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      Trump vs. Harris Would Be Nothing Without Myths

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      Kamala Harris and Donald Trump are making their appeals to the American electorate on the basis of personality, character and policy. But they are also framing themselves as actors in the American story — the events of the recent past and the deeper narrative of U.S. history carried by the symbol-rich stories of our national mythology.There has been very little common ground expressed between the parties in this election, except the belief that a victory by the opposition would be apocalyptic. Even when they invoke the same historical references, they present them in radically different ways. To Democrats, Jan. 6 was a shameful assault on democracy. To many Republicans, it was a patriotic protest of a rigged election.It’s as if we are living in two different countries, each with a different understanding of who counts as American.Each candidate is trying to pitch the contest to voters as a heroic episode in the unfolding of American history and invites them to imagine themselves as players in the narrative.In the “story wars,” Mr. Trump has an advantage over Ms. Harris: Conservatives have devised over decades a store of established mythological American “scripts,” something liberals have failed to do.Among the big issues at stake in the 2024 election, for both the campaigns and the country, is no less than shaping what it means to be an American and who gets to have power.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Brooklyn Museum at 200 Celebrates Beauty and Art’s Hidden History

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      At 200 years young, the Brooklyn Museum, the second largest art museum in New York City, has begun celebrating the bicentennial of its founding. And it’s doing so in characteristic fashion — meaning in ways that make traditionalists crazy. It is emphatically re-emphasizing what it has, basically, long been: an institution with the heart and soul of an alternative space enclosed in the body of a traditional museum.And it does so with two large-scale season-opening projects. One is a complete rehang and rethink of its American art galleries, filtering centuries of art from two hemispheres through a post-Black Lives Matter lens. The other, less radical, is a community-based roundup of new work by more than 200 contemporary artists living and working in the borough.Let me wedge in some history here. The museum was founded in 1823 as a circulating public library in what was then the Village of Brooklyn, across the river and independent from a rivalrous Manhattan. In the mid-19th century, the library, called the Brooklyn Institute, began collecting, along with books, natural history specimens and art. (Among the first pieces acquired was a painting, “The First Harvest in the Wilderness” (1855), by the Hudson River School artist Asher B. Durand. It’s in the American galleries rehang.)Asher B. Durand, “The First Harvest in the Wilderness,” 1855.George Etheredge for The New York TimesIn 1898, what is now the museum moved into a version of its present McKim, Mead & White home where, over time, it scored some cultural coups. It was among the first United States museum to present African art as art rather than as ethnology. It organized a nervy survey of avant-garde European modernist art in 1926, three years before MoMA existed. The museum was also one of the first in the country to have an art school, and to create a conservation lab.As time went on it also courted controversy by giving space to art unwelcome elsewhere. In 1980, while two other museums backed out of a traveling tour of Judy Chicago’s “The Dinner Party,” Brooklyn not only took it in but acquired the installation for its collection. (It’s on permanent view in the museum’s Elizabeth A. Sackler Center for Feminist Art, another Brooklyn first.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      College Investigating Report of a Student Scratching a Racial Slur on Another

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      A family says their son, a member of the swim team at Gettysburg College in Pennsylvania, was victimized when a teammate etched the slur across his chest with a box cutter. School administrators at a small liberal arts college in Pennsylvania are investigating a report of a student scratching a racial slur onto another student’s chest at an on-campus residence this month.Both the student who wrote the slur and the student who was scratched were on the swim team at Gettysburg College in Gettysburg, Pa. The school and the family of the targeted student said in a joint statement on Sunday that the investigation was almost finished and that the student who scratched the slur was no longer enrolled at the college. It was not immediately clear whether the student was expelled or had decided to leave.The names of the students have not been made public. The family of the targeted student had said in a statement published on Friday in The Gettysburgian, the college newspaper, that their son became “the victim of a hate crime” when a teammate used a box cutter to etch a slur against Black people across their son’s chest at an informal swim team gathering on Sept. 6. They said that their son had been the only person of color at the gathering and that the teammate had been a “trusted” friend. Their son was later interviewed by members of the swim team’s coaching staff and then dismissed from the team, according to their statement. It was unclear on Sunday whether his status had changed. The school and the family are now having conversations about “how most constructively to move forward,” they said on Sunday. “The college and the family both recognize the gravity and seriousness of this situation and hope it can serve as a transformative moment for our community and beyond,” the statement read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Harris advierte de deportaciones masivas y campos de detención si Trump es elegido

