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    How a Black Progressive Transformed Into a Conservative Star

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    In the summer of 2020, Xaviaer DuRousseau was preparing to appear on a Netflix reality show called “The Circle,” where a group of strangers, isolated in separate apartments, compete for a cash prize and occasionally adopt fake digital personas to trick one another.Mr. DuRousseau, then 23, was a progressive who marched in Black Lives Matter protests, had pushed his university to require ethnic studies courses as a graduation requirement and voted for Senator Bernie Sanders of Vermont in 2016. For the TV show, producers wanted Mr. DuRousseau, a Black man, to pose as a white woman and lecture others about racial injustice, before revealing his true identity.Mr. DuRousseau spent hours boning up on right-wing politics to get ready for debates with conservative contestants.But as he watched videos from PragerU, the conservative advocacy group, and Candace Owens, a right-wing influencer, he found himself nodding along.Maybe, he began to think, the media really was targeting President Trump for taking on the political establishment. Maybe free college and free health care were unrealistic goals, despite what Mr. Sanders said. Maybe police brutality against Black people was less common than he thought.“I was getting so frustrated, because I kept agreeing with some of the stuff that they were saying,” he said. “I just kept debunking myself, over and over.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Arlington Cemetery Website Loses Pages on Black Soldiers, Women in Military and Civil War

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      Materials on the Arlington National Cemetery website highlighting the graves of Black and female service members have vanished as the Trump administration purges government websites of references to diversity and inclusion.Among the obscured pages are cemetery guides focused on Black soldiers, women’s military service and Civil War veterans. Some of the materials were still online Friday, but they were no longer easily accessible through the cemetery’s website.A part of the site devoted to segregation and civil rights was largely scrubbed. That section once included a walking tour focused on Black soldiers and a lesson plan on reconstruction.The cemetery, which is operated by the Army, said in a statement on Friday that it remained committed to “sharing the stories of military service and sacrifice to the nation with transparency and professionalism” and that it was working to restore links to the content.“We are hopeful to begin republishing content next week,” Kerry Meeker, a cemetery spokeswoman, said in an email on Friday.On Friday, the cemetery’s website still had an active page describing Section 27, which includes the graves of thousands of African Americans freed from slavery. Another active page listed prominent African Americans — including Medgar Evers, Thurgood Marshall and Colin L. Powell — buried on the grounds.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      D.C.’s Planned Removal of Black Lives Matter Mural Reflects Mayor’s Delicate Position

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      Mayor Muriel Bowser’s decision comes amid calls by the president and other Republicans for more federal control of the city.On Wednesday morning in downtown Washington, D.C., Keyonna Jones stood on her artwork and remembered the time when she and six other artists were summoned by the mayor’s office to paint a mural in the middle of the night.“BLACK LIVES MATTER,” the mural read in bright yellow letters on a street running two city blocks, blaring the message at the White House sitting just across Lafayette Square. In June 2020, when Ms. Jones helped paint the mural, demonstrations were breaking out in cities nationwide in protest of George Floyd’s murder. The creation of Black Lives Matter Plaza was a statement of defiance from D.C.’s mayor, Muriel E. Bowser, who had clashed with President Trump, then in his first term, over the presence of federal troops in the streets of her city.But on Tuesday evening, the mayor announced the mural was going away.Ms. Jones said the news upset her. But, she added of the mayor in an interview, “I get where she is coming from.”The city of Washington is in an extraordinarily vulnerable place these days. Republicans in Congress have introduced legislation that would end D.C.’s already limited power to govern itself, stripping residents of the ability to elect a mayor and city council. Mr. Trump himself has said that he supports a federal takeover of Washington, insisting to reporters that the federal government would “run it strong, run it with law and order, make it absolutely, flawlessly beautiful.” In recent days, the administration has been considering executive orders in pursuit of his vision for the city.Potential laws and orders aside, the administration has already fired thousands of federal workers, leaving residents throughout the city without livelihoods and, according to the city’s official estimate, potentially costing Washington around $1 billion in lost revenue over the next three years.Given all this, Ms. Bowser, a Democrat, described her decision about Black Lives Matter Plaza as a pragmatic calculation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Overlooked No More: Maria W. Stewart, Trailblazing Voice for Black Women

