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      Taylor Swift Announces New Album, ‘The Tortured Poets Department,’ at Grammys

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      As she accepted the Grammy for best pop vocal album for “Midnights,” Taylor Swift announced that she would be releasing her new album, “The Tortured Poets Department,” on April 19.“I know that the way that the Recording Academy voted is a direct reflection of the passion of the fans, so I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years,” Swift said. “Which is that my brand-new album comes out April 19. It’s called ‘The Tortured Poets Department.’”Swift said she would post the album’s cover from backstage when she was done accepting the prize.Going into the night’s awards show, Swift fans had noticed that the artist had changed her profile picture on X, Instagram and Facebook to a black-and-white version, and many interpreted this as a hint that Swift would announce a new “Taylor’s version” of her “Reputation” album, which has a black-and-white cover.Swift received six Grammy nominations, including nods for “Anti-Hero” in the best song and record of the year categories and a nomination for “Midnights” in the album of the year category.“This is my 13th Grammy,” Swift said in her speech. “This is my lucky number, I don’t know if I’ve ever told you that.” More

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      Killer Mike, boygenius and SZA Are Among Early Grammy Winners

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      Of this year’s 94 Grammy categories, all but nine were given out during a fast-paced, nontelevised ceremony, where some stars (Billie Eilish, Joni Mitchell, boygenius) showed up to accept their awards, but many others (SZA, Michelle Obama) didn’t.The tallies for the early awards gave no clear advantage to any artist. SZA, the night’s most nominated artist, with nine citations, won two (progressive R&B album and pop duo/group performance, with Phoebe Bridgers) but lost three, which puts her in a challenging position going into the main ceremony.The indie-rock trio boygenius won three early prizes, including best rock song, rock performance and alternative music album (for “The Record”). Dressed in identical white suits, with black ties and pink carnations, the band’s three women ran excitedly to the podium and gave emotional speeches.“We were all delusional enough as kids to think this might happen to us one day,” Lucy Dacus, one group member, said.Songs from “Barbie” — which logged 11 nominations total, including some multiple nods in individual categories — took two prizes early in the night. Eilish and her brother, Finneas, were present to accept the award for best song written for visual media, for “What Was I Made For?”“I want to thank our parents,” Finneas said. “Our dad who worked as a construction worker at Mattel Corporation for much of our childhood to keep food on the table. That’s very sick. Thank you for parenting us.”Jack Antonoff — the producer of Taylor Swift, Lana Del Rey and other stars — won producer of the year, non-classical, for the third year a row.Although this nontelevised segment is seen by few fans, it can feature notable, heartfelt speeches. Mitchell, 80, accepting the award for best folk album, for “Joni Mitchell at Newport,” a live recording of her surprise comeback appearance in 2022, said: “We had so much fun at that concert, and I think you can feel it on the record. It’s a very joyous record because of the people that I played with and the spirit of the occasion was very high. And it went onto the record. Even the audience sounds like music.”Killer Mike, the Atlanta rap veteran and political activist, was up for three awards in the rap field for music from his album “Michael” — rap album, performance and song — and he won all three.In a passionate series of speeches, his head covered in sweat, he exhorted: “For all the people out there that think you get too old to rap, [expletive]!” He added: “Dreams come true! It is a sweep! It is a sweep! It is a sweep!” More

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      Adele Springsteen, Bruce Springsteen’s Mother, Dies at 98

