they need to make it happen – and soon.”Until then, Younge is keeping occupied. “Right now, I am the busiest I’ve ever been in my life,” he says, “but I’m doing something good and so it feels good. I’m giving so much of myself because this is an ongoing fight. This project is something that people could look back on 50 years from now and still have more to say.”The podcast Invisible Blackness is available now on Amazon Music. The American Negro by Adrian Younge is out on 26 February. More

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    The week in audio: The Fault Line: Bush, Blair and Iraq; The Heist – review

    The Fault Line: Bush, Blair and Iraq | PodcastThe Heist | The Center for Public Integrity A couple of enlightening shows this week about how American and British politics work. The first, The Fault Line: Bush, Blair and Iraq, concerns itself with the politics of the fairly recent past: the 18 months between 9/11 and the 2003 Iraq war. Or: how Tony Blair and George W Bush fell in love.Hosted by David Dimbleby, whose podcast on the rise of Rupert Murdoch, The Sun King, was such a success last year, The Fault Line, produced by Somethin’ Else, is a clear and classy listen. Informative, too: Dimbers, as ex-host of Question Time, has an enviable contact list, and we hear from many important behind-the-scenesters. In last week’s episode, the first, we met Bill Murray (not that one), a US spy who repeatedly informed the White House that his intelligence indicated that Saddam Hussein did not have any weapons of mass destruction. This week, we’ll hear from Christopher Meyer, the British ambassador who says he was told to “get up the arse of the White House and stay there”. Dimbleby gives us little portraits of each. Murray: “quite a conspicuous person … he sticks out in a crowd”; Meyer: “slightly maverick, freewheeling”. He has an exemplary presenting style: honest without being trashy, measured without being boring.I’m not sure what I expected from this podcast. I think I thought I knew the story, so worried that I might be bored. I was very wrong: the show reminds you of those months before the invasion, but also gives context, unpicks relationships, underpins everything with insider info.Plus, The Fault Line has something else on its mind. Dimbleby asserts that this particular time, this particular US-UK love affair, laid the foundations for the current breakdown of trust between the electorate and our politicians. The podcast has not quite got there yet (an interview with Blair is promised, as well as Alastair Campbell.Until then, enjoy such little gems as the time that Dimbleby interviewed the then US secretary of defence, Donald Rumsfeld, and Rumsfeld’s PR, after the interview, said, faintly: “Well, I think that’s lost me my job.” Or, in the second episode, when Lorna Fitzsimons, voted in as Rochdale’s MP in the 1997 election, recalls campaigning for New Labour: “It was wave after wave after wave of possibility and excitement. And people got involved: fourth-generation single parents, Asian women who had never been in politics before.”Enough of the good ol’ days: let’s tackle the now. The Heist, from the US’s Center for Public Integrity, has just released its third episode. It’s been getting a lot of attention in the US, not least because of Trump’s recent tax “revelations”. The Heist also talks Trump and taxes and – amazingly – makes this interesting.In the first episode, we learn about tax cutting. The Orange One was elected in 2016, partly because he promised to reform US taxes. When that didn’t happen, many Republican donors were upset. And in an unexpected move, one of these donors, Doug Deason from Dallas, decided to withdraw any financial help to Republican senators until the promised tax reform was passed. What’s more, he got in touch with a lot of other donors and urged them to stop coughing up too. He got them to turn off the money tap; the “Dallas piggy bank”, he calls it.A sensible straight-shooter, Deason’s job is to invest his family’s wealth, and he chooses to do this by investing in politicians. (There are different schemes to do this: the most disturbing is called dark money, as the show explains.) When Sarah Kleiner, from the Center for Public Integrity, asks him why, Deason is clear: he does it because he expects the politicians in whom he invests to do what he wants. “Obviously, you sort of buy access,” he says. “It’s no secret.”And the next episode, about Steven Mnuchin, Trump’s treasury secretary, is just as jaw-droppingly clear. A sometime banker and film producer, Mnuchin “is who he needs to be at any given moment”, says Sally Herships, The Heist’s host. Mnuchin’s most personally exciting Treasury moment appears to have been getting his signature printed on dollar bills.The Heist is a revelatory show, easy to understand and very listenable. So listen, understand, throw something in frustration, and then have a cup of tea to calm down.Three interesting shows about family (sort of)AppearancesThis is a fiction podcast that’s so close to the truth that I thought it was real for the whole of the first episode. Sharon Mashihi is Melanie Barzadeh, an Iranian-American on the verge of having a baby with her on-off older boyfriend. Melanie is in a mid-30s funk: messed up by her personal history and cultural expectations, as well as her own whither-my-life Brooklynite navel-gazing, she genuinely doesn’t know what to do in order to create the family life she craves. Produced by The Heart’s Kaitlin Prest, simultaneously irritating, moving, insightful and captivating, Appearances is unlike anything else out there.One of the Family With Nicky CampbellMention family and Nicky Campbell, and you’ll probably think of ITV’s Long Lost Family, which he’s co-hosted for years. But this show is about the brilliance of dogs. Campbell pulls in high profile guests – Ricky Gervais, Rebecca Front, Chris Packham – who relax, completely, when talking about their pets, revealing a softer side that we rarely witness. There is a little bit in the show about how best to look after dogs, but really this is just a chat between dog people about how great each other’s dogs are. Start with Gary Lineker and Nihal Arthanayake talking (separately) about the grief they felt when their dogs died.Newsbeat: Coronavirus and StudentsWhen you leave home to go to university, you begin to create your own, new family. So what happens when you have to lock down for 14 days? On Monday, Radio 1’s Newsbeat had the bright idea of asking student radio stations to report in. “We’ve been four days without food,” said one student at Manchester. A Nottingham student described his first experience of university as “a different version of socialising… fear and loneliness is accentuated in our year”. “Everyone feels isolated,” said a guy from Aberystwyth. “I’m quite homesick at the minute,” said a girl at Glasgow. Poor kids. More

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    'The impossible has already happened': what coronavirus can teach us about hope' – podcast

    In the midst of fear and isolation, we are learning that profound, positive change is possible. By Rebecca Solnit How to listen to podcasts: everything you need to know • Read the text version here Photograph: Getty Images More ways to listen Apple Podcasts Google Podcasts Spotify Download Support The Guardian The Guardian is editorially […] More