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    In N.Y.C. Mayor’s Race, Mamdani Responds to a Call for His Deportation

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    Vickie Paladino, a councilwoman from Queens, called Zohran Mamdani a “radical leftist” who hates America, and warned against “future Zohrans.”In his surprising rise to New York City’s top tier of mayoral hopefuls, Zohran Mamdani has battled opponents’ attacks on his inexperience, his leftward politics and his criticism of Israel’s war in Gaza.But this week, Mr. Mamdani found himself facing a new attack that was both pointed and illogical, when a Republican city councilwoman from Queens called for him to be deported. (Mr. Mamdani is a U.S. citizen.)The remark by the councilwoman, Vickie Paladino, who is known for her incendiary social media posts, quickly became a talking point in the Democratic mayoral primary race, just a day before the candidates were to face off in their first debate.Ms. Paladino recirculated a 2019 social media post from Mr. Mamdani in which he said he couldn’t vote for Senator Bernie Sanders of Vermont for president in 2016 because he was not a citizen at the time. She was incredulous that Mr. Mamdani was being treated seriously as a mayoral candidate.“Let’s just talk about how insane it is to elect someone to any major office who hasn’t even been a U.S. citizen for 10 years — much less a radical leftist who actually hates everything about the country and is here specifically to undermine everything we’ve ever been about,” Ms. Paladino wrote on X late Monday evening. “Deport.”Mr. Mamdani, who is polling second behind former Gov. Andrew M. Cuomo in the June 24 primary, soon responded.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Mexico Votes in Sprawling, First-Ever Judiciary Election

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      Voters were choosing the nine members of the Supreme Court on Sunday, along with more than 2,600 other judges and magistrates.Voters across Mexico went to the polls on Sunday to elect thousands of judges, from the local level to the Supreme Court, pressing ahead with one of the most far-reaching judicial overhauls ever attempted by a large democracy.The process will transform the judiciary away from an appointment-based system, a change that leaders of the governing Morena party say will help root out corrupt officials, democratize the courts and give citizens a voice in who administers justice.But although most Mexicans agree that their justice system is broken, the overhaul being enacted on Sunday has drawn sharp criticism from opposition figures and legal experts. They argue that it risks giving Morena extraordinary power over a third branch of government, throws out the old system’s career requirements and opens the door to candidates who could be influenced by drug cartels.Because the election is so ambitious — more than 2,600 judges and magistrates will be elected, out of more than 7,700 candidates — some election experts expected voter turnout to be low. As voting got underway, relatively few voters could be seen lining up to vote around the country.In Tultitlán, in the state of Mexico, Jazmín Gutiérrez Ruiz, 37, was among those who cast ballots. She said that she hoped the election would root out corruption from the judiciary, and that her reasons were personal. Two of her brothers have spent two years in prison, accused of a murder “they didn’t do,” she said.“I want the magistrates and judges to change, and for them to take the time to carefully look at the cases,” said Ms. Gutiérrez Ruiz, who works for a processed meat company. “Just like my brothers, there are many people locked up unjustly.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      México vota en las primeras elecciones del poder judicial en su historia

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      Los mexicanos eligieron el domingo a los nueve miembros de la Suprema Corte, junto con más de 2600 jueces y magistrados.Los votantes de todo México acudieron a las urnas el domingo para elegir a miles de jueces, desde los tribunales locales hasta la Suprema Corte, impulsando una de las modificaciones judiciales de mayor alcance jamás intentadas por una democracia grande.El proceso transformará el sistema judicial, que dejará de estar basado en nombramientos, un cambio que, según los líderes del partido gobernante, Morena, ayudará a erradicar a los funcionarios corruptos, democratizar los tribunales y dar voz a los ciudadanos para decidir quién imparte la justicia.Sin embargo, aunque la mayoría de los mexicanos concuerdan en que su sistema de justicia es deficiente, la modificación que entra el vigor el domingo ha suscitado duras críticas por parte de figuras de la oposición y expertos jurídicos. Argumentan que se corre el riesgo de otorgar a Morena un poder extraordinario sobre el tercer poder del gobierno, que elimina los requisitos de carrera del antiguo sistema y que abre la puerta a candidatos que podrían estar influenciados por los cárteles de la droga.Dado que las elecciones son tan ambiciosas —se elegirán más de 2600 jueces y magistrados, de entre más de 7700 candidatos—, algunos expertos electorales esperaban que la participación fuera baja. A medida que se iniciaba la votación, se podían ver relativamente pocas personas haciendo fila para votar en todo el país.En Tultitlán, en el Estado de México, Jazmín Gutiérrez Ruiz, de 37 años, se encontraba entre quienes emitieron su voto. Dijo que esperaba que las elecciones erradicaran la corrupción del poder judicial, y que sus motivos eran personales. Dos de sus hermanos han pasado dos años en prisión, acusados de un asesinato “que ellos no hicieron”, dijo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Aide to Rep. Nadler Is Handcuffed Amid Confrontation With Federal Agents

