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      Fatman Scoop, a D.J. and Rapper, Dies at 56

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      He was at the Hamden Town Center Park in Hamden, Conn., when he collapsed onstage on Friday night.The rapper Fatman Scoop, whose hoarse and booming voice brought an electric energy to songs by Missy Elliott and Mariah Carey, and who performed the underground club favorite “Be Faithful,” died after collapsing onstage during a performance on Friday. He was 56.A statement from the rapper’s family posted to his Instagram account confirmed his death but did not provide a cause. The post described him as “the undisputed voice of the club” and as a performer with an infectious stage presence.A video taken at the concert, at the Hamden Town Center Park in Hamden, Conn., appeared to show people performing CPR behind equipment on the stage.Lauren Garrett, the mayor of Hamden, said that paramedics had attempted lifesaving measures.Fatman Scoop, whose birth name was Isaac Freeman III, rose to prominence and international recognition after the song “Be Faithful,” in which the rapper performs over beats by the Crooklyn Clan, became the No. 1 single on the U.K. Billboard singles chart in 2003, more than four years after the track’s initial release.The song, which primarily samples “Love Like This” by Faith Evans, is a constant thrum of bass lines and lyrics from Fatman Scoop as he works to hype up a crowd.“You got a $100 bill get your hands up; you got a $50 bill get your hands up” are the opening lines to the track that goes on to rhythmically instruct a crowd to make noise.Questlove, the drummer for the Roots and the author of “Hip Hop Is History” (2024), wrote his appreciation on social media for the song and Fatman Scoop: “I want to thank FATMAN SCOOP for being an embodiment of what hip-hop was truly about,” he wrote. “To just forget about your troubles and live in the moment and allow joy in.”Fatman Scoop was born on Aug. 6, 1968, and grew up in Harlem, learning the art of hip-hop from his peers and those already making noise in the scene.“I am a disciple of Doug E. Fresh,” Fatman Scoop said in a 2023 interview with Urban Politicians TV, speaking of the New York City rapper who is also known as the Human Beat Box. “He was the neighborhood star.”“Everything that I learned, pretty much, I learned from Doug,” he added.Fatman Scoop was formerly a D.J. on Hot 97, an FM radio station in New York, which described him as a “legendary hype man and radio personality” in an online tribute. It said he helped usher a digital era for the station, bringing a video camera to what had been strictly a radio operation.Complete information on survivors was not immediately available.Missy Elliott recognized his impact in a tribute on social media on Saturday, saying “Fatman Scoop VOICE & energy have contributed to MANY songs that made the people feel HAPPY & want to dance for over 2 decades.” More

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      Travis Scott Is Accused of Assaulting a Security Guard in Paris

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      The rapper, who was in France for the Olympics, was taken into police custody at the George V hotel, the Paris prosecutor’s office said.The star rapper Travis Scott was detained on Friday in Paris, where he was visiting for the Summer Olympics, after a conflict with a security guard at a luxury hotel, the Paris prosecutor’s office said.The prosecutor’s office said Mr. Scott, 33, whose real name is Jacques Bermon Webster II, had assaulted a security guard at the George V hotel, in the city’s Eighth Arrondissement.“The security guard had intervened to separate the rapper from his bodyguard,” the office said in a statement.There are no known charges against Mr. Scott. It was unclear later Friday whether he was still in custody. The Paris prosecutor’s office said it had referred the case to the judicial police.Representatives for Mr. Scott said in a statement, “We are in direct communication with the local Parisian authorities to swiftly resolve this matter and will provide updates when appropriate.”Mr. Scott, a multiplatinum artist in the United States with a string of No. 1 albums, was arrested this summer in Miami Beach, Fla., after what the police called a disturbance on a yacht. He was charged with trespassing and disorderly intoxication. His lawyer said at the time that he had been “briefly detained due to a misunderstanding.”On Thursday night, Mr. Scott had posted on Instagram from the crowd of the men’s basketball game between the United States and Serbia, snapping photos of the American stars LeBron James and Stephen Curry.In 2021, 10 fans died as a result of a crowd crush at Mr. Scott’s Astroworld festival in Houston, his hometown. A grand jury declined to indict Mr. Scott and others who oversaw the festival, and settlements have been reached in the lawsuits over the deaths.Aurelien Breeden More

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      Man Is Found Guilty in Killing of Rapper PnB Rock

