More stories

  • in

    Kim Kardashian, Demi Moore and Others Flaunt Dramatic Trains on the Met Gala Carpet

    Some gowns required small teams to manage vast amounts of fabric and help their wearers up the Met steps.They’re long, dramatic and a potential tripping hazard. More than a dozen guests at the Met Gala on Monday night wore looks with giant, appendage-like trains flowing behind them.The gala’s dress code, “Tailored for You,” was intended to spur creative interpretations of classic tailoring techniques and coincide with the Costume Institute’s new exhibit about the history of Black dandy fashion.While many stars chose suiting variations worn close to the body, others dragged behind them swathes of fabric so long that they blanketed large portions of the carpet. Demi Moore, Shakira, Megan Thee Stallion, Kim Kardashian, Kylie Jenner, Taraji P. Henson and the K-pop star Rosé all arrived in the silhouette — many of them in the form of sweeping overcoats that could presumably be removed once inside the Metropolitan Museum for the gala’s dinner.The Met Gala has always been a venue for theatrical looks, but trains have a relatively recent history at the event. In 2015 when the Met’s Costume Institute staged an exhibit about the influence and ingenuity of Chinese design, Rihanna seemed to set the agenda with a yellow dress by the Chinese designer Guo Pei with a vast train that cascaded down the steps.This year, Rihanna’s fashion influence was felt even among musical artists who were famous before she was born. Diana Ross and Stevie Wonder both wore trains that swallowed whole sections of the Met’s famous steps. (Rihanna herself, who showed up at the event’s tail end, did not wear a train this year and instead opted for a suiting-inspired looked.)Ms. Ross wore a white feathered overcoat embroidered with the names of her children and eight grandchildren that reportedly included a 18-foot train, requiring several people to assist her up the stairs.Mr. Wonder’s black beaded suit included a heavily embellished train that also called for the help of multiple stewards as he moved about the carpet.Shakira’s monochromatic bubble-gum pink look was accessorized with a Gobstopper-size gem necklace. But the jewel paled in comparison to the size of her train, which, in images, appears to be the same length of about 15 photographers lined up on the gala’s carpet.Megan Thee Stallion’s billowing white furry coat also extended far behind her, much like the black train skirts worn by the actress Cynthia Erivo and the model Vittoria Ceretti.The burgundy overcoat worn by the singer and actor Teyana Taylor draped over the Met’s flower-speckled carpet as she posed for photographs, and Serena William’s sea foam look included a ruched top that also cut a dramatic, long shape.Other guests, including Lana del Rey, Nicole Scherzinger, Lauryn Hill, Charli XCX, Tyla and Amelia Gray Hamlin, also appeared in the silhouette — all before Rihanna even arrived. More

  • in

    ASAP Rocky Found Not Guilty of Shooting Former Friend in Assault Trial

    The rapper had faced two felony counts of assault with a firearm in connection with a 2021 altercation in Los Angeles.The courtroom broke out into cheers after the jury found the rapper Rakim Mayers, known as ASAP Rocky, not guilty of shooting a former collaborator.Daniel Cole/ReutersASAP Rocky, the Grammy nominated hip-hop artist, was found not guilty on Tuesday of shooting a former collaborator. The jury deliberated for nearly three hours in a case that threatened to derail his career.Rocky, 36, born Rakim Mayers, faced two felony counts of assault with a deadly weapon, stemming from an altercation with his one-time friend, Terell Ephron, known as ASAP Relli, near a Hollywood hotel in 2021.Rocky dived into the gallery to hug family including Rihanna, the singer, businesswoman, and mother of his two young sons, and embraced his lawyer, Joe Tacopina, after the verdict was read.“Thank y’all for saving my life,” he told jurors.The trial hinged on jurors’ assessment of the gun used in the incident, which prosecutors said was a semiautomatic firearm and witnesses for the defense testified was instead a prop gun acquired at the filming of a music video. No gun was presented as evidence in the trial and Rocky did not take the stand in his defense. He faced up to 24 years in prison if convicted of both counts.Rocky faced trial at a time when he had several notable projects in the works. He is scheduled to be one of the headliners of the Los Angeles stop of the Rolling Loud festival in March, and was announced as one of the celebrity chairs for the Met Gala, to be held in May. He also stars alongside Denzel Washington in a Spike Lee-directed movie scheduled to open in summer.John Lewin, a deputy district attorney for Los Angeles County, had asked the jury not to be swayed by the court appearances of Rihanna, who was a frequent presence during the 13-day trial and attended the start of closing arguments last week with the pair’s two young sons.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    ‘Smurfs’ Trailer Shows Rihanna as Smurfette and Promises New Music

