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    Man Is Found Guilty in Killing of Rapper PnB Rock

    Prosecutors said that the man, Freddie Lee Trone, sent his teenage son into a restaurant armed with a handgun to rob the rapper.A man was found guilty on Wednesday in connection with the fatal shooting of the rapper PnB Rock at a Los Angeles restaurant in 2022 in a brazen attack that shocked his fans and the music industry.A Los Angeles County jury found the man, Freddie Lee Trone, 42, guilty of one count of felony murder, two counts of robbery and one count of conspiracy to commit robbery, the Los Angeles District Attorney’s Office said in a news release on Wednesday.The prosecution said that Mr. Trone sent his son, who was 17 at the time, into the restaurant armed with a handgun to rob the rapper and his girlfriend, who were dining there. He then shot and killed PnB Rock, prosecutors said.PnB Rock, whose legal name was Rakim Allen, was part of a wave of rappers whose popularity and unique sound was partly built on their ability to effortlessly switch between singing and rapping. He gained fame in 2015 with his song “Fleek.” Then came “Selfish,” which peaked at No. 51 on the Billboard Hot 100 chart.Deannea Allen, the mother of PnB Rock, said in an interview on Wednesday evening that she was “elated” when the verdict was read.“I just said, ‘Hallelujah, thank God,’” said Ms. Allen, who said she was shaking and so elated that she wanted to scream. “Justice has been served.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Hear Billie Eilish and Charli XCX’s ‘Guess’ Remix

    Hear tracks by MJ Lenderman, Miranda Lambert, ASAP Rocky featuring Jessica Pratt and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Charli XCX featuring Billie Eilish, ‘Guess’In the slightly less than two months since its release, Charli XCX’s sixth album, “Brat,” has transformed from a clubby cult classic into a mainstream phenomenon, fueled by a sense of cool so elusive yet galactically powerful that a CNN panel recently convened to discuss, with magnificent awkwardness, its potential impact on the presidential election. Strange times indeed. Luckily, Charli is still keeping it light, not allowing the new patina of Importance to cloud the fact that “Brat Summer” is, above all things, about messy, hedonistic fun. So let’s just say that the latest “Brat”-era remix, the deliriously suggestive “Guess,” is unlikely to appear in an upcoming Kamala Harris campaign ad.“You wanna guess the color of my underwear,” Charli winks atop an electroclash beat produced by the indie-sleaze revivalist the Dare, who interpolates Daft Punk’s 2005 single “Technologic”; Dylan Brady of 100 gecs also has a writing credit. It’s an underground loft party crashed by a bona fide A-lister: Billie Eilish, making her first guest appearance on another artist’s song, purring a playfully flirtatious verse that ends, “Charli likes boys but she knows I’d hit it.” It’s refreshing to once again hear Eilish on a beat as dark and abrasive as those on her debut album, but she and her brother and collaborator Finneas know they are ultimately on Charli’s turf, reverently endorsing the trashy aesthetic and if-you-know-you-know humor of “Brat.” “You wanna guess if we’re serious about this song,” Charli intones at the end, as Eilish lets out a conspiratorial giggle. Against all odds, reports of Brat Summer’s death seem to have been slightly exaggerated. LINDSAY ZOLADZOkaidja Afroso, ‘Kasoa’Okaidja Afroso, from Ghana, sings about cycles of nature and human life in his childhood language, Gãdangmé, on his new album, “Àbòr Édiń.” But his music exults in modern technology and cultural fusions. The six-beat handclaps and bass riffs of “Kasoa” look toward Moroccan gnawa music, while the vocal harmonies exult in computerized multitracking. “There will be meetings and partings, and joys and sorrows,” he sings. “May we journey with ease, and hope to cross paths again in another lifetime.” JON PARELESWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Dance Leads the Way as Art Meets Sport at the Cultural Olympiad