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      She was the first Black woman to publicly address other women, using essays and lectures in the 1830s to champion their rights and challenge oppression.This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.One day in 1831, Maria W. Stewart walked into the Boston offices of the publisher William Lloyd Garrison with a manuscript in hand that she was hoping he would print in his recently launched newspaper, The Liberator.Garrison was a famous white abolitionist; Stewart was a 28-year-old former indentured servant. In her manuscript, a political manifesto, she recounted her upbringing and described the conditions for Black women in an oppressive America.She also argued for equal opportunity for Black Americans, and she did something no Black woman had done before: speak directly and publicly to other women, urging them to educate themselves, “to promote and patronize each other” and, even more, “to sue for your rights and privileges.” As the historian Kristin Waters, the author of “Maria W. Stewart and the Roots of Black Political Thought” (2022), told Worcester State University in 2022, Stewart was “one of the very first writers to express what we would now call ‘feminism.’”Garrison didn’t hesitate to publish Stewart’s “Religion and the Pure Principles of Morality, the Sure Foundation on Which We Must Build,” as well as many more of her essays, in what would become America’s pre-eminent abolitionist newspaper.The masthead of the Oct. 8, 1831, issue of the Liberator, which contained Stewart’s first essay.The LiberatorWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Marks Black History Month, Even as He Slams the Value of Diversity

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      The Black History Month reception held at the White House on Thursday had all of the pomp of celebrations past. Guests sipped champagne and snacked on lamb chops and collard greens. The crowd delighted in their invitations, snapping selfies. And when President Trump walked out alongside one of the greatest Black athletes in the world, Tiger Woods, the crowd roared with their phones in the air.But the dissonance in the East Room was jarring.Mr. Trump may have praised the contributions of Black Americans on Thursday, but he has spent the weeks since his inauguration eviscerating federal programs aimed at combating inequality in America. He has suggested that efforts spurred by the civil rights movement had made victims out of white people. He blamed a deadly plane crash over the Potomac River on diversity programs in the Federal Aviation Administration.On Thursday, Mr. Trump tried to show appreciation to the Black community by extolling those he sees as representative of Black American progress.“Let me ask you,” Mr. Trump said as he began his remarks, “is there anybody like our Tiger?”Mr. Trump and Mr. Woods are actively engaged in negotiations in search of a lucrative golf merger deal, and the president referred to Mr. Woods repeatedly during his roughly 20-minute address a crowd of several hundred guests. Mr. Woods wasn’t the only Black athlete to get a shout-out; Mr. Trump also heralded Muhammad Ali and Kobe Bryant.During his remarks, Mr. Trump made little reference to issues that have historically plagued the Black community, such as elevated poverty rates, the wage and wealth gap between Black and white Americans, and gun violence. He promised to put statues of Black Americans in a new “National Garden of American Heroes.”Among those to be honored was Prince Estabrook, an enslaved man and the first Black American to spill blood in the Revolutionary War, along with Harriet Tubman, Rosa Parks, Billie Holiday and Aretha Franklin — and maybe Mr. Woods one day, Mr. Trump said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Education Dept. Gives Schools Two Weeks to Eliminate Race-Based Programs

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      The department’s Office for Civil Rights warned that it would penalize schools that consider race in scholarships, hiring and an array of other activities.The Education Department warned schools in a letter on Friday that they risked losing federal funding if they continued to take race into account when making scholarship or hiring decisions, or so much as nodded to race in “all other aspects of student, academic and campus life.”The announcement gave institutions 14 days to comply. It built on a major Supreme Court ruling in 2023 that found that the use of race-conscious admissions practices at colleges and universities was unlawful. But it went far beyond the scope of that decision by informing schools that considering race at all when making staffing decisions or offering services to subsets of students would be grounds for punishment.The letter was the latest step in the Trump administration’s push to recast programs intended to level the playing field for historically underserved populations as a form of racial discrimination. It also appeared to be an extension of the broadsides President Trump has delivered to purge diversity, equity and inclusion initiatives from the federal government, which critics have assailed as veiled racism.Craig Trainor, the Education Department’s acting assistant secretary for civil rights, said related programs and scholarships, many of which have historically sought to help Black and Latino students attain college degrees or find community, had come at the expense of “white and Asian students, many of whom come from disadvantaged backgrounds.”“At its core, the test is simple: If an educational institution treats a person of one race differently than it treats another person because of that person’s race, the educational institution violates the law,” Mr. Trainor wrote.“Put simply, educational institutions may neither separate or segregate students based on race, nor distribute benefits or burdens based on race,” he said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      As Trump Attacks D.E.I., Wall Street Worries