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      Bruce Springsteen has long said that his mother was among his greatest influences and credited her with encouraging his musical ambitions.Adele Springsteen, who nurtured the budding musical talent of her son, the pioneering rock star Bruce Springsteen, died on Wednesday. She was 98.Mr. Springsteen announced his mother’s death in an Instagram post on Thursday. No cause was given, but Ms. Springsteen had struggled for more than a decade with Alzheimer’s disease.Her son has been outspoken about his relationship with his mother and her influence on him.Ms. Springsteen rented him his first guitar when he was 7, he said in 2021 during his Broadway show, “Bruce on Broadway,” which ran for more than two months as the city began to emerge from pandemic-related closures. The show had wide-ranging reflections, including thoughts about his mother.It was also Ms. Springsteen, he told the brimming Broadway audiences, at the St. James Theater, who danced to 1940s swing music and impressed in him the joys of bop-inspiring tunes, according to the NBC program “Today.”He also spoke of his mother’s ability to persist in her vivacious spirit even as aging and a punishing disease took their toll.“She’s 10 years into Alzheimer’s,” he said. “She’s 95. But the need to dance, that need to dance is something that hasn’t left her. She can’t speak. She can’t stand. But when she sees me, there’s a smile.”Ms. Springsteen was born Adele Zerilli on May 4, 1925, in Brooklyn. She married Douglas Springsteen, with whom she had her son in 1949 and later two daughters, Virginia and Pamela.She worked as a legal secretary and raised a young working-class family in Freehold, N.J., while her husband often struggled to find steady work and grappled with mental illness. He died in 1998.“She willed we would be a family and we were,” Mr. Springsteen wrote in “Born To Run,” his memoir. “She willed we would not disintegrate and we did not.”Ms. Springsteen’s high-spirited ethos, ever-present, seemed to be the through line in her life, and one that buoyed the lives of the people around her.“My mother is the great energy — she’s the energy of the show,” Mr. Springsteen told The Miami Herald in 1987. “The consistency, the steadiness, day after day — that’s her.” He added that “it was she who created the sense of stability in the family, so that we never felt threatened through all the hard times.”In the Instagram post on Thursday announcing his mother’s death, Mr. Springsteen shared a video of his mother, in old age, dancing to “In the Mood” by Glenn Miller, captioned with an excerpt from his own 1998 song about her, “The Wish.”“I’m older but you’ll know me in a glance,” it read. “We’ll find us a little rock ’n’ roll bar and we’ll go out and dance.”Aimee Ortiz More

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      How Adele Springsteen Gave Bruce His Rock ’n’ Roll Spirit

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      Adele Springsteen bought her son, Bruce, his first electric guitar and encouraged him to get up and dance. She died on Wednesday at 98.Joy and despair, vitality and darkness course through Bruce Springsteen’s songs. The joy, he told the world, came from his mother, Adele Springsteen, who died on Wednesday at 98.When he accepted the Ellis Island Family Heritage award in 2010, Springsteen brought his mother onstage with her sisters, Dora and Eda, and declared, “They put the rock ’n’ roll in me.”Adele, born Adele Zerilli in 1925, was constantly listening to Top 40 radio when Springsteen was growing up, getting her son on his feet to dance with her. She scrimped to buy him his first electric guitar and she encouraged him to be a musician.She worked for decades as a legal secretary, an example that taught her son the dignity and camaraderie of holding a job. “It’s a sight that I’ve never forgotten, my mother walking home from work,” he said during “Springsteen on Broadway,” his autobiographical stage show. “My mom was truthfulness, consistency, good humor, professionalism, grace, kindness, optimism, civility, fairness, pride in yourself, responsibility, love, faith in your family, commitment, joy in your work and a never-say-die thirst for living — for living and for life. And most importantly, for dancing.”She also protected him from his father, who had a lifelong struggle with depression — and whose grimmer view of humanity is the counterweight that runs through Springsteen’s songs. “She was a parent,” he wrote in his memoir, “Born to Run,” and that’s what I needed as my world was about to explode.”As his career took off, she kept detailed scrapbooks of every small milestone. And she danced in the spotlight at her son’s concerts when she was well into her 90s, even when her Alzheimer’s disease had taken its toll and music was an instinctive consolation.“Through my mother’s spirit, love and affection, she imparted to me an enthusiasm for life’s complexities, an insistence on joy and good times, and the perseverance to see the hard times through,” the musician wrote in his memoir. That’s the measured, grown-up Springsteen, striking his balance. But a key moment in “Springsteen on Broadway” was “The Wish,” a song to his mother that glows with pure fondness.In it, he looks back to getting a guitar as a Christmas present, and he reminisces about “me in my Beatle boots, you in pink curlers and matador pants/Pullin’ me up on the couch to do the Twist for my uncles and aunts.” He also considers “all the things that guitar brought us” and offers to play his mother a request, but with one proviso: “If you’re looking for a sad song, well I ain’t gonna play it.”Art is never just autobiography, and children grow up to be far more than the sum of their parents. But anyone who’s ever shouted along on a chorus with an arena full of Springsteen fans — those choruses that often break through the darker thoughts in the verses — clearly owes Adele Springsteen some thanks. More