    A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.In dance and in sports, there is a common ritual: warming up. As much an art as an activity, it energizes not just the body, but also the mind, speaking less to effort than to surrender. What does it take to get into the zone, that place where the body and mind show up as equals?Since 2022 France has been warming up — on a grand scale. Culture, along with sport and education, is a pillar of Olympism, and France has taken that seriously with its Cultural Olympiad, a program of multidisciplinary arts events directed by Dominique Hervieu, a choreographer, an experienced leader in the arts and a former dancer as well.The thread running through this Olympiad is the connection between sports and art. When do they find symbiosis? When do they diverge? As Hervieu sees it, what binds the Olympic Games is culture, and there, the dance values she embraces play a role: “It’s a way to think with your body,” she said in an interview in Paris. “To think about society, to think about individuality, to think about space.”In other words, to be aware of yourself in the larger world. The contemporary mandate for including a cultural component with the Games began in 1992 in Barcelona, Hervieu said. But how to integrate it is a choice made by the host city, and Hervieu decided on the sports-art connection.Dominique Hervieu is the director of the Cultural Olympiad, a vast program of arts events that began in 2022. “We have 2,500 projects, and it’s incredible,” she said. “It could have been only 500. And everybody would be happy with 500. Me too!”Benjamin BoccasThere are obvious similarities between the two — the idea of excellence and surpassing oneself — but Hervieu also wanted to “show that art is not sport and vice versa,” she said. “The dimension of physical performance, which is the goal of sport with a view to winning, is not the goal of art. This difference is fundamental, because virtuosity in art is always a means of creating a space for meaning or poetry.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Who Is Eminem for in 2024?

    Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicThe 12th studio album by Eminem, “The Death of Slim Shady (Coup de Grâce),” just had its debut atop the Billboard album chart, 25 years after the rapper’s major-label debut launched him into the pop stratosphere.It’s been an uneven ride — Eminem is one of the most commercially successful rappers of all time, and also an artist who has had numerous musical highs and lows, all while maintaining a durably committed fan base. He has been a flashpoint and an afterthought, sometimes all at once.On this week’s Popcast, a conversation about Eminem’s long and unlikely career, the forces that propelled him to superstardom, his stubbornness in the face of the ever-evolving sound of hip-hop, and how he toys with offense so much that he no longer truly offends.Guests:Jayson Buford, who writes for Complex, Stereogum and othersRob Markman, longtime hip-hop journalistConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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    Snoop Dogg, NBC’s New Voice of the People

    The network hired the rapper for an expanded role on its broadcasts of the Summer Games in Paris after posting record-low viewership of the Tokyo competition.Once Snoop Dogg had waded through electrical cords on the floor and ambled his lanky frame around the disorderly equipment in a partially constructed television studio in Paris, he was able to peer out over a balcony overlooking the Eiffel Tower and survey the city he hopes to conquer during the Olympics.“This is my home,” he said triumphantly to himself. Below, a handful of people flashed their phones.The man who NBCUniversal hopes will become the breakout star of the Paris Games was right where he wanted to be.The Olympics are always about the athletes, and as usual the focus this year will be on the brightest ones: Simone Biles, Katie Ledecky, Noah Lyles, Novak Djokovic, LeBron James.But the event’s billing as the pinnacle of athletic achievement has not been enough to prevent NBC’s Olympics television ratings from skidding amid a fractured media landscape, and the network hopes Snoop Dogg’s aura as one of the most recognized and beloved figures in pop culture will energize viewers of all ages.Ratings for the Summer Games have dropped steadily since an average of 31.1 million prime-time viewers watched the 2012 London Olympics. NBC executives cite pandemic-related restrictions and an unfavorable time zone for Americans as reasons the Tokyo Games averaged 15.5 million prime-time viewers, its lowest audience ever.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why Donald Glover Is Saying Goodbye to Childish Gambino