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      Prosecutors said that the man, Freddie Lee Trone, sent his teenage son into a restaurant armed with a handgun to rob the rapper.A man was found guilty on Wednesday in connection with the fatal shooting of the rapper PnB Rock at a Los Angeles restaurant in 2022 in a brazen attack that shocked his fans and the music industry.A Los Angeles County jury found the man, Freddie Lee Trone, 42, guilty of one count of felony murder, two counts of robbery and one count of conspiracy to commit robbery, the Los Angeles District Attorney’s Office said in a news release on Wednesday.The prosecution said that Mr. Trone sent his son, who was 17 at the time, into the restaurant armed with a handgun to rob the rapper and his girlfriend, who were dining there. He then shot and killed PnB Rock, prosecutors said.PnB Rock, whose legal name was Rakim Allen, was part of a wave of rappers whose popularity and unique sound was partly built on their ability to effortlessly switch between singing and rapping. He gained fame in 2015 with his song “Fleek.” Then came “Selfish,” which peaked at No. 51 on the Billboard Hot 100 chart.Deannea Allen, the mother of PnB Rock, said in an interview on Wednesday evening that she was “elated” when the verdict was read.“I just said, ‘Hallelujah, thank God,’” said Ms. Allen, who said she was shaking and so elated that she wanted to scream. “Justice has been served.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Hear Billie Eilish and Charli XCX’s ‘Guess’ Remix

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      Hear tracks by MJ Lenderman, Miranda Lambert, ASAP Rocky featuring Jessica Pratt and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Charli XCX featuring Billie Eilish, ‘Guess’In the slightly less than two months since its release, Charli XCX’s sixth album, “Brat,” has transformed from a clubby cult classic into a mainstream phenomenon, fueled by a sense of cool so elusive yet galactically powerful that a CNN panel recently convened to discuss, with magnificent awkwardness, its potential impact on the presidential election. Strange times indeed. Luckily, Charli is still keeping it light, not allowing the new patina of Importance to cloud the fact that “Brat Summer” is, above all things, about messy, hedonistic fun. So let’s just say that the latest “Brat”-era remix, the deliriously suggestive “Guess,” is unlikely to appear in an upcoming Kamala Harris campaign ad.“You wanna guess the color of my underwear,” Charli winks atop an electroclash beat produced by the indie-sleaze revivalist the Dare, who interpolates Daft Punk’s 2005 single “Technologic”; Dylan Brady of 100 gecs also has a writing credit. It’s an underground loft party crashed by a bona fide A-lister: Billie Eilish, making her first guest appearance on another artist’s song, purring a playfully flirtatious verse that ends, “Charli likes boys but she knows I’d hit it.” It’s refreshing to once again hear Eilish on a beat as dark and abrasive as those on her debut album, but she and her brother and collaborator Finneas know they are ultimately on Charli’s turf, reverently endorsing the trashy aesthetic and if-you-know-you-know humor of “Brat.” “You wanna guess if we’re serious about this song,” Charli intones at the end, as Eilish lets out a conspiratorial giggle. Against all odds, reports of Brat Summer’s death seem to have been slightly exaggerated. LINDSAY ZOLADZOkaidja Afroso, ‘Kasoa’Okaidja Afroso, from Ghana, sings about cycles of nature and human life in his childhood language, Gãdangmé, on his new album, “Àbòr Édiń.” But his music exults in modern technology and cultural fusions. The six-beat handclaps and bass riffs of “Kasoa” look toward Moroccan gnawa music, while the vocal harmonies exult in computerized multitracking. “There will be meetings and partings, and joys and sorrows,” he sings. “May we journey with ease, and hope to cross paths again in another lifetime.” JON PARELESWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Dance Leads the Way as Art Meets Sport at the Cultural Olympiad