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      Madonna’s Celebration Tour Draws Fans Clad in Leather and Lace

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      Madonna performed at Madison Square Garden on Monday night as part of her Celebration Tour, a lavish stage spectacle devoted to her catalog of hits as the Queen of Pop. During “Like a Prayer,” she sang from a spinning carousel filled with jumbo crucifixes and shirtless men. When she performed “Vogue,” she invited Kelly Ripa onto the stage to join her in judging the ballroom moves of her dancers with scorecards.“I don’t know when I’m going to be back here playing again, but I’m doing this show like it’s my last show,” Madonna, 65, told the crowd. “And I’m doing this show like it’s my first show.”Before the concert, the scene outside the arena resembled a fashion runway as Madonna fans arrived to serve up style tributes to her. Men emerged from the subway wearing black biker boots and leather jackets. Some women had drawn fake beauty spots onto their upper lips. At a subterranean pregame bar in Penn Station, while hits like “Holiday” and “Papa Don’t Preach” piped from a speaker, Sophy LeMay, a corporate accountant, wore fingerless lace gloves as she nursed a drink.Fans shared their opinions about the lawsuit filed by two concertgoers against Madonna, who has become known as an unpunctual stage performer, accusing her of false advertising and negligent misrepresentation for going on late at Brooklyn’s Barclays Center in December. (Her representatives said that they “intend to defend this case vigorously.”)“It is what it is,” Julio Alvarez, who wore a bowler hat, said. “She’s Madonna.”“I’ve traveled all the way from Oklahoma to see her,” added Kevin Smith, who brandished a black riding crop. “I’ll stay awake until 1 a.m. to see her if I need to.”In the edited interviews below, fans reflected on Madonna’s enduring cultural relevance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Taylor Swift, Travis Kelce and a MAGA Meltdown

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      The fulminations surrounding the world’s biggest pop icon — and girlfriend of Chiefs tight end Travis Kelce — reached the stratosphere after Kansas City made it to the Super Bowl.For football fans eager to see a new team in the Super Bowl, the conference championship games on Sunday that sent the Kansas City Chiefs and San Francisco 49ers back to the main event of American sports culture were sorely disappointing.But one thing is new: Taylor Swift. And she is driving the movement behind Donald Trump bonkers.The fulminations surrounding the world’s biggest pop icon — and girlfriend of Travis Kelce, the Chiefs’ star tight end — reached the stratosphere after Kansas City made it to the Super Bowl for the fourth time in five years, and the first time since Ms. Swift joined the team’s entourage.The conspiracy theories coming out of the Make America Great Again contingent were already legion: that Ms. Swift is a secret agent of the Pentagon; that she is bolstering her fan base in preparation for her endorsement of President Biden’s re-election; or that she and Mr. Kelce are a contrived couple, assembled to boost the N.F.L. or Covid vaccines or Democrats or whatever.“I wonder who’s going to win the Super Bowl next month,” Vivek Ramaswamy, the conspiratorial presidential candidate, turned Trump surrogate, pondered on social media on Monday. “And I wonder if there’s a major presidential endorsement coming from an artificially culturally propped-up couple this fall.”The pro-Trump broadcaster Mike Crispi led off on Sunday by claiming that the National Football League is “rigged” in order to spread “Democrat propaganda”: “Calling it now: KC wins, goes to Super Bowl, Swift comes out at the halftime show and ‘endorses’ Joe Biden with Kelce at midfield.”Other detractors of Ms. Swift among Mr. Trump’s biggest fans include one of his lawyers, Alina Habba, one of his biggest conspiracy theorists, Jack Posobiec, and other MAGA luminaries like Laura Loomer and Charlie Kirk, who leads a pro-Trump youth organization, Turning Point USA.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      Joni Mitchell Will Perform at the Grammys