    The first preview of the animated feature shows the singer in her “blue era” and assures fans that new songs from her will be featured on the soundtrack.Music superstar, beauty mogul, fashion designer and … Smurfette? Rihanna’s next big role may not be what you were expecting.On Thursday, Paramount released a trailer for “Smurfs,” giving us a first look at the singer as the elflike, blonde-haired, blue-skinned creature. In an animation style that blends smooth 3-D rendering with elements that evoke the classic hand-drawn cartoons, Smurfette leads her cohort into the real, live-action world on a quest to Paris to find Papa Smurf after he mysteriously disappears.The trailer begins with Rihanna, in human form, addressing the audience.“I can’t wait for you all to see it this summer,” she says, with sunglasses largely covering her Smurf-blue eye shadow. She had teased the trailer in an Instagram post on Wednesday, which was a short video captioned “in my blue era.”The animated movie also features an ensemble cast including Nick Offerman, Natasha Lyonne, Amy Sedaris, Nick Kroll and Dan Levy, and is directed by Chris Miller, who previously helmed “Shrek the Third” and “Puss in Boots.” It will be a musical-comedy reboot of ‘The Smurfs’ film franchise, which last had an installment with “Smurfs: The Lost Village” in 2017.In addition to playing Smurfette, Rihanna is a producer on the movie. But, in what will most likely be the biggest news for her fans, who have been clamoring for more music since her album “Anti” was released in 2016, the trailer ends with a message advising people to “presave” the movie’s soundtrack, which will feature new music from Rihanna.It also says the movie will include the song “Higher Love,” recorded by Desi Trill and featuring DJ Khaled, Cardi B, Natania and Subhi.“Smurfs” is set to release on July 18. More

  • in

    Rihanna Steals the Fashion Awards

    And a dozen other looks that made news at Britain’s Met Gala of style.She wasn’t even nominated, and Rihanna still stole the show Monday night at the Fashion Awards in London.Arriving last, as has become her wont at events like the Met Gala and the Alaïa show, and there as a plus-one to support her partner, ASAP Rocky, who received the Cultural Innovator award, the artist and Fenty mogul made her entrance in a turquoise wrap coat and faux fur hat from Christian Lacroix’s fall 2002 couture collection. With that she wore a black corset, black leather opera gloves and sheer black tights. The effect was kind of haute Flintstone meets the Folies Bergère.As for ASAP Rocky, he wore Bottega Veneta — a navy chore coat, matching pants and a red leather tie — and called the honor “surreal.” That was also an accurate description of the Royal Albert Hall, where the awards were held and where a crimson disco ball cast a new light on a familiar scene. But it was Rihanna’s enormous hat, jauntily tilted and visible from every vantage point, that summed up the point of the night: The business of fashion may be serious, but wearing it should be fun.Her look was as laudable as the actual winners, who included Alex Consani as model of the year, the first trans woman to receive the recognition; Grace Wales Bonner as British men’s wear designer of the year; Simone Rocha as British women’s wear designer; and Jonathan Anderson of Loewe and JW Anderson as designer of the year for the second year in a row.That choice wasn’t a big surprise, especially given Mr. Anderson’s moonlighting this year as the costume designer on the Luca Guadagnino films “Queer” and “Challengers” and the multiple wild rumors surrounding his future job prospects, but some of the other outfits were. Here’s what else caught our eye.More Method DressingNicola Coughlan of “Bridgerton” wore a Gaurav Gupta gown.Gareth Cattermole/Getty ImagesAnd Simone Ashley wore Prada.Scott A Garfitt/Invision, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Rihanna, Taylor Swift and Beyoncé Missed the 2024 Met Gala