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      Captured on video, the episode occurred in the congressman’s Manhattan office, shortly after the aide observed agents detaining immigrants outside a courtroom.Federal officers entered Representative Jerry Nadler’s office in Lower Manhattan on Wednesday and handcuffed and briefly detained one of his aides. The confrontation happened shortly after the aide observed federal agents detaining migrants in a public hallway outside an immigration courtroom in the same building as the congressman’s office.The episode was recorded by someone who was sitting in Mr. Nadler’s office. In the video, an officer with the Federal Protective Service, part of the Department of Homeland Security, is shown demanding access to a private area inside the office. The video was obtained by Gothamist, which earlier reported the confrontation.“You’re harboring rioters in the office,” the federal agent, whose name tag and officer number are not visible in the video, says to a member of Mr. Nadler’s staff.There were no riots reported on Wednesday at the federal building on Varick Street, though protesters and immigrant rights advocates gathered inside and outside the building earlier in the day. The immigration court is on the fifth floor and Mr. Nadler’s office is on the sixth.The agents entered Mr. Nadler’s office because they had been told that protesters were there and were concerned for the safety of his staff members, according to a statement on Saturday from the Department of Homeland Security.When they arrived, “one individual became verbally confrontational and physically blocked access to the office,” the statement said. That person, an aide to the congressman, was detained so the officers could complete their safety check, according to the statement.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Meaning of a Trump-Inspired Style

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      The Times’s chief fashion critic unravels the Trump-inspired style that has spread quickly across Washington.President Trump has changed a lot about Washington over the past four months, including how it looks.I’m not talking about the city’s architecture, although he has made clear his disdain for the brutalism of many federal buildings (an aesthetic that I’m personally quite fond of).I’m talking about the city’s style.Trump and his inner circle of aides and family members cannonballed into Washington’s ocean of understated suits and blouses with a bold and strikingly consistent approach to clothing, cosmetics and, well, personal enhancements. (Nothing points up its consistency so well as the occasional departure, like the T-shirts and blazers Elon Musk has worn to the Oval Office, including today.) If style is a way to send a message, and politics is largely a matter of communication, the maturation of a “MAGA style” in Trump’s second term is a development worth understanding.So I reached out to our reigning expert: Vanessa Friedman, The Times’s chief fashion critic, who has covered political image-making for years (and who, as it happens, writes an excellent newsletter). We discussed the language of Trumpist fashion, the way it has evolved since Trump’s first term and what it means for men as well as for women.OK, let’s start with some visual aids. Who, to you, really embodies the aesthetic of the people around President Trump?Why don’t we take a look?Clockwise from top left: Maansi Srivastava for The New York Times, Sarah Blesener for The New York Times, Doug Mills/The New York Times, Haiyun Jiang/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Iranian Film at South by Southwest London Offers a Dose of Hope

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      Amirali Navaee’s new film, “Sunshine Express,” screening next at South by Southwest London, is a project more focused on hope than politics.For the Iranian writer and director Amirali Navaee, portraying his country is not about depicting sadness and tragedy, which he feels has come to define the onscreen portrayal of his home in recent years.Iranian filmmakers have been as much in the news as their films have been over the past decade. The writer and director Mohammad Rasoulof fled Iran last year after being sentenced to eight years in prison while finishing “The Seed of the Sacred Fig,” which tells the story of a family torn apart by protests that were violently crushed by the Iranian government in 2022-23. His harrowing journey has been well-documented, and the film premiered at the Cannes Film Festival last year, with Rasoulof in attendance, where it received a special award from the competition jury. It was later nominated for best international feature at the Academy Awards.The Iranian director Asghar Farhadi, whose films “A Separation” (2012) and “The Salesman” (2017) both won Oscars for best international feature, refused to attend the Academy Awards the second time he won in protest over President Trump’s executive order that blocked entry of citizens from Iran and several other predominantly Muslim countries to the United States.And “Un Simple Accident,” from the Iranian writer-director Jafar Panahi, was awarded the Palme d’Or at Cannes last month. Panahi has been imprisoned several times in Iran because of his work but has continued to make movies in defiance of the Iranian government.“Sunshine Express” tells the story of people in a role-playing game who hope to win a cash prize.Distorted PicturesFor his first feature-length film, Navaee (pronounced nah-vah-YEE), who is also a choreographer and visual artist, said he wanted to express something more complex and less overtly political than other Iranian films. The project, “Sunshine Express,” debuted in February at the International Film Festival Rotterdam and is making its British premiere at South by Southwest London on Wednesday. Shot in a warehouse in Tehran on a small budget (Navaee, 42, said many of his friends helped finance the movie), it tells the story of people in a role-playing game on a train headed to a place called Hermia in the hopes of winning a cash prize.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Islamic State Says It Targeted Syrian Forces in Bomb Attacks