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      A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.In dance and in sports, there is a common ritual: warming up. As much an art as an activity, it energizes not just the body, but also the mind, speaking less to effort than to surrender. What does it take to get into the zone, that place where the body and mind show up as equals?Since 2022 France has been warming up — on a grand scale. Culture, along with sport and education, is a pillar of Olympism, and France has taken that seriously with its Cultural Olympiad, a program of multidisciplinary arts events directed by Dominique Hervieu, a choreographer, an experienced leader in the arts and a former dancer as well.The thread running through this Olympiad is the connection between sports and art. When do they find symbiosis? When do they diverge? As Hervieu sees it, what binds the Olympic Games is culture, and there, the dance values she embraces play a role: “It’s a way to think with your body,” she said in an interview in Paris. “To think about society, to think about individuality, to think about space.”In other words, to be aware of yourself in the larger world. The contemporary mandate for including a cultural component with the Games began in 1992 in Barcelona, Hervieu said. But how to integrate it is a choice made by the host city, and Hervieu decided on the sports-art connection.Dominique Hervieu is the director of the Cultural Olympiad, a vast program of arts events that began in 2022. “We have 2,500 projects, and it’s incredible,” she said. “It could have been only 500. And everybody would be happy with 500. Me too!”Benjamin BoccasThere are obvious similarities between the two — the idea of excellence and surpassing oneself — but Hervieu also wanted to “show that art is not sport and vice versa,” she said. “The dimension of physical performance, which is the goal of sport with a view to winning, is not the goal of art. This difference is fundamental, because virtuosity in art is always a means of creating a space for meaning or poetry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Who Is Eminem for in 2024?

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicThe 12th studio album by Eminem, “The Death of Slim Shady (Coup de Grâce),” just had its debut atop the Billboard album chart, 25 years after the rapper’s major-label debut launched him into the pop stratosphere.It’s been an uneven ride — Eminem is one of the most commercially successful rappers of all time, and also an artist who has had numerous musical highs and lows, all while maintaining a durably committed fan base. He has been a flashpoint and an afterthought, sometimes all at once.On this week’s Popcast, a conversation about Eminem’s long and unlikely career, the forces that propelled him to superstardom, his stubbornness in the face of the ever-evolving sound of hip-hop, and how he toys with offense so much that he no longer truly offends.Guests:Jayson Buford, who writes for Complex, Stereogum and othersRob Markman, longtime hip-hop journalistConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Snoop Dogg, NBC’s New Voice of the People

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      The network hired the rapper for an expanded role on its broadcasts of the Summer Games in Paris after posting record-low viewership of the Tokyo competition.Once Snoop Dogg had waded through electrical cords on the floor and ambled his lanky frame around the disorderly equipment in a partially constructed television studio in Paris, he was able to peer out over a balcony overlooking the Eiffel Tower and survey the city he hopes to conquer during the Olympics.“This is my home,” he said triumphantly to himself. Below, a handful of people flashed their phones.The man who NBCUniversal hopes will become the breakout star of the Paris Games was right where he wanted to be.The Olympics are always about the athletes, and as usual the focus this year will be on the brightest ones: Simone Biles, Katie Ledecky, Noah Lyles, Novak Djokovic, LeBron James.But the event’s billing as the pinnacle of athletic achievement has not been enough to prevent NBC’s Olympics television ratings from skidding amid a fractured media landscape, and the network hopes Snoop Dogg’s aura as one of the most recognized and beloved figures in pop culture will energize viewers of all ages.Ratings for the Summer Games have dropped steadily since an average of 31.1 million prime-time viewers watched the 2012 London Olympics. NBC executives cite pandemic-related restrictions and an unfavorable time zone for Americans as reasons the Tokyo Games averaged 15.5 million prime-time viewers, its lowest audience ever.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Donald Glover Is Saying Goodbye to Childish Gambino

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      “Bando Stone & the New World,” his new album due Friday, tells a story about the potential end of the world — and the conclusion of his pseudonymous musical project.Donald Glover had been walking a New York City street only a moment when a young man, perhaps in his early 20s, called out to him from several yards away.“Yo, Donald Glover, bro, I love you, man!”Glover nodded and said thank you.“I listen to Childish Gambino like every day,” he continued.“I appreciate it,” Glover replied.“You’re seriously my favorite, bro,” the man shouted, seemingly struggling for something else to say. Finally, he added, “Since I was a little kid!”Glover chuckled to himself. “A ‘little kid’?” he said, after a beat. “That doesn’t make me feel old, I just know that I am old.”Time comes for everyone. It has mostly been kind to Glover, the multiple Emmy- and Grammy-winning actor, musician, writer and director, who turned 40 last September. He has been in the public eye for nearly 20 years, since his college sketch comedy troupe, Derrick, found an audience on early YouTube in 2006. And he has been famous for 15, since starring in the hit NBC comedy series “Community.”Childish Gambino, his rap alter ego, caught the attention of the hip-hop blogosphere in 2010, making it old enough to be sent off to high school. And now, after the release of his sixth album, “Bando Stone & the New World,” on Friday, he’s officially retiring the moniker.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More