    In the week leading up to the Met Gala, tabloids volleyed predictions about Taylor Swift’s possible attendance: She would be there with her football player boyfriend, Travis Kelce! Actually, she wouldn’t! She might go but leave Mr. Kelce at home!On Monday night, fans finally got their answer. The party of the year would have to go on without Ms. Swift.Other notable absences from the red carpet: Beyoncé, who had not been expected to attend, and Rihanna, who seemed poised to be the closing act of fashion’s annual parade of one-upmanship.Last year, every other guest had walked the carpet — as had one uninvited cockroach — before Rihanna arrived at 10:15 p.m., wrapped in Valentino camellias that she said made her feel “expensive.”Rihanna, 36, who swung from pop stardom into a prosperous second act as a lingerie and makeup mogul, told Extra TV earlier in the week that she had planned on attending the gala. People magazine reported on Monday that the singer had come down with the flu.The singer had become one of the most hotly anticipated presences on the Met’s steps. Her turn as a miniskirted pope in 2018 touched off an internet frenzy, and the 55-pound, daffodil yellow gown she wore in 2015 helped earn its designer a slot on the haute couture schedule in Paris.The gala’s influence as a joint advertising opportunity for brands, sponsors and celebrities depends in part on the level of star power that is willing to show up. The gala still attracted boldface names this year, including Zendaya and Jennifer Lopez, but many fans online said that the lack of Rihanna had been a blow. (Some even circulated images of the singer hitting the carpet that appeared to have been created by artificial intelligence.)Rihanna has been a frequent presence at the gala in recent years, but Taylor Swift and Beyoncé have not attended since 2016.Ms. Swift began attending the gala in 2008 and was a co-chair in 2016. In the past year she has not exactly been hurting for the Met’s spotlight: Her Eras Tour stimulated both economic and seismic activity on its yearlong (and counting) romp around the world, and her recent album, “The Tortured Poets Department,” overcame mixed reviews to become her 14th release to hit reach No. 1 on the Billboard album chart.Beyoncé attended the gala seven times from 2008 to 2016, toying with silhouette in strapless Armani and mermaid-style Emilio Pucci gowns. She has lately been leading a high-fashion rodeo in wide-brimmed hats and western boots while promoting her album “Cowboy Carter.”Even without showing up to the Met on the first Monday in May, Beyoncé wields immense power in the fashion sphere, Vanessa Friedman, the chief fashion critic of The New York Times, recently wrote: “She is practically a Met Gala unto herself.” More

  • in

    A Mercer Labs Exhibit Uses Braille. Is It Accessible to All?

    Roy Nachum designed the spectacle-filled Mercer Labs, which he touts as inclusive. But some advocates for blind people say his use of Braille can feel exploitative.While he was settling into Manhattan after moving from Israel in 2004, the 24-year-old artist Roy Nachum decided to contend with a second challenge: Inspired by his grandmother who had lost her sight, and in search of new inspiration for his artwork, he blindfolded himself. For the next 168 hours, he felt his way around his apartment in the East Village and used a cane to navigate to and from the nearby grocery store.That experience of being engulfed in the sounds and the chaos of a new city helped inspire the exhibits in his new immersive installation, Mercer Labs. It opened for previews in January at a 36,000-square-foot space in a sleek, Brutalist-style building at 21 Dey Street — the site of the former Century 21 department store.Nachum, whose artwork often incorporates Braille, became renowned for designing the Grammy-nominated cover for Rihanna’s album “Anti,” featuring a photo of Rihanna as a child wearing a gold crown embossed with Braille. He and the real estate developer Michael Cayre founded Mercer Labs with an ambitious mandate: to be a “place where the traditional hierarchies between art, architecture, design, technology and culture are dissolved,” and where “diversity and inclusion are celebrated,” according to a news release. The site is expected to open officially on March 28.One of Roy Nachum’s signature designs is this cover image for Rihanna’s 2016 album, “Anti,” which features a photo of her as a child wearing a gold crown embossed with Braille.The founders advertise Mercer Labs as a “museum of art and technology.” At the moment, it contains 14 exhibition spaces that use high-tech projectors, digital screens, LED lights and sound systems to display Nachum’s perception-teasing creations. Some exhibits feature Braille, tactile displays and immersive sounds intended for blind and low-vision visitors as well as sighted ones. In one of the rooms, attendees with vision can don sleeping masks and listen to a set of immersive sounds, the better to understand Nachum’s experiences from 2004 with touch and navigation. In still another space, guests stroll through a cave covered with pink hydrangeas that can be explored through touch.Nachum’s installations are on view at the moment, but when Mercer Labs officially opens in March, Nachum and Cayre intend for it to become a multipurpose site, with exhibitions by other artists, musicians and even actors; event spaces that can be rented for private use; and displays spotlighting fashion brands as well as up-and-coming New York companies. They would not elaborate on which specific brands or artists they have partnered with, citing nondisclosure agreements.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More