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      The Canadian singer-songwriter joins a roster of performers at this Sunday’s awards, including Billie Eilish, Olivia Rodrigo, Travis Scott, U2 and Billy Joel.Nine years ago, Joni Mitchell fans wondered if they might ever hear her perform again, after Mitchell — the Canadian singer-songwriter and icon of the folk movement — had an aneurysm that initially left her unable to speak.But in recent years she has made a gradual recovery, and in 2022 she surprised the music world with a performance at the Newport Folk Festival. And on Sunday, at age 80, Mitchell is set to perform at the Grammy Awards for the first time. Show organizers offered no details about her appearance, including whether she is expected to play solo or with guests.Mitchell, who was given a lifetime achievement Grammy in 2002 and has won nine competitive Grammys throughout her career — going back to best folk performance in 1970 for “Clouds” — is up this year for best folk album with “Joni Mitchell at Newport,” where she was joined by Brandi Carlile, Wynonna Judd and Marcus Mumford, and sang classics like “Big Yellow Taxi,” “Both Sides Now” and even George Gershwin’s “Summertime.”The Newport appearance — an unannounced set facilitated by Carlile — sparked Mitchell’s first ticketed live performance in more than 20 years. The show, a headlining set at Carlile’s Echoes Through the Canyon festival at the Gorge Amphitheater in George, Wash., in June 2023, was a nearly three-hour marathon, and “a resurrection,” Lindsay Zoladz wrote in The New York Times. “To hear Mitchell hit certain notes again in that inimitable voice was like glimpsing, in the wild, a magnificent bird long feared to have gone extinct.”Other announced performers at the Grammys this year include Olivia Rodrigo, Billie Eilish, Dua Lipa, Travis Scott and Burna Boy, along with U2, in an appearance from the Sphere in Las Vegas, and Billy Joel, who this week is set to release his first new pop single in nearly 20 years, “Turn the Lights Back On.” More

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      A Sharp Warning About Donald Trump