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      Goldman Sachs will drop a demand that corporate boards of directors include women and members of minority groups as financial firms backpedal from D.E.I. promises.Wall Street has not typically been accused of doing too much for women and minority groups. The financial services industry, after all, is one in which more major banks are named after the Morgan family than led by a female chief executive.So it meant something over the past half-decade or so when the biggest names in finance said, over and over again, that they would pour dollars and effort into lending to, hiring, promoting and working with underserved communities.And it means something else now, as many of those much-promoted policies and practices are being scrubbed to be sure they don’t wind up in the cross hairs of the Trump administration’s campaign against diversity, equity and inclusion.The retreat includes white-collar investment banks, consultancies, mutual funds and stock exchanges. The latest was Goldman Sachs, which said on Tuesday that it would drop a quota that forced corporate boards of directors to include women and members of minority groups. Others on Wall Street are curtailing efforts to recruit Black and Latino employees.One international bank, BNP Paribas, even hit the brakes on programming new events for next month’s International Women’s Day.This pullback has thus far been less overt than, say, in the technology industry, whose executives have made public displays of their support for President Trump’s anti-diversity initiatives. And some financial firms had started to make changes long before the election — opening programs aimed at minority candidates to all, for example.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Trump Orders Halt to Aid to South Africa, Claiming Mistreatment of White Landowners

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      President Trump on Friday ordered that all foreign assistance to South Africa be halted and said his administration would prioritize the resettling of white, “Afrikaner refugees” into the United States because of what he called actions by the country’s government that “racially disfavored landowners.”In the order, Mr. Trump said that “the United States shall not provide aid or assistance to South Africa” and that American officials should do everything possible to help “Afrikaners in South Africa who are victims of unjust racial discrimination.”It follows Mr. Trump’s accusation on his social media site on Sunday that the South African government was engaged in a “massive Human Rights VIOLATION, at a minimum.” He vowed a full investigation and promised to cut off aid.“South Africa is confiscating land, and treating certain classes of people VERY BADLY,” the president wrote in the post. “It is a bad situation that the Radical Left Media doesn’t want to so much as mention.”The order was stunning in providing official American backing to long-held conspiracy theories about the mistreatment of white South Africans in the post-apartheid era.Mr. Trump has made repeated claims without evidence that echoed those conspiracy theories. In 2018, he ordered his secretary of state to look into “the large scale killing of farmers” — a claim disputed by official figures and the country’s biggest farmers’ group.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      At the Brooklyn Academy, Musical Journeys Through Minefields

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      The Silkroad Ensemble’s “American Railroad” and Alarm Will Sound’s “Sun Dogs” used music and images to engage with difficult topics.The completion of the transcontinental railroad was a herculean achievement. In 1850, the United States had 10,000 miles of track; by 1900, trains carried people, goods and ideas from coast to coast over 215,000 miles of track. Recently, historians have begun to tally the human cost of this construction project, especially among the people who performed the dangerous and backbreaking labor and the Native tribes whose lands and livelihoods were slashed through by the tracks.On Saturday at the Brooklyn Academy of Music, the Silkroad Ensemble brought this history to life in “American Railroad,” an evening of multimedia storytelling that probed collective scars while letting musical lineages tangle in beguiling ways. Carried by the joyful collaboration of brilliant improvisers, the performance proved that this ensemble has lost none of its verve since Rhiannon Giddens, a musical polymath and scholar of Appalachian music, became artistic director in 2020. (The ensemble was founded in 1998 by Yo-Yo Ma to celebrate the cultures along the ancient Silk Road.)A haunting tune from Appalachia, “Swannanoa Tunnel,” anchored the program. A work song created by incarcerated Black laborers, it describes the deadly cave-in of a railroad tunnel. Giddens sang it with a voice splintering with emotion over a background of harsh percussive thuds.Individual numbers paid tribute to dispossessed Native Americans, Irish famine refugees and Chinese laborers cut off from their families by racist immigration laws. While each time the cultural context was deftly sketched through specific sounds — a Celtic harp, a pentatonic tune — the interplay of instruments native to other regions revealed new affinities. Historical photographs, projected above the stage, added visual poignancy.Rhiannon Giddens, the artistic director of the Silkroad Ensemble, singing “Swannanoa Tunnel.”Ellen QbertplayaAt times, though, the program had a didactic streak that felt at odds with the polycentric spirit of the music making. The inclusion of an Indian-inspired segment with fiery tabla solos by Sandeep Das was a musical highlight. But the accompanying text slide, drawing links between the transcontinental railroad and industrialization in British-ruled India, brought an unnecessary whiff of the classroom. Silkroad is involved in curriculum design in middle schools in underserved communities across the country, and at moments like these, the desire (stated in its publications) to “reset the narrative” in historiography feels heavy-handed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More