    “Bando Stone & the New World,” his new album due Friday, tells a story about the potential end of the world — and the conclusion of his pseudonymous musical project.Donald Glover had been walking a New York City street only a moment when a young man, perhaps in his early 20s, called out to him from several yards away.“Yo, Donald Glover, bro, I love you, man!”Glover nodded and said thank you.“I listen to Childish Gambino like every day,” he continued.“I appreciate it,” Glover replied.“You’re seriously my favorite, bro,” the man shouted, seemingly struggling for something else to say. Finally, he added, “Since I was a little kid!”Glover chuckled to himself. “A ‘little kid’?” he said, after a beat. “That doesn’t make me feel old, I just know that I am old.”Time comes for everyone. It has mostly been kind to Glover, the multiple Emmy- and Grammy-winning actor, musician, writer and director, who turned 40 last September. He has been in the public eye for nearly 20 years, since his college sketch comedy troupe, Derrick, found an audience on early YouTube in 2006. And he has been famous for 15, since starring in the hit NBC comedy series “Community.”Childish Gambino, his rap alter ego, caught the attention of the hip-hop blogosphere in 2010, making it old enough to be sent off to high school. And now, after the release of his sixth album, “Bando Stone & the New World,” on Friday, he’s officially retiring the moniker.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Travis Scott Releases Mug Shot T-Shirts After His Miami Arrest

    A commemoration of the rapper’s brief arrest in Miami Beach, the shirt reinforced the idea that for some celebrities, a brush with the law can be good for business.After a night of partying in South Florida, the superstar rapper Travis Scott ended his Thursday with two more charges on his record and one more product on his website than he started with.An established swag king who’s no stranger to brand deals, Mr. Scott, 33, turned a spotlight on what many would consider an embarrassing moment when he started selling T-shirts featuring his mug shot, just hours after his arrest in Miami Beach. The new merchandise reinforced the idea that for certain celebrities and politicians, brushes with the law can be easily recast as lucrative business opportunities.The rapper made headlines after the police responded shortly before 2 a.m. on Thursday to reports of a fight aboard a yacht docked at a marina. Mr. Scott was charged with trespassing and disorderly intoxication and then released on bond after paying a total of $650 on both charges, according to local news outlets.Mr. Scott, whose real name is Jacques Bermon Webster II, later admitted he had been drinking alcohol. “It’s Miami,” he was quoted as saying in the police report.That same phrase, along with his mug shot — altered from the much more stoic original to include a broad, movie-star smile — had landed by day’s end on a dark T-shirt selling for $35 on his website.Miami-Dade County Corrections and RehabilitationWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why Does Kendrick Lamar Want Drake to Return Tupac’s Ring?

    At Mr. Lamar’s Juneteenth concert on Wednesday, he made a request for Drake to return Mr. Shakur’s iconic crown ring. Is this about more than just beef between the two rappers?When Kendrick Lamar made his entrance to his sold-out show at the Kia Forum in Inglewood, Calif., on Juneteenth, he did so with a bang. He performed “Euphoria,” a track he released in April during his well-documented feud with Drake, adding a new lyric: “Give me Tupac ring back and maybe I’ll give you a little respect.” The internet went wild.This was Mr. Lamar’s first time performing since his testy dispute with Drake escalated into a volley of diss tracks this spring. For the show, titled “The Pop Out: Ken & Friends,” he brought out fellow West Coast artists such as Dr. Dre, YG, Tyler, the Creator, Schoolboy Q and Steve Lacy, the next generation of musicians from the region after Tupac Shakur. It was a victory lap after unofficially winning the war. Mr. Lamar had been questioning Drake’s authenticity and status among Black musicians and fans, and adding the line about Mr. Shakur’s ring only doubled down on that message.The ring is one of the most iconic jewelry pieces in hip-hop history. It features a 14-karat crown encrusted with cabochon rubies and pavé diamonds. It also bears the inscription “Pac & Dada 1996,” referring to his engagement to Kidada Jones, the daughter of Quincy Jones. The ring, which he designed himself, commemorates both the founding of his media company, Euphanasia, and his romance with Ms. Jones. He wore it at the 1996 MTV Video Music Awards, his last public appearance before his killing.In August 2023, Drake purchased the ring from an auction at Sotheby’s for $1.01 million. That irked Mr. Lamar, who has taken the baton of West Coast rap from Mr. Shakur and has been influenced by his legacy.According to Vikki Tobak, author of the 2022 book “Ice Cold; A Hip-Hop Jewelry History,” jewelry has long been a symbol of allegiance and brotherhood in hip-hop. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More