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      More from our inbox:About Taylor SwiftLess Polluting TrucksUnity in Canadian Hockey Illustration by Rebecca Chew/The New York TimesTo the Editor:Re “This Election Year Is Unlike Any Other” (editorial, Jan. 7):The editorial board deserves a monumental “thank you!” for spelling out in such detail how uniquely dangerous Donald Trump is. There was no misguided nod to both-sides-ism here. This was the full-throated condemnation of Donald Trump that the facts demand. The actions that Mr. Trump is openly pledging to carry out would create political and social disaster.Therefore, the editorial board needs to repeat this unvarnished message regularly, matching Mr. Trump’s constant repetition of his lies and provocations to violence.The editorial board must also include in future condemnations that the country cannot afford four years of climate inaction. Mr. Trump would give the fossil fuel industry a free hand and totally squander four years that are crucial to accelerate reductions in air pollution and carbon emissions, and create clean energy infrastructure across the nation.The horrendous results of a complete standstill in climate action that a Trump presidency guarantees are too horrific to imagine.Gary StewartLaguna Beach, Calif.To the Editor:Dire warnings about a second Trump term from The New York Times and other media outlets are being ignored at best and fueling the MAGA movement’s hunger to “own the libs” at worst.Many Americans are unfortunately tuned out and exhausted from politics thanks to Donald Trump’s wearing us down to a nub. The constant noise and slow-motion boil of disorder have left much of our nation cynically apathetic to the danger on the horizon.Whether this was by Mr. Trump’s design or just dumb luck is anyone’s guess. But this mix of chaos and civic ennui is his best ally.I predict that Mr. Trump will win and we all will be thrust back into the anarchy of his first term, but worse, as your paper warns.Miles KahnQueensTo the Editor:It’s time to move from opinion to action. It is not inevitable that Donald Trump will be the Republican nominee. We can all help to deny him the nomination by voting for whoever is polling most strongly against Mr. Trump at the time of the Republican primary.In New York, if you are not already a registered Republican, you can change your party affiliation easily.If you live elsewhere, the website PrimaryPivot has links to every state’s requirements. Some states allow any registered voter to cast a ballot in the Republican primary; others allow both Republicans and independents.We can certainly stop Mr. Trump in his tracks. Let’s do it.Helene PresskreischerNeedham, Mass.To the Editor:The no-holds-barred opinion pieces in your Jan. 7 paper — the editorial “This Election Year Is Unlike Any Other” and Maureen Dowd’s column, “Time to Conquer Hell” — acutely explicate Donald Trump’s flawed character and the potential dangers that would descend on the world if, God forbid, he is elected again to the presidency.The fact that after all the years we have endured his despicable public behavior and utterances there are still millions of Americans today who consider him appealing and fit for office, necessitating the publication of such opinion pieces, is mind-boggling and painfully demoralizing.Jim BellisKfar Vradim, IsraelAbout Taylor SwiftDuring the Eras Tour, Ms. Swift traps her past selves — including those from her “Lover” era — in glass closets.John Shearer/Getty Images for TAS Rights ManagementTo the Editor:Re “Look What We Made Taylor Swift Do,” by Anna Marks (Opinion guest essay, Jan. 7):I’m deeply disappointed with this article’s interrogation of Taylor Swift’s sexuality. Though it began with useful commentary on the evolution of L.G.B.T. rights in country music, it devolved into pointless speculation the moment it mentioned Taylor Swift. Her sexuality is no one’s business but her own — full stop.As Ms. Swift writes in the prologue to “1989 (Taylor’s Version)”: “If I only hung out with my female friends, people couldn’t sensationalize or sexualize that — right? I would learn later on that people could and people would.”Few of us would speculate so publicly about a friend’s sexuality out of respect for their privacy. I see no reason this courtesy should not be extended to celebrities, including but not limited to Taylor Swift.If Ms. Marks wants to interpret Ms. Swift’s music through a queer lens, then she should. After all, Ms. Swift’s talent lies in her ability to tell highly specific stories about her own life that we all relate to because of their universal themes. However, sharing her interpretation of Ms. Swift’s own sexuality has no intellectual value. She deserves better.Amanda WassermanNew YorkLess Polluting Trucks Jeffrey MilsteinTo the Editor:Re “Electrify All the Big, Noisy, Belching Trucks” (Opinion guest essay, nytimes.com, Dec. 30): Andrea Marpillero-Colomina is right to emphasize the need for a national framework to reduce emissions. She is also right to highlight the impact that pollution from all sources imposes on communities like Hunts Point in the Bronx. Where she errs, however, is minimizing reasonable concerns about electric vehicle infrastructure and ignoring the significant industry progress on emissions.In New York, 90 percent of communities rely exclusively on trucks to deliver goods of all kinds, including food and medicine, the delivery of which would be delayed and more expensive without a cohesive charging infrastructure. This isn’t just an inconvenience for our nation’s truck drivers; lack of chargers and alternative fueling stations will have significant supply chain impacts, ultimately affecting consumers’ wallets.Fortunately, real progress is being made ­— and has been for some time. Since 1974, clean diesel technology has already reduced pollutants by 99 percent, and 60 trucks today equal the output of one in 1988. The trucking industry is committed to reducing the environmental impacts of moving freight and continues to invest in clean technology, including electric vehicles.In other words, big, noisy, belching trucks are already a relic of yesteryear. Americans need and deserve real plans to build on that progress — not flashy rhetoric.Kendra HemsClifton Park, N.Y.The writer is president of the Trucking Association of New York.Unity in Canadian HockeyA display outside the Vidéotron Center teaches fans about the history of the Nordiques.Renaud Philippe for The New York TimesTo the Editor:Re “Long-Gone Hockey Team Remains Symbol of Nationalist Pride” (Quebec Dispatch, Jan. 7), about the Quebec Nordiques:I am an Anglo Canadian Torontonian with some connection to the province of Quebec. My wife is from Montreal, and we visit her family there often. I love hockey and my Toronto Maple Leafs.I loathe the Montreal Canadiens, as I do the idea of separatism and the appalling anti-English bullying and lying of the politicians who support it. But I love the province, the people, the traditions, the cities, the beautiful countryside and wild terrain.I would love to see the Nordiques back in the National Hockey League. I want to see a resurgence in French Canadian hockey. It is probably the only thing I agree with Premier François Legault of Quebec about.I see it as good for Canadian culture, not just Québécois culture. Hockey unites us as a people.Nigel SmithToronto More