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      La vicepresidenta Kamala Harris intenta conseguir apoyo entre los votantes latinos, ya que las encuestas muestran que los estadounidenses confían en el expresidente Donald Trump por encima de los demócratas en la frontera.La vicepresidenta Kamala Harris advirtió sobre deportaciones masivas y “campos de detención masivos” si Donald Trump regresaba al poder, y dijo en una audiencia de líderes hispanos en Washington que la agenda migratoria del expresidente era un peligro para el país.“Todos recordamos lo que hicieron para separar a las familias”, dijo Harris el miércoles en un evento del Caucus Hispano del Congreso, que forma parte de un esfuerzo para aumentar el apoyo entre los votantes latinos. “Y ahora han prometido llevar a cabo la mayor deportación, una deportación masiva, en la historia de Estados Unidos”.La multitud pasó de la jovialidad al silencio cuando la vicepresidenta les pidió que profundizaran en las propuestas de Trump, que incluyen planes para acorralar a los indocumentados a escala masiva y detenerlos en campamentos a la espera de su deportación.“Imaginen cómo se vería eso y cómo sería”, dijo Harris. “¿Cómo va a ocurrir? ¿Redadas masivas? ¿Campos de detención masivos? ¿De qué están hablando?”.Harris combinó el ataque a la agenda de Trump con promesas de priorizar la seguridad en la frontera y proporcionar un “camino ganado a la ciudadanía”. La vicepresidenta ha buscado un acto de equilibrio ya que las encuestas han demostrado que algunos votantes latinos confían en Trump más que en los demócratas en cuanto a la frontera.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In Springfield, Ohio, Threats Leave Haitian Residents Shaken

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      Tension hangs over the city after a week of closings and lockdowns, and the strain of recent months has led some Haitian immigrants to consider moving to bigger cities.After a week that saw schools, businesses and City Hall closed in Springfield, Ohio, by bomb threats, this weekend began with two of the city’s hospitals going on lockdown. A sweep of both facilities on Saturday morning turned up nothing, but the new threats only added to the unease hanging over the city since former President Donald J. Trump dragged it into the race for the White House.During the presidential debate on Tuesday, Mr. Trump cited a debunked rumor that Haitian immigrants in Springfield were abducting and eating pets, and days later, he vowed to begin his mass deportation effort with the Haitians in Springfield, even though most of them are in the United States legally.The increasingly hostile rhetoric from Mr. Trump, other politicians and some extremist organizations has shaken some of the thousands of Haitians who have settled in Springfield in recent years.“Honestly, I don’t feel safe. It’s not good right now,” says Jean-Patrick Louisius, 40, who moved to Springfield four years ago with his wife and two daughters. He was part of an early wave of Haitian arrivals, attracted to the city by plentiful jobs and affordable housing. Estimates of the number of Haitians who have arrived in recent years range from 12,000 to 20,000.But tensions between longtime residents and more recent arrivals had been building before the national spotlight landed on the city, about 25 miles from Dayton.Even as the Haitian immigrants have been welcomed by employers and injected energy into fading neighborhoods, the arrival of thousands of people in a short period of time has strained schools and some government services.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      America Ferrera and Other Celebrities Join a Push to Mobilize Latino Voters

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      The Voto Latino Foundation is gearing up to begin its biggest push yet to encourage Latino voters to head to the polls in November with a star-studded cast of Latino celebrities and influencers.Th $5 million initiative, titled “Vota con Ganas,” or “Vote with Enthusiasm,” is set to start on Wednesday and will feature voter-registration drives and workshops, along with a social media campaign and public service announcement-style videos from actors and online personalties that underscore the importance of casting a ballot this election. The list of stars so far includes America Ferrera, Gina Torres, Gabriel Luna, Jessica Alba, Wilmer Valderrama, DannyLux and Xochitl Gomez, among others.Voto Latino leaders said the ads and online content would be amplified by the group’s 300 partner organizations and businesses, including the National Football League, Sony Music and Universal Music, and by Voto Latino chapters on 100 college campuses.María Teresa Kumar, the foundation’s co-founder and president, described the push as “more than just a call to action,” saying in a statement, “It is a movement to harness the power of the Latino community.”Mr. Valderrama, who produced and directed all of the campaign’s videos, described the campaign as critical to a Latino community that continues to grow and contribute to so many aspects of the United States.“To ensure our safety, opportunity and future in this country, we have to be involved,” he said in an email. “Without our involvement, there will be a paraphrasing of our existence in this country.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Charles Biasiny-Rivera, Champion of Latino Photography, Dies at 93

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      A New Yorker of Puerto Rican descent, he helped start a collective that brought recognition to Hispanic photographers and illuminated life in the city’s barrios.To Charles Biasiny-Rivera, who worked as a street photographer in the barrios of New York City in the early 1970s, his craft was a matter of trust as much as eye.“You really do have to understand that when you enter a neighborhood, the neighborhood sees you as a stranger, because they know everybody, so you don’t want to become noticed,” he said in a 2022 video interview. “So you hang out a little bit,” he added, “smoke some cigarettes, say good morning, good afternoon to people.“If you created a rapport with them,” he said, “they wouldn’t be peering at you all the time. For those peeking from windows, “the shades would go up, the shades would go down.”A photograph by Mr. Biasiny-Rivera taken in 1974 at Benjamin Franklin High School in East Harlem. (The school closed in 1982.) The image was shown in the 2021 exhibition “En Foco: The New York Puerto Rican Experience, 1973-1974,” at El Museo del Barrio in Manhattan.Charles Biasiny-Rivera/Collection El Museo del Barrio, New York CityAs an aspiring photographer of Puerto Rican descent, Mr. Biasiny-Rivera saw street photography as one of the few paths open to him at a time when the handful of Latino photographers he knew were struggling to make a mark in the field. He spent the rest of his career working to change that.Mr. Biasiny-Rivera died at 93 on Aug. 10 at his home in Olivebridge, N.Y., a hamlet in the Catskill Mountains. His wife, Betty Wilde-Biasiny, said the cause was complications of lung cancer.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More