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    Trump’s Attacks on Harris Invoke Ancient Roman Misogyny

    Anastasia KraynyukThe meddler, the schemer, the veiled power behind the throne, the poisoner, the witch. The image of sinister female power hiding in the dark permeates our cultural consciousness. It is a trope that stretches back to the ancient world, when women were excluded from politics and men sought ways to prove that their participation would be unnatural and dangerous. As ancient texts became part of the Western canon, such suspicion became ingrained into our patterns of thought, surviving long after the conditions that created them.About an hour after Joe Biden’s withdrawal from the presidential race in July, a Trump-aligned super PAC released an attack ad. “Kamala was in on it,” a narrator says. She “knew Joe couldn’t do the job, so she did it.” Mr. Trump picked up the theme soon after. Ms. Harris had, he argued, long concealed Mr. Biden’s incapacity, to ensure her own nomination. As focus on the handover itself fades, this idea has come to underpin one of the Trump campaign’s key lines of attack: Ms. Harris has been the power behind the throne all along, and Mr. Biden simply a front. In an early August interview, JD Vance argued that Ms. Harris must have “been the one calling the shots” all along. Mr. Trump has insisted that “Day 1 for Kamala was three and a half years ago.”The accusation that Ms. Harris covered up the state of Mr. Biden’s health is not dependent on her gender. It’s doubtless that Mr. Trump would have deployed the same argument, in one form or another, against a male opponent. But leveled against Ms. Harris, it hits upon the ancient seam of rhetoric that associates women with the clandestine exercise of power, giving it a degree of consequence it would never have carried against a man.The Romans loved a conspiracy theory, and rumors of women-led cover-ups pepper their history. This motif took hold most robustly in the peculiar conditions of the early Roman Empire, as the male aristocrats who’d once ruled the Roman Republic became concerned that women were co-opting power that was rightfully male. It was said that after Augustus, Rome’s first emperor, died, his wife, Livia, continued to issue positive news about his health until she had secured the succession of her son Tiberius. A century later, people whispered that Pompeia Plotina, wife of the emperor Trajan, had concealed her husband’s death for some days, signing his letters to the Senate and forcing through the adoption of her favorite, Hadrian, as his successor.When they talk about women in politics, Roman historians paint us a world of plots designed to circumvent the will of the emperor and the Roman people — and the Trump campaign suggests something similar in its vision of Ms. Harris’s “undemocratic” nomination. It is hard to find a woman of the imperial family who is not accused of using poison — the most covert means of assassination — in pursuit of her goals, and women’s intrigues were often set under cover of night. Messalina, for example, supposedly used a series of fake nightmares to dupe her husband, Claudius, into executing one of her enemies.The rhetoric had elements of truth: The public sphere was all but exclusively accessible to men, and the strongest weapon available to women was influence exerted privately on male rulers. But it was exaggerated beyond all historical reality. The women of the imperial family were well-educated veterans of the political game, with huge public profiles. Petitioners frequently addressed missives to empresses, and some women were granted semiofficial titles that, like the vice presidency, carried the potential for (but no guarantee of) great power. Secrecy was stressed not because it reflected the truth, but because it made a point: Female power was destabilizing and the women who held it were not to be trusted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    To Make Blockbuster Shows, Museums Are Turning to Focus Groups

    To shape its new show about life in the Roman Army, the British Museum put questions to members of the public. Other institutions are also using the same technique.Last January, 14 members of the British public entered a wood-paneled room in the back of the British Museum for a secret presentation. They were there to learn about an exhibition still in development, which the museum wanted kept under wraps.Onscreen in a prerecorded video, the museum’s curator of Roman and Iron Age coins, Richard Addy, outlined his plans for a show about life in the Roman Empire’s army. The exhibition would take visitors from a soldier’s recruitment to his retirement, he said, and would feature hundreds of objects, including the armor that warriors wore on the battlefield and letters they wrote home to their families.When the presentation was finished, a staff member from Morris Hargreaves McIntyre, a company that runs focus groups, asked the museum goers for their thoughts on aspects of Addy’s plan, including which types of artifacts the museum should show, how they should be arranged and even how much entry should cost.Most of the participants seemed excited, according to an anonymized report for the British Museum. Several attendees said they especially liked that the exhibition would focus on the stories of individual soldiers, including everyday subjects like their food and pay.Other participants were more critical. “It comes across a little dry,” one said. “It would be quite boring for a kid,” said another.Sometimes the attendees’ feedback could be “a shock to the curatorial ego,” said Stuart Frost, the British Museum official who oversees focus groups.Andrew Testa for The New York TimesA Roman long shield, or scutum, left, and the central part from a legionary shield, right, used to protect the user’s hand and provide a punching weapon.
    Andrew Testa for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More