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      The extremist group claimed responsibility for two attacks, its first against the new government since the fall of Bashar al-Assad, a war monitoring group said.The Islamic State has claimed responsibility for two bomb explosions, the first time the extremist group has directly targeted the new government since it took over in December, a war monitoring group said.In two statements posted online on Thursday and reported by the SITE Intelligence Group, ISIS claimed that bombs laid by its members had killed and wounded government soldiers and allied militia members.The Syrian government did not report any attacks by ISIS in the area, but announced that it had conducted two raids against Islamic State operatives in the Damascus area in the past week.The Syrian Observatory for Human Rights, a Britain-based monitoring group, reported that one person was killed and three members of the Syrian Army’s 70th Division were wounded when a patrol was hit by a remote-controlled land mine in the east of Sweida Province on Wednesday. The man killed was accompanying the government forces, it said.The two attacks claimed by ISIS took place in the southern province of Sweida, where the group has not been active for the best part of a decade. But the government has struggled to establish security in the province, which is effectively controlled by the Druse minority. Sectarian clashes between local militants and pro-government forces in the province killed more than 100 in late April and early May.The Islamic State, which controlled large parts of Iraq and Syria a decade ago until U.S. and allied Syrian forces largely defeated it, has continued a low-level insurgency in eastern Syria since 2019. But it has shown a renewed vigor since the fall of the dictator Bashar al-Assad in December, plotting attacks even in the capital, Damascus, and claiming responsibility for a car bombing among other attacks in eastern Syria.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Supreme Court Allows Trump Administration, for Now, to End Biden-Era Migrant Program

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      The Trump administration had asked the court to allow it to end deportation protections for more than 500,000 people facing dire humanitarian crises in their home countries.The Supreme Court on Friday allowed the Trump administration, for now, to revoke a Biden-era humanitarian program intended to give temporary residency to more than 500,000 immigrants from countries facing war and political turmoil.The court’s order was unsigned and provided no reasoning, which is typical when the justices rule on emergency applications.Justice Ketanji Brown Jackson, joined by Justice Sonia Sotomayor, dissented, saying the majority had not given enough consideration to “the devastating consequences of allowing the government to precipitously upend the lives and livelihoods of nearly half a million noncitizens while their legal claims are pending.”The ruling, which exposes some migrants from Cuba, Nicaragua, Venezuela and Haiti to possible deportation, is the latest in a series of emergency orders by the justices in recent weeks responding to a flurry of applications asking the court to weigh in on the administration’s attempts to unwind Biden-era immigration policies.Friday’s ruling focused on former President Joseph R. Biden Jr.’s expansion of a legal mechanism for immigration called humanitarian parole, in which migrants from countries facing instability are allowed to enter the United States and quickly secure work authorization, provided they have a private sponsor to take responsibility for them.Earlier this month, the justices allowed the Trump administration to remove deportation protections from nearly 350,000 Venezuelan immigrants who had been allowed to remain in the United States under a program known as Temporary Protected Status.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Ben Shahn’s Social Realist Art Feels Relevant Again in Landmark Survey

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      An old master of the Great Depression painted a portrait of America as it still may be.With some artists, there’s one work that seems to capture their essential achievement.In the long-overdue retrospective now at the Jewish Museum in New York, the entire artistic project of the American painter Ben Shahn comes clear in a single fascinating painting from 1940 called “Contemporary American Sculpture.” It depicts a gallery at the Whitney Museum hosting sculptures from that year’s survey of the nation’s artists — except that Shahn, left out of the Annual, reimagines the walls surrounding those stylized modern works as covered in his own realist paintings.Those show scenes of everyday life during the Great Depression — decrepit workers’ housing; a farmer by his shack; poor Black women at a welfare hospital — depicted as though the Whitney’s walls have been pierced to reveal the all-too-real world out beyond. It recalls how Renaissance murals pierced church walls to let in the more-real world of the Bible.“Contemporary American Sculpture” captures what’s at stake in the most potent works in “Ben Shahn, On Nonconformity,” as this revelatory survey is called. Those works use the time-honored art of painting to make the modern world, and its signature troubles, as present as Shahn can manage. The effect is gripping, and feels utterly relevant for the troubled moment we are living in now.For a decade or so on either side of World War II, Shahn’s achievements made him an art star, earning him a major show at the Museum of Modern Art and honors including a place in the American Pavilion of the 1954 Venice Biennale, shared with the Abstract Expressionist Willem de Kooning.Ben Shahn, “Scotts Run, West Virginia,” 1937. During the Great Depression, Shahn felt sympathy for Americans suffering the deprivations he grew up with. (This painting was based on a photograph he took.)Estate of Ben Shahn/Licensed by VAGA at Artists Rights Society (ARS), NY; via The Jewish MuseumBut it was de Kooning and his ilk who went on to dominate the art world; as Cold War reaction took hold, Shahn, a dedicated leftist, saw a slow but unbroken decline in his critical fortunes. There has barely been an uptick since. The Jewish Museum show is Shahn’s first notable survey in the United States since one at the same museum in 1976. Featuring 175 artworks and objects, photos by Shahn and his peers as well as illuminating ephemera, it was organized abroad, at the Reina Sofía museum in Madrid, where it was a big hit in 2023; the curator Laura Katzman had to work hard to find an American museum to take it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More